Until now, technical and decorative lighting have always been treated as two separate realms, but Vibia redefines this approach with technical solutions that are harmonious with the broader visual language of its portfolio. While complementary, these products carry emotional value when viewed as fragments of a coherent vision. They mark a new era for Vibia as it embraces a more holistic approach to lighting design.

Designed by Xuclà, Offset combines intuitive lighting with a sleek, graphic silhouette. A system of superficial ceiling fixtures integrates five lighting effects with advanced colour and temperature regulation.

Designers can experiment with different lengths and angles to create a uniquely modular arrangements. The collection features five lighting effects: downlight, flat diffuser, high efficiency and low glare level, and a colour mood grazer -a device for multichromatic ambience- that offers six unique shades; this version is available in static colours and in rich chromatic gradients to compose carefully crafted atmospheres full of nuances that evoke emotions.

To be installed on the ceiling and oriented at will, Circus Solo complements the original collection of its designer, Antoni Arola. In order to cast dynamic lights and shadows on the wall, the designer presents an accent spotlight that facilitates the intuitive control of the lighting.

It permits built-in or remote electrical connection, so that each element can be installed in the desired place for a visual harmony between decorative and functional elements. This complementary collection thus invites you to play with lighting to create dynamic and versatile atmospheres at any time.

The accent spotlights offer different spectrums or lens apertures, making them ideal for defining functional areas and highlighting key elements. The collection offers static white in three temperatures or tunable white, the tunable option for precise colour temperature control. The tunable red option, with a chromatic transition from white to red, invites designers to create a myriad of relaxing and welcoming effects to create the perfect atmosphere in every setting.

Martín Azúa has designed the Bind Solo collection, a set of unique fixtures for playing with contrasts, delimiting functional areas and defining hybrid activity zones. This complementary collection offers accent spotlights and zenithal luminaires, in elegant matt black or neutral beige finishes. Bind Solo provides pleasant general lighting as well as directional lighting.

To be mounted on the ceiling as desired, the luminaires offer various apertures that allow every setting to be sculpted through the ideal lighting. Accent spotlights create a high contrast, while the zenithal light of the wide-beam downlights casts a soft bath of light over the room from the ceiling. Thanks to a micro-profile model, Bind Solo also blends in perfectly with all types of architecture.

This collection features a static white or tunable wihite option, allowing you to switch between cool white and warm, relaxing light. Combining the Bind Solo collection with the multiple diffused and indirect lighting effects offered by the Vibia product range, the possibilities are endless.

Plusminus Solo is a versatile collection featuring a range of playful, semi-spherical silhouettes. Designed by Diez Office, this belt-free model complements the original Plusminus collection, taking the signature semi-spherical diffuser and spotlight and opening up new possibilities for lighting a space by offering diffuse and accent lighting from above—and below.

This collection includes wall and ceiling lights, as well as floor and table lamps It combines accent spotlights with flat diffusers, allowing for a balance of general comfort and precise illumination depending on the intended use of space. With five elegant finishes, the collection complements any interior, offering endless possibilities for dynamic compositions with a curated ambience.

By integrating several different sources and typologies simultaneously, designers can develop a rich and balanced atmosphere. Designed by Martín Azúa, the Dots collection stands out for its simplicity and intimate scale. Available in solid wood or lacquered in four of Vibia’s Chromatica colours, glowing circles trace diffuse, reflected, direct or indirect light across a wall, much like musical notes in concert.

Deployed alone like a sparkling jewel or in combination to create a glowing galaxy, Dots provides limitless lighting solutions: a reading lamp offers focused, adjustable illumination; a directional luminaire creates a graphic beam of light via its adjustable cone-shaped aperture; an indirect luminaire evokes the light of the moon from its concave surface; while, an ambient luminaire radiates with a glowing halo.

Thoughtful, layered illumination not only defines areas of activity but enhances the user experience, generating positive emotions and fostering a profound sense of wellbeing. Whether brightening an entire space, adding a base layer or using accents to shape specific scenes, each layer complements the other to establish a comprehensive lighting solution. Vibia’s complementary collections embody this holistic approach. By integrating technical and object luminaires in a unified manner, designers can curate subtle environments that ensure comfort, balance, and connection.

Featured Products:
– Offset
– Circus Solo
– Bind Solo
– Plusminus Solo
– Dots

Originally founded in 1989 in Oslo by the Norwegian Kjetil Trædal Thorsen and the German American Craig Dykers, as a small workshop where architecture, landscape and interior design projects were jointly undertaken, Snøhetta over time has become one of the most influential international practices with satellite teams spread throughout the world. Nevertheless, despite this expansion, its way of approaching each project continues to draw from the same simple idea: understanding first and foremost how a place is inhabited and then deciding on how it should be constructed.

This same approach is perfectly evident at the centre of operations in Hong Kong. The workspace is not organised as if it were a collection of departments or closed-off offices, instead it’s more like a continuous space where different activities co-exist. In fact, the colour scheme, dominated by earthy tones, beige and more intense accent colours, helps define the various areas. And under this general approach the lighting, of course, takes on a crucial role. The design of the lighting scheme, jointly undertaken together with the Vibia Lighting & Wellbeing Studio, approaches light from real-world applications in spaces. In other words, rather than adding light fittings on an individual basis the idea is to create a sequence that can address the different phases and requirements that a creative studio like this goes through as the day advances.

Much of the team’s daily activity revolves around the large collaborative worktable, which acts as the space’s true centre of gravity. Above it sits the Plusminus collection, designed by the Diez Office, whose conductive textile belt allows for the free and precise placement of light sources, adapting them to the scale of this shared space. For this specific configuration, the cone-shaped fittings project light directly onto the work surface aiding the team in reading plans, working on monitors, and with the exchange of ideas while reviewing 3D models, sharing ideas, or tweaking certain details before moving forward with a project.

The Terra Red finish introduces a colourful touch that creates a dialogue with the interior colour palette without affecting its harmony, so that the lighting not only organises the worktop activities but also helps reinforce the visual identity of the overall space. During the day, the abundant external daylight dominates the studio; when evening falls, as the workday continues, the lighting adds the necessary definition to keep everything working as normal with the same exactitude.

For the more internal areas of the offices Plusminus is once again featured but, in this case, it takes on a distinctive character from its use over the shared worktable. For this spherical version in a beige colour finish, the light is more immersive, creating an ambience for reading, revising or more concentrated work, while in other areas the linear diffuser increases the levels of brightness over the work desks providing a suitable task lighting for longer periods of concentration.

For one of these configurations the textile belt even embraces one of the columns, uniting light and architecture together in a single stroke.

Meanwhile for the areas where more solitary concentration is specified Africa comes into play, conceived by designer Franscisco Gomez Paz, a portable element whose lightweight aspect confers a light more suited to focused attention. Within the open plan area where different things are happening simultaneously its scale allows for a more personal work area to be defined without the desk becoming isolated from the rest of the team, favouring those spontaneous encounters when someone stops to look over a drawing, or works on in silence developing an idea.

And finally, in the always busy meeting room, the Bind collection, designed by Martín Azúa, is integrated into the ceiling via a recessed system in a beige finish that complements the timber finishes featured here. Its presence provides the necessary clarity for conversations, presentations, or decisions that shape the course of each project. Without overwhelming the space, Bind fosters a serene atmosphere in which design ideas can be discussed calmly.

Each light fitting is specifically responding to a different time of day within the studio’s daily routine. While the Plusminus collection marks the continuity and rhythm of collaborative working, the Africa collection introduces a more individual focus, while the Bind collection adds balance to meeting spaces. All together however they add something much more important: they compliment the phases of the workday, setting up a dialogue with the surrounding natural light and colour scheme to create a carefully curated cohesive and adaptable working environment where architects’ imagination takes shape.

Credits:
– Photography by HDP Photography Services

Featured Products:
– Plusminus
– Africa
– Bind

Outside, vast snow-covered mountains; inside, warmth, comfort and a welcoming atmosphere shape this contemporary mountain retreat, designed to invite stillness and pause. Materials play a central role: slate, natural stone and oak wood, used to envelop the architecture and create an even warmer, more inviting environment. Bespoke furniture sits alongside pieces from leading brands, within a neutral palette enriched by natural textiles such as wool and linen, soft textures and refined details.

In the dining area, a sculptural yet light presence draws attention: the striking suspended installation of Algorithm Grid luminaires by Toan Nguyen for Vibia. It interacts with the space as a floating composition, combining technique, balance and poetry. It also redefines the domestic experience, bringing it closer to that of a gallery or design showroom—yet without losing warmth. On the contrary, understanding emotion as a key element of her work, Verónica Mimoum creates spaces that accompany and resonate, a vision reflected in every detail, including the choice of this luminaire.

In a mountain home like this, where the natural surroundings and seasons shape everyday life, lighting takes on an even more defining role. Natural light shifts with snow, weather and time of day, while artificial light extends comfort, accompanies quiet afternoons and creates a warm refuge at night. It becomes essential to both the identity of the space and the wellbeing of its inhabitants.

Here, lighting acts as an emotional language: the daylight entering through large windows is balanced by the soft glow of Algorithm Grid enveloping the dining area. Its hand-blown, striated glass spheres diffract the light from within, while its black metal structure remains versatile and adaptable.

The piece becomes the focal point of the room, its suspended globes evoking a constellation of light that appears to float, casting a warm glow over the table and bringing a poetic and refined character to the space. Beyond aesthetics, it plays a key role in domestic wellbeing: shaping daily rhythms, supporting routines and creating environments of calm. Algorithm Grid turns light into a gesture that is both poetic and functional, merging design, geometry and harmony. Like drops of rain, the luminaires define the atmosphere and articulate the soul of the home.

The installation adapts to ceiling height and dining room proportions, accompanying the dialogue between materials and the surrounding landscape. Its soft, intimate atmosphere is ideal for moments of connection—whether a quiet breakfast under diffused light or a shared dinner beneath a warmer, more focused glow. Ultimately, Algorithm Grid transforms the dining area into the heart of the home: a suspended luminous composition that celebrates togetherness, stillness and beauty. A thoughtful and sensitive home where aesthetics serve comfort, and Vibia lighting accompanies everyday life with emotion.

Credits:
– Project by Verónica Mimoun
– Photography by Montse Garriga
– Architecture by Mano Arquitectura

These four residential projects, which we have compiled below, confirm this. Each of the selected homes reflects a distinct way of living, but regardless of their style, they all share something in common: light as an element that redefines the concept of home, adapting to each moment and need of the residents.

With an unusual double height configuration and spacious layout this new build home designed by architect Joost Woertman, infuses a sense of the natural while also combining colour and lighting to define the various rooms. On the ground floor the kitchen and pantry area become the focal point (and one of the family’s favourite hangouts). Here the collaboration between the Lichtadvies 010 design studio and the Plusminus collection from Vibia straddles the ceiling creating a diaphanous sculptural composition with its terracotta colour textile belt. The same collection with spotlights attached lends a tenuous illumination and intimate ambience to a separate area of the home.

The spirit of the Mediterranean infuses this residential project conceived by architect Cristina Soler (Arquemo), where natural light and the use of organic materials and neutral tones are prioritised. Vibia’s light fittings combine naturally with this cosy tandem. Wireflow reinterprets the traditional chandelier in the entrance hall, crowning the double height space.

For the day zone lamps from the Skan collection in a red terracotta colour, provide character and a homely feel over the dining room table.

Big cities are synonymous with life, choices, and multiculturalism, but also with stress and overstimulation. That explains why once we get home and cross the threshold, all we want is peace and quiet. This urban apartment, designed by Clysa, keeps the chaos of the concrete jungle at bay thanks to its lighting.

Specifically, the Tempo and Dots collections that juggle functional and comfortable lighting while exuding a stylish, timeless design. Each fitting adapts easily to its surroundings: the two versions of Tempo complement the intimacy of the bedroom and Dots, with its artisanal looks and efficient functionalism, creates inviting corners in living areas for reading and relaxation.

There is no better context than the one provided by Mother Nature. Just take a look at this home created by interior designers Olivegrey as proof. With the colour green as a backdrop and a palette of natural materials throughout the interior the light acts as a connecting thread. Within the living room the Sticks installation highlights its pure forms and timber finishes, while also connecting the double height space resembling more a floating sculpture.

Here also located strategically placed above the sofa, Tempo adds a warm engaging lighting through its design that blends the classic and the contemporary. And lastly, in the dining room Flat provides a smooth even immersive light that never detracts from the exterior views.

As we’ve tried to show here the thing that connects all these residential projects isn’t any particular style or setting, instead it’s much more subtle (but effective): the use of light, in sympathy with the architecture, to bring comfort, character and beauty to the home. In other words, the design of the lighting scheme as a source for emotional wellbeing.

Featured Products:
– Plusminus
– Wireflow
– Skan
– Tempo
– Dots
– Sticks
– Flat

Whether it be a Mediterranean garden or an urban terrace the following refuges keep us in contact with the natural world, and curating their design, especially the lighting, is key to enjoying the uplifting experience they provide. Lighting that follows the rhythm of the day and becomes the focus of attention at night, contrasting light and shade, complementing the architecture and integrating with the landscape.

The first project takes us to the heart of Sydney, next to its iconic Opera House. And specifically, to the gardens surrounding Government House, where landscape architect Jane Irwin‘s redesign has successfully updated this idyllic landscape without sacrificing its essence, opting for native species and an organic layout that connects the building to the harbour.

The light fittings from the Bamboo collection, with their marked slender silhouette, are dotted around the pathways like an extension of the planting scheme. During the day the elegant profile discreetly integrates with the setting; while at night they project an even illumination that lights the way and reveals the subtleties of the garden.

This single-family residence on the Costa Brava, designed by Cristina Soler, constitutes an exercise in combining architecture and nature, where white stone, natural wood textures and a subtle chromatic palette create a pure Mediterranean ambience that blends seamlessly with its coastal setting.

Here, the exterior lighting complements the architecture discreetly, integrating with the garden and highlighting the natural landscape. Bamboo is camouflaged between the greenery like a piece of sculpture; Brisa projects a warm beam of concentrated light that frames the fragrant plants; while Meridiano throws a stripped light over the ground plane, combining functionality and art.

The light and the views are the common thread that runs through this house in Malta, whose refurbishment directed by the Rome based Luca Peralta Studio, aimed to celebrate the relationship between the built environment and the landscape. To achieve that end the architecture is organised over two horizontal planes, that frame the views and underline the sensation of space and calm.

Just beside the swimming pool the Bamboo collection defines the limits of space and introduces a sculptural organic element. Its slender stems that emit a warm integrated light, suggest the form of the bamboo while projecting reflections over the surface of the water, effortlessly integrating with the setting.

Along the exterior circulation that connects different areas of the villa, several pieces from the Meridiano collection are arranged in a row, addressing two requirements: lighting the path and providing seating. Their LED light source creates a striking interplay of light and shadow on the ground, transforming the terrace into a place of relaxation from which to contemplate the villa’s Mediterranean garden and the sea, in the distance.

In summary, these three projects, although very different in scale and ambition, share the same conviction: lighting the outdoors redefines the relationship between architecture, landscape and human experience. Beyond simply lighting, they create spaces for rest and enjoyment, but also for freeing up our minds to meditate and think creatively (or as David Lynch would put it: catching the big fish).

Featured Products:
– Bamboo
– Brisa
– Meridiano

The Cosentino showroom in the Canadian city of Toronto represents a space where materials, architecture and lighting come together in perfect calibrated harmony, to create a generous exhibition space, both modern and bright, whose height allows these sensations to be appreciated.

From a general perspective the various collections act as an invisible structuring device that shapes and guides a route while interacting with the surroundings, from the entrance threshold to any of the several spaces which configure the showroom, providing a pleasant sensation of spaciousness.

Each collection lends identity to the space for which it has been selected, illuminating the same environment, accommodating different functions, perfectly defined by each light fitting. Wireflow Lineal adds a bold graphic presence in the reception area; while Plusminus flows through the space; and Kontorno frames the light with precision within the interior rooms.

Each light fitting not only distinguishes its own personality, generating an attractive visual presence, but the showroom is also capable of creating a dialogue with the exhibited materials introducing different luminous registers within the same project.

Just beyond the threshold, the eye is captured by the importance of the lighting scheme as a key part in the overall project and which responds to a carefully considered configuration of the space, with its associated furniture and accessory elements. All within a selected range of neutral colour tones that generate a calming atmosphere which invites taking pause and exploring the spatial connections, and above all discovering and touching the Cosentino designs.

The first area that visitors encounter is the reception, delimited by a desk with a strong visual presence, thanks to the slatted material expression. Its vertical lines are accentuated on plane above with the Wireflow Lineal collection, designed by Arik Levy, the black cables trace an aerial silhouette that is both sober and precise.

The geometric outline floats in the air welcoming visitors with a poetic expression of light while also offering a clear and direct illumination above the elegant desk while accentuating its surface textures and volume.

From this same entry point, a succession of Plusminus fixtures run through the showroom space featuring compositions of spheres and cones, creating an ordered, aerial continuity. This design by Diez Office, characterised by its textile belt with integrated electrical wiring, allows the fittings to be freely positioned according to their function.

The spherical version of Plusminus offers 360° illumination, a more general and diffuse light, from a central position that crowns the main showroom area. The conical version, on the other hand is only featured in a specific area, over the main table, with a more directed diffuse lighting that responds to a particular lighting requirement.

The showroom includes another separate room for which another collection was selected, Kontorno, a Sebastian Herkner design, that introduces a different language. For this project the version with a curved metal deflector was chosen that projects the light downwards in a precise beam. The practically imperceptible cables evoke a sensation of weightlessness which enhances the immersive lighting generating a controlled attenuation effect.

The Cosentino showroom project in Toronto illustrates the value and potential of very different lighting collections, thanks to a careful previous deliberation of the interior design approach, one that offers a diverse range of mutually complementary and coherent configurations. In such a way that the three together construct a sensorial experience that runs through the space, ordering it, and lighting it, but also lending character.

Featured Products:
– Plusminus
– Wireflow Lineal
– Kontorno

Architect Pitsou Kedem‘s projects mirror his way of life: a constant search for light, silence, and matter. From his studio, which he founded in 2000, he explores a profound and expressive vision of minimalism defined by rich materials, respect for context, and a desire to bring order to chaos. His buildings are an invitation to pause and a balm for the senses. In an enlightening conversation, he shares with us his sources of inspiration, the principles that guide his work and the routines that shape his life. Through his eyes—those of a photographer and architect—we discover a way of seeing and understanding light as raw material, as an element that shapes reality and gives it depth.

Pitsou Kedem tells us how, from the moment he set foot in the monument erected by the sculptor Danny Karavan in the Negev desert, everything changed. It was in that habitable sculpture made of concrete, with geometries drawing a play of light and shadow, that his love for architecture was born.

In his buildings, Pitsou gives space for the materials to breathe, and in his mind, he does the same with his thoughts. That’s why he always carries a book in his backpack and every day finds time to sit in a café and read. By immersing himself in the lives of others, he is able to disconnect, clear his head, and sharpen his focus.

James Turrell and his artistic approach to light and space helped Pitsou reconcile two facets of himself: the need for order and the search for warmth. His first encounter with Turrell’s work was at the Israel Museum, home to “Space that sees,” an environmental sculpture that opens up to the sky and invites meditative contemplation of the movement of clouds and light that bathes the space. In his projects, he seeks to recreate such material and formal restraint that leaves room for emotion and thought.

He feels the same way when he contemplates Turrell’s work as he does every time he visits his greatest source of inspiration: nature. Climbing in the Norwegian fjords, the silence allows his thoughts to wander as he observes the light “painting on the blank canvas that is the landscape”. Back in the studio, he pours that feeling into his projects, designing them so that they do not impose themselves, so that they allow those who inhabit them to express their inner beings.

A strong belief guides their work: light is to a space what raw material is to a structure. It is used to build, to shape. In the studio, he approaches each building as an opportunity to let light penetrate and bring meaning and textures alive, highlighting volumes. For him, architecture is “the human experience in space” and light is his ally in enriching it. That is why he considers that his 25-year career can be summed up in a minute in cinema: the scene in the film The Brutalist in which the protagonist uses a flashlight to show how light will fall on the future building.

His language is made up of dichotomies, tensions, and well-resolved balances. He is well aware that without darkness we cannot appreciate light. That is why he pursues a kind of minimalism that is neither neutral nor cold; it is exciting, expressive, enriched by the contrast between light and shadow, between colors and textures. If he had to choose just one piece of advice to give to a young architect: “Find your language and stay true to it until the end. Even if there is noise out there. Even if others tell you that it is extreme, that it is exaggerated. Believe in your architectural truth”.

In a profession often dominated by ego, Pitsou runs in the opposite direction: he seeks to work with people who are eager to share their ideas because, for him, teamwork is essential to awaken a kind of creativity that only comes from dialogue and diversity. Just in the same way emotion arises from the dialogue between light and matter within a space.

“I am not an architect who also takes photos; I am a photographer who also builds.” This is how Pitsou defines himself, and that way of looking at the world—and architecture—through the lens that was the origin is still present in his work today. And it is not just the gaze, it is the whole process, what precedes and follows the shot. The wait for what is seen to be exposed: by the light that falls on the building just before capturing it, by the light that penetrates the negative and imprints it, by the chemicals that will gradually print that snapshot in the darkroom. With the attitude of a photographer, he draws the building: little by little, letting it reveal itself.

Designed by Martín Azúa and available in both linear and circular configurations, Halo Jewel elevates its surroundings with a sense of serenity and poise. Defined by formal rigour, each volume is conceived as an integrated whole. Vertical lines and horizontal rings hover delicately in the air, washing the space with a bright, fluid light.

Each fixture is suspended from the ceiling by a length of slender, artisan-crafted steel in a choice of gold or sleek black finishes. Much like a jewelry setting, the steel armature both complements and secures the diffuser.

With Composing Pendants, Halo Jewel breaks free from the limitations of traditional electrical systems. A single luminaire can flow freely through space, or multiple pieces can be suspended at will, connected to a single connection point.

The linear fixtures channel light with vertical precision, defining a contemporary visual language that elevates residential hallways or living spaces. Suspended in clusters, the suspended lines interact, creating a sense of movement and rhythm as light flows between them. Composed in symmetrical or asymmetrical harmony, they form a striking statement piece for commercial or public spaces such as galleries or hotel lobbies.

The halo, by contrast, assumes an ethereal air. Its understated silhouette creates a distinctive “aura”, casting a warm, ambient glow over a dining room table. Blending light, space and materiality, the rings hover weightlessly, suspended at varying angles by ultra fine threads. Distilled to their essence, their gentle orbits suggest balance and motion, a moment captured in time.

The collection offers infinite compositional possibilities, though its linear and circular forms can never be combined. Discreet remote and recessed installation options maintain visual continuity, while surface-mounted and free-wire options adapt to more complex ceilings, allowing each composition to integrate seamlessly into any context.

Within this modular system, Flat’s soothing geometry and soft luminosity gently envelop the space in an inviting atmosphere. The collection is both poetic and functional; composing with Flat means exploring proportions and scale to create elegant, balanced compositions.

Delicate yet distinctly graphic, the Flat pendant reflects the signature precision of Ichiro Iwasaki, known for his essential and abstract style. Disc-shaped diffusers are suspended at different heights from ultra-slim cables, light reflecting off their surfaces to create layers of soft, intimate illumination.

The smaller discs capture and cast light back at the larger, its calm, weightless presence appearing to glow from within. Defined by a sense of precision and visual lightness, the carefully considered materiality of the shade, diffuser, cable, and canopy form a coherent and harmonious whole.

The upper surface of each disc is available in a palette of natural tones—Off-White, Terra Red, and Green L1—chosen to complement a wide range of interiors. These muted finishes reinforce the visual harmony of the pendant, maintaining a balance between material, form and light.

Integrated into the Composing Pendants system, Flat breaks free from architectural constraints. A single luminaire can flow effortlessly through space, or multiple elements can be suspended from the same connection point, giving designers the freedom to explore creative and complex configurations.

The collection’s formal simplicity translates into a sculptural presence, its overlapping planes bringing depth and visual texture to a space. A range of discreet installation options—remote, recessed, surface-mounted, or free wire—preserve its refined presence, each composition integrating seamlessly into the space.

Composing with Flat is an exploration of light and geometry. Floating discs are suspended in harmonious layers, bringing a sense of lightness and serenity to a space. Enhanced by the modular freedom of Vibia’s Composing Pendants system, the collection evolves into an intuitive, fluid composition. The precision of each silhouette, paired with its soft illumination, creates a balanced and refined atmosphere that feels both contemporary and timeless.

Start composing with Flat and create without limits unique compositions through Composing Pendants.

In matte-lacquered White or Graphite the collection offers a sober, understated aesthetic that’s equally suitable for workspaces or residential use. Its opaque surface directs light downward, creating quiet, controlled environments. Suspended individually or in groups, it delivers intimate lighting that’s perfect for reading or dining.

The metallic finishes in Gold and Copper bring a sense of elegance and distinction. Their reflective surfaces interact with the light, creating a sparkle that promises to enrich both residential and commercial settings.

Exploring the more mellow shades of Vibia’s Chromatica scale, Mayfair’s Beige, Dark Terracotta and Green finishes deliver a subdued atmosphere that’s ideal for cosy living rooms, circulation zones, or bedrooms.

Mayfair instantly transforms the atmosphere of a space with its serene presence and gentle, enveloping light. Integrated into the Composing Pendants system, the collection allows for thoughtful configurations that can be adapted to different environments. Its precise proportions and timeless design bring a sense of harmony and refinement. Each finish—metallic, translucent, or matte—introduces its own unique character.

Start composing with Mayfair and design unique compositions through the Composing Pendants system.

Integrated into the Composing Pendants system, the collection reveals new compositional possibilities. Multiple luminaires can flow freely from a single electrical point, inviting designers to create compelling configurations tailored to the needs of each project and adapted to any architecture.

A reduction to the essential, the Skan collection combines purity of form with superior lighting efficiency. Marked by crisp lines and gentle curves, its sleek silhouette is modest yet defined, enhancing the atmosphere without imposing itself. Suspended overhead by a slender cable, it delivers a warm, even light that promotes relaxation and conversation.

With Composing Pendants, Skan moves beyond the traditional limits of electrical systems. A single luminaire can flow freely through space, or several pendants can be connected to a single point. Thanks to its easy installation and seamless connection, Skan becomes a tool for designers looking to explore creative configurations.

Skan’s simplicity lends itself to both classic and contemporary interiors. Its broad, bright downlight is especially suited to residential dining areas or open kitchens where it lends an inviting warmth. Available in a wide range of finishes—matte white, black, beige, terra red, blue, and green—compositions can be harmonious or high contrast, discreet or sculptural, depending on the desired effect.

A set of pendants suspended in parallel over a meeting table provides a sense of quiet distinction. Light projected from the sleek black diffusers delivers a calm and focused atmosphere. By grouping several luminaires together at varying heights, the repetition of discs in muted colours creates a soothing visual rhythm, ideal for large contract spaces, such as restaurants, libraries or hotel lobbies.

Composing with Skan is an exploration of light in its purest form. More than a luminaire, it is an expression of clarity and calm; a way of understanding light as integral to the space itself. Its serene essence, timeless silhouette, and formal precision elevate any setting with natural harmony. Thanks to the Composing Pendants system, the collection can be composed with total freedom, providing refined lighting that responds to any architecture and adapts to the needs of everyday life.

Start composing with Skan and design unique compositions through the Composing Pendants system.

Integrated into Composing Pendants, a new installation and connection system, it benefits from fluid, intuitive connectivity, giving designers the freedom to expand their compositional possibilities and configure tailored arrangements with ease.

A well-composed space creates flow and harmony between its elements. Light plays a key role in directing the gaze and highlighting architectural features. Wireflow Free’s airy, adaptable structure enables light to move freely across space, adapting naturally to any architecture, regardless of complexity.

Arranged in symmetry or playful asymmetry, the cables introduce a subtle architectural language. They trace dynamic rhythms across walls and ceilings or branch out from a central point to define different activity zones. From simple to more complex configurations, the collection offers total freedom with minimal visual presence, each installation shaped by the designer’s vision.

The Composing Pendants system extends the versatility of Wireflow Free through simple installation and intuitive connectivity. A single luminaire can flow through a space, or multiple pendants can be connected to a single point. For suspended ceiling applications, remote and recessed solutions maintain a smooth, clean appearance. The ultra-minimal design of the canopy and connections ensures visual purity and continuity between luminaires.

Offering versatility in form and function, Wireflow Free can be installed on both ceilings and walls through Free Wire connections. Its exceptional adaptability makes it an ideal solution for spaces with only wall light points, yet where pendant lighting can provide a more effective or visually engaging solution.

With compositions ranging from 1 to 9 LEDs, and available with or without glass, the collection provides a spectrum of lighting intensities and effects. Conceived as an open-ended tool, it allows light to be drawn freely across space, adapting to the architecture without predefined rules or mandatory geometries. Each configuration is unique, shaped by the designer’s intent and the rhythm of the environment. From soft ambient illumination to precise accent lighting, every installation can be carefully personalised, expressing the lightness and subtlety that characterise the collection.

Composing with Wireflow Free is like drawing with light. Reduced to a simple combination of light and line, its airy structure and compositional freedom offer an open-ended tool for architects and designers seeking to transform spaces with a single, dynamic solution. The Composing Pendants system expands the collection’s compositional possibilities: extended, adapted, and redefined, it traces delicate lines through space with exceptional precision. More than a luminaire, each unique composition becomes an architecture of light.

Start composing with Wireflow Free and create without limits unique compositions through Composing Pendants.