Rialto 5:15

Rialto 5:15

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Berlinale 2026: Can I have a falafel with hot sauce, a side order of Baba Ghanoush and a seltzer, please? | Party Girl (1995)

Berlinale 2026: Lost in the 90s Retrospective
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The Spiritual Geometry of Tarkovsky
Why The Sacrifice still speaks to a world on the edge of collapse.
 • Rialto 5:15
Accidental Genius: The Moments Cinema Refused to Correct
On contingency, authorship, and cinematic memory
 • Rialto 5:15
Burnt Offerings: The Architecture of American Madness
How a haunted house film revealed the psychological fault lines of a nation in decline.
 • Rialto 5:15
How the Netflix–Warner Bros merger is the best news for independent filmmakers
Every time two major studios consolidate, the same anxiety spreads through the film world.
 • Rialto 5:15
Wuthering Heights (2026): A Cinema of Weathered Souls
Emerald Fennell turns Brontë’s lovers into landscapes and reimagines desire as a clash of elemental forces.
 • Rialto 5:15
Learn How to Live Before You Are Dying: Four Filmmakers Who Turned their End into Masterpieces
When the ego dies before the body, some artists make the work that finally reveals who they really are.
 • Rialto 5:15
1970s New York on Film: How 'Song of My City' Rebuilds a Lost NYC and Creates an Immortal Self
Reconstructed from the B-roll of 1970s New York films, Song of My City resurrects a lost NYC and reveals how a filmmaker turns cinema into an immortal…
 • Rialto 5:15
The Return of Visual Opulence: Why Trauma Aesthetics Are Over and Why Cinema Is Finally Allowing Itself To Be Beautiful Again
For more than a decade contemporary cinema has carried itself with the exhausted posture of a world that had run out of emotional bandwidth.
 • Rialto 5:15
The New Irish Aesthetic: How Ireland Rewrote Its On Screen Identity
For much of the twentieth century, Ireland occupied a strange position in world cinema: frequently visible, seldom self-defined.
Published on Rialto 5:15 • 
The New Irish Aesthetic: How Ireland Rewrote Its On Screen Identity
For much of the twentieth century, Ireland occupied a strange position in world cinema: frequently visible, seldom self-defined.
 • Rialto 5:15
Anti-Climax: Does Sex Still Sell?
There was a time when cinema held a monopoly over the erotic imagination.
 • Rialto 5:15
Review: The Things You Kill (2025)
Alireza Khatami’s fractured mirror of a nation
 • Rialto 5:15
Rialto 5:15
Rialto 5:15
Film criticism from the undercurrent: misread performances, psychoanalytic frames, cultural memory
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