Last year, I read Thomas Merton’s Seven Storey Mountain. I love Merton, and his work, and have always felt an affinity for the Columbia-grad-turned-Catholic-convert-turned-monk/lifelong-yearner. The book is an autobiography of his youth—a childhood in France and England, the joy of collegiate friendship, a longing for writing, and takes you to the moment he joins the monastery at Gethsemani.
I put Merton in the same category of writer as E.B. White: a kindly, midcentury uncle who loves nature and beauty and is unafraid to look evil in the eye and rebuke it, someone who can appreciate both the absurdity and the solemnity of life. There is something about Merton’s work that feels approachable and kind, rendering these big, thorny ideas in the same way your favorite professor does.
When you’re reading Seven Storey Mountain, the idea of conversion is looming over the first half of the book—it approaches and circles and feels close to landing before flying away. Merton is hungry, is thirsty, yearns, longs, kicks rocks in increasingly dissatisfied circles. It is all a very familiar texture—down to the buildings near Columbia University where I also did my undergrad, the hunger, the thirst, the yearning, the kicking rocks in your early twenties as the world seemingly gets scarier.
When I am reading, I am usually after knowing the texture of a thing. There are all these experiences—having a kid, falling in love, finding God—that have all this rote language that completely glosses over the experience. “You’ll never be the same again,” or “It’s a total transformation of the self” or whatever. I am not after that. I am after language that gives you the texture of it, the fine grit, the language for how your brain is rewired or rewritten, the ways that your life or your selfhood changes, concretely. This is both impossible, and also, it should seem, doable. I trusted in Merton to tell me, this is how it feels.
And you get moments of it. Merton worrying about the eucharistic fast and whether brushing his teeth or smoking a cigarette counted as fastbreaking and so omitting both the morning of his baptism. You get book titles and New York street addresses I am eminently familiar with, churches I have been in as a weird little undergrad. And then, at the critical moment, a veil gets dropped over it, everything gets filmy and flat.
This is how he describes the change wrought in him by his baptism:
In the Temple of God that I had just become, the One Eternal and Pure Sacrifice was offered up to the God dwelling in me: the sacrifice of God to God, and me sacrificed together with God, incorporated in His Incarnation. Christ born in me, a new Bethlehem, and sacrificed in me, His new Calvary, and risen in me: offering me to the Father, in Himself asking the Father, my Father and His, to receive me into His infinite and special love—not the love He has for all things that exist for mere existence is a token of God’s love, but the love of those creatures who are drawn to Him in and with the power of His own love for Himself
Brother. Respectfully and lovingly…what do you mean? Actually and truly what do you mean you have just become a Temple of God? What does it feel like?
I have read more mystical theology than your average bear, I know the tropes and the cadences. For all that I can draw meaning from this passage, for all that I love his image of the conversion of a Christian as a sort of microcosmic retelling of the Christ journey, the birth and death and resurrection all in a moment, this feels like the same kind of rhythm and language used by Catherine of Siena and Benedict of Clairvaux and Teresa of Avila and Meister Eckhart. I do not mind it when Simone Weil does this, it is what I go to her for. I mind it when the kindly, practical, avuncular Thomas Merton does it, when we, within the space of a page, go from wondering about a cheeky morning ciggy to this. These two forms of expression don’t feel like they belong in the same language, in the same book. How dare he, when I most want clarity, give me language that, in its beauty, in its liturgical reliance, obfuscates rather than clarifies. I am left on the outside of it, peering into a fogged-over window like some kind of pervert for the holy.
I’ve written a lot about this standing-outside-while-longing-to-see inside. Being a regular writer for not one but two and occasionally a third Christian magazine means this is an object I have tested the weight of many times, that I know the scope and the feel of in my hand, in my pocket, I could list out its properties, but it still remains fundamentally unknowable in a lot of ways. My husband, who I have known for ten years and literally sat next to me on the couch for the reading of 98% of said mystical theology, told me recently that he still doesn’t understand my relationship with Christianity. Danny Vazquez, the editor for Rivermouth, who again, read my entire book cover to cover multiple times at one point also gently asked me where I stood on God. It’s an evolving answer, and one I don’t fully understand, but I’ve tried talking about it a lot, in a lot of different ways.
Declaration was a chapbook I published with the now-defunct but extremely beautiful Guillotine Publishing (having sarah mccarry as one of my first grown-up editors remains an unbelievable gift).
I would maybe describe it as a spiritual autobiography, written by an angry, sad 22 year old. There’s a reason that there’s no link to it, which is partially because it’s a print-only object, no longer available, but also that I spent a lot of time cringing while I re-read it in preparation for writing this. In it, I write about my parents’ evangelicalism, my bitter, misogynistic youth pastor in high school, my grandmother’s deep faith, my desire for faith and the enduring silence of God in my life. All of this is couched in the story of Our Lady Queen of Angels, a group of women who spent 10 years having informal services outside their church after the Archdiocese of New York closed it down, and the time I spent with them.1
Here’s a clip from it:
I tried so hard to love Jesus for such a long time. When I was seven, I remember closing my eyes in Sunday school and not knowing how to pray, instead squeezing my knuckles, one by one, until we all said “Amen.”
In middle school, I went to church twice a week—Wednesday night for teen devotionals, Sunday mornings for regular service, and sometimes the second youth service later in the day. I tried reading the whole Bible and made it as far as the begettings of Kings I. I tried St. Augustine’s trick of letting the Bible fall open to what God would ensure was the perfect passage. Nothing worked. I declared my faith over and over, to myself, to my family, to youth leaders and pastors, to anyone that would listen.
I declared my faith even when I could tell the declaration was stretched thin over a lie.
We went to a Vineyard church when I was a kid, white-people-California-hippie pentecostalism, and I could see, visibly manifested in people crying and screaming and laughing, what faith looked like, what it meant for God to talk to you. It was scary, but it was also definitive—no still quiet voice, this was exuberant and triumphal and overwhelmingly powerful.
It never happened to me.
And so between an ongoing silence, and a general disenchantment with what church was to me (see: bitter, misogynistic youth pastor, see: Bible church in Texas, see: baby liberal), I fell off of trying.
And that’s where it stayed for a long time. Not trying, not wanting to try, because trying and failing is embarrassing, because I hate being bad at things, believing in God included.
And yet, also, sort of trying. Sliding myself in sideways, putting myself in places God might show up like I was a middle schooler with a crush, but not, like, in an obvious way. I mean, I went to divinity school. I ended up in the immigration rights movement, which at least in the U.S. is chock-full of some of the most rooted Christians I know. I didn’t go to church though, which, when it comes to middle-school crush behavior is like happening to read a book on the sidelines of the soccer field during practice but stopping yourself short of lurking around outside their house.
You will not be surprised to learn that my time in divinity school was not without emotional/spiritual incident, but I was honestly so happy there that it all took a while to sink in.
In 2023, nearly four years after graduating, I wrote a piece for Christian Century about one of these revelations that felt like I finally was able to explore.
I was probably halfway through divinity school when I turned to my husband and said, “I think I have a very fundamentally Christian mind.”
My husband, raised in an almost completely secular home, looked over at me, eyebrows raised. “What on earth does that mean?”
The piece, delightfully titled “The brine of Christianity” (I came up with the metaphor but not the title) is about feeling like growing up Christian had, in some fundamental way, altered me as a person, even though I no longer believed or practiced. I think this is, in a lot of ways, my threshold-of-the-church manifesto, swinging my legs off the front steps without going into the building. I still stand by a lot of it. In essence, the essay says, “Look, I’m probably Christian, but in a cool way, in an outsider way.” Very Simone Weil.
But then, a few weeks ago, Commonweal magazine asked me to write a reflection for the third Sunday of Lent. The reading I was responding to was Jesus meeting the Samaritan woman at the well, one of the freakiest passages in all of the gospels2. The woman walks away from her encounter with Jesus, saying that he told her “everything she’d ever done.” Frankly—terrifying. Jesus as all-seeing eyeball, Jesus as the kind of daddy/cop I was raised with, an incarnation I could only shy away from.
I have spent much of my life stubbornly at the threshold of faith. Raised in the Church, moved away from it, and yet returning, now and again, like a comet pulled in by some greater gravitational force. There are many things I have loved about the Church and its rhythms and rites, and equally many things that have kept me out—a lot of justified critiques, I think, but also just a personal hesitation. I did not want to undergo the mortifying ordeal of being known in order to be loved, did not want to be changed by this love I have so carefully avoided.
In the weeks leading up to Lent, I had been watching a lot of sermons from Harvard’s Memorial church and crying, sitting at my desk with a wobbly chin. On the day the reflection was due, I couldn’t think of anything to write, I was kicking myself for once again draining my car battery like an idiot, and I had three bond payment requests rejected, one after the other. As I was thinking of what to write, I had this ongoing paranoia that I sometimes get, writing for my beloved lefty religious mags, that the (largely religious) audience for my writing would read my clearly depressed, anxious rambling and my protestations against faith, and would gently and kindly shake their heads and say something along the lines of “oh God, this poor little lamb needs Jesus,” in the same way that sometimes I look at my dog and think, “Oh, God, he’s freaking out over the mailman existing.” It was one of those days where 18 small things happen and you feel stupid and hopeless, and angry at yourself for feeling that way over 18 small stupid things instead of one big real one.
And it struck me. Sitting in the back of an Uber on the way back from the mechanic replacing my car battery, feeling sorry for myself, something clicked. If I could imagine some kindly stranger reading my anxieties and just shaking his head and accurately diagnosing my neuroses and their fix, if I could feel deeply moved by sermons and religious writing, if I longed for it, if I was so unhappy and lost without it, I could just say yes to it.
And so I did.
I think if you’ve been reading me and my work for a little while, this will not be a huge surprise, but I, somehow, managed to be surprised. Not quite struck blind, but surprised nonetheless.
Let me try some texture here, a little grit for you to roll between your fingers. It’s just a little bit, because frankly, it’s hard to discern the texture of an experience when you’re in it, (sorry, Thomas Merton, I was too hard on you) but here’s my best shot.
Accepting Jesus into my heart was a deeply embarrassing experience. I do mean humbling, but I also mean embarrassing. I cried in therapy the next day, when they asked what about this felt significant to me and I had to move my mouth to say “the promise of everlasting life, and the world being bright and shining and fixed, the end of all suffering,” and like, truly honestly mean it. I cried because it was beautiful, and I also cried because it was embarrassing. I felt, for the next few days, like I was walking around with one of those very delicate membrane-only eggs in the middle of my chest, kind of tender and raw and unshielded from the world. Un-cynical, maybe? I was worried this feeling would last forever, but I’m honestly glad that it has faded somewhat. Thinking about God brings the feeling back.
Beyond this, nothing very much has changed. I still feel like myself. Having belief in Jesus has not liberated me from snark or pettiness or made me cuss less. I don’t go to church, I do watch sermons on YouTube and cry. I recognize that this is not perhaps the optimal way to experience the body of Christ, but I’m ok where I am for now. If I had to guess (and I do, I can’t pinpoint it), I think the sermons make me cry because they just keep pointing towards grace and moral beauty, two things I am continually hungry for. I still feel despair, a lot, about the state of the world, and myself, but that despair doesn’t feel like the event horizon beyond which all other things fall away, it feels like a passage through which maybe other things are possible. I know enough to know that things will, inevitably change, that I will.
Where I’ll Be:
April 16-18: Festival of Faith and Writing in Grand Rapids!
May 1: Broken by Design immigration symposium at DePaul University in Chicago
What I’ve Written
Most of it is linked above, so just read the newsletter.
Also, I wrote a book. Rivermouth is about immigration, and language, and what it means to try to reach beyond yourself. Honestly, if you liked this newsletter, you will probably like this book.
What I’m Reading
I’m reading Gramsci’s Prison Letters, which so far is reminding me of nothing so much as Natalia Ginzburg’s Happiness, as Such.
I also just finished One Burning Heart by Elizabeth Kingston which a) not available on bookshop.com and b) is the rare romance novel that was published in the last five years, set in the late medieval period, has Cathars, Beguines, and heresy as a kind of backstory, and is deeply fun and hot. If you read this please slide into my DMs, I wanna yell.
I did also write my senior thesis about this, and for a piece of writing I am less embarrassed by, you can read that here.













