Writer - Artist - Producer &

Energy Humanities researcher

based in St. John's, Newfoundland.

Three people taking a selfie in front of a mirror and neon sign that says 'Problem Child' - an art piece by Angela Antle

“Our task is to make trouble, to stir up potent response to devastating events, as well as to settle troubled waters and rebuild quiet places.”
Donna J. Haraway, Staying with the Trouble: Making Kin in the Chthulucene

  • Writing, editing, and story editing for creative writing, film, TV, and podcast projects. I am assistant editor of the Radio Doc Review academic journal and a lecturer at Memorial University where I teach grad and undergrad courses in creative writing.

  • A former CBC producer with over 30 years of production experience, I can help bring your podcast and documentary to life. My work is collaborative and compassionate and has been recognized by the New York Festivals, The Dublin International Film Festival, The Gabriels, the Prix Marulic, the Atlantic Journalism Awards, the Gracie Allen Awards and more.

  • I work in a variety of materials: from interactive installations, to neon, and encaustic, to explore post-human feminist themes; exploring the role of the individual and community in crafting a more socially and environmentally just future. Works can be seen at the Rooms Provincial Art Gallery, and in the City of St. John’s collection. I love participatory and collaborative projects - especially around environmental themes.

  • I currently host Memorial University’s Coastlines Book Club, co-host the annual Writers at Woody Point Literary Festival and well-known in the creative community for launching books and hosting events.

Book cover for 'The Saltbox Olive' by Angela Antle, featuring a collage illustration of a woman with a black house-shaped hat and a pink and white abstract face, with decorative patterns in the background.

The Saltbox Olive

Set in Italy during WW2, this novel challenges hero archetypes, examines propaganda, and the erasure of women’s roles in the conflict. Decades after the war, Artist Caroline Fisher sets out to solve a family mystery and learn the truth about why her grandfather burned the wartime letters of his deceased brother Arch who died under mysterious circumstances while they were serving in the Apennines with the British Army, 166th (Newfoundland) Artillery Regiment.

Caroline’s quest to discover what happened to the Fisher brothers stirs up the dust of massacres, jealousy, and broken promises, but ultimately leads to the discovery of forgotten work from a female war photographer and links to the Italian resistance, creating an unexpected future from the wreckage of war.

Coming in May 2025, from Breakwater Books.

A woman with short brown hair, glasses, and a black coat smiling outdoors near a body of water with boats, rocky hills, and a partly cloudy sky in the background.

2023 Cohort

I’m honoured to participate in the 2024 cohort of the Norwegian University of Life Sciences’ energy transition research school. Along with other researchers worldwide, I’ll explore and write about low-carbon energy sites and the political and social challenges of the energy transition.

Keep an eye on this space for writing about solar, wind, wave and other renewable projects.