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Computer Music Modeling and Retrieval

Third International Symposium, CMMR 2005, Pisa, Italy, September 26-28, 2005, Revised Papers

  • Conference proceedings
  • © 2006
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Overview

Editors:
  1. Richard Kronland-Martinet

    1. CNRS Laboratoire de Mécanique et d’Acoustique, Marseille Cedex 20, France

  2. Thierry Voinier

    1. Laboratoire de Mécanique et d’Acoustique, CNRS, Marseille Cedex 20, France

  3. Sølvi Ystad

    1. CNRS Laboratoire de Mécanique et d’Acoustique, Marseille Cedex 20, France

Part of the book series: Lecture Notes in Computer Science (LNCS, volume 3902)

Part of the book sub series: Information Systems and Applications, incl. Internet/Web, and HCI (LNISA)

Included in the following conference series:

Conference proceedings info: CMMR 2005.

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Table of contents (24 papers)

  1. Front Matter

    Download chapter PDF

  2. Dynamic Simulation of Note Transitions in Reed Instruments: Application to the Clarinet and the Saxophone

    • Philippe Guillemain, Jonathan Terroir
    Pages 1-23

  3. The BRASS Project, from Physical Models to Virtual Musical Instruments: Playability Issues

    • Christophe Vergez, Patrice Tisserand
    Pages 24-33

  4. The pureCMusic (pCM++) Framework as Open-Source Music Language

    • Leonello Tarabella
    Pages 34-44

  5. Timbre Variations as an Attribute of Naturalness in Clarinet Play

    • Snorre Farner, Richard Kronland-Martinet, Thierry Voinier, Sølvi Ystad
    Pages 45-53

  6. Scoregram: Displaying Gross Timbre Information from a Score

    • Rodrigo Segnini, Craig Sapp
    Pages 54-59

  7. A Possible Model for Predicting Listeners’ Emotional Engagement

    • Roberto Dillon
    Pages 60-75

  8. About the Determination of Key of a Musical Excerpt

    • Héctor Bellmann
    Pages 76-91

  9. An Interactive Musical Exhibit Based on Infrared Sensors

    • Graziano Bertini, Massimo Magrini, Leonello Tarabella
    Pages 92-100

  10. Metris: A Game Environment for Music Performance

    • Mark Havryliv, Terumi Narushima
    Pages 101-109

  11. Strategies for the Control of Microsound Synthesis Within the “GMU” Project

    • Laurent Pottier
    Pages 110-122

  12. Building Low-Cost Music Controllers

    • Alexander Refsum Jensenius, Rodolphe Koehly, Marcelo M. Wanderley
    Pages 123-129

  13. Evaluation of Sensors as Input Devices for Computer Music Interfaces

    • Mark T. Marshall, Marcelo M. Wanderley
    Pages 130-139

  14. Aspects of the Multiple Musical Gestures

    • Kristoffer Jensen
    Pages 140-148

  15. Gran Cassa and the Adaptive Instrument Feed-Drum

    • Michelangelo Lupone, Lorenzo Seno
    Pages 149-163

  16. Generating and Modifying Melody Using Editable Noise Function

    • Yong-Woo Jeon, In-Kwon Lee, Jong-Chul Yoon
    Pages 164-168

  17. Unifying Performer and Accompaniment

    • Lars Graugaard
    Pages 169-184

  18. Recognizing Chords with EDS: Part One

    • Giordano Cabral, François Pachet, Jean-Pierre Briot
    Pages 185-195

  19. Improving Prototypical Artist Detection by Penalizing Exorbitant Popularity

    • Markus Schedl, Peter Knees, Gerhard Widmer
    Pages 196-200

  20. Music Analysis and Modeling Through Petri Nets

    • Adriano Baratè, Goffredo Haus, Luca A. Ludovico
    Pages 201-218
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Other volumes

  1. Computer Music Modeling and Retrieval

Editors and Affiliations

  • CNRS Laboratoire de Mécanique et d’Acoustique, Marseille Cedex 20, France

    Richard Kronland-Martinet, Sølvi Ystad

  • Laboratoire de Mécanique et d’Acoustique, CNRS, Marseille Cedex 20, France

    Thierry Voinier

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