Conference registration open for Writing As Visual Experience

We have now published the programme for our conference, Writing As Visual Experience (WAVE), on 19th-22nd September. You can view the lineup HERE. You can also now register for in person attendance via our REGISTRATION PAGE. In person places are limited, so register early to avoid disappointment. Information about online attendance will follow in the … Continue reading Conference registration open for Writing As Visual Experience

Endangered Writing Network event: Writing in diaspora communities

We are pleased to announce a new online event of the Endangered Writing Network taking place on Thursday 25th July, at 16.30 BST (London time). This will be a two-speaker event, followed by discussion. Writing in diaspora communities Hrant Papazian: The Two Hearts of Armenian Typography Jordan Williams: Movement of the Curved Lines: Towards An … Continue reading Endangered Writing Network event: Writing in diaspora communities

Scribbles… Chicken scratch… Nails? A look at cuneiform writing

When we writers of the Latin script think of a metaphor to describe our writing, we likely think of describing it as “chicken scratch” (ex., “Many of these are unintelligible to the untrained eye. Indeed, the handwriting of thirteenth-century philosopher Thomas Aquinas looks exactly like chicken scratch.” Bernardo S. Hinojosa, A Medieval Summer in Toronto). … Continue reading Scribbles… Chicken scratch… Nails? A look at cuneiform writing

William Blake’s calligraphy: an exhibition review

I recently took my son to see William Blake's Universe, an exhibition at the Fitzwilliam Museum in Cambridge. It sets Blake alongside his contemporaries, and does a wonderful job of showing his journey from classically trained artist to something of an artistic revolutionary and, as he is so often labelled, a visionary. While many of … Continue reading William Blake’s calligraphy: an exhibition review