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	<title>Pablo Diserens</title>
	<link>https://pablodiserens.studio</link>
	<description>Pablo Diserens</description>
	<pubDate>Sat, 03 Apr 2021 23:18:31 +0000</pubDate>
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		<title>Home</title>
				
		<link>https://pablodiserens.studio/Home</link>

		<pubDate>Sun, 11 Nov 2018 17:51:48 +0000</pubDate>

		<dc:creator>Pablo Diserens</dc:creator>

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		<description>


out now :album “ebbing ice lines” - 2xLP
on forms of minutiae &#38;amp; Dinzu Artefacts </description>
		
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		<title>on australian shores (a reader)</title>
				
		<link>https://pablodiserens.studio/on-australian-shores-a-reader</link>

		<pubDate>Sat, 03 Apr 2021 23:18:31 +0000</pubDate>

		<dc:creator>Pablo Diserens</dc:creator>

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		<description>Pablo Diserens
on australian shores: listening to birds, insects and molluscs
released on Sono Space &#124; 2020
01. morning by the river (13’41’’)02. bellbirds of wapengo lake (08’16’’)03. periwinkles (06’30’’)04. following ravens (06’08’’)05. ibis nest (05’27’’)06. dusk drone (05’51’’)

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		<title>morning by the river</title>
				
		<link>https://pablodiserens.studio/morning-by-the-river</link>

		<pubDate>Thu, 01 Apr 2021 20:00:57 +0000</pubDate>

		<dc:creator>Pablo Diserens</dc:creator>

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		<description>
	morning by the river
Nattai National Park, Australia - November 2019


on australian shores: listening to birds, insects and molluscs by Pablo Diserens

						


	
		
		
	
	
		
			
				
					
						Having only been in Australia for two days, I went for my first hike in
the rainforest. The bushfires crisis had already been going on for
months and it was getting stronger by the day. The forest I ventured
in was still safe and untouched by the threatening distant blazes. As I
wandered alongside a river, my ears slowly tuned to the wonders of
the Austral acoustic marks. I could hear dozens of birds disrupting
the forest’ stillness and each of their calls was an entirely new sonic
experience for me. After meeting countless eastern water dragons, I
found a clear spot on the riverbank and stopped to record the
surrounding soundscape. A moment passed when suddenly a flock
of sulphur-crested cockatoos began to cry and flutter in unison. Their
screeching cheers tor and drowned out the delicate morning
ambience for a while. As they gradually settled down, something
moved in the bushes next to me. Out of the thick vegetation
appeared a two-meter long lace monitor lizard. I was sitting on the
ground with my headphones on. Surprised, we gazed at each other
for an instant, both gauging the intention of the other. As I remained
there perfectly still, the varanid slowly approached and passed right
in front of the microphones before continuing its journey - and so did
I. A little further on, I hauled myself on an overhanging rock and
listened to the river’s underwater sonic ensemble formed by water
bugs and amphibians. On my way back, I stumbled on another
monitor lizard - I had the feeling it was the same one - and again we
acknowledged our presence but this time it was I who gently walked
past the reptile while it was lying on the ground. To my surprise, it
stood up and kindly followed me for some time before disappearing
in the dense greenery.

					
				
			
		
	


					
				
			
		
	

	&#60;img width="2433" height="3575" width_o="2433" height_o="3575" data-src="https://freight.cargo.site/t/original/i/e0a607ac5bba009697d94e4a6a17423eea6ac1b54ac0e9fd5eaf4f215e138c89/01.-morning-by-the-river.jpg" data-mid="104003315" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/e0a607ac5bba009697d94e4a6a17423eea6ac1b54ac0e9fd5eaf4f215e138c89/01.-morning-by-the-river.jpg" /&#62;

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		<title>bellbirds of wapengo lake</title>
				
		<link>https://pablodiserens.studio/bellbirds-of-wapengo-lake</link>

		<pubDate>Thu, 01 Apr 2021 21:09:16 +0000</pubDate>

		<dc:creator>Pablo Diserens</dc:creator>

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		<description>
	bellbirds of wapengo lakeWapengo Lake, Australia - November 2019


on australian shores: listening to birds, insects and molluscs by Pablo Diserens

						


	
		
		
	
	
		
			
				
					
						As I travelled South in Barragga Bay’s surrounding regions, I kept
hearing strange pinging sounds in the distance. My curiosity grew as I
perceived them repeatedly while never identifying their sources. This
unexplained composition charged the soundscape with an uncanny
feeling as it echoed in a myriad of valleys. It sounded like crystals
singing as they spored out of the forest’s flora - images from René
Laloux’s Fantastic Planet came to my mind - had I landed on the
Ygam planet? One morning, as I explored the shores and the local
oyster farms of Wapengo Lake, I again came across this acoustic
phenomenon. Very close this time, its sonic beauty finally unraveled
fully. It emanated from a bellbirds colony perched in a patch of trees.
The multiple avian sources formed spectacular depth and
spatialization, and the swarm of reverberating bell-like calls mirrored
minimalist electronic scores from the second half of the 20th century.
I stood there with my eyes closed for a while, bewitched by the
delicacy and the complexity of the ornithological concerto I was
witnessing.

					
				
			
		
	


					
				
			
		
	


					
				
			
		
	

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		<title>periwinkles</title>
				
		<link>https://pablodiserens.studio/periwinkles</link>

		<pubDate>Thu, 01 Apr 2021 21:09:21 +0000</pubDate>

		<dc:creator>Pablo Diserens</dc:creator>

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		<description>
	periwinklesBarragga Bay, Australia - November 2019


on australian shores: listening to birds, insects and molluscs by Pablo Diserens



	
		
		
	
	
		
			
				
					
						

	
		
		
	
	
		
			
				
					
						Periwinkles, these tiny black sea snails that form constellations in
shallow waters, were some of the main protagonists of my youth by
the Mediterranean shores. The ones I faced on the other side of the
planet did not bear many differences, perhaps were they even
identical - mirrored molluscs from another hemisphere. The tidal pool
above which I leaned was a busy one: a plethora of periwinkles were
neighboured by crabs, anemones and gigantic sea slugs. I listened to
the pool’s bed for a while hoping that it would inhabit a noisy
occupant until a peculiar scratching sound emerged. I was wrong -
the local sea snails were indeed different than the ones from my
childhood: they were the first to speak to me.

					
				
			
		
	


					
				
			
		
	


					
				
			
		
	

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		<title>following ravens</title>
				
		<link>https://pablodiserens.studio/following-ravens</link>

		<pubDate>Thu, 01 Apr 2021 21:09:22 +0000</pubDate>

		<dc:creator>Pablo Diserens</dc:creator>

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	following ravens
Sydney, Australia - November 2019


on australian shores: listening to birds, insects and molluscs by Pablo Diserens

						


	
		
		
	
	
		
			
				
					
						Wherever I travel, I enjoy observing and listening to crows and ravens.
These somber creatures have fascinated me for years due to their
appearance, unpredictable behaviours, and striking intelligence. They
can be found almost everywhere on the globe and, although their
physical attributes might vary slightly, it is their voice that undergoes
exceptional changes. I noticed that for the first time during my
Japanese stay in 2015. There, corvids tend to abandon the “r”
resulting in an elegant “coa” sound, whereas European ones will
commonly have a more guttural tongue and croak or caw all day long.
However, their Australian relatives have one of the most bizarre calls I
have ever heard. In a suburb of Sydney, I encountered a pair of
ravens scanning a tower block’s vicinity. Both resting on utility poles,
they undertook a lengthy dialogue made of descending “aah-aaaah”
wails. As I followed them in the streets, a light yellow veil of smoke,
originating from remote wildfires, filled the air accompanied by the
blackbirds’ unbroken plaintive cries. These seemed to carry a sense
of sorrow, as if they were mourning the current state of our planet.
They knew that they were being shadowed and would signal my
presence to one another with shrill calls. Their distrust reminded me
of the Norse myth of Huginn and Muninn - yes, I know that you are
spying on our world and, with your lamenting semantics, will whisper
to Odin what you have seen and heard.

					
				
			
		
	


					
				
			
		
	


					
				
			
		
	

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		<title>ibis nest</title>
				
		<link>https://pablodiserens.studio/ibis-nest</link>

		<pubDate>Thu, 01 Apr 2021 21:09:26 +0000</pubDate>

		<dc:creator>Pablo Diserens</dc:creator>

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		<description>
	ibis nest
Sydney, Australia - November 2019


on australian shores: listening to birds, insects and molluscs by Pablo Diserens

						


	
		
		
	
	
		
			
				
					
						


	
		
		
	
	
		
			
				
					
						African ibises were once worshipped and associated with Thoth, an
ancient Egyptian deity often depicted with a man’s body and the
head of an ibis. God of wisdom, writing, science, art and the dead,
his worship inspired people to embalm thousands of ibises’ corpses
in bird-shaped sarcophagi. Today, their Australian sister species is
disparagingly referred to as dumpster divers, flying rats, tip turkeys or
bin chickens for their habit of scavenging in cities’ trash. I
remembered being amazed at first sight by their beauty, but a local
friend quickly stained my wonder by telling me that these were merely
the native pigeons - “you don’t touch those” he said. Nevertheless,
their elegant long beak, walking gestures, black-tipped appendages,
and stunning underwing red skin charmed me. As I wandered in
Sydney’s Botanical Garden, odd pig-like shouts were made audible.
Was there a farm? I tracked them down and discovered a flock of
white ibises occupying several trees. On neighbouring branches, a
group of rainbow lorikeets chipped collectively. Their calls were
regularly obscured by aerial grunts stemming from the canopy - from
which white ibises’ heads would peeked out occasionally. The voices
of the formerly sacred beasts did not match their grace as they
barked energetically at one another with cries that rather suggested
the presence of broken kazoos or swine-goose chimaeras.

					
				
			
		
	


					
				
			
		
	


					
				
			
		
	

	&#60;img width="2433" height="3575" width_o="2433" height_o="3575" data-src="https://freight.cargo.site/t/original/i/8cef378e7943dfa550943a6ab1624cc4f46f458f7957d3caa5fdfe289d99316b/05.-ibis-nest.JPG" data-mid="104011007" border="0"  src="https://freight.cargo.site/w/1000/i/8cef378e7943dfa550943a6ab1624cc4f46f458f7957d3caa5fdfe289d99316b/05.-ibis-nest.JPG" /&#62;

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		<title>dusk drone</title>
				
		<link>https://pablodiserens.studio/dusk-drone</link>

		<pubDate>Thu, 01 Apr 2021 21:09:28 +0000</pubDate>

		<dc:creator>Pablo Diserens</dc:creator>

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		<description>
	dusk drone
Bega River, Australia - November 2019


on australian shores: listening to birds, insects and molluscs by Pablo Diserens

						


	
		
		
	
	
		
			
				
					
						


	
		
		
	
	
		
			
				
					
						As the sun fell below the canopy on my last day in the rainforest, I
listened to the sustained chants of one of the world’s loudest insects,
the greengrocer cicada. They are known for producing a noise that
flirts with our hearing’s threshold of pain, thus causing the sometimes
dizzying and deafening feeling one can experience. In the twilight,
they pursued their sonic ritual uninterrupted. Two kookaburras, with
their emblematic raucous laugh, and other birds would try to
compete with the arthropods, in vain. I took that moment to reflect on
my Australian journey. Rarely had I encountered such a wide range of
species in such a short amount of time. The abundance of those
ecosystems’ fauna and flora was remarkable and the local bio- and
geophony as unique as their sources. To think that all of that was
under imminent threat as towering bushfires multiplied throughout the
country was saddening. How disturbing, that we are putting such
beauty and diversity at risk because of our anthropological
greediness, that the world’s “leaders” would rather prioritize profit
over the biosphere, and that humans have cultivated a disastrous
apathy and passivity towards current environmental issues. Even
now, at the dawn of the Pyrocene - the epoch of fire - humans fail to
take real action. The cicadas were still buzzing and little did I know
that a month later this catastrophe would worsen, and that the forests
I visited along with millions of acres and over a billion animals
(without taking insects into count!) would be scorched by the
supercharged flames.

						
As a new decade starts, I hope that these scarred landscapes and
their voices will help spark awareness and shed light on the current
ecological state of our planet while stimulating collective actions
against this sinister age of embers.

					
				
			
		
	


					
				
			
		
	
.

					
				
			
		
	

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		<title>on australian shores - credits</title>
				
		<link>https://pablodiserens.studio/on-australian-shores-credits</link>

		<pubDate>Thu, 01 Apr 2021 21:25:13 +0000</pubDate>

		<dc:creator>Pablo Diserens</dc:creator>

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		<description>
	Pablo Diserens
on australian shores: listening to birds, insects and molluscs

Sono Space &#124; 2020

						
This release pays homage to the wildlife that perished during the Australian
bushfire crisis in 2019 and 2020. All proceeds will go towards the emergency
animal rescue fund of Humane Society International.

						
Special thanks to the animals that have lent me their voices.

						
Thanks to Warwick Anderson, Lee Primmer, Paul Kildea, Harry Sumner,
Eliza Bożek, Mathieu Bonnafous, Nathan Levenson, Jana Winderen, and
Corinne Diserens.

						
I acknowledge Aboriginal and Torres Strait Islander people as the sovereign
owners of the country I travelled in, and recognize that this sovereignty has not
been ceded. They remain strong in their enduring connection to land and
culture and I pay my respects to their Elders, past, present and emerging.

						
All field recordings, notes, and analogue photographs by Pablo Diserens
→&#38;nbsp; recordings and PDF available to download here

back to main website&#38;nbsp; ←

		
	

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