Aswin Kandasamy’s ‘Double Occupancy’ is a middling story about a gender mix-up
Thanks to a miracle, a child grows up to be male for...
Meera Kathiravan’s ‘Habeebi’ is a diligent documentation of Tamil-Muslim life
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Siddharth Koul and Ankit Wali’s ‘Batt Koch’ is an intimate portrait of a Kashmiri Pandit family
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Pandiraaj’s ‘Parimala and Co’ wastes a talented cast in an utterly clueless movie
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Trending Reviews
Aswin Kandasamy’s ‘Double Occupancy’ is a middling story about a gender mix-up
Meera Kathiravan’s ‘Habeebi’ is a diligent documentation of Tamil-Muslim life
Siddharth Koul and Ankit Wali’s ‘Batt Koch’ is an intimate portrait of a Kashmiri Pandit family
Anurag Kashyap’s ‘Bandar’ is a brilliant examination of a former star being stuck in one cage after another
Buchi Babu Sana’s ‘Peddi’ takes a good subject and flattens it by forgetting to add a good screenplay
Suresh Triveni’s ‘Maa Behen’ wants to combine female empowerment and fun, and the result is middling
Vivek Soni’s ‘Chand Mera Dil’ has a few issues, but overall, it is an intense, involving relationship drama about two messed-up people
Paul George’s ‘Kattalan’ is an exhausting series of stylised images pretending to be a movie
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BR Review
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Double Occupancy Review by Baradwaj Rangan | Santhosh, Reshma, Samyuktha, Vinoth | Aswin Kandasamy
Habeebi Review by Baradwaj Rangan | Kasthoori Raja, Malavika Manoj | Meera Kathiravan | Sam C.S
Batt Koch Review by Baradwaj Rangan | M.K. Raina | Kusum Dhar | Anil Koul Chingari | Kusum Tickoo
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The Galatta Plus Archives
R Ravikumar’s ‘Ayalaan’ is too generic to make an impact, but it is a harmless watch
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Sriram Raghavan’s ‘Merry Christmas’ is an elegant, experimental thriller that’s more interesting to think about than sit through
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Siddharth Anand’s ‘Fighter’ takes a generic action template and makes it immensely watchable
