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Fool For You
Title can't be empty.
Title can't be empty.
Imported from SF2 with no description provided.
17 years ago
1195 Views
2 Likes
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Unsupported content! (2440, t)
Damnit I'm mad....
grrrrrrrrrrrrrrrrrrrrrr.
I do hope you enjoyed the story, though.
We might disagree on religion, but I enjoy your characters and what they experience, their beliefs make them who they are. You're a wonderful writer and I eagerly await your next story.
Cause it is hard for me to write such dramatic scenes. As emotional as I am, I tend to feel what the characters feel as I'm writing for them. And if they're in pain, then I get all misty-eyed as I'm writing it. I love the banter, the romance, and it's tempting to want to stick with that and only that. But, now and then, I think something tense and something of sharp consequence has to happen, because that's how life works, and ... that keeps the story from being an ideal caricature. It gives it further pathos beyond the surface pathos already (hopefully) there. I don't want it to happen just for the sake of happening, but for a reason.
And that reason here: is that we see just who Prancer really is. The first scene she's in, is simple, cute, reassuring. With Peregrine and the cheese intolerance. She's kindly, has a good bedside manner. But we don't see just how she really feels about her job until the second scene she's in, when, in her internal thoughts, it's seen that: she views this as an outright, bloody battle versus death itself. She's prey. And she's fighting the ultimate hunter. And, beneath her education and her in-the-moment focus ... is a certain terror.
We know that other characters (Peregrine, Petra, Milka) have bad pasts. We don't know much about Prancer's. She hides her problems very well. I think she may be so intent on making others feel better (emotionally or physically), that she neglects herself. But, thankfully, she has Nin, and I think it was very poignant what he whispered into her ear before leaving ... and how that came back into the conversation when the mouse asked her what he'd said. It's her romance with Nin and her faith in God that is keeping her from sinking into despair from ... the death she's seen, and the lives she couldn't save.
And I hope the fun banter (about the milk, which I thought was very cute ... and Petra wanting to show Peregrine just how much a mouse he is), and the almost love scene with Amelie and Wheldon (which I tried to make very poetic) offset the drama of Prancer's plot ... and make the story, as a whole, both entertaining and thoughtful.
I liked that all the characters on the cast got some solid time here. It felt like a true ensemble.
I just wanted this episode, I guess, to be ... to feel, rather, alive. In theme and execution.
I'm very glad you enjoyed it. Again, thanks for reading. God bless.
I'm glad you liked Prancer's scenes, and her development. I was hoping some of what took place in her first scene (where Peregrine asks her how she handles seeing blood) would foreshadow, perhaps, what was to come.
I do try to end everything I write on a positive, hopeful note, buoyed by love and faith (as my themes are). I don't think being edgy for the sake of being edgy is very creative. I just think it's esoteric. I want my stories to have pathos, but I also want them to be pleasurable to read on some level. I just want to be a positive writer, as well as a positive person, and ... though not ignoring darker possibilities, not giving them full power over anything I do, I guess. I want, in the end, gentility, safety, hope, love, faith. Certain redemption. I just like to end all my stories with a swoon-ful little moment ... because the journey to get from beginning to end wouldn't be as emotionally rewarding, otherwise. And I do write on pure, charged emotion. Intellect rarely controls what I write.
And, yeah, Petra's way of showing Peregrine just how much as mouse he is ... will involve lots of mousey motions, indeed!
Thanks for reading the story, and for commenting. I really appreciate it. God bless.