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  <title>WELL, YOU SHOT OFF YOUR MOUTH AND LOOK WHERE IT GOT YOU.</title>
  <link>https://riddled.livejournal.com/</link>
  <description>WELL, YOU SHOT OFF YOUR MOUTH AND LOOK WHERE IT GOT YOU. - LiveJournal.com</description>
  <lastBuildDate>Thu, 22 Aug 2013 21:27:56 GMT</lastBuildDate>
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    <title>WELL, YOU SHOT OFF YOUR MOUTH AND LOOK WHERE IT GOT YOU.</title>
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  <pubDate>Thu, 22 Aug 2013 21:27:56 GMT</pubDate>
  <title>[crickets]</title>
  <author>riddled</author>
  <link>https://riddled.livejournal.com/921861.html</link>
  <description>&lt;center&gt;&lt;img src=&quot;https://imgprx.livejournal.net/fcc94c36cc7d2a67833869893140022484c0e9a2a8acc0c2c543f4f15f764a73/P2WlxyVijxKvg25n9MlVU0Mdsf-ah7h0jB_MSrdXhtGd5w3Zl823RkkpDQgkTRsotEcBnW-KZ1dDRFNYmUo6qENbiiCYbuzRtQwE_V51Px_uH_Gmu8Zd2GAEjxNkajoL_x-p_2RKffckWGcAOxmd_U0:j3f1JMdFUhDCjOxFhGzHGQ&quot; fetchpriority=&quot;high&quot;&gt;&lt;/center&gt;</description>
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  <category>journal</category>
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  <guid isPermaLink='true'>https://riddled.livejournal.com/920757.html</guid>
  <pubDate>Wed, 04 Jul 2012 01:47:34 GMT</pubDate>
  <title>iain m. banks&apos; culture novels.</title>
  <author>riddled</author>
  <link>https://riddled.livejournal.com/920757.html</link>
  <description>I saw a blip of utopian sci fi today that suddenly reminded me of the Culture novels, and made me &lt;i&gt;desperately&lt;/i&gt; want to read more. Unfortunately, I&apos;ve already mainlined this series, so &lt;u&gt;Use of Weapons&lt;/u&gt; is the only thing left for me :x Which is why I&apos;ve been been holding off for soooooo long, because it is literally &lt;i&gt;the only Culture text left, I am going to go into horrible withdrawal afterwards.&lt;/i&gt;&lt;br /&gt;&lt;br /&gt;But then! I went to Wikipedia and saw:&lt;br /&gt;&lt;br /&gt;&lt;b&gt;Consider Phlebas&lt;/b&gt; (1987) ✔&lt;br /&gt;&lt;b&gt;The Player of Games&lt;/b&gt; (1988) ✔&lt;br /&gt;&lt;b&gt;&lt;font color=&quot;red&quot;&gt;Use of Weapons&lt;/font&gt;&lt;/b&gt; (1990) &lt;b&gt;X&lt;/b&gt;&lt;br /&gt;&lt;b&gt;Excession&lt;/b&gt; (1996) + ✔&lt;br /&gt;&lt;b&gt;Inversions&lt;/b&gt; (1998) + ✔&lt;br /&gt;&lt;b&gt;Look to Windward&lt;/b&gt; (2000) ✔&lt;br /&gt;&lt;b&gt;Matter&lt;/b&gt; (2008) ✔&lt;br /&gt;&lt;b&gt;Surface Detail&lt;/b&gt; (2010) ✔&lt;br /&gt;&lt;b&gt;&lt;font color=&quot;red&quot;&gt;The Hydrogen Sonata&lt;/font&gt;&lt;/b&gt; (forthcoming October 2012)&lt;br /&gt;&lt;br /&gt;AHHH YESSSSS. NEW BOOK!!!! It&apos;s been two years since &lt;u&gt;Surface Detail&lt;/u&gt; (which &lt;a href=&quot;http://www.goodreads.com/review/show/170000850&quot; target=&quot;_blank&quot;&gt;I really liked&lt;/a&gt;), so it is about damn time *__*  The final cover was only announced five days ago, too, and &lt;a href=&quot;http://upcoming4.me/media/k2/items/cache/50d6af11728b017d771fdb3db6df4de0_L.jpg&quot; target=&quot;_blank&quot;&gt;it looks awesome&lt;/a&gt;. And apparently &lt;u&gt;The Hydrogen Sonata&lt;/u&gt; is going to be the longest Culture book so far! &lt;b&gt;FUCK YESSSSSS&lt;/b&gt;&lt;br /&gt;&lt;br /&gt;Anyway, this means that I can safely read &lt;u&gt;Use of Weapons&lt;/u&gt; without compunction. And I&apos;m excited. I&apos;m an unmitigated stan of this series -- I go on about it at great length with anyone who&apos;ll let me -- and I just cannot get enough of his &apos;verse, which is a problem when there are only so many books. I drink your universe, &lt;i&gt;I drink it up.&lt;/i&gt;</description>
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  <category>books</category>
  <media:title type="plain">cake: let me go</media:title>
  <lj:music>cake: let me go</lj:music>
  <lj:mood>excited</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>3</lj:reply-count>
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  <guid isPermaLink='true'>https://riddled.livejournal.com/919661.html</guid>
  <pubDate>Thu, 21 Jun 2012 03:09:33 GMT</pubDate>
  <title>Well, that was cathartic.</title>
  <author>riddled</author>
  <link>https://riddled.livejournal.com/919661.html</link>
  <description>Hello, Livejournal! Who&apos;s still around?&lt;br /&gt;&lt;br /&gt;I never use this site anymore, though I poke my head in every so often to glance at the flist. I&apos;m in the process of trying to build myself a smarter online presence, and thus tightening up loose ends: I&apos;ve privated every single entry before August 1 2006 &amp; friendslocked everything else. I&apos;ll post a public entry every so often, mostly to retain membership in some communities, but the days of having my life laid bare to the public are, erm, over.&lt;br /&gt;&lt;br /&gt;In the process of cleaning out the journal, I revisited my ancient posts and it was awful. Straight-up awful and embarrassing, which is only to be expected when you&apos;re 13 years old and blogging. I tried to figure out where the appropriate cut-off point would be, and then finally decided that it should be right before I left for university. I&apos;m still embarrassed by myself six years ago, but not as much as (count it) &lt;i&gt;eleven years ago.&lt;/i&gt; And this way, the first friendslocked entry is also a really, really great heartfelt conversation I had with a friend; it was a good point to draw the line between Old Julie and New Julie.&lt;br /&gt;&lt;br /&gt;I can&apos;t see myself returning in the same capacity since everyone&apos;s scattered to the winds, which is a bummer considering my permanent account. &lt;i&gt;Mainly,&lt;/i&gt; this LJ will revert to its origins as a cathartic, in-depth journal going over the emotional stuff that no one cares about, but those entries will be private. Trust me, it&apos;s nothing you want in on.&lt;br /&gt;&lt;br /&gt;&lt;a href=&quot;http://quadrille.tumblr.com&quot; target=&quot;_blank&quot;&gt;Feel free to follow me on tumblr&lt;/a&gt;, though!</description>
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  <category>journal</category>
  <media:title type="plain">basia bulat: go on</media:title>
  <lj:music>basia bulat: go on</lj:music>
  <lj:security>public</lj:security>
  <lj:reply-count>18</lj:reply-count>
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  <pubDate>Sat, 06 Aug 2011 20:26:58 GMT</pubDate>
  <title>[MOVIES] FILM NOIR.</title>
  <author>riddled</author>
  <link>https://riddled.livejournal.com/913756.html</link>
  <description>&lt;center&gt;&lt;font face=&quot;impact&quot; size=&quot;3&quot;&gt;&lt;i&gt;DOUBLE-CROSSING DAMES!&lt;br /&gt;TWO-BIT HEELS!&lt;br /&gt;PSYCHOTIC KILLERS!&lt;br /&gt;CRUEL TWISTS OF FATE!&lt;/i&gt;&lt;/font&gt;&lt;br /&gt;&lt;br /&gt;&lt;table width=&quot;700px&quot;&gt;&lt;tr&gt;&lt;td align=&quot;justify&quot;&gt;&lt;b&gt;Monday, August 8:&lt;/b&gt; The Burglar &lt;i&gt;(&amp; Black Angel)&lt;/i&gt;&lt;br /&gt;&lt;blockquote&gt;&lt;small&gt;&lt;b&gt;The Burglar&lt;/b&gt; [6.9] -- Noir regular Dan Duryea and rising sex symbol Jayne Mansfield have the leads in a guilt-laden tale of a robbery caper and its gone-wrong aftermath.&lt;br /&gt;&lt;i&gt;Black Angel [7.1] -- Archetypal noir villain Dan Duryea is cast against type as a sympathetic musician who falls into some serious boozing and brooding when his treacherous wife abandons him.&lt;/i&gt;&lt;/small&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;b&gt;** Wednesday, August 10:&lt;/b&gt; The Whistler + Mark of the Whistler &amp; Framed&lt;br /&gt;&lt;blockquote&gt;&lt;small&gt;&lt;b&gt;The Whistler + The Mark of the Whistler&lt;/b&gt; -- The film that started it all, directed by future horror-schlock meister William Castle; followed by its sequel, adapted from a short story (“Dormant Account”) by Cornell Woolrich.&lt;br /&gt;&lt;b&gt;Framed&lt;/b&gt; [6.9] -- This &quot;rarely-seen piece of prime-grade pulp&quot; features Glenn Ford as a down-on-his-luck man lured into the seductive web of a scheming waitress.&lt;/small&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;b&gt;** Friday OR Saturday August 12/13:&lt;/b&gt; The Woman in the Window &amp; Laura&lt;br /&gt;&lt;blockquote&gt;&lt;small&gt;&lt;b&gt;The Woman in the Window&lt;/b&gt; [7.8] -- This stylish and seductive Noir is “one of the best of Fritz Lang’s American movies — a thriller with the logic and plausibility of a nightmare” (Pauline Kael).&lt;br /&gt;&lt;b&gt;Laura&lt;/b&gt; [8.2] -- &quot;The sleekest of noirs, the chicest of murders, and deliciously twisted ... a truly haunting study of obsession&quot; (James Monaco).&lt;/small&gt;&lt;/blockquote&gt;&lt;br /&gt; &lt;b&gt;** Sunday OR Monday August 14/15:&lt;/b&gt; The Power of the Whistler + Voice of the Whistler + Mysterious Intruder&lt;br /&gt;&lt;blockquote&gt;&lt;small&gt;A triple threat of atmospheric mysteries only The Whistler can solve! Amnesia, double-crossing, and trails of falsehoods make for a stimulating evening of intrigue.&lt;/small&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;b&gt;Thursday August 18:&lt;/b&gt; 99 River Street &amp; The Secret of the Whistler + The Thirteenth Hour&lt;br /&gt;&lt;blockquote&gt;&lt;small&gt;&lt;b&gt;99 River Street&lt;/b&gt; [7.5] -- A neglected gem from low-budget director Phil Karlson, whose nasty, tough-as-nails B-noirs are &quot;so pulp-aggressive they make Samuel Fuller’s noirs look sophisticated.&quot;&lt;br /&gt;&lt;b&gt;The Secret of the Whistler + The Thirteenth Hour&lt;/b&gt; -- Directors George Sherman and William Clemens bring sly and cynical plots to The Whistler series.&lt;/small&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;b&gt;** Friday August 19:&lt;/b&gt; Phantom Lady &amp; In a Lonely Place&lt;br /&gt;&lt;blockquote&gt;&lt;small&gt;&lt;b&gt;Phantom Lady&lt;/b&gt; [7.5] -- “A mini-masterpiece of mood and character” (Jeanine Basinger), this exemplary noir thriller comes from German expatriate Robert Siodmak.&lt;br /&gt;&lt;b&gt;In a Lonely Place&lt;/b&gt; [8.0] -- Directed by Hollywood poète maudit and auteurist favourite Nicholas Ray, this noir features Humphrey Bogart as a Hollywood screenwriter blacklisted for his boozing and bad attitude.&lt;/small&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;b&gt;** Wednesday August 24:&lt;/b&gt; Dead Reckoning &amp; Kansas City Confidential&lt;br /&gt;&lt;blockquote&gt;&lt;small&gt;&lt;b&gt;Dead Reckoning&lt;/b&gt; [7.1] -- Humphrey Bogart stars as Rip Murdock, a war hero investigating the disappearance of an army buddy in John Cromwell’s complexly plotted, claustrophobic noir thriller.&lt;br /&gt; &lt;b&gt;Kansas City Confidential&lt;/b&gt; [7.5] -- This taut, propulsive heist film reportedly served as inspiration for Tarantino’s Reservoir Dogs, and marked the first teaming of B-noir director Phil Karlson and leading man John Payne.&lt;/small&gt;&lt;/blockquote&gt;&lt;br /&gt;&lt;br /&gt;&lt;b&gt;NOTE TO SELF:&lt;/b&gt; Download The Killers [8.0]; The Lady from Shanghai [7.8]; Gilda [7.8].&lt;a name=&apos;cutid1-end&apos;&gt;&lt;/a&gt;&lt;/center&gt;&lt;/table&gt;</description>
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  <category>movies</category>
  <media:title type="plain">Mother Mother - Love And Truth | Powered by Last.fm</media:title>
  <lj:music>Mother Mother - Love And Truth | Powered by Last.fm</lj:music>
  <lj:mood>hungry</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>1</lj:reply-count>
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  <pubDate>Thu, 27 May 2010 01:05:03 GMT</pubDate>
  <title>terminator: salvation</title>
  <author>riddled</author>
  <link>https://riddled.livejournal.com/869751.html</link>
  <description>&lt;center&gt;&lt;img src=&quot;https://img.photobucket.com/albums/v515/jyuulii/prettymeme/t4_01.png&quot; fetchpriority=&quot;high&quot;&gt;&lt;br /&gt;&lt;img src=&quot;https://img.photobucket.com/albums/v515/jyuulii/prettymeme/tf_02.png&quot; loading=&quot;lazy&quot;&gt;&lt;br /&gt;&lt;br /&gt;&lt;table width=&quot;500px&quot;&gt;&lt;tr&gt;&lt;td&gt;&lt;p align=&quot;justify&quot;&gt;    &lt;b&gt;JOHN:&lt;/b&gt; The devil’s hands have been busy. What is it?&lt;br /&gt;    &lt;b&gt;KATE:&lt;/b&gt; It’s real flesh and blood, though it seems to heal itself quickly. The heart is human. Very powerful. The brain, too, but with a chip interface.&lt;br /&gt;    &lt;b&gt;MARCUS:&lt;/b&gt; What have you done to me?&lt;br /&gt;    &lt;b&gt;KATE:&lt;/b&gt; It has a hybrid nervous system. One human cortex, one machine.&lt;br /&gt;    &lt;b&gt;MARCUS:&lt;/b&gt; Blair, what have they done?&lt;br /&gt;    &lt;b&gt;JOHN:&lt;/b&gt; Who built you?&lt;br /&gt;    &lt;b&gt;MARCUS:&lt;/b&gt; My name is Marcus Wright.&lt;br /&gt;    &lt;b&gt;JOHN:&lt;/b&gt; You think you’re human.&lt;br /&gt;    &lt;b&gt;MARCUS:&lt;/b&gt; I &lt;i&gt;am&lt;/i&gt; human.&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;&lt;br /&gt;&lt;br /&gt;This scene is perfection. I started crying before you even see his face.&lt;/center&gt;</description>
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  <category>movies</category>
  <category>picture post</category>
  <media:title type="plain">the arcade fire: rebellion (lies)</media:title>
  <lj:music>the arcade fire: rebellion (lies)</lj:music>
  <lj:mood>touched</lj:mood>
  <lj:security>public</lj:security>
  <lj:reply-count>3</lj:reply-count>
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