![\"Image](\"https://image.tmdb.org/t/p/w780/6wNYgoJTrMyDkKUg9O6ikGzUL7T.jpg\")
In the future year of 2025 we always envisioned technology as a seamlessextension of our support system. Yet here I am, with a three thousand dollarcomputer that can’t open a .rar file. It’s December 2024, the .rar was inventedin 1993, about 32 years ago. For 32 years, no thought to license and integratethe RAR format. It’s quite admirable really, a testament.
RAR is proprietary and other formats arent so its making a point by not usingit. I shouldn’t have to dig through Homebrew documentation or fall down Redditrabbit holes just to open a rar file though. I could install unrar through theterminal and call it a day, but I didn’t want to open terminal every singletime I want to open a file. I should be able to click on it and it opens. Iwould like to experience the computer like a normal person. So I automated thewhole thing.
Before I could automate anything, I needed the extraction tool itself. Homebrewmade this pretty straightforward:
brew install unrarOnce installed, I had to figure out exactly where it lived on the system. Thisis important with macOS automation because their tools for some reason don’talways know where your stuff is.
which unrar \tOutput: /usr/local/bin/unrar (or /opt/homebrew/bin/unrar)My first move was to build a macOS Quick Action. This would let me right-clicka file in Finder and run a custom command from the menu. I threw together aShell Script workflow with pretty straightforward logic: grab the selectedfile, find its directory, and run unrar.
for f in \"$@\" do cd \"$(dirname \"$f\")\" /usr/local/bin/unrar x \"$f\" doneNotice I couldn’t just write unrar x \"$f\" and be done with it.
When Automator (or Shortcuts) runs a shell script, it doesn’t load your userprofile. No .zshrc, no .bash_profile, nothing. So it has zero clue whereHomebrew puts things. I had to hardcode the full path: /usr/local/bin/unrar.
This worked, but it felt dated. Sharing Automator workflows is a pain. You haveto physically send the .workflow file, the recipient has to install it in somespecific library folder, there’s signing, there’s permissions. I wantedsomething cleaner.
I decided to rebuild everything in Shortcuts. Better UI, easier sharing (justan iCloud link), and it syncs across all my Macs automatically.
The core logic stayed the same, but the implementation felt way cleaner.
I created a new Shortcut, enabled it for Quick Actions in Finder, and used theRun Shell Script action with /bin/zsh as the shell.
Same as before, I had to be explicit with the file path:
for f in \"$@\" do cd \"$(dirname \"$f\")\" /usr/local/bin/unrar x \"$f\" doneNow when I download a RAR file, I don’t touch the terminal at all. Right-click,hit “Unrar Here,” and the folder just appears. I uploaded the shortcut to RoutineHub so I can manage updates and versions without any hassle.
Download on RoutineHub
My Profile on RoutineHub
Languages / Technology used: JavaScript (TypeScript), Next.js, Vercel
Tool to transfer Spotify playlists to Youtube.
", "url": "https://omairkhattak.com/2025/03/23/moveyourmusic", "tags": ["dev","dev-portfolio"], "date_published": "2025-03-23T00:00:00+00:00", "date_modified": "2025-03-23T00:00:00+00:00", "author": "Omair Khattak" }, { "id": "https://omairkhattak.com/2025/03/23/yung-jake-archive", "title": "Master Archivist for The Yung Jake Archive", "summary": null, "content_text": "Part of a team building an archive of artist Jake Patterson (Yung Jake) using Sanity CMS.Part of my work has involved me using skills learnt from a previous personal project SMDDMDWRITER to build a custom CLI tool to streamline NDJSON metadata management.Langauges / Technology used: Python, JavaScript, Sanity.io, NDJSONProject is still in-progress.", "content_html": "Part of a team building an archive of artist Jake Patterson (Yung Jake) using Sanity CMS.
Part of my work has involved me using skills learnt from a previous personal project SMDDMDWRITER to build a custom CLI tool to streamline NDJSON metadata management.
Langauges / Technology used: Python, JavaScript, Sanity.io, NDJSON
Project is still in-progress.
", "url": "https://omairkhattak.com/2025/03/23/yung-jake-archive", "tags": ["dev","dev-portfolio"], "date_published": "2025-03-23T00:00:00+00:00", "date_modified": "2025-03-23T00:00:00+00:00", "author": "Omair Khattak" }, { "id": "https://omairkhattak.com/2025/03/02/grinch-ii-screenplay", "title": "Grinch II Screenplay & Trailer", "summary": null, "content_text": "Wrote a 138 page screenplay based on a 90-page script of a Grinch sequel written by a Reddit User’s Uncle.Fundraised $90 to make the screenplay a real live-action indie film GoFundMe)Adjusted product & expectations based on budget limitations by using OpenAI Sora to create a movie trailer.###🔗 Google Drive containing script🔗 Grinch II Film Trailer (Youtube)", "content_html": "Wrote a 138 page screenplay based on a 90-page script of a Grinch sequel written by a Reddit User’s Uncle.
Fundraised $90 to make the screenplay a real live-action indie film GoFundMe)
Adjusted product & expectations based on budget limitations by using OpenAI Sora to create a movie trailer.###🔗 Google Drive containing script
🔗 Grinch II Film Trailer (Youtube)
", "url": "https://omairkhattak.com/2025/03/02/grinch-ii-screenplay", "tags": ["writing","video","AI"], "date_published": "2025-03-02T00:00:00+00:00", "date_modified": "2025-03-02T00:00:00+00:00", "author": "Omair Khattak" }, { "id": "https://omairkhattak.com/2024/11/15/smddmdwriter", "title": "Social Media Data Download Metadata Writer", "summary": null, "content_text": "Social Media Data Download Metadata Writer (SMDDMDWRITER) SMDDMDWRITER makes it easy to organize and rewrite metadata back into your social media data exports. After your export is analyzed, it’s neatly formatted and organized in a csv for you to make any edits you want. Your post captions, sender usernames, geolocation data, tagged users, date uploaded, mismanaged files, all processed and cleaned into two csv files. Utilizing kDMItems and Quicktime tags, SMDDMDWRTIER prepares media for Apple Photos and displaying accurate metadata in macOS Finder.Features Processes Instagram data exports in JSON and HTML formats. Organizes & formats metadata into clean CSV files for editing. Supports geolocation, captions, usernames, and tagging. Prepares media for Apple Photos, macOS Finder, and UNIX filesystem indexing.Languages used: Python, JSON, Javascript##AcknowledgmentsThis project would not have been possible without the contributions of the open-source community. The following libraries and tools played a role in development: bs4 (v0.0.2): A wrapper around BeautifulSoup for web scraping. beautifulsoup4 (v4.12.3): A library for parsing HTML and XML documents. soupsieve (v2.6): A CSS selector library used to imrpove HTML parsing with BeautifulSoup. ftfy (v6.3.1): A library for fixing Unicode issues in text processing. wcwidth (v0.2.13): A library for measuring the width of Unicode characters. pytz (v2024.2): A library for timezone conversions and handling. numpy (v2.2.1): The fundamental package for numerical computing in Python. pandas (v2.2.3): A library for data manipulation and analysis. python-dateutil (v2.9.0.post0): A library for date and time manipulation. six (v1.17.0): A utility library for writing Python code compatible with both Python 2 and 3.🔗 Check the project out on Github!", "content_html": "Social Media Data Download Metadata Writer (SMDDMDWRITER) SMDDMDWRITER makes it easy to organize and rewrite metadata back into your social media data exports. After your export is analyzed, it’s neatly formatted and organized in a csv for you to make any edits you want. Your post captions, sender usernames, geolocation data, tagged users, date uploaded, mismanaged files, all processed and cleaned into two csv files. Utilizing kDMItems and Quicktime tags, SMDDMDWRTIER prepares media for Apple Photos and displaying accurate metadata in macOS Finder.
Features
Languages used: Python, JSON, Javascript
##AcknowledgmentsThis project would not have been possible without the contributions of the open-source community. The following libraries and tools played a role in development:
🔗 Check the project out on Github!
", "url": "https://omairkhattak.com/2024/11/15/smddmdwriter", "tags": ["dev","dev-portfolio"], "date_published": "2024-11-15T00:00:00+00:00", "date_modified": "2024-11-15T00:00:00+00:00", "author": "Omair Khattak" }, { "id": "https://omairkhattak.com/2024/09/26/eyeball-video", "title": "Eyeball Short-form financial content", "summary": null, "content_text": "September 2024Short-form content commissioned for Eyeball, a short-form content platform for in-depth financial news.📺 Playlist on YouTube", "content_html": "September 2024
Short-form content commissioned for Eyeball, a short-form content platform for in-depth financial news.
", "url": "https://omairkhattak.com/2024/09/26/eyeball-video", "date_published": "2024-09-26T00:00:00+00:00", "date_modified": "2024-09-26T00:00:00+00:00", "author": "Omair Khattak" }, { "id": "https://omairkhattak.com/2024/08/29/tixscan", "title": "Technical Cofounder @ Tixscan", "summary": null, "content_text": "Cofounded with Jacob Koziphatt (Susquehanna, Axal.io) and Shize Che (Comp Eng. PhD student), TixScan is an Augmented Reality Ticketing System designed for Apple Vision Pro.Languages used: Swift, Swift-UI, C", "content_html": "Cofounded with Jacob Koziphatt (Susquehanna, Axal.io) and Shize Che (Comp Eng. PhD student), TixScan is an Augmented Reality Ticketing System designed for Apple Vision Pro.
Languages used: Swift, Swift-UI, C
", "url": "https://omairkhattak.com/2024/08/29/tixscan", "tags": ["dev","dev-portfolio"], "date_published": "2024-08-29T00:00:00+00:00", "date_modified": "2024-08-29T00:00:00+00:00", "author": "Omair Khattak" }, { "id": "https://omairkhattak.com/2024/05/01/nov", "title": "iOS Engineer @ NOV", "summary": null, "content_text": "May 2024 - June 2025iOS Engineer at Non-Obvious Ventures (NOV)As an iOS Engineer I Prototyped an efficient bridge inspection documentation system in Swift for field engineers.Languages used: Swift, AWS (Spark, S3, Managed Services)Preview of demos available upon approved request.", "content_html": "May 2024 - June 2025
iOS Engineer at Non-Obvious Ventures (NOV)
As an iOS Engineer I
Languages used: Swift, AWS (Spark, S3, Managed Services)
Preview of demos available upon approved request.
", "url": "https://omairkhattak.com/2024/05/01/nov", "tags": ["dev","dev-portfolio"], "date_published": "2024-05-01T00:00:00+00:00", "date_modified": "2024-05-01T00:00:00+00:00", "author": "Omair Khattak" }, { "id": "https://omairkhattak.com/2023/05/01/kanye-west-le-ravissement-de-frank-n-stein", "title": "Kanye West and Le Ravissement de Frank N. Stein", "summary": null, "content_text": " IntroductionAt 10pm Sunday August 22nd Kanye posted an image of a room with two rectangular prisms in each corner to his Instagram. My first impression was that it may have had something to do with Drake because of how the prisms appear to be the same size but one has a larger shadow than the other. Later on twitter I came across the link to the video, posted by 81 point bean @beeayeembeeeye under a Watching The Throne @KanyePodcast tweet. The YouTube video is titled Le Ravissement de Frank N. Stein and was posted by William Scanlon on the 25th of August 2013. Could August 25 be a protentional release date? Two days from the upload of this photo? Unlikely. The description of the YouTube video is “by Georges Schwizgebel, 1982”. This is the only video William Scanlon has ever uploaded since joining the site 4 months prior on May 1st 2013.Metadata AnalysisHere we have the metadata of William Scanlon’s channel. The channel was created 2013-05-01T21:36:18Z, the first of May 2013 at 11:36 pm Zulu time, more commonly known as UTC, coordinated universal time. His subscriber count is hidden. I didn’t know you could do that all the way back in 2013.Here we have the metadata of the video itself. 2013-08-25T09:28:36Z, the 25th of August 2013 at 9:30 in the morning. That’s a 115 days, 21 hours, 52 minutes and 18 second difference between his channel creation and this videos upload. The video was uploaded with three tags; “Abstract Expressionism (Art Period/Movement)”, “Experimental”, “Animation” and “Time (Dimension)”. The tags Experimental, Animation and Abstract Expressionism are pretty self-explanatory. (joke) it kinda feels like Francis Bacon’s take on those YouTube gamer commentary videos but instead of some hype song its just an aphex twin track. What gets me is the “Time (Dimension)” tag. What does this video have to do with time? The metadata also details that the video is 2 dimensional, I think this actually about the video but it could have something to do with how YouTube had those 3d & 360 videos for a while. All that exists of the topic details is a Wikipedia link to a page on Entertainment.Georges SchwizgebelThere isn’t much information about the artist Georges Schwizgebel himself. His Wikipedia is bare and all we know is that he is a Swiss animation film director. Georges Schwizgebel made all his films under an animated film production company he founded with 3 friends, Studio GDS. Even the website doesn’t have any deeper information on Georges.Le Ravissement de Frank N. SteinLe Ravissement de Frank N. Stein is French for The Rapture of Frank N. Stein. Rapture is an interesting word to use because I don’t see any rapturing happening in this video. However this does remind me of the second DONDA listening party where Kanye raptured himself. Another translation of “ravissement” is ecstasy. Could this have something to do with Kanye’s single, XTCY?There is a painting that goes by a very similar title, Le ravissement de saint Paul by Paul Scarron, known in English as the ecstasy of saint paul, not the rapture of saint paul. It does certainly look like he’s being raptured in the painting thought. Saint paul was an apostle of christ, considered one of the most important people in Christianity after Jesus. I don’t know what else to takeaway from the possible saint paul reference aside from maybe Kanye is the most important thing in Christianity now after Jesus. Idk, im not Christian, the painting might have nothing at all to do with anything. The point is this could be the rapture of Frankenstein or the ecstasy of Frankenstein. Judging by the end of the video where Frankenstein doesn’t get raptured & by the possible painting reference, I’m going with the ecstasy of Frankenstein.The Studio GDS website provides a short description of the film. The film is explained as “The slow construction of an image on a rhythm of steps, ends with the meeting of the monster and his fiancée”.Malibooyah1789 on r/WestSubEver linked an animation review blog that gave the video some more context. ‘Le ravissement de Frank N. Stein’ starts with very abstract images, which resolve into Frankenstein’s laboratory as depicted in the film from 1931. After 1’40 we become the monster itself, walking through endless chambers and corridors and staircases in an almost computer animation-like long sequence of perspective animation. The rooms, initially filled with abstract shapes, become more and more complex. They contain more and more windows and human forms, and finally moving human forms, ending with multiple copies of the monster’s bride. In the end we watch the monster itself, in his depiction by Boris Karloff. He smiles at his bride, but she only screams…So, it’s pretty solid to assume that Kanye is Frankenstein’s monster. Let’s get into the analysis of the video itself.AnalysisThe beginning of the video starts off with abstracts. These abstracts slowly take form to show us Frankenstein’s laboratory. Once we see Frankenstein’s laboratory we begin to move in the perspective of Frankenstein’s monster. This is where we begin to go thru this seemingly endless number of rooms, one after the other. The rooms themselves are constant, with the only changes being the geometric figures appearing and taking a more human shape, the shape being of the monsters bride.The monsters bride in this context is Kanye’s ex-wife, Kim Kardashian. Kanye’s hinted in the past that he doesn’t like LA, mostly because the city took his mother from him. The way I see this is in relation to the Kim K effect. Lots of influencers come to LA and the majority of them end up looking like Kim or Kylie. This is no secret, plastic surgeons say that Kim’s face is the most requested face without a close second. Circling back to the video, it could be assumed that Kanye is walking thru LA and seeing these clones of his wife, imperfect clones because even though they resemble Kim, they’re not fully detailed. The lack of detail could indicate two things; either they’re just attempts to copy Kim or they’re part of a second possible meaning; Kanye is becoming more aware.The second possible reason for these geometric figures to be gaining definition as the film progresses is that it’s Kanye becoming more conscious of his surroundings and literally looking closer at the details. Kanye is becoming hyperaware of the people around him and moving thru these rooms to get away from them and to his wife, which we’ll also get into in the final scene.At the point the room disappears and it’s just the figures, here is Kanye is in the dark before the light. After the last dark room Kanye walks into the light again. This time it’s a hallway. The arches are reminiscent of the Jesus is King Arches & the arched hallways in his own home. The music makes this scene feel like a transition because the music changes as soon as he enters the hallway and quickly becomes chaotic as the scene changes from the hallway to a few seconds of a boat on water and then back to the dark rooms. The boat scene reminds me of the snippet Ye posted to twitter for the Believe What I Say snippet. I believe in when he posted that snippet he was quiet before and after on twitter, possibly alluding to how this was a momentary break thru him trying to get out of the dark rooms.He’s in the dark rooms once again but this time there are windows shining light to illuminate the room a little. This is all feeling like his strong awakening as a Christian and his searching of faith. This bit is short and soon he’s in what appears to be on the outside of a building. The walls on the right are gone and you can see what looks like a sunrise or sunset.If it’s a sunrise its continuing the theme of awakening, if it’s a sunset it could indicate that he feels like he’s running out of time and is trying to get to something before it’s too late. Then we’re back into the darkness. This time its not just clones of Kim, but of Kanye as well. I’m not sure what this could depict aside from this one bar from I Love Kanye; See I invented Kanye, it wasn’t any Kanyes, And now I look and look around and there’s so many KanyesWhen the view is taking us down some stairs to a room with two doors, it’s an optical illusion and shows us Frankenstein’s monsters face. I believe this is telling us that this entire Journey was in his mind, Kanye going thru all these rooms, perceptions and this mental journey within himself.He walks down the stairs smiling to his wife, who responds with a scream. This could be something personal in Ye’s relationship and how maybe Kim perceived Kanye to be a different person when he was in different mental states or how Kim reacted to the changes Kanye made in himself or his actions over time and episodes.The ending scene zooms out of the monsters face out to a theater and out a strip of film. I think this ending scene is the most obvious. It’s Kanye West, the celebrity, being watched by the world as he goes thru his horrors. His existence, broadcasted to the world, for better or for worse for their entertainment, their reaction to his life recorded and put online all for him to see again from a twisted perspective not of his own, a feedback loop fading to black.", "content_html": "
At 10pm Sunday August 22nd Kanye posted an image of a room with two rectangular prisms in each corner to his Instagram. My first impression was that it may have had something to do with Drake because of how the prisms appear to be the same size but one has a larger shadow than the other. Later on twitter I came across the link to the video, posted by 81 point bean @beeayeembeeeye under a Watching The Throne @KanyePodcast tweet. The YouTube video is titled Le Ravissement de Frank N. Stein and was posted by William Scanlon on the 25th of August 2013. Could August 25 be a protentional release date? Two days from the upload of this photo? Unlikely. The description of the YouTube video is “by Georges Schwizgebel, 1982”. This is the only video William Scanlon has ever uploaded since joining the site 4 months prior on May 1st 2013.
Here we have the metadata of William Scanlon’s channel. The channel was created 2013-05-01T21:36:18Z, the first of May 2013 at 11:36 pm Zulu time, more commonly known as UTC, coordinated universal time. His subscriber count is hidden. I didn’t know you could do that all the way back in 2013.
Here we have the metadata of the video itself. 2013-08-25T09:28:36Z, the 25th of August 2013 at 9:30 in the morning. That’s a 115 days, 21 hours, 52 minutes and 18 second difference between his channel creation and this videos upload. The video was uploaded with three tags; “Abstract Expressionism (Art Period/Movement)”, “Experimental”, “Animation” and “Time (Dimension)”. The tags Experimental, Animation and Abstract Expressionism are pretty self-explanatory. (joke) it kinda feels like Francis Bacon’s take on those YouTube gamer commentary videos but instead of some hype song its just an aphex twin track. What gets me is the “Time (Dimension)” tag. What does this video have to do with time? The metadata also details that the video is 2 dimensional, I think this actually about the video but it could have something to do with how YouTube had those 3d & 360 videos for a while. All that exists of the topic details is a Wikipedia link to a page on Entertainment.
There isn’t much information about the artist Georges Schwizgebel himself. His Wikipedia is bare and all we know is that he is a Swiss animation film director. Georges Schwizgebel made all his films under an animated film production company he founded with 3 friends, Studio GDS. Even the website doesn’t have any deeper information on Georges.
Le Ravissement de Frank N. Stein is French for The Rapture of Frank N. Stein. Rapture is an interesting word to use because I don’t see any rapturing happening in this video. However this does remind me of the second DONDA listening party where Kanye raptured himself. Another translation of “ravissement” is ecstasy. Could this have something to do with Kanye’s single, XTCY?
There is a painting that goes by a very similar title, Le ravissement de saint Paul by Paul Scarron, known in English as the ecstasy of saint paul, not the rapture of saint paul. It does certainly look like he’s being raptured in the painting thought. Saint paul was an apostle of christ, considered one of the most important people in Christianity after Jesus. I don’t know what else to takeaway from the possible saint paul reference aside from maybe Kanye is the most important thing in Christianity now after Jesus. Idk, im not Christian, the painting might have nothing at all to do with anything. The point is this could be the rapture of Frankenstein or the ecstasy of Frankenstein. Judging by the end of the video where Frankenstein doesn’t get raptured & by the possible painting reference, I’m going with the ecstasy of Frankenstein.
The Studio GDS website provides a short description of the film. The film is explained as “The slow construction of an image on a rhythm of steps, ends with the meeting of the monster and his fiancée”.
Malibooyah1789 on r/WestSubEver linked an animation review blog that gave the video some more context.
‘Le ravissement de Frank N. Stein’ starts with very abstract images, which resolve into Frankenstein’s laboratory as depicted in the film from 1931.
After 1’40 we become the monster itself, walking through endless chambers and corridors and staircases in an almost computer animation-like long sequence of perspective animation. The rooms, initially filled with abstract shapes, become more and more complex. They contain more and more windows and human forms, and finally moving human forms, ending with multiple copies of the monster’s bride. In the end we watch the monster itself, in his depiction by Boris Karloff. He smiles at his bride, but she only screams…
So, it’s pretty solid to assume that Kanye is Frankenstein’s monster. Let’s get into the analysis of the video itself.
The beginning of the video starts off with abstracts. These abstracts slowly take form to show us Frankenstein’s laboratory. Once we see Frankenstein’s laboratory we begin to move in the perspective of Frankenstein’s monster. This is where we begin to go thru this seemingly endless number of rooms, one after the other. The rooms themselves are constant, with the only changes being the geometric figures appearing and taking a more human shape, the shape being of the monsters bride.
The monsters bride in this context is Kanye’s ex-wife, Kim Kardashian. Kanye’s hinted in the past that he doesn’t like LA, mostly because the city took his mother from him. The way I see this is in relation to the Kim K effect. Lots of influencers come to LA and the majority of them end up looking like Kim or Kylie. This is no secret, plastic surgeons say that Kim’s face is the most requested face without a close second. Circling back to the video, it could be assumed that Kanye is walking thru LA and seeing these clones of his wife, imperfect clones because even though they resemble Kim, they’re not fully detailed. The lack of detail could indicate two things; either they’re just attempts to copy Kim or they’re part of a second possible meaning; Kanye is becoming more aware.
The second possible reason for these geometric figures to be gaining definition as the film progresses is that it’s Kanye becoming more conscious of his surroundings and literally looking closer at the details. Kanye is becoming hyperaware of the people around him and moving thru these rooms to get away from them and to his wife, which we’ll also get into in the final scene.
At the point the room disappears and it’s just the figures, here is Kanye is in the dark before the light. After the last dark room Kanye walks into the light again. This time it’s a hallway. The arches are reminiscent of the Jesus is King Arches & the arched hallways in his own home. The music makes this scene feel like a transition because the music changes as soon as he enters the hallway and quickly becomes chaotic as the scene changes from the hallway to a few seconds of a boat on water and then back to the dark rooms. The boat scene reminds me of the snippet Ye posted to twitter for the Believe What I Say snippet. I believe in when he posted that snippet he was quiet before and after on twitter, possibly alluding to how this was a momentary break thru him trying to get out of the dark rooms.
He’s in the dark rooms once again but this time there are windows shining light to illuminate the room a little. This is all feeling like his strong awakening as a Christian and his searching of faith. This bit is short and soon he’s in what appears to be on the outside of a building. The walls on the right are gone and you can see what looks like a sunrise or sunset.
If it’s a sunrise its continuing the theme of awakening, if it’s a sunset it could indicate that he feels like he’s running out of time and is trying to get to something before it’s too late. Then we’re back into the darkness. This time its not just clones of Kim, but of Kanye as well. I’m not sure what this could depict aside from this one bar from I Love Kanye;
See I invented Kanye, it wasn’t any Kanyes,
And now I look and look around and there’s so many Kanyes
When the view is taking us down some stairs to a room with two doors, it’s an optical illusion and shows us Frankenstein’s monsters face. I believe this is telling us that this entire Journey was in his mind, Kanye going thru all these rooms, perceptions and this mental journey within himself.
He walks down the stairs smiling to his wife, who responds with a scream. This could be something personal in Ye’s relationship and how maybe Kim perceived Kanye to be a different person when he was in different mental states or how Kim reacted to the changes Kanye made in himself or his actions over time and episodes.
The ending scene zooms out of the monsters face out to a theater and out a strip of film. I think this ending scene is the most obvious. It’s Kanye West, the celebrity, being watched by the world as he goes thru his horrors. His existence, broadcasted to the world, for better or for worse for their entertainment, their reaction to his life recorded and put online all for him to see again from a twisted perspective not of his own, a feedback loop fading to black.
Much Adoge About Nothing was a Podcast I started to interview the early adopters of Helladoge, a web3 social network that allowed users to attain dogecoin for their participation. Podcast guests include Mahbod Moghadam, Zevon Odelberg, and Shanaz Khan.
January 7, 2022
Click here to read Mahbod’s Wikipedia
April 10, 2022
Click here to listen to Zevon’s Podcast Kinda Murdery
August 28, 2022
Click here to read about Shanaz on HackerNoon
", "url": "https://omairkhattak.com/2022/08/28/much-adoge-about-nothing-podcast", "date_published": "2022-08-28T00:00:00+00:00", "date_modified": "2022-08-28T00:00:00+00:00", "author": "Omair Khattak" }, { "id": "https://omairkhattak.com/2021/09/01/helladoge", "title": "HellaDoge", "summary": null, "content_text": "September 2021 - June 2022The third member and first employee of Helladoge, a Web3 Social Network with a mission to end poverty via fair distribution of profits paid to users in crypto. Cofounded by Mahbod Moghadam, serial entrepreur (Genius, Everipedia, HellaDoge) and Zeeshan Mughal of Quovo (sold to Plaid), former HFT at JPMorgan.As a software engineer I Debugged Onboarding Process User Flow Developed tokenomics-based algorithms to facilitate automated Dogecoin-to-USD direct deposits. Prototyped the HellaDoge iOS ApplicationLanguages used: Python, Ruby on Rails, Javascript, Swift##HellaDoge is now defunct. Below are articles about HellaDoge:🔗 THE HELLADOGE MANIFESTO: Why Web3 Ads are Like Instagram Ads on Steroids🔗 HellaDoge WeFundr🔗 HellaDoge WeFundr🔗 TechGraph Article by Krishna Mali", "content_html": "September 2021 - June 2022
The third member and first employee of Helladoge, a Web3 Social Network with a mission to end poverty via fair distribution of profits paid to users in crypto. Cofounded by Mahbod Moghadam, serial entrepreur (Genius, Everipedia, HellaDoge) and Zeeshan Mughal of Quovo (sold to Plaid), former HFT at JPMorgan.
As a software engineer I
Languages used: Python, Ruby on Rails, Javascript, Swift##HellaDoge is now defunct. Below are articles about HellaDoge:
🔗 THE HELLADOGE MANIFESTO: Why Web3 Ads are Like Instagram Ads on Steroids
🔗 TechGraph Article by Krishna Mali
", "url": "https://omairkhattak.com/2021/09/01/helladoge", "tags": ["dev","dev-portfolio"], "date_published": "2021-09-01T00:00:00+00:00", "date_modified": "2021-09-01T00:00:00+00:00", "author": "Omair Khattak" }, { "id": "https://omairkhattak.com/2020/05/27/drwavy-simp-to-pimp", "title": "SIMP 💩 2 PIMP 💎 AMAZING VIDEO RARE ART!!IN THERE! Music Video for DRWAVY", "summary": null, "content_text": "Originally uploaded May 27, 2020", "content_html": "Originally uploaded May 27, 2020
", "url": "https://omairkhattak.com/2020/05/27/drwavy-simp-to-pimp", "date_published": "2020-05-27T00:00:00+00:00", "date_modified": "2020-05-27T00:00:00+00:00", "author": "Omair Khattak" }, { "id": "https://omairkhattak.com/2019/11/02/cj-skate-edit", "title": "Skate Edit for CJ", "summary": null, "content_text": "Orginally uploaded on November 11, 2019", "content_html": "Orginally uploaded on November 11, 2019
", "url": "https://omairkhattak.com/2019/11/02/cj-skate-edit", "date_published": "2019-11-02T00:00:00+00:00", "date_modified": "2019-11-02T00:00:00+00:00", "author": "Omair Khattak" }, { "id": "https://omairkhattak.com/2017/12/27/drake-one-dance-iridocyclitis-edition", "title": "Drake One Dance, Iridocyclitis Edition", "summary": null, "content_text": "Originally uploaded on December 12, 2017Exploration of MIDI mapping and sampling.", "content_html": "Originally uploaded on December 12, 2017
Exploration of MIDI mapping and sampling.
", "url": "https://omairkhattak.com/2017/12/27/drake-one-dance-iridocyclitis-edition", "tags": ["audio","video"], "date_published": "2017-12-27T00:00:00+00:00", "date_modified": "2017-12-27T00:00:00+00:00", "author": "Omair Khattak" }, { "id": "https://omairkhattak.com/2017/04/17/count-em-john-music-video", "title": "Music Video for Count Em by John", "summary": null, "content_text": "Orginally uploaded November 2nd, 2019", "content_html": "Orginally uploaded November 2nd, 2019
", "url": "https://omairkhattak.com/2017/04/17/count-em-john-music-video", "date_published": "2017-04-17T00:00:00+00:00", "date_modified": "2017-04-17T00:00:00+00:00", "author": "Omair Khattak" }, { "id": "https://omairkhattak.com/2017/04/17/myp-pp", "title": "HipHop and its Message", "summary": null, "content_text": "Orginally uploaded on April 17, 2017Click here to read the PDF (24 pages, Word Count 3375)", "content_html": "Orginally uploaded on April 17, 2017
Click here to read the PDF (24 pages, Word Count 3375)
", "url": "https://omairkhattak.com/2017/04/17/myp-pp", "tags": ["media analysis","writing"], "date_published": "2017-04-17T00:00:00+00:00", "date_modified": "2017-04-17T00:00:00+00:00", "author": "Omair Khattak" }, { "id": "https://omairkhattak.com/2013/07/25/top-10-mac-apps", "title": "top 10 mac apps", "summary": null, "content_text": "Orginally uploaded on July 25, 2013", "content_html": "Orginally uploaded on July 25, 2013
", "url": "https://omairkhattak.com/2013/07/25/top-10-mac-apps", "date_published": "2013-07-25T00:00:00+00:00", "date_modified": "2013-07-25T00:00:00+00:00", "author": "Omair Khattak" }, { "id": "https://omairkhattak.com/2012/09/22/ipod-touch-4-review", "title": "iPod Touch 4 Review", "summary": null, "content_text": "Orginally uploaded on September 22, 2012", "content_html": "Orginally uploaded on September 22, 2012
", "url": "https://omairkhattak.com/2012/09/22/ipod-touch-4-review", "date_published": "2012-09-22T00:00:00+00:00", "date_modified": "2012-09-22T00:00:00+00:00", "author": "Omair Khattak" } ] }