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The student shall always overtake the Master... unless, the Master is always a student.


You can control a mad elephant;
You can shut the mouth of the bear and the tiger;
You can ride a lion;
You can play with the cobra;
By alchemy you can eke out your livelihood;
You can wander through the universe incognito;
You can make vassals of the gods;
You can be ever youthful;
You can walk on water and live in fire;
But control of the mind is better and more difficult.

Magik never was about a scrupulous mysticism - it never stood in strange separation from daily activity, as if you could lock it in a ritual room, visited in imperious moments to provoke a Will to manifest. Magik was never about a complaisant scientific experimenting guarded carefully as a wish-fulfilling jewel. You cannot lock it away as a tool, a means to an end. And this is why there are numerous texts prophesying Magikal arts that have only amounted to interesting reading. And the few occult works with finagled promise of a supreme power takes the form of a nonchalant insanity. Magik, to date, in the vast mass of civilization, remains a theoretical notion, a patronisingly treacherous entertainment, because those who speak about it are stuck purely at speech. And the reason for this is simple. Magik is misunderstood. By boxing it into an art of concentrated will, into a numinous collection of ancient words that unlock hidden doors, by making it into a mutated empowerment, the realm of Magik has been infiltrated with half-lies upon half-lies. We have treated Magik like a potion - a concoction; take a swig and transform into that which you delectably desire. Did you seriously think you could plaster a plaque announcing your Mastership in Magikal Arts, and consider yourself credible? And now, we exist in a world that does not see Magik anywhere. Except for fleeting moments within yourselves that you rapidly disregard though it haunts you forever.

The task here is not to salvage Magik back to its glory; it was the glory that destroyed it. The task, rather, is to return it to its original state: a state of humility. Creation itself is Magik. Even more poignantly, the Spirit that forms the whole of Spirituality - is Magik. For too long has this phenomenon been separated wrongfully into two different things. The Mindfulness that induces miraculous feats from the Yogis, the sanctity of the Gnostics, the battleground of the Shaman, the Nowness of the New-Ager, the radiance of the Muslim, the stillness of the Buddhists, the transcendence of Rastafarians, the healing touch of Reiki, the chanting of the Pagan, and the prayer of the Christian - all cause for Spiritual Peace, is a gift of Magik. The importance of integrating Spirit and Magik as one is unmistakable now. This intent of dissolving differences is fundamental to the spiritual process - it is in line with the everlasting Tantric law: separating and comparing the truth that underlies all forms is the cause for suffering. It is the cause of loneliness. This is why Tantra bids you to integrate. Yet the integration is but the first step towards the panorama of the Magikal.

What is Magik? Magik is the 90% of the brain that we don't use. Reality is the other 10 percent. Magik is what's in a child's eye when he sees snow for the first time. Magik is what's in an animal's eye when it first begins to play with the others. It's what's in the eyes of two lovers when they exchange wedding vows. Magik is what clears all normality away. But just because we know about Magik doesn't mean we can use it.

Everything said thus far was to establish that Magik is inert and inherent. But just because you are Magik, does not mean you are doing Magik. It doesn't mean you know how to wield it. This is the sated paradox that actually isn't much of a paradox at all. For all the avid spiritualists keen to run away into a fantasy world emphasising a freedom that they do not possess, let us be clear on the forefront: when you can actually walk on water, then may you consider yourself a wielder of Magik. At any time, upon your will. Until then, you must be innocuously objective about your state of mind, slashing all discordious delusions that snuggles you into a self-made iridescence that actually does not exist. The first lie that must be dropped, is you calling yourself a Magikian just because you believe in Magik. You may be an empath, your intuition may be acute - but this does not make you a Magikian. Call yourself a believer of Magik, and work to become a Magikian. Otherwise you will waste a tremendous amount of time entertaining lies unbridled from any sense of thoughtfulness. Until you can walk on water, you are no Magikian. And when you can walk on water, take the boat.

This is a total revolution of the mind. Internal Silence of the mind - is just that. The Toltecs speak of it as much as the Gnostics and the Buddhists. In order to understand Magik, we need to understand ourselves. We need to know what we fear, what we crave, what we actually want. This is why honesty is so vital, and the writing of a spiritual journal so very necessary. You need to see yourself. And writing only when you feel you have something substantial to say that you have been musing over, is only to tell half of the truth. When a real sincerity is attained, the Magik automatically begins to unfold, and then, you are perfectly synchronised for the instructions of High Magik.

We are all on the same path – towards pathlessness. As the saying goes, "why call it a path? To call it a path denotes a destination, a period of time, and a journey through which to get there. Perhaps you are already here and the only thing stopping you is that you still call it a path."

What is the skilfulness of focusing your Attention? Well, the moment you direct your attention into a state of being, it naturally begins to expand with your breathe - growing more real and tangible. The expansion heightens your awareness. In this way do we bring to ourselves that which has meaning, purpose and direction. Every choice nakedly proclaiming truth and truth alone, because whatever you focus on is what you become – you are forming reality, as predestined as that may be.



In Buddhism, the Diamond Sutra says, “Where there is perception, there is deception.” So on the one hand, the real task is to transcend perception – but since you are already perceiving, you must realise: whatever you perceive will become your reality. And no one else can tell you their perception is more real, because in essence, both perceptions are delusions anyway. In the ultimate state of things, they are delusions. But here, if one man says there is gravity, and you say you can fly, is he really more right than you? Even if you try, and die. Just because all the evidence points in his direction, is yours really a wasted life? People are born, they grow, eat, work, procreate, and die. It is so meaningless, that if you try to fly and burst your brain trying, what is lost? Just cause you stepped out of a queue of conformity; because to them, everything is pointing towards gravity?


Life isn’t about evidence. It isn’t even about being remembered – though we cling to that as a last resort, having nothing else. No one needs to know. And as for the man who challenges you to step in front of a car to show you that he is right, his life itself is empty and without adventure. The best thing that could happen to him is if he himself steps in front of a speeding automobile, just so that, for once in his life, he could feel the rush of life. Because at that very moment all the options that are available to you flashes before you for a split second before you are hit, showing you your infinite power - that somehow, irrevocably, remains untapped. You will know in that millionth of a second that you can prevent this, but not using confidence, not even with belief – but with something that needs a secret realisation, and without it, gravity indeed seems more real. Just because you let that car hit you because you simply do not believe, because you do not know how to tap that potential in you, does not mean that car is all there is. It is much more worthwhile to imagine what kind of reality would allow you to fly, because that... now that would bring you so much closer to what is untapped in you. So what if you fail? Sometimes I think the only reason why we endure the imprisoning aspects of life is because we know somehow that we can fly. Knowing that, deep down, is what gives us strength. We know that we wouldn’t be here, playing this game, if we couldn’t fly. As dark as it may get – the truth is still the same.


And the Truth is beautiful, for it is everywhere. Even in ugliness.


To find the truth, look in simplicity. There is a grand radiance about simplicity that is unmatchable, that builds on itself in absolute poetry - and yet - has not moved at all. Oneness IS Nothingness.

 

The Warrior Code

There are four steps to learning the Warrior Code:

1. Ruthlessness.
2. Cunning.
3. Patience.
4. Sweetness.

Ruthlessness should not be harshness.
Cunning should not be cruelty.
Patience should not be negligence.
Sweetness should not be foolishness.

These four steps have to be practiced and perfected until they are so smooth they are unnoticeable.

Sanity Catch - A Short Film.

I've uploaded the short film I've recently made.

Sanity Catch revolves dimensionally around free-will - in its tangibly raw, real, hectically tragic yet simultaneously liberating essence. A positive message is often more powerful when it touches base with the damningly dirty, primal nature of man, when it trancends a dreamscape to engage the observer with situations that hold for them a moral rigidity. It is where the question of free-will - often considered a pseudoscience - truly arrises, coupled with a dash of spirit.

The objective of the film is not to provoke thought. The objective is to still the mind and touch the soul. Where nothing needs be spoken. Where a deep seed of insight within the subconscious of the observer is sprinkled with perspective.

Check it out:
http://www.vajrakrishna.com/SanityCatch.html

The Five Faces of Shiva.

The last 10 weeks I've been in India.. and for the most part I explored the five elemental shrines of Shiva... now how do I begin to explain the motivation for all this...
 
For those who know little of Hinduism, it is the oldest of religions - in relatable terms only to Paganism where the depth of its age is concerned - And within Hinduism is the three modes of existence: Creation. Preservation. Destruction.
 
Now, I have to clear a common misconception. People know of Hinduism as the religion with more than a million Gods. This is not a dissolution of faiths as much as it is an opportunity for integration. Because each God is merely the representation of the different faces of a Supreme Oneness of things.
 
There are two main factions in Hinduism at the moment, the secular "Vaishnavites" - or devotees of the God Vishnu. The God of Preservation. And there is the "Shaivites" - devotees of Shiva, God of Destruction. These two for the most part segregate from each other and stand firmly opposed, one thinking themselves to be greater than the other. But this sort of segregation is seen everywhere.
 
"Divide and conquer" as the term goes.
 
Yet it is written in the Vedas (The Spiritual Texts that outline the crux of Hinduism) that those "who see Shiva and Vishnu as seperate are fools, akin to dust, for Shiva and Vishnu are one and the same."
 
That preservation and destruction is essentially one and the same. To recognise this beyond its conceptualisation - is to attain spiritual wisdom.
 
The paradoxes are many - the metaphors ravishing and beautiful.
 
"One day of Brahma has 14 Indras; His life has 54,000 Indras. One day of Vishnu is the lifetime of Brahma. The Lifetime of Vishnu is one day of Siva."
 
Yet both Shiva and Vishnu are engaged in utter devotion to each other - like Master and Slave, Guru and Disciple, Teacher and Student - each in multiple forms. They do this to emphasise the importance of this devotion in order to attain truths.
 
The multiplicity of their forms only exists to always express that the supreme oneness has become a multitude of seperation now for no other reason than to devote itself to all its seperate parts.
 
That's not so difficult to understand is it? In such a devotion is oneness regained, and with it, a deep realisation that didn't exist before.
 
Vishnu in more than one context stands as the eternal devotee of Shiva. And Shiva, more than once, came to worship Vishnu. When Vishnu incarnated as Rama from the Ramayana, Shiva came as Hanuman to pay him homage.
 
And so, they play this divine game with one intention - for us to see the depth in it.
 
(As an of-note, if anyone doesn't get any part of what I've quickly summarised so far, please do ask and I'll elaborate)
 
Shiva - is the supreme Brahman - the supreme oneness. He is the lord of dance, the very dance of existence. And that lead me to want to discover every aspect of him - or as much as I could - in the small 10 weeks that I had. And one thing I knew was that in hinduism everything is symbolic for a very practical and applicable truth.
 
Every ritual has a practicality to it. Of course, these things can be quickly made into superstition and unjust crimes of social intollerance when people perform these things without thought or foresight - but that doesn't speak much for their real meaning.
 
So when I saw that Shiva has five faces - I wanted to know the very meaning of it. Of each face. And then I find that he represents the five elements. And each element is represented by a special temple, I decided to make this my goal.
 
To visit each of the five elemental temples of Shiva... not to see the statues, or see the idols... but to feel the very energy of the place.. for if there is any spiritual energy there at all.. it will shed light into my soul.
 
(Another note - I've taken tons of pics, will post them soon as I have arranged them all)
 
I've always wanted to make a film about Shiva.... and this is a true challenge, because it's not really about telling a lifestory of a superhero, or a human.. but a God.
 
And people always seem to get this wrong, because they tell it like a bedtime story... I don't want to do that... so I eagerly soaked in every ounce of what each of his five faces represented... because I wanted that underlying symbolism, that very symmetry to penetrate
every moment of the film.
 
... When I post the pictures of each temple I'll go into detail about each one.
 
Until then,
Speak soon.
My most favourite dream is mass concoction: a gathering of geniuses, of the most formidable minds of humanity all together to concieve a brilliant future; a mechanism arrayed with reasonableness and exploding into dynamism. We don't realise that a metamorphasis is really one of the easiest things to bring about. Looking at the negative - at the chaos around us - we think there is a tragic struggle ahead, how on earth would we possible change a millenium old system of corruption that chokes us all? One answer: Easily. There is really only one other option. To not interfere. In seeing that everything is cyclic, nothing is permenant, to think that the Universe will exist in an eternal state of peace and goodwill is a little naive. This has been the rationale of many great Masters. In the whole scheme of existence, it doesn't matter. It doesn't matter if you are alive or dead. But if it doesn't matter, why not live?
St Johns' Dark Night of the Soul

On a dark night, Kindled in love with yearnings—oh, happy chance!—
I went forth without being observed, My house being now at rest.

In darkness and secure, By the secret ladder, disguised—oh, happy chance!—
In darkness and in concealment, My house being now at rest.

In the happy night, In secret, when none saw me,
Nor I beheld aught, Without light or guide, save that which burned in my heart.

This light guided me More surely than the light of noonday
To the place where he (well I knew who!) was awaiting me—
A place where none appeared.

Oh, night that guided me, Oh, night more lovely than the dawn,
Oh, night that joined Beloved with lover, Lover transformed in the Beloved!

Upon my flowery breast, Kept wholly for himself alone,
There he stayed sleeping, and I caressed him, And the fanning of the cedars made a breeze.

The breeze blew from the turret As I parted his locks;
With his gentle hand he wounded my neck And caused all my senses to be suspended.

I remained, lost in oblivion; My face I reclined on the Beloved.
All ceased and I abandoned myself, Leaving my cares forgotten among the lilies.