Midnight Musings
A sleep-deprived discussion at the cross-section of literature, sports, and human rights
The old law in romance decrees, “Opposites attract.” Well, the Romantics—Lord Byron, the Shelleys, and whomever else you fans of early 19th century literature may conceive of—might have developed their forum on similar interests, but the swooning saga that is sports derides half of its pleasure from opposite archetypes creating legendary personas on the field. When Billy Beane, in Moneyball, asks, “How can you not be romantic about baseball?”, it’s not merely the game he’s talking about: It’s every nook and cranny on the diamond. And that, too, expands outside the game.
I can think of few better examples than two of the most dominant pitchers of the 1990s: Hall of Famers Randy Johnson and Greg Maddux. Two completely different molds created two of the greatest arms in baseball history. Maddux, undersized for the position, whose fastball rarely touched 90, induced weak contact and turned the batter-pitcher relationship into a Socratic dialogue. Case in point: This clip, of Barry Bonds and Maddux discussing one of their showstopping back-and-forth battles. It’s the mental side of baseball at its finest. What Maddux understood, better than anyone else, is that the batter is a human being. He capitalized on that weakness.
For Johnson, the show stopped the second he walked on to the mound. A towering 6 feet, 10 inches, all the Big Unit had to do was drop the ball into the catcher’s mitt. That’s how close he would land on release; unfortunately for batters, the fear factor was dialed up a notch once the radar gun got involved. Shoot, he didn’t even need a shotgun to go bird hunting, that’s how hard Randy Johnson threw. 100 miles an hour coming from fifty feet would make any bird explode.
Both pitched for around 22 seasons; both won 300 games; both struck out over 3,300 hitters, even considering Maddux only had one season with 200 punch-outs. Yet I could not imagine two players being more opposite, in terms of playing style and physique.
Of course, I don’t have to imagine it: They do exist. For every ultra-athletic freak wide receiver, a la Julio Jones or Calvin Johnson, who mashed together unholy size and speed, there were the Antonio Browns and Steve Smiths and Julian Edelmans of the world, undersized players who utilized elite route running to make names for themselves. There are, of course, poorer examples: For every five-tool player like Mookie Betts,1 or every superstar passer like Josh Allen, there’s a Luis Arraez or Josh Rosen, guys who have one usable trait to keep them on the field, or none.
Diversification is the crux of what keeps sports interesting. Imagine, for a moment, if every basketball player looked and played like, I don’t know, DeMar DeRozan. It would get pretty boring after a while, no? A bunch of 6’7” athletic wings who played solid defense in their prime and had the best midrange since the 1990s sounds fine and dandy, but wait until that 30th midrange pullup swishes through the net. Or, better yet: What if every NFL player looked, played, and acted like Marshawn Lynch?
On second thought, that might be the best version of the NFL.
These are, however, rather arbitrary examples of variance; as integral to modern society as they are, sports are only a microcosm of the human experience. Human history has often sought to maintain an in-group, out-group dynamic, tribalizing for the sake of it. Today is no exception. Political polarization divides an already divided nation, and the metaphorical Mason-Dixon line is starting to bleed once more, no thanks to Thomas Pynchon.2 It is a friendly reminder, sometimes, that those differences do not take away that most central quality in all of us: our humanity. It is hard, now, to think about sports, or writing, or writing about sports, without acknowledging the constant atrocities occurring within and outside this nation’s borders. Like great fantasy novels, sometimes sports are the best model for the way life operates.3
Whether you’re watching the NFL playoffs, or Jaylen Brown carry the Celtics to a top seed in the Eastern Conference, or, perhaps, the news, seeing innocent lives being taken by the actions of a government that does not serve its people, understand that the “others,” the ones that are being detained for no good reason other than petty, baseless suspicion, the ones slaving away, day after day, to barely make ends meet, or the ones grinding away on the gridiron for your entertainment, year after year, are people. They are humanity at its core.
Whatever inhabits the owner’s box lost that attribute long ago.4
It’s important for me to note that I originally had Mike Trout placed here, and came across a Harvard Sports Analysis Collective study that states Trout, given his high-strikeout rate and below-average defense, is a three-tool player. I don’t disagree that Mookie Betts is a five-tool guy, but saying Trout has a high strikeout rate and doesn’t play solid defense is essentially a declaration that you’ve limited where you’re getting your information from, or how wide your comparison is. For how the league has operated since Trout’s debut, he’s been league-average in strikeout percentage, and as for defensive metrics, his prime saw him fluctuate from slightly below average to well above average. So, from one Ivy Leaguer to another, I have this to say: Watch some highlights, then try to tell me Mike Trout wasn’t a five-tool player.
Pynchon wrote a novel, Mason & Dixon, whose concept I believe you can piece together. He also penned Vineland, the basis for the film One Battle After Another, which satirizes both right-wing authoritarianism and left-wing opposition movements. “Satirize” might not be the right word: Everything is dialed up to eleven. It’s not so much a mockery as it is a message screamed directly into your ear.
I’m kind of disgusted that this piece went from the Romantics, to Moneyball, then circled around to Thomas Pynchon and fantasy novels, all while trying to remain on the topic of opposite archetypes in similar sports positions. Diabolical behavior, but fuck it.
In response to a question about understanding where race rioters were coming from, President Donald Trump responded: “Yeah, you do [have to step out of your own shoes]. But you can see things even from your shoes… I don’t think you necessarily have to be there.” It is a limit in perspective that results in the tarnishing of the human experience. Quote credit: Bob Woodward, The Trump Tapes.

