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<\/center><\/p>\nProcess is a design studio based in Vienna, specializing in generative and interactive design and working in the fields of branding, web, installation and print. As well as traditional graphic design solutions, Process designs and develops highly specialized software that is used as tools for and by clients.<\/p>\n
Email: hello@process.studio<\/a> Process \u2014 Studio for Art and Design<\/span><\/strong> was founded by Martin Gr\u00f6dl and Moritz Resl in 2015 and has since worked for a wide range of national and international clients including Massachusetts Institute of Technology, Sagmeister & Walsh, The Prodigy and Wienerberger. Their work is included in MAK \u2014 Museum of Applied Arts\u2019 Design Collection and has been part of exhibitions at Design Museum Holon, Ars Electronica Festival, Vienna Biennale, Triennale di Milano and Expo Dubai. Process designed the official Austrian contribution to the 2021 London Design Biennale. Gr\u00f6dl was appointed as guest professors in visual communication at FH Salzburg for the winter semester 2022\/23.<\/p>\n Designer, Programmer and Artist. Works on the boundaries between Design, Art and Digital Technology. <\/p>\n He participated multiple times in Google\u2019s Summer of Code working on further development of the Processing programming language and was guest artist and researcher for Motion Bank in Frankfurt. He taught courses including Introduction to Programming, Physical Computing with Arduino and Generative Graphic Design for Printmaking at the University of Applied Arts Vienna and tutored courses including Data-modeling, Database systems, Distributed Systems and Semi-structured Data at the Vienna University of Technology.<\/p>\n Martin Gr\u00f6dl holds a Master\u2019s degree from the University of Applied Arts Vienna (Institute of Fine Arts and Media Art) and a Bachelor\u2019s degree from Vienna University of Technology (Institute for Interactive Media Systems).<\/p>\n His work has been featured in WEAVE magazine, Motion Bank: Starting Points & Aspirations and others.<\/p>\n Github<\/a>, Instagram<\/a>, Mail<\/a><\/div>\n \n<\/div>\n Clients & References (selection)<\/span><\/strong><\/p>\n We have worked for and with a wide range of clients and studios including cultural institutions, universities, advertising agencies, music labels as well as individual artists and musicians.<\/p>\n Talks<\/strong><\/span><\/p>\n 2024<\/p>\n 2023<\/p>\n 2022<\/p>\n 2021<\/p>\n 2020<\/p>\n 2019<\/p>\n 2018<\/p>\n 2017<\/p>\n 2016<\/p>\n Awards<\/strong><\/span><\/p>\n Lumen Prize Shortlist, 2023<\/a> Ars Electronica Prize Shortlist, 2021<\/a> Content Vienna, 2020<\/a> XXII Triennale di Milano<\/a> IADA Awards 2018, London<\/a> International ARC Awards 2018<\/a> LACP Worldwide Vision Awards 2018<\/a> International ARC Awards 2017<\/a> Austrian Sustainability Reporting Award 2017<\/a> LACP Worldwide Vision Awards 2016<\/a> Type Directors Club 2015<\/a> Webby Award 2015<\/a> Press (selection)<\/spna><\/strong><\/p>\n Adobe<\/a> Our projects have furthermore been recognized and featured on Dezeen, Gizmodo, The New York Times, FastCo. Design, The Fox Is Black, The Verge, Weave, Kottke, Design Milk, SWISS MISS, Design Taxi, BoingBoing and ELLE among others.<\/p>\n<\/p>\n<\/div>\n<\/div>\n Exhibitions<\/span><\/strong><\/p>\n Klima Biennale Wien VIENNA DESIGN WEEK Stanley Picker Gallery Expo 2020 Dubai AIT Austrian Institute of Technology Tokens for Climate Care Ars Electronica Festival, Linz Z\u00f6not\u00e9ka, Berlin Pocko Gallery, London VIENNA ART WEEK London Design Biennale Vienna Biennale for Change European Forum Alpbach Vienna Biennale for Change Graphic Days Torino\/CODICI VISIVI La Triennale di Milano OFFF Vienna Jewish Museum Identity Aesthetics of Change VIENNA DESIGN WEEK Publications (Print)<\/strong><\/strong><\/p>\n PAGE 11\/2023 Processing Community Catalog Voidopolis PAGE 8\/2023 Discussing Technology: Applying AI PAGE 6\/2022 Let’s talk: Culture & Technology Aesthetic Programming: A Handbook of Software Studies Big Data, Big Design: Why Designers Should Care about Artificial Intelligence Spooky Technology, A reflection on the invisible and otherworldly qualities in everyday technology, ISBN 9780956542151<\/p>\n Augmented Reality Exhibition Book by Generative Hut x Vetro Editions<\/p>\n ORIGINAL Magazin #31, August 2021 Filming, Researching, Annotating: Research Video Handbook PAGE 9\/2021 Slanted Magazine #37\u2014AI \u00e9tapes 253, Design Graphique & Culture Visuelle Unknown Quantities Journal #7 Discussing Technology: Cybersecurity PAGE 8\/2019 Bekannte Unbekannte: Grafikdesign in \u00d6sterreich An envelope for arts, sciences, politics and us Type Directors Club Annual 36 WEAVE Magazine desktop Magazine depict Magazine Teaching<\/span><\/strong><\/p>\n OFFF Festival New Design University WIX Academy Fachhochschule Salzburg University of Applied Sciences and Arts of Southern Switzerland (SUPSI) Kulturverein Grammophon WEI SRAUM. Designforum Tirol Graphic Days Torino New Design University Zurich University of the Arts Jobs\/Internships<\/strong><\/span><\/p>\n We’re not actively looking to expand our team, but if you’re an excellent coder with profound visual design skills or a visual designer with solid experience in creative coding, we\u2019d love to hear from you.<\/p>\n Please note, we’re a tiny studio and cannot respond to all applications.<\/p>\n On a side note: You can buy a full day working with us<\/a> in our studio if you think that’s cool.<\/p>\n<\/div>\n<\/div>\n Process \u2014 Studio for Art and Design OG<\/span><\/strong><\/p>\n Sch\u00f6nborngasse 9\/5-7 hello@process.studio<\/a> Managing partner: Martin Gr\u00f6dl, BSc MA Commercial register: 442327g UID\/VAT Number: ATU70246539<\/p>\n Further information: Imprint<\/a> and Privacy policy<\/a>.<\/p>\n<\/div>\n
Phone: +43 681 20 450 780<\/a> (Monday\u2013Friday, 9am to 5pm)
\nWe’re also on Instagram<\/a>, Mastodon<\/a>, Twitter<\/a>, Facebook<\/a>, Behance<\/a> and LinkedIn<\/a>.
\nCheck out our Privacy Policy<\/a> and Imprint<\/a>.<\/span>\n<\/p>\n![\"Process](\"https:\/\/process.studio\/wp-content\/uploads\/2024\/08\/694b9396-1119-4caf-9bce-acbb27205887.png\")
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Portrait Photography: Thomas Wunderlich, Summer 2021 (edited)<\/span><\/center><\/p>\n\n
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\n3D\/Interactive Award<\/p>\n
\nLinz, Austria<\/p>\n
\nCulture & Technology Award
\nVienna Business Agency<\/p>\n
\nSilver Award (“The Black Bee”)
\nMilano, Italy<\/p>\n
\nDiamond Winner
\nGold Winner<\/p>\n
\n3x Bronze, 1x Honors, New York<\/p>\n
\nGold Winner Worldwide
\nTop 100 Reports Worldwide
\nBest Report Cover EMEA Region
\nTop Report Austria
\nTop 80 Reports EMEA Region<\/p>\n
\n1x Gold, 2x Bronze, New York<\/p>\n
\n1st Place, Vienna<\/p>\n
\nGold Winner Worldwide<\/p>\n
\nCertificate of Typographic Excellence, New York<\/p>\n
\nCultural Institutions, New York<\/p>\n<\/div>\n
\nAIGA Eye on Design 1<\/a>, 2<\/a>
\nThe Art Direction Show<\/a>
\nc\/o Vienna<\/a>
\nDESIGNBOOM 1<\/a>, 2<\/a>
\nDesign made in Austria<\/a>
\ndesignweek<\/a>
\nDezeen<\/a>
\nDie Presse<\/a>
\ne-flux<\/a>
\nFonts In Use<\/a>
\nFORMFAKTOR 1<\/a>, 2<\/a>
\nFORWARD Magazine<\/a>
\nFUBIZ<\/a>
\nThe Gap<\/a>
\nIt’s Nice That<\/a>
\nKronen Zeitung<\/a>
\nKUNSTFORUM International<\/a>
\nKURIER<\/a>
\nLS:N Global<\/a>
\nMousse Magazine<\/a>
\nORF Online 1<\/a>, 2<\/a>
\nORIGINAL Magazin<\/a>
\nPAGE Online 1<\/a>, 2<\/a>, 3<\/a>, 4<\/a>, 5<\/a>, 6<\/a>, 7<\/a>, 8<\/a>
\nPARNASS Kunstmagazin 1<\/a>, 2<\/a>, 3<\/a>
\nPSFK<\/a>
\nPW-Magazine<\/a>
\nDer Standard 1<\/a>, 2<\/a>
\nWiener Zeitung<\/a>
\nWIX Playground<\/a>
\nWIX Playground \u2014 Will AI take over my design job?<\/a>\n<\/p>\n
Austria, 2024<\/p>\n
Austria, 2023<\/p>\n
Kingston University London
United Kingdom, 2022<\/p>\n
United Arab Emirates, 2022<\/p>\n
Austria, 2022<\/p>\n
MAK Vienna
Austria, 2021<\/p>\n
Austria, 2021<\/p>\n
Germany, 2021<\/p>\n
United Kingdom, 2021<\/p>\n
MAK Vienna
Austria, 2021<\/p>\n
Somerset House
United Kingdom, 2021<\/p>\n
MAK Vienna
Austria, 2021<\/p>\n
Technology Symposium
Austria, 2019<\/p>\n
MAK Vienna
Austria, 2019<\/p>\n
Italy, 2019<\/p>\n
Italy, 2019<\/p>\n
Austria, 2018<\/p>\n
Design Museum Holon
Israel, 2018<\/p>\n
MAK Vienna
Austria, 2018<\/p>\n
Austria, 2018<\/p>\n<\/div>\n
Ebner Media Group GmbH & Co. KG, Hamburg<\/p>\n
Processing Foundation, ISBN 978-0-9998813-2-3<\/p>\n
MIT Press, ISBN 978-0-262048262<\/p>\n
Ebner Media Group GmbH & Co. KG, Hamburg<\/p>\n
Holzhausen GmbH, Wien<\/p>\n
Ebner Media Group GmbH & Co. KG, Hamburg<\/p>\n
Wirtschaftsagentur Wien<\/p>\n
Open Humanities Press CIC, ISBN 978-1-78542-094-8<\/p>\n
Princeton Architectural Press, ISBN 978-1616899158<\/p>\n
ORIGINAL Magazin Verlags GmbH, Bregenz, ISSN 2312-7880<\/p>\n
Birkh\u00e4user Verlag GmbH, Basel, ISBN 9783035623062<\/p>\n
Ebner Media Group GmbH & Co. KG, Hamburg<\/p>\n
Slanted Publishers, ISSN 1867-6510<\/p>\n
ISBN 979-10-92227-45-1<\/p>\n
Central Saint Martins, University of Arts London<\/p>\n
Holzhausen GmbH, Wien<\/p>\n
Ebner Media Group GmbH & Co. KG, Hamburg<\/p>\n
Triest Verlag, ISBN 978-3-03863-003-6<\/p>\n
SpringerWienNewYork, ISBN 978-3709109892<\/p>\n
Hermann Schmidt Mainz GmbH & Co., ISBN 978-3874398763<\/p>\n
PAGE Verlag, Hamburg<\/p>\n
Niche Media Pty Ltd, Melbourne<\/p>\n
Glyphic Visual Information Inc, Toronto\n<\/div>\n<\/div>\n
\n4. June, 2024
\nVienna, Austria<\/p>\n
\nSince 2023
\nSt. P\u00f6lten, Austria<\/p>\n
\n16. May, 2023
\nTel Aviv, Israel<\/p>\n
\nGuest professorships in visual communication
\nWinter semester 2022\/2023
\nSalzburg, Austria<\/p>\n
\n12.\u201316. Dezember 2022
\nLugano, Switzerland<\/p>\n
\n12.\u201313. November 2021
\nWattens, Austria<\/p>\n
\n28.\u201329. February 2020
\nInnsbruck, Austria<\/p>\n
\n11. September 2019
\nTurin, Italy<\/p>\n
\n7.\u201310. January 2019
\nSt. P\u00f6lten, Austria<\/p>\n
\n20.\u201326. October 2018
\nZurich, Switzerland<\/p>\n<\/p>\n<\/div>\n
1080 Vienna, Austria<\/p>\n
\n+43 681 20 450 780<\/a><\/p>\n
Partner: Barbara Wimmer, BA<\/p>\n
Commercial court Vienna<\/p>\n