Chinese Calligraphy Review (中华书法评论)

Chinese Calligraphy Review (中华书法评论)

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The “Poet Sage’s Hand” on Stone
— On Du Fu’s Cliff Inscription of Poem on Ascending the Southern Mountain with Lord Yan on the Ninth Day (Yan Gong Jiuri Nanshan Shi 《严公九日南山诗》) and Its…
 • 中国思想快递
The “Shadows of Yan’s Hand” on a Dunhuang Scrap
— P.4764 and the Distance Between Late Tang Calligraphy and Today’s Exhibition Style
 • 中国思想快递
On Authenticating and Interpreting an Anonymous Running-Regular Scroll
—— Doubts and Merits in a Wumen-Style Xingshu Hand
 • 中国思想快递
The Lines Have Strength; the Structure Needs to Draw In
—On the Strengths and Weak Spots of a Running-Regular Script Work by Sun Xiaoyun
 • 中国思想快递
What, After All, Is Calligraphy?
— Understanding the Nature of Chinese Calligraphy Through Brushes with Power
 • 中国思想快递
Where This Huang Tingjian Colophon Looks Right—and Where It Doesn’t
黄庭坚这页题跋到底哪里像、哪里不对
 • 中国思想快递
Easy to Imitate Mi Fu’s Look, Hard to Learn His Bone
像米芾的形易，像米芾的骨难—-评一组行书的优点与短板
 • 中国思想快递
Chinese Calligraphy Review (中华书法评论)
Chinese Calligraphy Review (中华书法评论)
Chinese Calligraphy Review is a publication dedicated to art study and critique. It provides timely translations of contemporary critiques of Chinese calligraphy and aims to engage a broader, global readership in better understanding calligraphy.
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Chinese Calligraphy Review (中华书法评论)

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