Andrea Berting is a live theater professional, having spent most of her career backstage in the world of wardrobe. It took a global pandemic closing down theaters worldwide to get her to sit down and write her first screenplay, but now that she’s started she can’t stop. Her dramedy feature, BREAST IN SHOW, won Best Original Comedy Feature at the 2022 Richmond International Film Festival, as well as earning her a position as an ISA Fast Track Fellow. She was also named one of NetworkISA’s Top 25 Screenwriters to Watch in 2024.
Considering her professional background in live theater it took a surprisingly long time for Andrea to start writing for stage, but she is now a proud, produced playwright. Her ten-minute play LITTLE KASIA MEETS THE GOD OF DEATH was a part of the Fargo-Moorhead Community Theater’s 10 Minute Play Festival, and was also selected to represent the Festival performing live on North Dakota Today. In addition, her romantic dramedy RED DEVIL won the 2025 Meanwhile Park Playwright Prize.
As a young breast cancer survivor who struggles with bipolar disorder, Andrea uses real-life experience to inspire women-centered stories about finding the joy and levity inside heartbreak and tragedy. Andrea received her BFA in Theater Education from VCU in Richmond, VA. She lives in Chicago with her husband and very anxious rescue dog. You can keep up with Andrea on Instagram or Twitter at @andreaberting.
Literary Manager:
Allen Eckhouse
Logical Talent Management
allen@logicaltalent.com
With sharp dialogue, intergenerational wit, and a beautiful final twist, this play becomes a love story about survival, visibility, and dancing through grief.
...Red Devil becomes something rare: a story that leaves the room quieter, more open, and maybe—just maybe—more willing to love without guarantees.
Alternately touching and hilarious...
...wonderfully crafted story...
...exquisitely balanced wit and emotional sincerity...
“The Writer’s Cut” is a movie review and discussion podcast for screenwriters, by screenwriters Andrea Berting and Trevor Owens. Each week, they discuss a film that won a screenwriting award from the Writers Guild of America, starting with the first awards in 1949 and moving on towards today. Available wherever you get your podcasts.