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Shareholder’s Report Pt. 2: …And I’ve Got Some Bad News…
On the “Failure of Criticism,” Fear of Art/ists, Rainer Werner Fassbinder, AI, the “Microbudget” Solution, Giuseppe Andrews, and New Year’s Resolutions
Jan 3, 2024 • Nick Pinkerton
The Ongoing Inspirational True Story of 'The Sweet East'
In Which I Frantically, Somewhat Desperately Plug the Popular Arthouse Hit 'The Sweet East,' and Everything Pertaining to It
Jan 4, 2024 • Nick Pinkerton
Shareholder’s Report Pt. 1: I’ve Got Some Good News…
On Bombast #2, The Sweet East, Sundry Other Projects, and the Usual (Distant) Year-in-Review Odds ’ n’ Ends
Apr 18, 2023 • Nick Pinkerton
Making Bad Decisions
On Shigeru Izumiya’s 1982 ‘The Harlem Valentine Day’ aka ‘Blood is Sex,’ Rob Zombie's 2022 'The Munsters,' the ‘Heta-Uma,’ and the Pleasures of the…
Jan 26, 2023 • Nick Pinkerton
Talk is Cheap
On My Personal Journey Through American Cinema with Kevin Smith, and ‘Clerks III’
Sep 27, 2022 • Nick Pinkerton
Less Rock, More Talk
On Paul Morrissey, Pier Paolo Pasolini, Ezra Pound, “Political” Art, and 1988’s ‘Spike of Bensonhurst’
May 27, 2022 • Nick Pinkerton
Yves Without a Face
On Alain Corneau’s 1976 'Police Python 357'
Mar 21, 2022 • Nick Pinkerton
S.O.S. Cinéma La Clef Revival
All right, boys. This is it. Over the hill.
Feb 28, 2022 • Nick Pinkerton
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