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  <id>urn:lj:livejournal.com:atom1:whileaway</id>
  <title>Whileaway</title>
  <subtitle>Feminist Discussion of Fantasy and Science-Fiction</subtitle>
  <author>
    <name>Whileaway</name>
  </author>
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  <updated>2012-04-01T21:58:09Z</updated>
  <lj:journal userid="607929" username="whileaway" type="community"/>
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  <entry>
    <id>urn:lj:livejournal.com:atom1:whileaway:151003</id>
    <author>
      <name>Calico Reaction</name>
    </author>
    <lj:poster user="calico_reaction" userid="9039578"/>
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    <title>March Review Round-Up</title>
    <published>2012-04-01T21:58:09Z</published>
    <updated>2012-04-01T21:58:09Z</updated>
    <content type="html">&lt;center&gt;&lt;img src="https://img.photobucket.com/albums/v29/devilwrites/Book%20Covers/Monthly%20Round%20Ups/0312_Monthly-Round-Up.jpg" fetchpriority="high"&gt;&lt;/center&gt;&lt;br /&gt;&lt;br /&gt;Here are the reviews posted during March. Please note, this is not a comprehensive list of books I &lt;i&gt;read&lt;/i&gt; in March, but rather the books I had the time to review before month's end.&lt;br /&gt;&lt;br /&gt;1) Grant Morrison: &lt;i&gt;Joe the Barbarian&lt;/i&gt;: &lt;a href="http://calico-reaction.livejournal.com/292518.html" target="_blank"&gt;Couldn't Put It Down&lt;/a&gt;&lt;br /&gt;2) Mark Budz: &lt;i&gt;Idolon&lt;/i&gt;: &lt;a href="http://calico-reaction.livejournal.com/293353.html" target="_blank"&gt;Worth Reading, with Reservations&lt;/a&gt;&lt;br /&gt;3) Maria V. Snyder: &lt;i&gt;Touch of Power&lt;/i&gt;: &lt;a href="http://calico-reaction.livejournal.com/293717.html" target="_blank"&gt;Worth Reading, with Reservations&lt;/a&gt;&lt;br /&gt;4) Gail Carriger: &lt;i&gt;Timeless&lt;/i&gt;: &lt;a href="http://calico-reaction.livejournal.com/294460.html" target="_blank"&gt;Couldn't Put It Down&lt;/a&gt;&lt;br /&gt;5) Rebecca Guay: &lt;i&gt;A Flight of Angels&lt;/i&gt;: &lt;a href="http://calico-reaction.livejournal.com/294898.html" target="_blank"&gt;Good Read&lt;/a&gt;&lt;br /&gt;6) Elizabeth Bear: &lt;i&gt;Chill&lt;/i&gt;: &lt;a href="http://calico-reaction.livejournal.com/295020.html" target="_blank"&gt;Worth Reading, with Reservations&lt;/a&gt;&lt;br /&gt;7) Martha Wells: &lt;i&gt;The Cloud Roads&lt;/i&gt;: &lt;a href="http://calico-reaction.livejournal.com/295628.html" target="_blank"&gt;Good Read&lt;/a&gt;&lt;br /&gt;8) Margo Lanagan: &lt;i&gt;Black Juice&lt;/i&gt;: &lt;a href="http://calico-reaction.livejournal.com/295704.html" target="_blank"&gt;Worth Reading, with Reservations&lt;/a&gt;&lt;br /&gt;9) Seanan McGuire: &lt;i&gt;Discount Armageddon&lt;/i&gt;: &lt;a href="http://calico-reaction.livejournal.com/297059.html" target="_blank"&gt;Couldn't Put It Down&lt;/a&gt;&lt;br /&gt;10) Rick Yancey: &lt;i&gt;The Monstrumologist&lt;/i&gt;: &lt;a href="http://calico-reaction.livejournal.com/297325.html" target="_blank"&gt;Good Read&lt;/a&gt;&lt;br /&gt;11) Nick Spencer: &lt;i&gt;Morning Glories: Deluxe Collection: Volume 1&lt;/i&gt;: &lt;a href="http://calico-reaction.livejournal.com/298546.html" target="_blank"&gt;Couldn't Put It Down&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;As always, comments and discussion are most welcome. :)</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:whileaway:150628</id>
    <author>
      <name>Dwelling in Probabilities - C. Lundoff's Journal</name>
    </author>
    <lj:poster user="ex_catherin85" userid="9882815"/>
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    <title>Looking for suggestions for a Twitter chat on feminist/queer/outsider cyberpunk</title>
    <published>2011-09-20T21:42:17Z</published>
    <updated>2011-09-21T19:43:51Z</updated>
    <content type="html">I'm co-moderating a Twitter chat with @bleedingchrome on October 9th on the topic so I'd love lots of participation and suggestions. I've read some things (Scott, Cadigan, Pollack, etc.) of course, but don't think I've run across much international cyberpunk and virtually nothing by writers of color.&lt;br /&gt;&lt;br /&gt;You can see the full schedule of feministsf twitter chats here.&lt;br /&gt;Https://twitter.com/#!/search/realtime/%23FeministSF</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:whileaway:150363</id>
    <author>
      <name>Ide Cyan</name>
    </author>
    <lj:poster user="ide_cyan" userid="466158"/>
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    <title>Say Yes to Gay YA</title>
    <published>2011-09-12T20:26:52Z</published>
    <updated>2011-09-12T20:40:45Z</updated>
    <content type="html">Rachel Manija Brown (&lt;span  class="ljuser  i-ljuser  i-ljuser-type-P     "  data-ljuser="rachelmanija" lj:user="rachelmanija" &gt;&lt;a href="https://rachelmanija.livejournal.com/profile/"  target="_self"  class="i-ljuser-profile" &gt;&lt;img  class="i-ljuser-userhead"  src="https://l-stat.livejournal.net/img/userinfo_v8.png?v=17080&amp;v=924" /&gt;&lt;/a&gt;&lt;a href="https://rachelmanija.livejournal.com/" class="i-ljuser-username"   target="_self"   &gt;&lt;b&gt;rachelmanija&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;) and Sherwood Smith (&lt;span  class="ljuser  i-ljuser  i-ljuser-type-P     "  data-ljuser="sartorias" lj:user="sartorias" &gt;&lt;a href="https://sartorias.livejournal.com/profile/"  target="_self"  class="i-ljuser-profile" &gt;&lt;img  class="i-ljuser-userhead"  src="https://l-stat.livejournal.net/img/userinfo_v8.png?v=17080&amp;v=924" /&gt;&lt;/a&gt;&lt;a href="https://sartorias.livejournal.com/" class="i-ljuser-username"   target="_self"   &gt;&lt;b&gt;sartorias&lt;/b&gt;&lt;/a&gt;&lt;a class="i-ljuser-badge i-ljuser-badge--pro" data-badge-type="pro" data-placement="bottom" data-pro-badge data-pro-badge-type="1" data-is-raw hidden href="#"&gt;&lt;span class="i-ljuser-badge__icon"&gt;&lt;svg class="svgicon" width="25" height="16" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 33 24"&gt;&lt;path fill-rule="evenodd" d="M19.326 11.95c0 2.01 1.47 3.45 3.48 3.45 2.02 0 3.49-1.44 3.49-3.45 0-2.01-1.47-3.45-3.49-3.45-2.01 0-3.48 1.44-3.48 3.45Zm5.51 0c0 1.24-.8 2.19-2.03 2.19-1.23 0-2.02-.95-2.02-2.19 0-1.25.79-2.19 2.02-2.19s2.03.94 2.03 2.19ZM7.92 15.28H6.5V8.61h3.12c1.45 0 2.24.98 2.24 2.15 0 1.16-.8 2.15-2.24 2.15h-1.7v2.37Zm1.51-3.62c.56 0 .98-.35.98-.9 0-.56-.42-.9-.98-.9H7.92v1.8h1.51ZM18.3802 15.28h-1.63l-1.31-2.37h-1.04v2.37h-1.42V8.61h3.12c1.39 0 2.24.91 2.24 2.15 0 1.18-.74 1.81-1.46 1.98l1.5 2.54Zm-2.49-3.62c.57 0 1-.34 1-.9s-.43-.9-1-.9h-1.49v1.8h1.49Z" clip-rule="evenodd"/&gt;&lt;path fill-rule="evenodd" d="M2 8c0-2.20914 1.79086-4 4-4h20.5c2.2091 0 4 1.79086 4 4v7.9c0 2.2091-1.7909 4-4 4H6c-2.20914 0-4-1.7909-4-4V8Zm4-2.5h20.5C27.8807 5.5 29 6.61929 29 8v7.9c0 1.3807-1.1193 2.5-2.5 2.5H6c-1.38071 0-2.5-1.1193-2.5-2.5V8c0-1.38071 1.11929-2.5 2.5-2.5Z" clip-rule="evenodd"/&gt;&lt;/svg&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;) were told by a literary agent that their Young Adult novel would be represented -- if they made a gay character straight or wrote him out altogether.&lt;br /&gt;&lt;br /&gt;They refused.&lt;br /&gt;&lt;br /&gt;They have written a blog entry about the gatekeepers of publishing who may be keeping gay characters out of young adult fiction, and are asking you to help change the status quo.&lt;br /&gt;&lt;br /&gt;See what they wrote, and pass it on:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://blogs.publishersweekly.com/blogs/genreville/?p=1519" title="Authors Say Agents Try to “Straighten” Gay Characters in YA" target="_blank" rel="nofollow"&gt;http://blogs.publishersweekly.com/blogs/genreville/?p=1519&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;(Twitter hashtag: &lt;a href="http://twitter.com/#!/search?q=%23YesGayYA" target="_blank" rel="nofollow"&gt;#YesGayYA&lt;/a&gt;)</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:whileaway:150115</id>
    <author>
      <name>Humph</name>
    </author>
    <lj:poster user="spiralsheep" userid="7898733"/>
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    <title>Two sets of links</title>
    <published>2011-07-05T21:59:03Z</published>
    <updated>2011-07-05T21:59:03Z</updated>
    <content type="html">1. &lt;a href="http://ecominded-poc.dreamwidth.org/19890.html" target="_blank" rel="nofollow"&gt;Via unusualmusic @ ecominded_poc @ dw (with three further links)&lt;/a&gt;:&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;UK-based Zimbabwean author Masimba Musodza has written the first science fiction novel in ChiShona, the native language of the Shona people of Zimbabwe and Southern Zambia. And it tells the story of native beliefs clashing with corporate mad science. MunaHacha Maive Nei is also the first chiShona novel available on the Kindle. According to the ImageNations blog, this is a huge step forward in a region where English, or a pidgin version of English, is still considered the "most common form of communication." Musodza, who's also the author of some detective novels and the novel The Man who turned into a Rastafarian, has lived in England since 2002. (ChiShona is a common enough language in England that it's used on official forms.)&lt;br /&gt;&lt;br /&gt;Here's how Musodza's press release describes the novel:&lt;br /&gt;&lt;br /&gt;MunaHacha Maive Nei weaves issues of greed &amp; corruption, sustainable development, international corporate intrigue and concerns around bio-technology. Chemicals from a research station conducting illegal experiments begin to seep in to the local ecosystem, causing mutations in the flora and fauna. When a child is attacked by a giant fish, the villagers think it is an affronted mermaid-traditional custodian of the ecology- and seek to appease it according to the prescription of folk-lore. However, the reality of what is happening soon becomes evident, a reality more terrifying than any legend or belief.&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;2. Also, &lt;a href="http://unusualmusic.dreamwidth.org/1074787.html" target="_blank" rel="nofollow"&gt;via unusualmusic @ her dw journal&lt;/a&gt; Zadie Smith (&lt;a href="http://www.literateur.com/interview-with-zadie-smith/?page=1" target="_blank" rel="nofollow"&gt;excerpt from this interview @ literateur&lt;/a&gt;):&lt;br /&gt;&lt;br /&gt;&lt;blockquote&gt;"This is a long way of saying that On Beauty was the end of all that for me – of trying to get people’s approval by writing myself IN to this English tradition. I just don’t care any more. All I can do is continue to work very hard on my little projects, taking in any influence I feel like, and not fearing subjects that interest me. 19th century Jamaica interests me. The 70’s Black Power movement in London interests me. The feminist lesbian movements of the 60’s and 70’s interest me. At the moment, sci fi, speculative fiction, interests me enormously. I’m so excited now about the next decade. I feel free!"&lt;/blockquote&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:whileaway:149769</id>
    <author>
      <name>Humph</name>
    </author>
    <lj:poster user="spiralsheep" userid="7898733"/>
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    <title>Under an Emerald Sky by Olukemi Amala</title>
    <published>2011-06-24T22:11:54Z</published>
    <updated>2011-06-24T22:11:54Z</updated>
    <content type="html">There's a review of Under an Emerald Sky by Olukemi Amala at the F-Word and it sounds magical realist or possibly even fantasy so might interest &lt;span  class="ljuser  i-ljuser  i-ljuser-type-C     "  data-ljuser="whileaway" lj:user="whileaway" &gt;&lt;a href="https://whileaway.livejournal.com/profile/"  target="_self"  class="i-ljuser-profile" &gt;&lt;img  class="i-ljuser-userhead"  src="https://l-stat.livejournal.net/img/community.png?v=556&amp;v=924" /&gt;&lt;/a&gt;&lt;a href="https://whileaway.livejournal.com/" class="i-ljuser-username"   target="_self"   &gt;&lt;b&gt;whileaway&lt;/b&gt;&lt;/a&gt;&lt;/span&gt; readers:&lt;br /&gt;&lt;br /&gt;&lt;a target='_blank' href='http://www.thefword.org.uk/reviews/2011/05/under_an_emerald_sky' rel='nofollow'&gt;http://www.thefword.org.uk/reviews/2011/05/under_an_emerald_sky&lt;/a&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:whileaway:149586</id>
    <author>
      <name>Ide Cyan</name>
    </author>
    <lj:poster user="ide_cyan" userid="466158"/>
    <link rel="alternate" type="text/html" href="https://whileaway.livejournal.com/149586.html"/>
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    <title>"Dirty Wordies, or, The Fiendish Thingie", a speech by Joanna Russ</title>
    <published>2011-06-04T01:17:44Z</published>
    <updated>2011-06-04T01:19:45Z</updated>
    <content type="html">Read &lt;a href="http://future-of-feminism.dreamwidth.org/3720.html" target="_blank" rel="nofollow"&gt;"Dirty Wordies, or, The Fiendish Thingie" here&lt;/a&gt;!  (If you're curious what she had to say about "fuck"!)&lt;br /&gt;&lt;br /&gt;It's a speech from 1969, which I don't believe has been collected since it was printed in a zine in 1970, which I've transcribed for others to read.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:whileaway:149442</id>
    <author>
      <name>Ide Cyan</name>
    </author>
    <lj:poster user="ide_cyan" userid="466158"/>
    <link rel="alternate" type="text/html" href="https://whileaway.livejournal.com/149442.html"/>
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    <title>Joanna Russ, 1937-2011</title>
    <published>2011-04-29T19:49:04Z</published>
    <updated>2011-04-29T19:49:04Z</updated>
    <content type="html">Reports now say that Joanna Russ died this morning.&lt;br /&gt;&lt;br /&gt;&lt;a target='_blank' href='http://www.locusmag.com/News/2011/04/joanna-russ-1937-2011/' rel='nofollow'&gt;http://www.locusmag.com/News/2011/04/joanna-russ-1937-2011/&lt;/a&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:whileaway:149115</id>
    <author>
      <name>Ide Cyan</name>
    </author>
    <lj:poster user="ide_cyan" userid="466158"/>
    <link rel="alternate" type="text/html" href="https://whileaway.livejournal.com/149115.html"/>
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    <title>Bad news about Joanna Russ's health.</title>
    <published>2011-04-28T06:16:58Z</published>
    <updated>2011-04-28T06:16:58Z</updated>
    <content type="html">Just saw this report that Joanna Russ has been admitted to hospice after suffering a series of strokes:&lt;br /&gt;&lt;br /&gt;&lt;a target='_blank' href='http://www.sfsite.com/news/2011/04/27/joanna-russ-in-hospice/' rel='nofollow'&gt;http://www.sfsite.com/news/2011/04/27/joanna-russ-in-hospice/&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;It doesn't look good. :-(</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:whileaway:148797</id>
    <author>
      <name>Ide Cyan</name>
    </author>
    <lj:poster user="ide_cyan" userid="466158"/>
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    <title>Mod note</title>
    <published>2011-02-14T17:19:10Z</published>
    <updated>2011-02-14T17:22:24Z</updated>
    <content type="html">Due to recent spam comments, I've turned on Captcha and screening for anonymous comments for the community. &lt;span  class="ljuser  i-ljuser  i-ljuser-type-C     "  data-ljuser="whileaway" lj:user="whileaway" &gt;&lt;a href="https://whileaway.livejournal.com/profile/"  target="_self"  class="i-ljuser-profile" &gt;&lt;img  class="i-ljuser-userhead"  src="https://l-stat.livejournal.net/img/community.png?v=556&amp;v=924" /&gt;&lt;/a&gt;&lt;a href="https://whileaway.livejournal.com/" class="i-ljuser-username"   target="_self"   &gt;&lt;b&gt;whileaway&lt;/b&gt;&lt;/a&gt;&lt;/span&gt; members, please unscreen anonymous replies from non-spammers when you get them on your entries if need be -- you can do it yourselves without help from moderators (see the &lt;a href="http://www.livejournal.com/support/faqbrowse.bml?faqid=15" target="_blank"&gt;LJ FAQ&lt;/a&gt;), but contact us as usual if you get trolls or flames that need further action. Thanks.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:whileaway:148686</id>
    <author>
      <name>Zeborah</name>
    </author>
    <lj:poster user="zeborahnz" userid="3733504"/>
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    <title>Anno Domini 2000; or, Women's Destiny</title>
    <published>2010-10-31T10:51:44Z</published>
    <updated>2010-10-31T10:51:44Z</updated>
    <content type="html">Sir Julius Vogel based his 1889 utopia on three principles, which he helpfully lays out in the epilogue:&lt;ol&gt;&lt;li&gt;there's no reason women can't do everything men can [except for a telling blind spot he has regarding participation in and leading of the armed forces];&lt;/li&gt;&lt;li&gt;there's no reason the various British colonies shouldn't form a British empire;&lt;/li&gt;&lt;li&gt;there's no reason we shouldn't eliminate poverty [on the grounds that a) it's easy enough to give everyone basic sustenance and lodging, and b) this won't eliminate ambition but rather stoke it because ambition increases the higher up the foodchain you get, and the poorest people are actually too poor to have energy for ambition].&lt;/li&gt;&lt;/ol&gt;I review the novel on my &lt;a href="http://zeborah.dreamwidth.org/77080.html" target="_blank" rel="nofollow"&gt;DreamWidth&lt;/a&gt; (or my &lt;a href="http://zeborahnz.livejournal.com/77750.html" target="_blank"&gt;LiveJournal&lt;/a&gt;), and the book is available in various e-formats at the &lt;a href="http://www.nzetc.org/tm/scholarly/tei-AnnVoge.html" target="_blank" rel="nofollow"&gt;New Zealand Electronic Text Centre&lt;/a&gt;.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:whileaway:148400</id>
    <author>
      <name>Humph</name>
    </author>
    <lj:poster user="spiralsheep" userid="7898733"/>
    <link rel="alternate" type="text/html" href="https://whileaway.livejournal.com/148400.html"/>
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    <title>In which a woman appears to have invented time travel... or not</title>
    <published>2010-10-29T16:08:11Z</published>
    <updated>2010-10-29T16:08:11Z</updated>
    <content type="html">This story is presumably bunkum but I thought it might be amusingly relevant to &lt;span  class="ljuser  i-ljuser  i-ljuser-type-C     "  data-ljuser="whileaway" lj:user="whileaway" &gt;&lt;a href="https://whileaway.livejournal.com/profile/"  target="_self"  class="i-ljuser-profile" &gt;&lt;img  class="i-ljuser-userhead"  src="https://l-stat.livejournal.net/img/community.png?v=556&amp;v=924" /&gt;&lt;/a&gt;&lt;a href="https://whileaway.livejournal.com/" class="i-ljuser-username"   target="_self"   &gt;&lt;b&gt;whileaway&lt;/b&gt;&lt;/a&gt;&lt;/span&gt; members' interests. De-bunk at will, or not, in comments. I'm thinking of starting a conspiracy theory that Connie Willis' agent planted the 'shopped film clip to virally market her time travel stories to Charlie Chaplin fans.... ;-)&lt;br /&gt;&lt;br /&gt;&lt;a target='_blank' href='http://www.bbc.co.uk/news/uk-northern-ireland-11646933' rel='nofollow'&gt;http://www.bbc.co.uk/news/uk-northern-ireland-11646933&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Has Belfast film-maker found time travel evidence?&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;A Belfast film-maker has posted a video on the internet showing what he says could be evidence of time travelling. George Clarke from east Belfast has been puzzled for more than a year by a scene in a film which appears to show a woman talking on a mobile phone. The unusual thing is that the movie was made by Charlie Chaplin in 1928 - long before mobile phones were invented. In the eight days since George posted the &lt;a href="http://www.youtube.com/watch?v=DF8WF3vGUn8" target="_blank" rel="nofollow"&gt;clip on Youtube&lt;/a&gt; - more than 1.5m people have viewed the video online. Even the US talk show host Jay Leno created his own spoof version.&lt;br /&gt;&lt;br /&gt;George was checking the extras on a Chaplin DVD box-set and began watching a clip of the 1928 Hollywood premiere of The Circus.&lt;br /&gt;&lt;br /&gt;"As I sat back to watch it I realised in the first 30 seconds there's A lady strolling by with her hand up to her ear which looked quite familiar in today's society. So I wound it back and watched it again, zoomed it in and slowed it down and got other people in to check it out. Everybody had the same reaction - it looks like she's talking on a mobile phone."&lt;br /&gt;&lt;br /&gt;He has since showed the clip to a number of people, including the audience of a Belfast film festival. He said no-one has been able to provide an explanation. Since posting it on Youtube it has had more that 1.5m views and provoked 10,000 comments.&lt;br /&gt;&lt;br /&gt;"A mystery like this one, bottom line I don't think we're ever going to find out," George said. "My initial reaction was that's a mobile phone, they weren't around then, my only explanation - and I'm pretty open-minded about the sci-fi element of things - it was kind of like wow that's somebody that's went back in time."</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:whileaway:147969</id>
    <author>
      <name>Tangendentalism</name>
    </author>
    <lj:poster user="tangendentalism" userid="1792395"/>
    <link rel="alternate" type="text/html" href="https://whileaway.livejournal.com/147969.html"/>
    <link rel="self" type="text/xml" href="https://whileaway.livejournal.com/data/atom/?itemid=147969"/>
    <title>whileaway @ 2010-07-16T12:21:00</title>
    <published>2010-07-16T12:13:58Z</published>
    <updated>2010-07-16T12:13:58Z</updated>
    <content type="html">Hi folks,&lt;br /&gt;&lt;br /&gt;I've been asked to prepare some texts for a two week slot on gender for the 2nd year theory course at my university next year. I'm confident that I can put the theory stuff together, but I'd like to set some science fiction to go with it. So, I'm looking for suggestions for feminist/gender-aware science fiction (preferably short stories). Obviously, I'm starting with the Tiptree lists, but I need work primarily by British* authors. Thoughts?&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;br /&gt;&lt;small&gt;*Any Anglophone lit should be ok, but I'll struggle to get American/Canadian lit through the teaching and learning committee - academic politics eh?&lt;/small&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:whileaway:147750</id>
    <author>
      <name>Calico Reaction</name>
    </author>
    <lj:poster user="calico_reaction" userid="9039578"/>
    <link rel="alternate" type="text/html" href="https://whileaway.livejournal.com/147750.html"/>
    <link rel="self" type="text/xml" href="https://whileaway.livejournal.com/data/atom/?itemid=147750"/>
    <title>McDonald, Sandra: Diana Comet and Other Improbable Stories</title>
    <published>2010-06-05T02:52:08Z</published>
    <updated>2010-06-05T02:52:08Z</updated>
    <content type="html">&lt;img style="FLOAT: right; MARGIN: 0px 0px 10px 10px; WIDTH: 150px; CURSOR: hand" alt="" src="https://img.photobucket.com/albums/v29/devilwrites/Book%20Covers/Reviews/DianaComet.jpg" border="0" fetchpriority="high" /&gt;&lt;b&gt;&lt;a href="http://www.amazon.com/gp/product/1590210948/ref=s9_simh_gw_p14_i1?pf_rd_m=ATVPDKIKX0DER&amp;amp;pf_rd_s=center-2&amp;amp;pf_rd_r=1TGQVJFGRAQ5802M9KQM&amp;amp;pf_rd_t=101&amp;amp;pf_rd_p=470938631&amp;amp;pf_rd_i=507846" target="_blank"&gt;Diana Comet and Other Improbable Stories&lt;/a&gt;&lt;/b&gt; (2010)&lt;br /&gt;Written by: &lt;a href="http://homepage.mac.com/samcdonald/" target="_blank"&gt;Sandra McDonald&lt;/a&gt;&lt;br /&gt;Genre: Short Stories/Fantasy&lt;br /&gt;Pages: 282 (Trade Paperback)&lt;br /&gt;&lt;br /&gt;&lt;b&gt;The premise&lt;/b&gt;: ganked from the back cover: &lt;i&gt;A writer of whimsy and passion, Sandra McDonald has collected her most evocative short fiction to offer readers in &lt;b&gt;Diana Comet and Other Improbable Stories&lt;/b&gt;. A beautiful adventuress from the ancient city of New Dalli sets off to reclaim her missing lover. What secrets does she hide beneath her silk skirts? A gay cowboy flees the Great War in search of true love and the elusive undead poet Whit Waltman, but at what cost? A talking statue sends an abused boy spinning through a great metropolis, dodging pirates and search for a home. On these quests, you will meet macho firefighters, tiny fairies, collapsible musicians, lady devils and vengeful sea witches. These are stories to stir the heart and imagination. &lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;u&gt;&lt;a href="http://calico-reaction.livejournal.com/62968.html" target="_blank"&gt;My Rating&lt;/a&gt;&lt;/u&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Must Have&lt;/b&gt;: How can you say no to a collection that explores gender issues, sexuality issues, racism, and so much more? McDonald's book is a cross between Catherynne M. Valente's themes and Charles de Lint's world-building, which stories that really linger long after you're finished. While some are serious, some are whimsical, and all are unifying not just by themes, but by setting and characters. The stand-outs for me were "Diana Comet and the Lovesick Cowboy," "The Goddess and Lieutenant Teague" (really loved this one), "The Fireman's Fairy" (this is will make you sad), and "Kingdom Coming." I also loved the fake historical vibe to this collection, a kind of alternate history that isn't obviously alternate history, but rather a riff on our own. All in all, it's a great collection, and I'm thankful I got my hands on it. I really think this deserves to at LEAST make the Tiptree shortlist, because if it doesn't, I can't imagine what would. &lt;br /&gt;&lt;br /&gt;&lt;b&gt;Review style&lt;/b&gt;: I have few notes and a ton of sticky tabs all over this book. I want to talk about the unifying element to each of these stories, some of the themes the book touches on, as well as single out which stories were really powerful for me. No spoilers (save for a teeny-tiny one that's clearly marked), so if you're interested in the full review at my LJ, just click the link below. As always, comments and discussion are most welcome. :)&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;u&gt;&lt;a href="http://calico-reaction.livejournal.com/170771.html" target="_blank"&gt;REVIEW: Sandra McDonald's DIANA COMET AND OTHER IMPROBABLE STORIES&lt;/a&gt;&lt;/u&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Happy Reading!&lt;br /&gt;&lt;br /&gt;DON'T MISS OUT: Want a chance to win a free copy of the short story collection that deserves a Tiptree nod? &lt;i&gt;Diana Comet and Other Improbable Stories&lt;/i&gt; by Sandra McDonald definitely fits the bill! Interested? Click &lt;a href="http://calico-reaction.livejournal.com/169791.html" target="_blank"&gt;here&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;ALSO:&lt;br /&gt;&lt;br /&gt;Book club selections @ &lt;span  class="ljuser  i-ljuser  i-ljuser-type-P     "  data-ljuser="calico_reaction" lj:user="calico_reaction" &gt;&lt;a href="https://calico-reaction.livejournal.com/profile/"  target="_self"  class="i-ljuser-profile" &gt;&lt;img  class="i-ljuser-userhead"  src="https://l-stat.livejournal.net/img/userinfo_v8.png?v=17080&amp;v=924" /&gt;&lt;/a&gt;&lt;a href="https://calico-reaction.livejournal.com/" class="i-ljuser-username"   target="_self"   &gt;&lt;b&gt;calico_reaction&lt;/b&gt;&lt;/a&gt;&lt;a class="i-ljuser-badge i-ljuser-badge--pro" data-badge-type="pro" data-placement="bottom" data-pro-badge data-pro-badge-type="1" data-is-raw hidden href="#"&gt;&lt;span class="i-ljuser-badge__icon"&gt;&lt;svg class="svgicon" width="25" height="16" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 33 24"&gt;&lt;path fill-rule="evenodd" d="M19.326 11.95c0 2.01 1.47 3.45 3.48 3.45 2.02 0 3.49-1.44 3.49-3.45 0-2.01-1.47-3.45-3.49-3.45-2.01 0-3.48 1.44-3.48 3.45Zm5.51 0c0 1.24-.8 2.19-2.03 2.19-1.23 0-2.02-.95-2.02-2.19 0-1.25.79-2.19 2.02-2.19s2.03.94 2.03 2.19ZM7.92 15.28H6.5V8.61h3.12c1.45 0 2.24.98 2.24 2.15 0 1.16-.8 2.15-2.24 2.15h-1.7v2.37Zm1.51-3.62c.56 0 .98-.35.98-.9 0-.56-.42-.9-.98-.9H7.92v1.8h1.51ZM18.3802 15.28h-1.63l-1.31-2.37h-1.04v2.37h-1.42V8.61h3.12c1.39 0 2.24.91 2.24 2.15 0 1.18-.74 1.81-1.46 1.98l1.5 2.54Zm-2.49-3.62c.57 0 1-.34 1-.9s-.43-.9-1-.9h-1.49v1.8h1.49Z" clip-rule="evenodd"/&gt;&lt;path fill-rule="evenodd" d="M2 8c0-2.20914 1.79086-4 4-4h20.5c2.2091 0 4 1.79086 4 4v7.9c0 2.2091-1.7909 4-4 4H6c-2.20914 0-4-1.7909-4-4V8Zm4-2.5h20.5C27.8807 5.5 29 6.61929 29 8v7.9c0 1.3807-1.1193 2.5-2.5 2.5H6c-1.38071 0-2.5-1.1193-2.5-2.5V8c0-1.38071 1.11929-2.5 2.5-2.5Z" clip-rule="evenodd"/&gt;&lt;/svg&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;. Hop on over! We'd love to have you!&lt;br /&gt;&lt;br /&gt;June: &lt;a href="http://calico-reaction.livejournal.com/158677.html" target="_blank"&gt;Sunshine&lt;/a&gt; by Robin McKinley&lt;br /&gt;July: &lt;a href="http://calico-reaction.livejournal.com/165733.html" target="_blank"&gt;Summon the Keeper&lt;/a&gt; by Tanya Huff&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;a href="http://calico-reaction.livejournal.com/169791.html" target="_blank"&gt;&lt;img src="https://img.photobucket.com/albums/v29/devilwrites/Book%20Covers/Giveaways/Banners/diana-comet-banner.jpg" loading="lazy"&gt;&lt;/a&gt;&lt;/center&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:whileaway:147650</id>
    <author>
      <name>Calico Reaction</name>
    </author>
    <lj:poster user="calico_reaction" userid="9039578"/>
    <link rel="alternate" type="text/html" href="https://whileaway.livejournal.com/147650.html"/>
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    <title>Sedia, Ekaterina: The Alchemy of Stone</title>
    <published>2010-04-30T04:34:00Z</published>
    <updated>2010-04-30T04:34:00Z</updated>
    <content type="html">&lt;img alt="" src="https://imgprx.livejournal.net/4c3222a569ac617de6091e6ca78274b9dda8097628eda1061b30c7803c934e4d/P2WlxyVijxKvg25n_slQUkMdsf-ah7h0yFmVCbdYjsTW4RHalNKgDEMnTkR4EwJ4u0NSmS6RYg9GFVcBhBc97FIAhXKdduOR6hhN:lN8q_wLhid-ShDfuVoGtNw" style="FLOAT: right; MARGIN: 0px 0px 10px 10px; WIDTH: 150px; CURSOR: hand" border="0" fetchpriority="high" /&gt;&lt;b&gt;&lt;a href="http://www.bookdepository.com/book/9781607012153/The-Alchemy-of-Stone" target="_blank"&gt;The Alchemy of Stone&lt;/a&gt;&lt;/b&gt; (2008)&lt;br /&gt;Written by: &lt;a href="http://www.ekaterinasedia.com/" target="_blank"&gt;Ekaterina Sedia&lt;/a&gt;&lt;br /&gt;Genre: Steampunk Fantasy&lt;br /&gt;Pages: 293 (Trade Paperback)&lt;br /&gt;&lt;br /&gt;&lt;b&gt;The premise&lt;/b&gt;:  ganked from BN.com: &lt;i&gt;Mattie, an intelligent automaton skilled in the use of alchemy, finds herself caught in the middle of a conflict between gargoyles, the Mechanics, and the Alchemists. With the old order quickly giving way to the new, Mattie discovers powerful and dangerous secrets--secrets that can completely alter the balance of power in the city of Ayona. This doesn't sit well with Loharri, the Mechanic who created Mattie and still has the key to her heart--literally.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;u&gt;&lt;a href="http://calico-reaction.livejournal.com/62968.html" target="_blank"&gt;My Rating&lt;/a&gt;&lt;/u&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Worth the Cash&lt;/b&gt;: I wanted to see a certain improvement from &lt;u&gt;The Secret History of Moscow&lt;/u&gt;, which had a lot going for it anyway. I saw that improvement, and there's just a lot to savor and enjoy about this novel. It's character driven, and the politics start to dictate the story by the end, but really, given the world Sedia's created, it's a given, as is the ending if you're paying attention. There's a load of beauty in this book, and it makes me look forward to her next title, &lt;u&gt;The House of Discarded Dreams&lt;/u&gt;, which is due in July 2010. I've said before that Sedia has the potential to reach the literary heights of Catherynne M. Valente, of Charles de Lint, of Neil Gaiman, and I still believe that. This book is a step closer in that direction, and Sedia doesn't shy away from big issues, not from feminism nor God, and the book, while it has its fun moments, gives you plenty to think over long after it's over.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Review style&lt;/b&gt;: Being that it's a Book Club selection, expect spoilers. If you haven't finished reading or haven't even read the book yet, simply skip to the "My Rating" section and come back when you have read it. There shall be discussion of the book's feminist leanings, how politics both help and hinder the story, the various works of literature this book alludes too, and all kinds of other goodies, including some of my favorite moments of the story.&lt;br /&gt;&lt;br /&gt;The full review, if you're interested, may be found in my LJ. As always, comments and discussion are most welcome. :)&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;u&gt;&lt;a href="http://calico-reaction.livejournal.com/162341.html" target="_blank"&gt;REVIEW: Ekaterina Sedia's THE ALCHEMY OF STONE&lt;/a&gt;&lt;/u&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Happy Reading!&lt;br /&gt;&lt;br /&gt;DON'T MISS OUT: Here's your chance to win a signed copy of Karin Lowachee's arctic fantasy, THE GASLIGHT DOGS. To enter, click &lt;a href="http://calico-reaction.livejournal.com/162102.html" target="_blank"&gt;here&lt;/a&gt;. Deadline to enter: 5/12&lt;br /&gt;&lt;br /&gt;ALSO:&lt;br /&gt;&lt;br /&gt;Book club selections @ &lt;span  class="ljuser  i-ljuser  i-ljuser-type-P     "  data-ljuser="calico_reaction" lj:user="calico_reaction" &gt;&lt;a href="https://calico-reaction.livejournal.com/profile/"  target="_self"  class="i-ljuser-profile" &gt;&lt;img  class="i-ljuser-userhead"  src="https://l-stat.livejournal.net/img/userinfo_v8.png?v=17080&amp;v=924" /&gt;&lt;/a&gt;&lt;a href="https://calico-reaction.livejournal.com/" class="i-ljuser-username"   target="_self"   &gt;&lt;b&gt;calico_reaction&lt;/b&gt;&lt;/a&gt;&lt;a class="i-ljuser-badge i-ljuser-badge--pro" data-badge-type="pro" data-placement="bottom" data-pro-badge data-pro-badge-type="1" data-is-raw hidden href="#"&gt;&lt;span class="i-ljuser-badge__icon"&gt;&lt;svg class="svgicon" width="25" height="16" xmlns="http://www.w3.org/2000/svg" viewBox="0 0 33 24"&gt;&lt;path fill-rule="evenodd" d="M19.326 11.95c0 2.01 1.47 3.45 3.48 3.45 2.02 0 3.49-1.44 3.49-3.45 0-2.01-1.47-3.45-3.49-3.45-2.01 0-3.48 1.44-3.48 3.45Zm5.51 0c0 1.24-.8 2.19-2.03 2.19-1.23 0-2.02-.95-2.02-2.19 0-1.25.79-2.19 2.02-2.19s2.03.94 2.03 2.19ZM7.92 15.28H6.5V8.61h3.12c1.45 0 2.24.98 2.24 2.15 0 1.16-.8 2.15-2.24 2.15h-1.7v2.37Zm1.51-3.62c.56 0 .98-.35.98-.9 0-.56-.42-.9-.98-.9H7.92v1.8h1.51ZM18.3802 15.28h-1.63l-1.31-2.37h-1.04v2.37h-1.42V8.61h3.12c1.39 0 2.24.91 2.24 2.15 0 1.18-.74 1.81-1.46 1.98l1.5 2.54Zm-2.49-3.62c.57 0 1-.34 1-.9s-.43-.9-1-.9h-1.49v1.8h1.49Z" clip-rule="evenodd"/&gt;&lt;path fill-rule="evenodd" d="M2 8c0-2.20914 1.79086-4 4-4h20.5c2.2091 0 4 1.79086 4 4v7.9c0 2.2091-1.7909 4-4 4H6c-2.20914 0-4-1.7909-4-4V8Zm4-2.5h20.5C27.8807 5.5 29 6.61929 29 8v7.9c0 1.3807-1.1193 2.5-2.5 2.5H6c-1.38071 0-2.5-1.1193-2.5-2.5V8c0-1.38071 1.11929-2.5 2.5-2.5Z" clip-rule="evenodd"/&gt;&lt;/svg&gt;&lt;/span&gt;&lt;/a&gt;&lt;/span&gt;. Hop on over! We'd love to have you!&lt;br /&gt;&lt;br /&gt;May: &lt;a href="http://calico-reaction.livejournal.com/151730.html" target="_blank"&gt;Natural History&lt;/a&gt; by Justina Robson&lt;br /&gt;June: &lt;a href="http://calico-reaction.livejournal.com/158677.html" target="_blank"&gt;Sunshine&lt;/a&gt; by Robin McKinley&lt;br /&gt;&lt;br /&gt;&lt;center&gt;&lt;a href="http://calico-reaction.livejournal.com/162102.html" target="_blank"&gt;&lt;img src="https://img.photobucket.com/albums/v29/devilwrites/Book%20Covers/Giveaways/Banners/gaslightdogs-banner.jpg" loading="lazy"&gt;&lt;/a&gt;&lt;/center&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:whileaway:147299</id>
    <author>
      <name>Ide Cyan</name>
    </author>
    <lj:poster user="ide_cyan" userid="466158"/>
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    <title>2010 Hugo nominations announced</title>
    <published>2010-04-04T21:55:03Z</published>
    <updated>2010-04-04T21:55:03Z</updated>
    <content type="html">The nominations were streamed online by &lt;span  class="ljuser  i-ljuser  i-ljuser-type-P     "  data-ljuser="cherylmmorgan" lj:user="cherylmmorgan" &gt;&lt;a href="https://cherylmmorgan.livejournal.com/profile/"  target="_self"  class="i-ljuser-profile" &gt;&lt;img  class="i-ljuser-userhead"  src="https://l-stat.livejournal.net/img/userinfo_v8.png?v=17080&amp;v=924" /&gt;&lt;/a&gt;&lt;a href="https://cherylmmorgan.livejournal.com/" class="i-ljuser-username"   target="_self"   &gt;&lt;b&gt;cherylmmorgan&lt;/b&gt;&lt;/a&gt;&lt;/span&gt; live &lt;a href="http://www.conreporter.com/?page_id=1456" target="_blank" rel="nofollow"&gt;from Eastercon&lt;/a&gt;.&lt;br /&gt;&lt;br /&gt;The full list of nominees on the final ballots is here: &lt;a target='_blank' href='http://www.aussiecon4.org.au/index.php?page=66' rel='nofollow'&gt;http://www.aussiecon4.org.au/index.php?page=66&lt;/a&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:whileaway:147182</id>
    <author>
      <name>Debbie N.</name>
    </author>
    <lj:poster user="wild_irises" userid="1264901"/>
    <link rel="alternate" type="text/html" href="https://whileaway.livejournal.com/147182.html"/>
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    <title>2009 Tiptree Award winners announced</title>
    <published>2010-03-17T19:04:49Z</published>
    <updated>2010-03-17T19:04:49Z</updated>
    <content type="html">The &lt;a href="http://www.tiptree.org" target="_blank" rel="nofollow"&gt;James Tiptree, Jr. Literary Award Council&lt;/a&gt; is pleased to announce that the 2009 Tiptree Award has two winners:&lt;br /&gt;&lt;br /&gt;Greer Gilman, &amp;lt;I&amp;gt;Cloud and Ashes: Three Winter's Tales&amp;lt;/i&amp;gt;,  (&lt;a href="http://smallbeerpress.com/books/2009/06/01/cloud-ashes-three-winters-tales/" target="_blank" target="_blank" rel="nofollow"&gt;Small Beer Press 2009&lt;/a&gt;)&lt;br /&gt;&lt;br /&gt;Fumi Yoshinaga, &lt;em&gt;Ooku: The Inner Chambers, volumes 1 &amp;amp; 2 &lt;/em&gt;(&lt;a href="http://www.amazon.com/%C3%94oku-Inner-Chambers-Vol-Ooku/dp/1421527472" target="_blank" rel="nofollow"&gt;VIZ  Media 2009&lt;/a&gt;)&lt;br /&gt;&lt;p style="text-align: center;"&gt;&lt;a href="http://smallbeerpress.com/books/2009/06/01/cloud-ashes-three-winters-tales/" target="_blank" rel="nofollow"&gt;&lt;img class="" title="cover of CLOUD AND ASHES" src="https://imgprx.livejournal.net/d966effa116a9c4411ca41135990de692ccdbb46946912cb9a24e1cebdd516a7/P2WlxyVijxKvg25n_slQUkMdsf-ah7h0yFmVCbVBitXB9BHYmMCrRkkpDQh-E0x2s1EanzLIZhFWUlEAkg0_sUwfjDXS:LW1D5ecTdFaVjdqfD8ITHA" alt="cover of CLOUD AND ASHES" width="129" height="200" fetchpriority="high" /&gt;&lt;/a&gt;&lt;/p&gt;&lt;br /&gt;Greer Gilman’s book, &lt;em&gt;Cloud and Ashes: Three Winter Tales,&lt;/em&gt; prompted much jury discussion on its way to winning the Tiptree.  It is a slow read --  a dense, poetic, impressionistic book, heavy with myth.  Many of its images and elements are drawn from folk tales and ballads of the British Isles; patterns repeat, but also mutate in kaleidoscopic fashion and then mutate again.  The language was especially difficult.  Sometimes we felt we were floating through it; sometimes drowning.&lt;br /&gt;&lt;br /&gt;It is a paradoxical work.  To enter the novel you must give up on understanding every word.  You have to read the book on an instinctual level, yet the effect of the book is almost entirely intellectual.   Power shifts about, much of it gender-based; time eats itself like a mobius strip.  These are stories about Story in a world in which power seems to belong to the male but reality to the female.&lt;br /&gt;&lt;br /&gt;We on the jury admired &lt;em&gt;Cloud and Ashes&lt;/em&gt; for its originality and found it a beautiful and highly memorable work.&lt;br /&gt;&lt;br /&gt;&lt;a href="http://ecx.images-amazon.com/images/I/51Dx7VKcUDL._SL500_AA300_.jpg" target="_blank" rel="nofollow"&gt;&lt;img class="" title="cover art for OOKU vol. 1" src="https://imgprx.livejournal.net/9c677f2acf24d1f45f2f232d6a89e26a3a6858410aadec5c8f26dba741fba76d/P2WlxyVijxKvg25n_slQUkMdsf-ah7h02k2aCbtejtfW4FXVmMC_B0RoA0h6UUR8t0VQj3L3LFYUOUpbqzM4ymIjxUj8FLzRvWVxhUIxei2iGfOe9Nw:bqYxzC9Clz3UUpNYFLuCzg" alt="cover art for OOKU vol. 1" width="300" height="300" loading="lazy" /&gt;&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;We chose Fumi Yoshinaga’s &lt;em&gt;Ooku, Volumes 1 and 2&lt;/em&gt; as our Tiptree winner with some trepidation.  No one on the jury has read much manga; no one is an expert in Japanese history.  What we fell in love with was the detailed exploration of the world of these books -- an alternate feudal Japan in which a plague has killed 3/4s of Japan’s young men.  In &lt;em&gt;Ooku&lt;/em&gt;, the shogun and daimyo are women and much of the story takes place among the men in the Shogun's harem.&lt;br /&gt;&lt;br /&gt;The first volume (set in a later time period than the second) shows us a world in which men are assumed to be weak and sickly, yet women still use symbolic masculinity to maintain power.  The second volume focuses on the period of transition.  Through-out the two books, Yoshinaga explores the way the deep gendering of this society is both maintained and challenged by the alteration in ratios.&lt;br /&gt;&lt;br /&gt;The result is a fascinating, subtle, and nuanced speculation with gender at its center.&lt;br /&gt;&lt;br /&gt;HONOR LIST&lt;br /&gt;&lt;br /&gt;Alice Sola Kim, “&lt;a href="http://www.strangehorizons.com/2009/20091207/bodies-f.shtml" target="_blank" rel="nofollow"&gt;Beautiful White Bodies&lt;/a&gt;” (online at &lt;em&gt;Strange Horizons&lt;/em&gt; 2009.12.07-14)&lt;br /&gt;&lt;br /&gt;Vandana Singh, &lt;em&gt;Distances&lt;/em&gt; (&lt;a href="http://www.aqueductpress.com/" target="_blank" rel="nofollow"&gt;Aqueduct Press&lt;/a&gt; 2008)&lt;br /&gt;&lt;br /&gt;Caitlin R. Kiernan, “Galapagos” (in &lt;a href="http://www.nightshadebooks.com/cart.php?m=product_detail&amp;amp;p=148" target="_blank" rel="nofollow"&gt;&lt;em&gt;Eclipse 3&lt;/em&gt;&lt;/a&gt; edited by Jonathan Strahan, Night Shade Books 2009)&lt;br /&gt;&lt;br /&gt;Jo Walton, &lt;em&gt;Lifelode&lt;/em&gt; (&lt;a href="http://www.nesfa.org/press/Books/Walton-1.html" target="_blank" rel="nofollow"&gt;NESFA Press&lt;/a&gt; 2009)&lt;br /&gt;&lt;br /&gt;Maureen F. McHugh, “Useless Things” in &lt;a href="http://www.nightshadebooks.com/cart.php?m=product_detail&amp;amp;p=148" target="_blank" rel="nofollow"&gt;&lt;em&gt;Eclipse 3&lt;/em&gt; &lt;/a&gt;edited by  Jonathan Strahan (Night Shade Books 2009)&lt;br /&gt;&lt;br /&gt;Paul Haines, “Wives” (in &lt;a href="http://www.paulhaines.com/wives-by_paul_haines.pdf" target="_blank" rel="nofollow"&gt;&lt;em&gt;X6&lt;/em&gt;&lt;/a&gt; edited by Keith Stevenson, coeur de lion 2009)&lt;br /&gt;&lt;br /&gt;SPECIAL HONOR&lt;br /&gt;&lt;br /&gt;L. Timmel Duchamp, &lt;em&gt;The Marq’ssan Cycle&lt;/em&gt; (&lt;a href="http://www.aqueductpress.com/" target="_blank" rel="nofollow"&gt;Aqueduct Press&lt;/a&gt; 2005-8)&lt;br /&gt;&lt;br /&gt;More details about the 2009 award can be found &lt;a href="http://lquilter.net/tiptree/?page_id=173" target="_blank" rel="nofollow"&gt;here&lt;/a&gt;.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:whileaway:146828</id>
    <author>
      <name>Humph</name>
    </author>
    <lj:poster user="spiralsheep" userid="7898733"/>
    <link rel="alternate" type="text/html" href="https://whileaway.livejournal.com/146828.html"/>
    <link rel="self" type="text/xml" href="https://whileaway.livejournal.com/data/atom/?itemid=146828"/>
    <title>Short story by Florence Verbell Brown, 1952</title>
    <published>2010-02-20T22:44:11Z</published>
    <updated>2010-02-20T22:44:11Z</updated>
    <content type="html">This is a historical note not a recommendation but Florence Verbell Brown's short story Bride of the Dark One, originally published in Planet Stories (July 1952), is now available online via projectgutenberg: &lt;a href="http://www.gutenberg.org/etext/31306" target="_blank" rel="nofollow"&gt;projectgutenberg index page for Bride of the Dark One by Florence Verbell Brown (1952)&lt;/a&gt;.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:whileaway:146606</id>
    <author>
      <name>Ide Cyan</name>
    </author>
    <lj:poster user="ide_cyan" userid="466158"/>
    <link rel="alternate" type="text/html" href="https://whileaway.livejournal.com/146606.html"/>
    <link rel="self" type="text/xml" href="https://whileaway.livejournal.com/data/atom/?itemid=146606"/>
    <title>Female magazine editors</title>
    <published>2010-01-08T17:38:33Z</published>
    <updated>2010-01-08T17:38:33Z</updated>
    <content type="html">&lt;span  class="ljuser  i-ljuser  i-ljuser-type-P     "  data-ljuser="oldcharliebrown" lj:user="oldcharliebrown" &gt;&lt;a href="https://oldcharliebrown.livejournal.com/profile/"  target="_self"  class="i-ljuser-profile" &gt;&lt;img  class="i-ljuser-userhead"  src="https://l-stat.livejournal.net/img/userinfo_v8.png?v=17080&amp;v=924" /&gt;&lt;/a&gt;&lt;a href="https://oldcharliebrown.livejournal.com/" class="i-ljuser-username"   target="_self"   &gt;&lt;b&gt;oldcharliebrown&lt;/b&gt;&lt;/a&gt;&lt;/span&gt; has posted an entry titled &lt;a href="http://oldcharliebrown.livejournal.com/299382.html" target="_blank"&gt;Recognising Female SF/F/H Magazine Editors&lt;/a&gt;, which lists 18 names so far, and is looking for more.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:whileaway:145705</id>
    <author>
      <name>Ripley Patton</name>
    </author>
    <lj:poster user="rippatton" userid="14854174"/>
    <link rel="alternate" type="text/html" href="https://whileaway.livejournal.com/145705.html"/>
    <link rel="self" type="text/xml" href="https://whileaway.livejournal.com/data/atom/?itemid=145705"/>
    <title>A Market for Feminist Science Fiction</title>
    <published>2009-08-24T01:43:14Z</published>
    <updated>2009-08-24T01:43:14Z</updated>
    <content type="html">&lt;br /&gt;&lt;br /&gt;&lt;a href="http://futurefire.net/about/contrib.html" target="_blank" rel="nofollow"&gt;&lt;span style="font-size: medium"&gt;&lt;span&gt;The Future Fire&lt;/span&gt;&lt;/span&gt;&lt;/a&gt;&lt;span style="font-size: medium"&gt;&lt;span&gt; is currently seeking submissions of Feminist Science Fiction until the end of 2009.&amp;nbsp; They have a link to one of their editorials explaining why and also emphasize that they are always open to Feminist fiction, not just for their specially-themed upcoming&amp;nbsp;issue. &lt;/span&gt;&lt;/span&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:whileaway:145525</id>
    <author>
      <name>Ripley Patton</name>
    </author>
    <lj:poster user="rippatton" userid="14854174"/>
    <link rel="alternate" type="text/html" href="https://whileaway.livejournal.com/145525.html"/>
    <link rel="self" type="text/xml" href="https://whileaway.livejournal.com/data/atom/?itemid=145525"/>
    <title>Tallying and Noting the work of Women Spec Fic Writers</title>
    <published>2009-08-19T03:38:42Z</published>
    <updated>2009-08-19T03:38:42Z</updated>
    <content type="html">&lt;br /&gt;I&amp;nbsp;recently recieved this notice on a forum and wanted to pass is on.&amp;nbsp; &lt;a href="http://wiki.feministsf.net/index.php" target="_blank" rel="nofollow"&gt;Feminist SF The Blog and Feminist SF wiki &lt;/a&gt;are collecting data on women spec fic writers and their short story publications to be added to a monthly pubs list that wil be included on their sites.&amp;nbsp; &lt;br /&gt;&lt;br /&gt;Here is a link&amp;nbsp;&lt;a href="http://ow.ly/kaid" target="_blank" rel="nofollow"&gt;http://ow.ly/kaid&lt;/a&gt;&amp;nbsp;to the form to submit pub news of short fiction from August 2009 onward.&amp;nbsp; &lt;br /&gt;&lt;br /&gt;Writers, editors and readers are encouraged to add to the list.&amp;nbsp; &lt;br /&gt;&lt;br /&gt;Cheers,&lt;br /&gt;Ripley&lt;br /&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:whileaway:145315</id>
    <author>
      <name>Calico Reaction</name>
    </author>
    <lj:poster user="calico_reaction" userid="9039578"/>
    <link rel="alternate" type="text/html" href="https://whileaway.livejournal.com/145315.html"/>
    <link rel="self" type="text/xml" href="https://whileaway.livejournal.com/data/atom/?itemid=145315"/>
    <title>Le Guin, Ursula K.: Unlocking the Air</title>
    <published>2009-08-12T02:17:44Z</published>
    <updated>2009-08-12T02:17:44Z</updated>
    <content type="html">&lt;img style="FLOAT: right; MARGIN: 0px 0px 10px 10px; WIDTH: 150px; CURSOR: hand" alt="" src="https://img.photobucket.com/albums/v29/devilwrites/Book%20Covers/Unlocking-the-Air-small.jpg" border="0" fetchpriority="high" /&gt;&lt;b&gt;&lt;a href="http://www.amazon.com/Unlocking-Air-Ursula-K-Guin/dp/0060928034/ref=sr_1_1?ie=UTF8&amp;amp;qid=1249603934&amp;amp;sr=8-1" target="_blank"&gt;Unlocking the Air&lt;/a&gt;&lt;/b&gt; (1996)&lt;br /&gt;Written by: &lt;a href="http://www.ursulakleguin.com/UKL_info.html" target="_blank"&gt;Ursula K. Le Guin&lt;/a&gt;&lt;br /&gt;Genre: Short Stories&lt;br /&gt;Pages: 207 (Trade Paperback)&lt;br /&gt;&lt;br /&gt;&lt;b&gt;The premise&lt;/b&gt;:  I'm gonna grab the description from BN.com, which also matches the description on the back of the book: &lt;i&gt;This collection of mainstream stories, written from the early eighties to the mid-nineties, is a stunning example of the virtuosity of the legendary Ursula K. Le Guin. Diffusing the traditional boundaries of realism, magical realism, and surrealism, Le Guin finds the detail that reveals the strange in everyday life, or the unexpected depths of an ordinary person. Written with wit, zest, and a passionate sense of human frailty and toughness, &lt;u&gt;Unlocking the Air&lt;/u&gt; is superb fiction by a beloved storyteller at the height of her power.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;&lt;u&gt;&lt;a href="http://calico-reaction.livejournal.com/62968.html" target="_blank"&gt;My Rating&lt;/a&gt;&lt;/u&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Worth the Cash&lt;/b&gt;: any Le Guin fan will enjoy curling up with this text and simply absorbing her stories. They might not all speak to you personally, but the writing in all of them is something to admire, as are the myths, fairy tales, and social issues she brings to life. These stories are most all mainstream, though some have a magical realist or slight fantasy touch. Le Guin cares about people, and it never fails that her stories highlight those people. It's an enjoyable read, and I'm glad I've got the rest of her short story collections on the way.&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Review style&lt;/b&gt;: Really general, and I won't be reviewing each of the 18 stories. I will, however, comment on which ones stood out and why, on the ones that I think make this collection worth reading.&lt;br /&gt;&lt;br /&gt;So if you're interested in the full review, feel free to hop over to my journal. As always, comments and discussion are most welcome. :)&lt;br /&gt;&lt;br /&gt;&lt;b&gt;&lt;u&gt;&lt;a href="http://calico-reaction.livejournal.com/112133.html" target="_blank"&gt;REVIEW: Ursula K. Le Guin's UNLOCKING THE AIR&lt;/a&gt;&lt;/u&gt;&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Happy Reading!</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:whileaway:144676</id>
    <author>
      <name>velvetdahlia</name>
    </author>
    <lj:poster user="velvetdahlia" userid="587488"/>
    <link rel="alternate" type="text/html" href="https://whileaway.livejournal.com/144676.html"/>
    <link rel="self" type="text/xml" href="https://whileaway.livejournal.com/data/atom/?itemid=144676"/>
    <title>My introduction</title>
    <published>2009-08-05T00:09:33Z</published>
    <updated>2009-08-05T00:09:33Z</updated>
    <content type="html">Hello everyone, I'm relatively new to the community, but I've been enjoying reading back entries.&amp;nbsp; I didn't realize there was an LJ community like this, or I&amp;nbsp;would have joined sooner!, I had been using the Feminist SF website as a resource over the years, so it's great to know there are places like this on LJ too.&lt;br /&gt;&lt;br /&gt;I am a writer actively involved in examining gender in my work. Though the politics do not structure the narrative, its interrogation is something that drives the writing process. &lt;br /&gt;&lt;br /&gt;I hope members won't mind if I&amp;nbsp;mention that I have recently published a cyberpunk/slipstream novel called &lt;em&gt;The Desperate Ones&lt;/em&gt;.&amp;nbsp; &lt;br /&gt;&lt;img src="https://farm3.static.flickr.com/2427/3597627210_165f755576.jpg" alt="" fetchpriority="high" /&gt;&lt;br /&gt;The Desperate Ones is a genre-crossing, renegade novel: part cyberpunk, part fairy tale, part poetic apocalypse.&lt;br /&gt;&lt;br /&gt;For more information, to download the book for free or order the paperback go to&lt;a href="http://desperateones.net" target="_blank" rel="nofollow"&gt; http://desperateones.net&lt;/a&gt;&lt;br /&gt;&lt;br /&gt;I'm excited about being part of this community-- already you have turned me on to new works and kept me up to date with happenings. I look forward to contributing in the future. &lt;br /&gt;&lt;br /&gt;&lt;br /&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:whileaway:144546</id>
    <author>
      <name>Humph</name>
    </author>
    <lj:poster user="spiralsheep" userid="7898733"/>
    <link rel="alternate" type="text/html" href="https://whileaway.livejournal.com/144546.html"/>
    <link rel="self" type="text/xml" href="https://whileaway.livejournal.com/data/atom/?itemid=144546"/>
    <title>Travel Light by Naomi Mitchison</title>
    <published>2009-08-05T00:08:40Z</published>
    <updated>2009-08-05T00:08:40Z</updated>
    <content type="html">I posted a recommendation of Naomi Mitchison's novel Travel Light on my journal:&lt;br /&gt;&lt;br /&gt;&lt;a target='_blank' href='http://spiralsheep.livejournal.com/313049.html'&gt;http://spiralsheep.livejournal.com/313049.html&lt;/a&gt;</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:whileaway:144265</id>
    <author>
      <name>Debbie N.</name>
    </author>
    <lj:poster user="wild_irises" userid="1264901"/>
    <link rel="alternate" type="text/html" href="https://whileaway.livejournal.com/144265.html"/>
    <link rel="self" type="text/xml" href="https://whileaway.livejournal.com/data/atom/?itemid=144265"/>
    <title>Ursula Le Guin's 80th birthday ...</title>
    <published>2009-07-05T23:28:48Z</published>
    <updated>2009-07-05T23:28:48Z</updated>
    <content type="html">... is October 21 of this year.&lt;br /&gt;&lt;br /&gt;Kim Stanley Robinson had the brilliant idea of doing a _festschrift_: "a volume of articles, essays, etc., contributed by many authors in honor of a colleague, usually published on the occasion of retirement, an important anniversary, or the like." Karen Fowler and I have pounced on the idea. &lt;br /&gt;&lt;br /&gt;Festschrifts are generally published in a single volume for the recipient. What Karen and I are planning (open to some discussion) is&lt;br /&gt;a single high-quality printed volume for Ursula, plus a website where the contributions can be read, perhaps followed by a&lt;br /&gt;wider-distribution book--but we surely don't have time to do a full book by October 21.&lt;br /&gt;&lt;br /&gt;At any rate, we're looking for:&lt;br /&gt;&lt;br /&gt;1) a personal memoir or anecdote&lt;br /&gt;2) what some piece of Le Guin fiction meant to you&lt;br /&gt;3) a general critical piece (obviously, this should be more admiring&lt;br /&gt;than fault-finding)&lt;br /&gt;4) a specific critical piece on a work or a series (ditto)&lt;br /&gt;5) whatever else you think memorializes Ursula for you. I'm confident that we can find ways to include music, visual art, recorded messages, and other non-printed-word media.&lt;br /&gt;&lt;br /&gt;We need finished pieces by September 7.&lt;br /&gt;&lt;br /&gt;We'd like to hear from you if you think you'd like to contribute. And we'd love for you to pass this along to anyone you think should know about it.</content>
  </entry>
  <entry>
    <id>urn:lj:livejournal.com:atom1:whileaway:143425</id>
    <author>
      <name>Debbie N.</name>
    </author>
    <lj:poster user="wild_irises" userid="1264901"/>
    <link rel="alternate" type="text/html" href="https://whileaway.livejournal.com/143425.html"/>
    <link rel="self" type="text/xml" href="https://whileaway.livejournal.com/data/atom/?itemid=143425"/>
    <title>2009 Tiptree Award Announced</title>
    <published>2009-04-27T05:50:49Z</published>
    <updated>2009-04-27T05:50:49Z</updated>
    <content type="html">The 2008 Tiptree award goes to:&lt;br /&gt;&lt;br /&gt;&lt;a href="http://www.powells.com/biblio?isbn=1406310255" target="_blank" rel="nofollow"&gt;&lt;i&gt;The Knife of Never Letting Go&lt;/i&gt;&lt;/a&gt;, a young adult novel by Patrick Ness (Walker 2008) and &lt;a href="http://www.aqueductpress.com/" target="_blank" rel="nofollow"&gt;&lt;i&gt;Filter House&lt;/i&gt;&lt;/a&gt;, a short story collection by Nisi Shawl (Aqueduct 2008).&lt;br /&gt;&lt;br /&gt;The Tiptree Award will be celebrated at WisCon 33. Each winner will receive $1000 in prize money, an original artwork created specifically for the winning novel or story, and (as always) chocolate.&lt;br /&gt;&lt;br /&gt;A panel of five jurors selects the Tiptree Award winners and compiles an Honor List of other works that they find interesting, relevant to the award, and worthy of note. The 2008 jurors were Gavin J. Grant (chair), K. Tempest Bradford (&lt;span  class="ljuser  i-ljuser  i-ljuser-deleted  i-ljuser-type-P     "  data-ljuser="ktempest" lj:user="ktempest" &gt;&lt;a href="https://ktempest.livejournal.com/profile/"  target="_self"  class="i-ljuser-profile" &gt;&lt;img  class="i-ljuser-userhead"  src="https://l-stat.livejournal.net/img/userinfo_v8.png?v=17080&amp;v=924" /&gt;&lt;/a&gt;&lt;a href="https://ktempest.livejournal.com/" class="i-ljuser-username"   target="_self"   &gt;&lt;b&gt;ktempest&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;), Leslie Howle, Roz Kaveney (&lt;span  class="ljuser  i-ljuser  i-ljuser-type-P     "  data-ljuser="rozk" lj:user="rozk" &gt;&lt;a href="https://rozk.livejournal.com/profile/"  target="_self"  class="i-ljuser-profile" &gt;&lt;img  class="i-ljuser-userhead"  src="https://l-stat.livejournal.net/img/userinfo_v8.png?v=17080&amp;v=924" /&gt;&lt;/a&gt;&lt;a href="https://rozk.livejournal.com/" class="i-ljuser-username"   target="_self"   &gt;&lt;b&gt;rozk&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;), and Catherynne M. Valente (&lt;span  class="ljuser  i-ljuser  i-ljuser-type-P     "  data-ljuser="catvalente" lj:user="catvalente" &gt;&lt;a href="https://catvalente.livejournal.com/profile/"  target="_self"  class="i-ljuser-profile" &gt;&lt;img  class="i-ljuser-userhead"  src="https://l-stat.livejournal.net/img/userinfo_v8.png?v=17080&amp;v=924" /&gt;&lt;/a&gt;&lt;a href="https://catvalente.livejournal.com/" class="i-ljuser-username"   target="_self"   &gt;&lt;b&gt;catvalente&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;).&lt;br /&gt;&lt;br /&gt;&lt;i&gt;The Knife of Never Letting Go&lt;/i&gt; begins with a boy growing up in village way off the grid. Jury chair Gavin J. Grant explains, "All the villagers can hear one another's thoughts (their "noise") and all the villagers are men. The boy has never seen a woman or girl so when he meets one his world is infinitely expanded as he discovers the complications of gender relations. As he travels in this newly bi-gendered world, he also has to work out the definition of becoming and being a man."&lt;br /&gt;&lt;br /&gt;Juror Leslie Howle praises Ness's skills as a writer: "Ness is a craftsman, plain and simple. The language, pacing, complications, plot this story has all of the elements that raise the writing to something well beyond good. Some critics call it brilliant. It's a page-turner, and the story continues to resonate well after reading it. It reminds me of the kind of classic SF I loved when I was new to the genre."&lt;br /&gt;&lt;br /&gt;In addition to the Tiptree Award, &lt;i&gt;The Knife of Never Letting Go&lt;/i&gt; also won the 2008 Booktrust Teenage Prize (U.K.), which celebrates contemporary fiction for teenagers, and the Guardian Children/s Fiction Prize.&lt;br /&gt;&lt;br /&gt;&lt;i&gt;Publishers Weekly,&lt;/i&gt; which selected &lt;i&gt;Filter House&lt;/i&gt; as one of the best books of 2008, described it as an "exquisitely rendered debut collection" that "ranges into the past and future to explore identity and belief in a dazzling variety of settings." Tiptree jurors spotlight Shawl's willingness to challenge the reader with her exploration of gender roles.&lt;br /&gt;&lt;br /&gt;Juror K. Tempest Bradford writes, "The stories in &lt;i&gt;Filter House&lt;/i&gt; refuse to allow the reader the comfort of assuming that the men and women will act according to the assumptions mainstream readers/society/culture puts on them."&lt;br /&gt;&lt;br /&gt;Juror Catherynne M. Valente notes that most of Shawl's protagonists in this collection are young women coming to terms with womanhood and what that means "in terms of their culture, magic (almost always tribal, nuts and bolts, African-based magical systems, which is fascinating in itself), [and] technology." In her comments, Valente points out some elements of stories that made this collection particularly appropriate for the Tiptree Award: "'At the Huts of Ajala' struck me deeply as a critique of beauty and coming of age rituals. The final story, 'The Beads of Ku,' deals with marriage and motherhood and death. 'Shiomah's Land' deals with the sexuality of a godlike race, and a young woman's liberation from it. 'Wallamellon' is a heartbreaking story about the Blue Lady, the folkloric figure invented by Florida orphans, and a young girl pursuing the Blue Lady straight into a kind of urban priestess-hood."&lt;br /&gt;&lt;br /&gt;The Tiptree Award Honor List is a strong part of the award's identity and is used by many readers as a recommended reading list for the rest of the year. This year's Honor List is:&lt;br /&gt;&lt;br /&gt;    * Christopher Barzak, &lt;a href="http://www.powells.com/biblio/1-9780553385649-0" target="_blank" rel="nofollow"&gt;&lt;i&gt;The Love We Share Without Knowing&lt;/i&gt;&lt;/a&gt; (Bantam, 2008)&lt;br /&gt;    * Jenny Davidson, &lt;a href="http://www.powells.com/biblio/62-9780061239755-0" target="_blank" rel="nofollow"&gt;&lt;i&gt;The Explosionist&lt;/i&gt;&lt;/a&gt; (HarperTeen, 2008)&lt;br /&gt;    * Gregory Frost (&lt;span  class="ljuser  i-ljuser  i-ljuser-type-P     "  data-ljuser="frostokovich" lj:user="frostokovich" &gt;&lt;a href="https://frostokovich.livejournal.com/profile/"  target="_self"  class="i-ljuser-profile" &gt;&lt;img  class="i-ljuser-userhead"  src="https://l-stat.livejournal.net/img/userinfo_v8.png?v=17080&amp;v=924" /&gt;&lt;/a&gt;&lt;a href="https://frostokovich.livejournal.com/" class="i-ljuser-username"   target="_self"   &gt;&lt;b&gt;frostokovich&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;), &lt;a href="http://www.powells.com/biblio/2-9780345497581-0" target="_blank" rel="nofollow"&gt;&lt;i&gt;Shadowbridge&lt;/i&gt;&lt;/a&gt; and &lt;a href="http://www.powells.com/biblio/2-9780345497598-0" target="_blank" rel="nofollow"&gt;&lt;i&gt;Lord Tophet: A Shadowbridge Novel&lt;/i&gt;&lt;/a&gt; (both published by Del Rey, 2008)&lt;br /&gt;    * Alison Goodman, &lt;i&gt;Two Pearls of Wisdom&lt;/i&gt; (HarperCollins Australia 2008), published in the United States as &lt;a href="http://www.powells.com/biblio/62-9780670062270-0" target="_blank" rel="nofollow"&gt;&lt;i&gt;Eon: Dragoneye Reborn&lt;/i&gt;&lt;/a&gt; (Viking 2008), also &lt;i&gt;Eon: Rise of the Dragoneye&lt;/i&gt; in the United Kingdom&lt;br /&gt;    * John Kessel, "Pride or Prometheus" (Magazine of Fantasy and Science Fiction, January 2008)&lt;br /&gt;    * Margo Lanagan (&lt;span  class="ljuser  i-ljuser  i-ljuser-type-Y     "  data-ljuser="margolanagan" lj:user="margolanagan" &gt;&lt;a href="https://margolanagan.livejournal.com/profile/"  target="_self"  class="i-ljuser-profile" &gt;&lt;img  class="i-ljuser-userhead"  src="https://l-stat.livejournal.net/img/syndicated.png?v=6283&amp;v=924" /&gt;&lt;/a&gt;&lt;a href="https://margolanagan.livejournal.com/" class="i-ljuser-username"   target="_self"   &gt;&lt;b&gt;margolanagan&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;), &lt;a href="http://www.powells.com/biblio/1-9780375848117-7" target="_blank" rel="nofollow"&gt;&lt;i&gt;Tender Morsels&lt;/i&gt;&lt;/a&gt; (Knopf, 2008)&lt;br /&gt;    * Ursula K. Le Guin, &lt;a href="http://www.powells.com/biblio/71-9780156033688-0" target="_blank" rel="nofollow"&gt;&lt;i&gt;Lavinia&lt;/i&gt;&lt;/a&gt; (Harcourt)&lt;br /&gt;    * John Ajvide Lindqvist, &lt;a href="http://www.powells.com/biblio/1-9780312355296-1" target="_blank" rel="nofollow"&gt;&lt;i&gt;Let the Right One In&lt;/i&gt;&lt;/a&gt; (Quercus (UK) 2007), original Swedish title &lt;i&gt;Lat den ratte komma in&lt;/i&gt;(2004), first published in English as &lt;i&gt;Let Me In&lt;/i&gt;, St. Martin's Press (2007), Translated by Ebba Segerberg)&lt;br /&gt;    * Paul Park, &lt;a href="http://www.powells.com/biblio/1-9780765349507-0" target="_blank" rel="nofollow"&gt;&lt;i&gt;A Princess of Roumania&lt;/i&gt;&lt;/a&gt; (Tor, 2005), &lt;a href="http://www.powells.com/biblio/17-9780765314413-1" target="_blank" rel="nofollow"&gt;&lt;i&gt;The Tourmaline&lt;/i&gt;&lt;/a&gt; (Tor, 2006), &lt;a href="http://www.powells.com/biblio/1-9780765354341-0" target="_blank" rel="nofollow"&gt;&lt;i&gt;The White Tyger&lt;/i&gt;&lt;/a&gt; (Tor, 2007), &lt;a href="http://www.powells.com/biblio/1-9780765355874-0" target="_blank" rel="nofollow"&gt;&lt;i&gt;The Hidden World&lt;/i&gt;&lt;/a&gt; (Tor, 2008)&lt;br /&gt;    * Ekaterina Sedia (&lt;span  class="ljuser  i-ljuser  i-ljuser-type-P     "  data-ljuser="squirrel_monkey" lj:user="squirrel_monkey" &gt;&lt;a href="https://squirrel-monkey.livejournal.com/profile/"  target="_self"  class="i-ljuser-profile" &gt;&lt;img  class="i-ljuser-userhead"  src="https://l-stat.livejournal.net/img/userinfo_v8.png?v=17080&amp;v=924" /&gt;&lt;/a&gt;&lt;a href="https://squirrel-monkey.livejournal.com/" class="i-ljuser-username"   target="_self"   &gt;&lt;b&gt;squirrel_monkey&lt;/b&gt;&lt;/a&gt;&lt;/span&gt;), &lt;a href="http://www.powells.com/biblio/1-9780809572847-0" target="_blank" rel="nofollow"&gt;&lt;i&gt;The Alchemy of Stone&lt;/i&gt;&lt;/a&gt; (Prime Books)&lt;br /&gt;    * Ali Smith, &lt;a href="http://www.powells.com/biblio/1-9781847671868-0" target="_blank" rel="nofollow"&gt;&lt;i&gt;Girl Meets Boy&lt;/i&gt;&lt;/a&gt; (Canongate U.S., 2007)&lt;br /&gt;    * Ysabeau S. Wilce, &lt;a href="http://www.powells.com/biblio/1-9780152054274-0" target="_blank" rel="nofollow"&gt;&lt;i&gt;Flora's Dare: How a Girl of Spirit Gambles All to Expand Her Vocabulary, Confront a Bouncing Boy Terror, and Try to Save Califa from a Shaky Doom (Despite Being Confined to Her Room) (Harcourt, 2008)&lt;/i&gt;&lt;/a&gt;</content>
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