Here come some loooooooooooooooong, loopy notes, in three chunks, on my notion of a “power account.” They get pretty metaphysical, caveat lector, but only in due preparation for social questions of power. I don’t expect anyone to read it all, especially not in one sitting, but I need to get the concept nice and clear. For me, power accounts are what constitute dynamic understanding, and from what I’ve come up with so far, are defined by three main criteria (which probably won’t make much sense upfront, but I’ll list them anyways). One: power accounts shape their story, and sieve their causes, possibilities, and effects, according to an immanent criterion of importance, and in fact must make the case for this importance through their own telling. Two: power accounts are sufficiently concrete in the philosophical sense that they don’t rely on “abstract causation.” They don’t strip their main characters of their distinctive causal powers. And finally, three: as a development of the causal-modal definition of power, a power account must simultaneously convey, if only implicitly, four different things: a convincing story of how an ensemble of causes will bring about their effects; how they might fail to bring them about or might bring about others; how those effects might otherwise be brought about by another ensemble of causes; and finally, how this story compares and contrasts with alternative or hypothetical stories, with different causes, possibilities, and effects — that is, with close parallel worlds or stories no less convincing or coherent than its own. If I define power as the marriage of cause and possibility, then power accounts indulge us with all the plot twists and drama of their impassioned affair. Like I said, this probably doesn’t mean much to you yet, but in the three pieces to follow, I’m going to try to lay it out with almost didactic clarity, even if I have to sacrifice some style to get it done. The last criterion is the most ornate, so I’ll start with that, then follow up with shorter explanations of the other two.
I.
This first section is about two elusive but I think related concepts: my notion of a “power account” and the Buddhist figure of the tetralemma (or “catuṣkoṭi”), particularly as it was wielded by the Buddhist philosopher Nagarjuna, a third-century Indian monk and founder of the Madhyamaka school of Buddhism. “Madhyamaka” means “Middle Way” in Sanskrit, and refers to a philosophical outlook that steers between absolute realism and utter nihilism. In English, the name gives the unfortunate impression of a mealy-mouthed centrism (like Tony Blair’s “Third Way”) which does no justice to Nagarjuna’s penetrating radicalism. What initially drew me to his thought was what I took to be our shared rejection of ontology. In fact, from what I’ve read, his rejection was so radical it threw even some of his closest readers for a loop. Nagarjuna had a nice, succinct word for this rejection of ontology: śūnyatā — usually translated as “emptiness” — which you’ve likely heard of before in reference to Buddhism. This translation also misses the mark a little because it still evokes a non-existence or negation of being, when what Nagarjuna was trying to do (in my untutored opinion) was to disabuse us of any metaphysics built on being and non-being, or any combination of the two.
Why would he do this? Well, for one, even if we could nail down a solid ontology, it wouldn’t provide the foundation we think it does. It’s neither needed nor achievable. Nevertheless, sages have been at it for so long now that many are loath to let it drop, and that includes some of Nagarjuna’s fellow Buddhist commentariat. Some of them protested that Nagarjuna didn’t have a problem with ontology per se. He was only denying “svabhava,” a term that doesn’t really have a clean English equivalent but which means something like “own-being” or “self-existence,” and encompasses both “essence” and “substance,” the Western philosophical terms you find in Aristotle. Ontology is fine, they said; Nagarjuna’s Madhyamaka was just rejecting all essentialisms and substance ontologies, such as the intrinsic beings and unchanging natures found throughout Indian metaphysics. My contention is that ontology is not fine. And for as zero as I know about Sanskrit or Pali, I’m going to go ahead and claim that all ontology is a form of svabhava. As if I weren’t already out of my depths enough, I’m even going to bring in the tetralemma to help show my reasoning.
The tetralemma, known as the double or four-fold negation (hence “tetra-lemma” — four propositions), is a device of Buddhist logic or dialectics. Rather than representing a sacred figure, the tetralemma is more of philosophical prop, used for refusing bad questions rather than refuting specific claims. It has a scary reputation, but it’s largely undeserved. The gist of it is actually pretty straightforward. It basically says that when you’re asserting or questioning a certain Something, you have four general options to contend with: first, you have that Something, or alternatively you can have Something Else, or a mix of that Something and Something Else, or neither that Something nor Something Else. If none of those four options bears out or makes sense, then that means that there’s probably something screwy about your original assertion or question. Is my new jacket blue or red? The answer may be that my new jacket is blue, or maybe red, or maybe some mix of the two, like purple, or maybe neither red nor blue, like yellow. This is easy enough because the question makes sense. However, if I didn’t buy a new jacket or if I didn’t have a jacket at all, then it’d make no sense to squabble over what color it is. It’s just a screwy question, so none of the four options hold. Nagarjuna ran with this, turning it into his signature philosophical method. By demonstrating that none of the four options held for a given question, he’d go on to prove to his readers or audience that it was hopelessly screwy. I think the custom of expressing this in Western formal logic is misleading (for reasons I won’t go into here), but if it helps you visualize the four folds or quadrants, this is what that looks like (where P is the assertion of that Something and asterisk means Else):
It’s true that Nagarjuna uses the tetralemma dialectically, to overcome “binary thinking,” but it drives me crazy when this is interpreted to mean that everything is fuzzy, trippy, or paradoxical, like some 14-year-old Youtuber talking about how he visualizes a hypercube. The point of the tetralemma is to clarify and it works pretty well if you let it. Let’s take ontology. Ontology has been assailed elsewhere by other means, and it’s the boilerplate example when it comes to the tetralemma, but I’m going to give it all my own spin. In terms of something’s “ontological status,” you have four options to choose from: being, non-being, a mix of being and non-being (perhaps like becoming), and neither being nor non-being (perhaps like transcendence). In previous sections, I go into the reasons why “being” is not the bedrock people think it is; that it’s a ruse of grammar or thought that tries to describe what all things are doing in common (“they’re all just… being”), or that imagines things as just metaphysically hanging out before stepping into action or predication. It makes sense why we do this. Before we build anything, the first thing we do is gather our materials. It feels only natural to begin the same way when reconstructing our world. Unfortunately, when really pressed, being turns into an empty abstraction that adds nothing at all: “there are over 8,000 languages spoken in the world, all of which are” or “water is composed of two existing hydrogen atoms and one existing oxygen atom” or “Had he never been born, Thermistocles would never have won the Battle of Salamis.” There’s a reason these sentences read like a highschooler trying to bulk up the word-count of an essay: beingness as such adds nothing to any real account. It elucidates little and explains even less. If you want to understand how Thermistocles defeated the Persians at Salamis, it functions only as a joke to say that it’s first and foremost because he was. Beingness does no work here. Nor is it implicit: it could be omitted from every causal story without a loss. If a fire really burns, does it matter whether it really is?
On the flipside, this doesn’t mean that these things “don’t really exist” either. This would presume the very thing we’re trying to disavow: that ontology’s partition of the world into being and non-being is fundamentally meaningful. When Nagarjuna said that not even the Buddha himself had svabhava, critics accused him of utter nihilism, because missing the point, they presumed that anything real had to be grounded in ontology. But Nagarjuna was rejecting the presumption, not the Buddha. To accuse the Buddha, or anything else, of non-being would only dignify the screwy question that he wanted us to get beyond. However, as his disciple Chandrakirti remarked, while svabhava may not be an enduring feature of the world, it is an annoying habit of the mind. Browse some online forums and you’re bound to read statements to the effect of: “Money doesn’t exist. It’s just a social construct.” “Transnistria isn’t a real nation-state.” “There is no such thing as human consciousness. Experience is an illusion.” “God created the integers. All the rest is the work of man.” Or bite on the clickbait title of the Nature article I read the other day: “Why probability probably doesn’t exist (but it is useful to act like it does).” You read about all manner of things, rudely divested of their claims to being. What do we get out of this divestment though? For traditional metaphysics, I think part of the impulse is to strip away the clutter, just to see what we’re working with. This makes sense. The fewer the parts, the easier it is to understand. Parsimony is therefore prized. Of course, this stripping away can quickly get out of hand and lead us to the same “utter nihilism” decried by Nagarjuna’s critics — especially when we’re not sure what we’re looking for. We are, in the immortal words of Dante, going to sea without a port in mind.
Most of the time when we say something doesn’t exist, though, it isn’t really ontology talk. When cryptid-deniers tell you yetis don’t exist, this isn’t an ontological or even metaphysical statement. Everyone already gets what it means for an animal to exist, in the flesh and bone and hiding from photographers somewhere in the forest. Any questions about whether yetis exist are, in Carnap’s words, “internal to the framework” of what we all understand perfectly well about animals. There’s no controversy; hence no need for ontology. When anon says “money doesn’t exist,” rarely are they being literal. They know that money is a thing in the world. They’re making a point about how its value isn’t fixed or inherent, but fluid or socially determined. There could be an ontological slant if we take it to mean something about the broad category of values, but we don’t have to go down that alley. The jab about Transnistrian nation-statehood is slightly more ontological because, despite their recent invention, it seems that some undismissable portion of the world population really thinks of these “sets of people” as a natural kind. The more deadly serious they take this idea, the more brain-damaged their politics is by ontology. It’s just as likely, however, that Transnitria-deniers are only calmly restating the social fact that it isn’t widely recognized by the international community or separated by bold lines on any maps. It just depends on who you’re talking to. Once we come to mathematics, and whether or not fractions or probabilities exist, we now step fully onto the terrain of ontology precisely because we’re totally stumped on what it means for mathematical objects to exist in the first place. Likewise with human consciousness. The debate didn’t rage for centuries because we couldn’t agree on whether consciousness met the criteria. It raged on because consciousness was frustrating our ability to come up with any criteria to settle the question. This is the great irony. The only time we seem to turn to ontology to debate whether something exists or not is when it doesn’t make any difference either way. If some grizzled Russian misanthrope managed to prove once and for all that mathematical objects like numbers didn’t really exist, what would this change? Would we stop using it? Would the theorems no longer hold? Name one difference this would make to the practice of mathematics. Similarly, would you be any less conscious if consciousness was illusory? Philosophers could also prove that birthdays didn’t exist. It’s not like we’d stop celebrating them. We’d just be left wondering what that even means.
Dissatisfied with this “binary” partition of the world into being and non-being, many throughout the ages hedged their bets with an “in between” — a combo or blend, or an “interpenetration of opposites.” This brings us to the third quadrant of our tetralemma, the mix of being and non-being most popularly interpreted as becoming. In this interpretation, becoming is like a titration that introduces non-being into some being until, over time, a new being results. Or equally, one being pushes its way in until some other being is pushed out and into the shadow realm of non-being. By either account, becoming is somehow composed of being and non-being. This is a convenient way to think about it because, once again, it mimics one manner in which we often create change ourselves in our everyday projects. We slowly turn the volume down on one song as we turn up the volume of another and sense the transition with our ears. We add yellow paint to red paint and what appears but this new being, orange paint. This makes perfect sense to us, but only from a deceptive simplicity. First of all, it presumes the special case in which we have two elements already on hand and neatly separated, like at the beginning of craft hour. Secondly, it only explains change in a shallow sense because it conveniently leaves out what makes these elements elemental or how their combination actually brings about change. For instance, in the color theory of painting, yellow added to red will create orange, red added to blue will make purple, because yellow, blue, and red are elementary colors. That’s nice and all, but the real question is how they do this? And what makes yellow, red, and blue elementary colors in the first place? That is, why red, yellow, and blue rather than purple, orange, and green? Or for that matter, what is it that makes all blue things blue or all red things red? I know it’s “because” they all reflect a certain wavelength of light, but why do they all reflect that wavelength of light? This isn’t something we actually understand. It’s just something we fucking noticed. We can chart out all the predictable changes into laws of color and optics, but that doesn’t really explain why these changes behave the way they do. And apparently, as of press time, scientists are still stumped. The only thing that we can say that all blue things have in common is that they’re blue. That’s the best we’ve come up with in three thousand years.
To truly understand the changes, we’d have to get into what creates these colors and makes them elementary (thus nullifying them as first principles), and what causes their combination to produce certain colors rather than others. Likewise, we’d have to ask the same questions when trying to explain becoming as a composition of being and non-being. What’s causing these beings and non-beings to surge and ebb into becoming in the first place? The songs we’d be mixing wouldn’t be any more elemental or changeless than the change that’s created by mixing them (since as sound, they are already processes or species of becoming). Instead, here, change is effectuated and explained by a set of actions and potentialities, not by any being or its absence. In other words, the transition is explained by the less elemental: by the DJ and dancers, by the interweaving of the songs, by the play of the mixer, by the mood in the room. The kinetic is explained by the dynamic, not by the static. Becoming is not explained by being and non-being; it’s explained by the various powers pulling it off. Is it even helpful at all to think of becoming as a mix of being and non-being? As I grow and change as a person, yes, in some sense I become someone who I previously wasn’t, but is this really through some seance between the old and new me? When thinking about social change, like the French Revolution or China’s transition from communism to state capitalism, we explain it by putting together a story of diverse historical powers, not as a mix of being and non-being. If the mixing metaphor doesn’t make sense in either history or our everyday life, why would it fare any better in our metaphysics? It’s a long-repeated metaphysical conceit, with a nice ring to it, but it doesn’t make much sense when thinking seriously about changes in our world. At the same time, it’s also not particularly helpful to think of becoming as fundamentally pure either or to think of change as just “happening.” Ontology isn’t saved by substituting becoming for being as a fundamental element. Merely assuming change as a given doesn’t explain anything for the reason that assumption is never explanation. It excuses you from explanation, in fact. They’d balk at this description, but I think this applies to many if not most process ontologies. They acknowledge and accommodate the obvious reality of change, which is a step forward, but fall back into the same ontological trap by trying to ground themselves in what is essentially just liquid being.
That’s enough for now on the third panel of the tetralemma. Let’s move onto the fourth, transcendence, which immediately starts off on the wrong foot with respect to ontology. We think of ontology as the attempt to take stock of the “starting inventory of the world,” to say what is and isn’t in the world. Yet when we talk about something being “transcendental,” we usually either mean that it transcends this world and so is not “in” the world at all, or that it’s everywhere and nowhere at once and thus cannot be found within time and space. If this isn’t already a quandary, it’s at least a serious collision of metaphors. In either case, it reveals much about what’s actually going on underneath a lot of our ontological statements. In the taking stock, or gathering of materials, we’re thinking about beings as something that “there is” or “there are,” or in Spanish, German, or Swedish what the world “has,” “gives” or “finds.” In whichever words we choose to say it, ontology is in part trying to express something indexical. One image of being then is as something which we can point to or discover in the world. We’re saying “there it is” or “behold” or “here you go.” Or if the being isn’t there, it’s at last somewhere — meaning that ontology heavily relies on our categories of both space and indication. This is why transcendence puts you in such an awkward position. How do you locate something that’s not in the world? How do you point at something that is everywhere and nowhere at once? What could we possibly mean by a space beyond all space? Transcendence is thus not exactly being, but it ain’t exactly non-being either. With ontology, we’re once again beguiled by everyday scenarios, in which our spatial concepts and indications go over without a hitch. Everyone knows what it means when I say “there’s no liquor in the cabinet.” We all get what counts as inside and outside of the cabinet, and we all know how to point to the bottle of liquor or show our disappointed guests that the cabinet is empty. But this doesn’t scale to settle controversies about transcendental beings because we aren’t any clearer about where they are or how we would manage to point at them.
For example, strict materialists like Baron d’Holbach denied that transcendental things had any being at all. For him, there was nothing beyond the material world, and within that material world was only matter and motion. This was his ontology, based upon certain scientific conceptions of space and indication, which he wielded mercilessly in the defense of his atheism. Gods, spirits, angels, devils, heavens and hells didn’t make the cut, sorry. However, as centuries of tiresome debate have shown, this particular line of argument did little to settle the question of whether “there are” gods, spirits, angels, devils, heavens or hells, because much of the 18th century priestly class would have amicably agreed with d’Holbach that these things were either immaterial or beyond the material world. That wasn’t a problem for them. If anything, materiality was a lower kind of being than the immaterial or the beyond. The two sides were first and foremost disagreeing on the meaning of being, because their ontologies were shaped by very different ideas of space and indication (and of course motivated by antagonistic social and political beliefs). However, you come to the same stalemate when debating about almost any supposedly transcendental things, like properties or numbers, even among people who are otherwise in general agreement. While most people believe in numbers (whatever that means), a debate has long raged between realists and nominalists about the status of their being. Some Platonists and mystics excluded, most people defending the transcendental being of numbers are probably thinking about them as being everywhere at once rather than floating in some heavenly realm apart. They are in the world, and in fact absolutely everywhere. Yet this ubiquity doesn’t make them any easier to point to, and can even make pointing to them impossible (as Quine will tell you, pointing is not the straightforward thing you think it is). If a realist and a nominalist were walking down the aisles of a supermarket, the realist could point to a six-pack of Pepsi on a shelf as proof that the number six really existed in the world. The nominalist might scoff that he was only pointing at six Pepsi bottles, not a number, or that he was simultaneously pointing at one thing (the six pack) or to an indeterminate number of other Pepsi bottles on the shelf. The realist might retort that, au contraire, the number of Pepsis isn’t indeterminate; the bottles just need to be added up to find the number that exists. If the nominalist challenged the realist to show how you “add up” things in the world, the realist might grab two six packs, separate them from the rest and place them next to each other on the opposite shelf, physically performing the relation of ontology to space and indication right there in the middle of the soda aisle. This little debate could go back and forth forever — and did for centuries, until it kind of flamed out when a lot of philosophers of mathematics started to feel the pointlessness of ontology for the discipline. Many came to the conclusion that it was behavior, not beingness, that really mattered for mathematical objects anyway. Mathematical history can attest. What were previously non-beings or even impossible mathematical objects — zeros, negative numbers, irrational numbers, imaginary numbers, infinitesimals — were suddenly baptized into being not by pointing or discovery, but by demonstrating their interoperability with the rest of mathematics or the rest of the world. Ontology made no difference whatsoever. It never does.
This is one of the reasons I also don’t believe in an “ontology of powers” either, of the sort defended by Stephen Mumford and George Molnar (and in other ways, John Locke and his venerably learnèd contemporary Ralph Cudworth). Power is a composite of cause and possibility, and while I can explain perfectly well what I mean by this composition, I’d have no clue how to argue that causes and possibilities “really exist.” If I had a lump of clay, no one would disagree that it could be made into any number of possible shapes: an animal, a pyramid, a likeness of my father. But what would it mean to debate whether these possibilities exist or not? If they don’t, it doesn’t make them any less possible, and if they do, then we’d have to go and invent a special category of existence because they sure don’t exist like the lump of clay does. As Aristotle describes potentialities: “that which is capable of being and not being is, in a way, being and, in a way, not-being.” To clarify, we might turn to the biological metaphors so beloved by Aristotle. They might be “latent,” like a virus or illness, or “in utero,” in which possibility is a kind of pregnant being. So instead of being “out there,” we’re secretly thinking of possibilities as being “in there,” as the unborn are waiting in their mothers. Whatever workaround we come up with, possibility will never make sense in terms of either being or becoming because it isn’t reducible to them. I should phrase this more strongly: power, cause, and possibility resist any and all ontology because fully understanding them entails thinking without it. And now having passed through all the panels of our tetralemma, this is now easier to do because we see that the question of ontology is, and has always been, a screwy one. Thank you, Nagarjuna.
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While reading about the tetralemma, I immediately recognized a vague similarity with something I was struggling to articulate about my notion of a “power account.” Earlier on, I knew that power accounts were a kind of narrative. But they weren’t any old kind of story — least of all a sequence of events. I defined power as the marriage of cause and possibility; it was only reasonable to expect this relationship to be the central drama of any veritable power account. Conveniently, its storyboard could be sectioned into four general panels or quadrants, corresponding to the four main ways that cause dissects into possibility. In the first, we’d see how a certain ensemble of causes might successfully actualize some effects. In the second, we’d see how they might be thwarted or diverted to other effects. In the third, we’d see how those same effects could be achieved by another cast of causes. And in the fourth and final panel, we’d peep parallel stories, with different causes and different effects, that nonetheless begged a comparison with the original story. When all four were convincingly told and coherently held together, we’d have a framework for what I consider dynamic understanding. This was largely at odds with what was supposed to constitute understanding in so many domains: namely, the plotting of a process, or kinesis, from a chain of causes and effects, usually anchored by verified being and coherently linked by necessity. Whether this process was the eruption of a civil war, the interpretation of a novel, the workings of the internal combustion engine, or the movements of celestial bodies, the traditional criterion of explanation was how unbreakably it connected fixed points into unswerving lines. To understand why something was the case, supposedly, was to understand why it was necessarily — or at least reliably — the case. To understand how something worked was to know why it would necessarily or primarily work or unfold in a certain manner. You never get beyond the first panel. Your account always tells a rousing success story. In contrast, power accounts begin with failure, the moment you get how something could not work, not be the case, or might have succeeded otherwise. This is easier to swallow when thinking about culture, society, and history. Here, we’ve come to expect more wiggle room in our explanations, since our predictions and certainties are so frequently foiled by contingency and surprise (though neither contingency or surprise are equivalent to possibility in a dynamic sense). It’s also easier to accept in our personal lives and development, where selves emerge in the jostle amongst competing selves in our coming of age. There nevertheless persists the sense that the real explanation — the deeper explanation — would rightly name and properly plot the causes. My contention is that, though the modes and stories might be wildly different, power accounts constitute real understanding in all domains, and perform no less of a role in philosophical, scientific and (in Whitehead’s sense) cosmological questions than they do in fuzzier social, cultural, or historical ones.
One of the older hallmarks of scientific modernity was the quest for the Laws of Nature, the project of subjugating the cosmos through static and transcendental laws or nomoi, which governed the kinetic operations of immanent, efficient cause. This was the elevator pitch of the ontology of mechanism. It prided itself on its completeness and certainty, a pride achieved only by suppressing uncomfortable questions. Questions like: if all changes are produced as the application of a law, then what produces the laws themselves? Or, if nature acts in habits, what’s maintaining these regularities? If something does produce the laws, then isn’t there the potential that the laws could not be produced, and therefore they’d no longer be the inviolable guide rails for all kinetic operations? If nothing produces these inviolable laws or enforces their inviolability, if no account can be furnished besides “just because,” doesn’t this put those laws beyond our comprehension? The Laplacian dream of a complete table of all the Laws of Nature would bring science to the rim of an outermost heaven, beyond which we could understand absolutely nothing. The final aim of science would thus become sublime ignorance. Needless to say, I don’t actually believe that the meaning of understanding is grasping inviolable productive laws, but nearly the opposite, something closer to the verum factum of Giambattista Vico: we only understand that which we could cause or create ourselves, if only hypothetically as a supreme omnipotent being. Here you can see, understanding inherently involves power, comprising as it does both cause and possibility: that which we could cause or create. Understanding is profoundly modal, something that is hypothetically, counterfactually, or imaginatively reconstructed and recapitulated, even in cases where it’s later successfully minted in fact or by deed. Moreover, to know how to create something also means knowing how not to create it. To really understand how to bake a cake or weld a bike is to simultaneously understand how to really botch the job. To know how to write a great novel is to be agonizingly aware of all the ways to write a terrible one. To truly understand things like gravity or inertia — those seemingly unbending rules governing the natural world — is to understand the possibility of their violation, not their inviolability; their circumvention, not their ineluctability.
Let’s take something like Newton’s First Law of Motion: Every object perseveres in its state of rest, or of uniform motion in a right line, except insofar as it is compelled to change that state by forces impressed thereon, otherwise recognized as the principle of inertia. Insofar as it is a law of mechanics or kinematics, it’s only because we have no clue why it holds. In fact, in terms of a mechanics which explains everything in terms of force and mass, inertia is something we inherently cannot understand. We can’t bring in any force or mass to explain how inertia works since inertia is defined by the addition of no new forces or masses. Just like the color of things, we can say what it does, but next to nothing about how or why. This is because its violation is beyond our comprehension. In a dynamic understanding of inertia, we’d be able to, at least in theory, turn it off, tweak it, recreate it under different conditions, or bricolage a universe that worked just fine without it.
The problem though is not so much about how we think. It’s about how we think we think. When I say that power accounts “constitute dynamic understanding,” this sounds grandiose, but I’m really suggesting that they constitute understanding in all domains, even in our everyday lives and tacit physical know-how. It’s just that they contradict how we often reflectively conceive of understanding, particularly within our specialized disciplines. You get in your car in the morning, turn the key, put it into gear, and the car goes. This you understand. You could try to express this operation, if not as a set of laws, at least a predictable chain of events. Turning the key is what makes the car start. Putting it in gear and pressing the gas makes the car go. Turning the steering clockwise and counter-clockwise makes the car go right and left. However, this isn’t as simple or lawful as it seems, not only because you might decide to not turn the key or press the gas, but because one morning you may get in your car, turn the key, press the gas, and suddenly it doesn’t work. This is when it dawns on you that you don’t understand cars any more than you do magic carpets. You understand them only as self-propelling processes — as automobiles. So you call up your handy uncle and complain that when you turn the key, the car stays dead silent. You assure him that the lights still turn on, and he deduces that it’s not the battery but maybe the ignition. Your uncle understands more by virtue of the fact that he concretely sees how the process might fail and the car might not go. For all that, the man is humble enough to know his limits, and suggests you tow the thing to a mechanic, someone who understands how the car might otherwise go. A solid mechanic, one that more deeply understands cars, will know how to either fix or replace the ignition, or bypass it through some kludge or hotwiring to get it back to the shop. He’ll be able to conscript other causes to help us achieve the same effect, a moving automobile. You call the most highly-rated mechanic you can find, with one review online bragging about how he managed to save a stranded vehicle using a coat-hanger and a piece of gum. Yet even this man has heroes greater than he. In the waiting room, while stirring some non-dairy creamer into your coffee cup, you notice the faded pages of a magazine framed upon the wall. It’s about a Frenchman, Émile Leray. The article sings the deeds of this former electrician whose Citroën wrecked in the middle of a trek across the Sahara. With death a near certainty, and walking a suicide mission, Leray quickly got to work converting his Citroën into a crude form of motorcycle. The reporter detailed how “he started by removing the body of the car in order to use it as a shelter. He then took three of the wheels of the vehicle and strategically placed them on his new invention. He also shortened the frame and fixed the axles. Next, he converted the car’s rear bumper into a rudimentary seat and put the engine in front of it. Now all that was left to do was to place the suspension on the rear wheel and rig the ignition to the handlebar so that the new invention functioned like a real motorbike.” With all this completed, our hero rode his cycle all the way back to town to claim his bragging rights. Squeaking back into the pleather chair, you think to yourself: now there goes a man who understands cars. He understands them so well in fact that he could transform a car into something it wasn’t, a motorcycle.
Notice how this story unfolds like a tetralemma, each step corresponding to a greater understanding, from clueless driver, to world-wise uncle, to talented mechanic, to the god-tier bricolage of Emile Leray. Only in this tetralemma, we started with becoming rather than being, with a mere process or kinesis, that of a working automobile. Initially, the only way we understand the car’s processes is either (from the passenger side) as a given flow or (from the driver side) through the slavish repetition of the same steps in the same order, by rote procedure or rule. This is a pretty shit understanding in any domain, I think we can all agree, whether it’s baking a cake, solving a math problem, writing an essay, song, or screenplay, playing chess, or devising the political or economic system of an entire society. Its story welds causes to effects, whether by habit or necessitation. Our understanding deepens as we consider all the permutations of Something and Something Else, that is, through all the ways that cause might fold into possibility (rather than folds of “negation,” as others have characterized it). This is the shift from thinking about process to thinking about power. In the first panel is a relation of causes and effects. In the second, the possibility of other effects. In the third, the possibility of other causes. And in the fourth and final, the possibility of other causes and other effects. Here’s a mock-up of this in the form of a tetralemma:
Think about chess. I don’t know about you, but lately my feed’s been totally clogged with chess content: GothamChess narrating a Mikhail Tal or Magnus Carlsen game as if it was Homer’s Iliad, or a head-bobbing Hikaru disrespecting his opponents by “pushing Harry” or using “bongcloud” openings. I’m way too sloppy, impatient, or stupid to be very good myself, but I respect the art and rationalize the time lost on chess clips as good study in the general principles of strategy. As I talked about in an earlier section, in strategy, it’s obviously not enough to merely follow the rules in order to win. This doesn’t even count as strategy. Even random moves follow the rules. You’re just “pushing wood,” as they say. Strategy begins with a decent plan to checkmate the king, or to slay enough of his defenders to make that plan easier. This begins on the first panel of the tetralemma, where certain moves will be followed by other moves, eventually ending in checkmate. However, as any time on chess.com will teach you, very little will go as originally planned and you’re quickly bumped into the second panel, whether you like it or not. As you go from beginner to intermediate, you become better and better at grasping all the ways that your plan or pieces might be endangered, then by way of the third panel, how your pieces might be protected or how there might still be a clever path to victory. Strategy involves some calculation, but no human player can map out all the permutations, and after the first six or seven moves of the standard openings and defenses, this isn’t what advanced players are doing, least of all grandmasters. Instead, they think in broad gestalts, and in tournament play, will recall comparisons with great games they’ve studied by Fischer, Casablanca, or Karpov, despite any contrasts in exact positions or precise paths to victory. As bona fide masters, they confidently occupy the fourth panel. Military strategists follow the same path. In the first panel, you begin with the bungling assumption that you’re just going to waltz unimpeded to a “mission accomplished” due to your superior numbers or firepower (as Michael Mann tells us, most wars are lost by the aggressor). But by the final panel, you’ll have something like Frederick the Great vanquishing the far-larger Austrian at the Battle of Leuthen through the use of a bold “oblique-order attack” that he remembered from studying Epaminondas’ victory at the Battle of Leuctra (I had to look this up — I’m terrible at military history). To understand a game or a battle, even in retrospect, when the sequence of events is set and established, is still to grasp the ways that its many causes fold into so many possibilities. The causes don’t even have to be sequential or temporally staggered. This is the framework of any power account, whether for appreciating a novel or album, devising a mathematical proof, learning a language, studying the morphology of a plant, or criticizing imperialism or the rise of Silicon Valley.
As in Nagarjuna, the tetralemma itself doesn’t provide any answers. It only helps us organize our questions of power — and lord knows we’re going to need it. For any power account, the causes and possibilities involved are themselves infinite in number, detail, and kind. However, lucky for us, we don’t have to consider them all at once. This brings us to the two other criteria of power accounts — importance and concreteness — which I’ll now get into in the next, hopefully shorter parts…









