smaller
hard to write. harder to publish.
I wrote a book called Smaller.
The book argues that if being humble hurts your positioning, you are not that good — that real work surfaces on its own, and the operators who manufacture status are usually compensating for work that can’t carry its own weight. I sat with that line for a long time before I let it into the book, because once I wrote it down, I had to look at my own work through it.
That part is what I want to talk about.
Writing the book meant holding up a mirror to my own work and asking, honestly, whether what I’d built was being carried by the work or by the apparatus around the work. The pricing pages. The way I introduce things. The seasonal letter cadence. The architecture of the body of work. The Substack.
All of it.
Some of it survived the mirror. Some of it didn’t.
The parts that didn’t survive - the bits of positioning I had added because the work wasn’t quite strong enough yet, or because I was impatient, or because I had inherited the moves from a marketing culture that taught me you have to do this if you want to be taken seriously - those are uncomfortable to look at. They don’t make me a fraud. They make me an operator who, like most operators, has done some of the work and also done some of the positioning, and who could not easily tell the difference in the middle of doing it.
The mirror does not feel good.
That is the point of the mirror.
Here is what I am sitting with, and what I think is worth asking anyone who builds things:
How much of what you have built is being carried by the work, and how much is being held up by the apparatus around the work?
If you cannot tell - if the question itself feels uncomfortable enough that your mind immediately produces reasons it doesn’t apply to you - that discomfort is the diagnostic. The work that is genuinely strong tolerates the mirror. The work that needs the apparatus reacts to the mirror like it’s being threatened, because it is.
The hard part about asking this honestly is that nobody is going to ask it for you.
The market won’t. Your customers won’t, because they came in through the apparatus and they like the version of you the apparatus produced. Your team won’t, because their work depends on the architecture continuing. The only person who can hold up the mirror is the person whose work is being reflected in it, and that person has every incentive to not look.
Most of us don’t look.
The book is an argument for looking. It is also, embarrassingly, the artifact of me looking. I am not done looking. I doubt I ever will be. The book ends without resolving the wrestling because the wrestling does not resolve.
If you build something — a business, a product, a body of work, a public presence — I’d encourage you to try the exercise the book opens with. Take the way you talk about your work. Strip out the credentials, the numbers, the names of the rooms you’ve been in. What’s left?
If what’s left feels smaller than what you have been letting yourself be seen as, that gap is something worth sitting with.
It is not a moral failing. It is not a problem to fix by tomorrow.
It’s simply information; a sober look at reality.
I wrote a whole book about what that information might mean. The shorter version is just: the mirror is there. Most of us spend a lot of energy not looking into it. The work we could be doing — the work that could actually be ours — is on the other side of being willing to.
- Nic
