The Long Take

Films for people who romanticize everyday life
The beauty of ordinary days
Apr 8 • Raphaël — The Long Take
Devastating films that don’t leave you
A first selection of films that return in fragments days later.
Mar 31 • Raphaël — The Long Take
Aftersun - Some Loves Don’t Save You.
On memory and fatherhood (Aftersun - Charlotte Wells, 2022)
Dec 14, 2025 • Raphaël — The Long Take
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Aftersun - Some Loves Don’t Save You.
Dec 14, 2025 • Raphaël — The Long Take
A Guide to Cinematic Language: Cinematography
Feb 10 • Raphaël — The Long Take
A Guide to Cinematic Language #1 Mise en scène
Feb 3 • Raphaël — The Long Take
Past Lives: The time we are given
Jan 17 • Raphaël — The Long Take
The Worst Essay in the World (In 8 chapters)
Nov 21, 2025 • Raphaël — The Long Take
The Grand Budapest Hotel: A Perfectly Arranged World
Dec 31, 2025 • Raphaël — The Long Take
You’re watching it wrong (kind of)
Why genre is less about story, and more about feeling
Mar 25 • Raphaël — The Long Take
How Interstellar Turns Physics Into Emotion
How cinematic language makes time and space feel deeply human
Mar 17 • Raphaël — The Long Take
The Simple Trick to Understanding How Films Work
A practical way to connect what you feel to what the film is doing.
Mar 10 • Raphaël — The Long Take
Cinematic Language & Performance
How actors bring emotional life to the screen
Mar 3 • Raphaël — The Long Take
Cinematic Language: Sound
How films shape emotion through what we hear (and what we don’t)
Feb 23 • Raphaël — The Long Take
A Guide to Cinematic Language: Editing
How Films Shape Time
Feb 17 • Raphaël — The Long Take
A Guide to Cinematic Language: Cinematography
How the Camera Sees
Feb 10 • Raphaël — The Long Take
A Guide to Cinematic Language #1 Mise en scène
The World of the Film
Feb 3 • Raphaël — The Long Take
Portrait of a Lady on Fire: Two Ways of Looking
When presence begins to turn into memory
Jan 31 • Raphaël — The Long Take and Taylor Lewis
The Long Take
The Long Take
Weekly film recommendations, thematic lists and simple ways to understand how films work.
Recommendations
Why We Go To The Movies
Why We Go To The Movies
Alessandro Di-Girolamo
After The Credits
After The Credits
Olivia Lloyd-Jones
From The Yard To The Arthouse
From The Yard To The Arthouse
Decarceration
that girl daria.
that girl daria.
Daria
Luz Films
Luz Films
Taylor Lewis

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