UNOBSTRUCTED KISS
O fragrant and pure sweet petals!
- Tibor Tollas
strange Napoleonic gentle borderlands
each night the gypsies along the river
flickering in front of Mount Hoverla
lately, a starving child appears
or a dark-haired man with his concertina
retreating into the remains of a shattered airport
all those cars parked in the forgotten parking lot
mundane disproportion of a father’s smashed mouth
kneeling on an alpine cliff, praying
in this dejected Sabbath slaughterhouse—
where everyone anticipates living forever
or is this planetary cauldron the beginning
with the “little cities” and their Cossack
Frankenstein tumbling, walking amongst the willows
and doctors treating the tender carcasses
reality is possibility, the dreams of true experience
where the hours pass slowly and indecisively
in front of the connubial half-brother from KGB:
the incredible song of nightingale’s sorrows
Mark DuCharme
from Complicated Grief Conjunctive Batman Thrills I looked at the set & was spilled By its startled eyes Elk rhythm blunders Economies of bird-in-cage Rattled sentences blossoming Once upon a shadow Or anything else you’d likely spoil Like a cage of lost children Here is one: think meager When the scrawl of night sits down in wonder Or blunder. It doesn’t matter which. If intrigued Please complicate noontime shadows Scrawl penitent as a rook in lamb’s clothing Vindicate corruption with corruption in a letter of 3,000 words Find new ways to say goodbye Or wander off in shadows, ’til the heat of night bleeds
Jeff Harrison
Poem
quickly glad,
the tiny here sickness
in wind out ripple many years
eye real in
green to breaking too
twofold and challenged to disappear
Charles A. Perrone
Mark Young
from 100 Titles From Tom Beckett #76: The Sedimentation of Sentimentality Armageddon arrives; & the messages glide off every Hall- mark greeting card, merging as they meet. Then, collectively, this mess of mangled messages slides toward the nearest water, silts up the rivers. Continues to move, further downstream, has learnt from lava. Blocks the deltas. Water no longer / reaches the sea.
#10: Poem Beginning with a Line from Charlie McCarthy When I get smitten, I stay smut. It blasts the wheat in the ear, makes everyone I come in contact with seem less wooden than I am. Perhaps that's why it took me several days to get used to our very limited accommodation. Forget spending a few minutes in a relaxed state — I had to buy my own tung oil since none was provided. Then water started dripping from the apart- ment above. That meant the light wouldn't work. Now the dark place I was in be- came darker. I felt a hand, an arm, reach up my back. My mouth fell open. I couldn't speak; but still a voice spoke out. "i've got a good mind inside me to…" it started out. "Then why don't you use it," I interjected.
Michael H. Brownstein.
THEN if radiant energy if the prism with well-lit blossoms if a tambourine sparks the scent of orange-blue walk with me through the forest of log cabins near the path of the river of gold into the cave where diamonds echo vibrations of taste this could be a maybe this could be a possibility this could be the silent laughter in the end what if if could be anything else but the if it allows itself to be
Vernon Frazer
No Room at the In fretting pineal the flume hotel transit disposed its torpor militia breaking a somnolent rumor from its disport habitat a worn boomerang vocalist caught the horned legions reversing the bearskin to ghost their venom pageants declines frontage under the madwoman habitat the next dreamer temples a sentient breath precision simmer elicits a resuscitator tonic replication lowered its climb ladder its stain fin sentenced to bromide
Cameron Morse
The Vision In the vision of myself as electricity encased in a black rubber sheath, there are wires in the walls of my body. Lightning bolts drop from my fingertips and the jerky squirrels in my yard are seized by lightning, the epileptic squirrels. How this energy is in hell is this fireball harnessed how it could be held if needed. Power lines lasso my horizon. Transformers on the march across Kansas drag their heavy lines and for once I am lacey light. My lines are sails that lift in the tender morning air. My webs invisible in this light.
Mike Sikkema
Diana Magallon
Butterflies To add more fractions. Do you know why you are doing this? Tricks like the butterflies should be avoided. There are several reasons 2/5 + 1/5 is simply 3/5 this is your new denominator that becomes your new numerator. Tricks like the butterflies should be avoided. There are several reasons I like my trick and it works, tricks like butterflies should be avoided. Have you seen similar behavior? Tricks like the butterflies should be avoided. There are several reasons Russian translation by Gleb Kolomiets Бабочки Сложить больше дробей. Ты знаешь, зачем делаешь это? Следует избегать трюков мойр. На это есть несколько причин. 2/5 + 1/5 просто 3/5 это твой новый знаменатель, таким стал твой новый числитель. Следует избегать трюков мойр. На это есть несколько причин. Мне нравится мой трюк, он работает. Следует избегать трюков мойр. Тебе уже встречалось такое поведение? Следует избегать трюков мойр. На это есть несколько причин.
J. D. Nelson
the cherry coke brain waves alone with the nothing of the old world I’m stuffing my skull with new brains in the glove of forgiveness the new world is a clean hand the machine of the head the eye of the rainbow the bible of the broken clock the berry named for an apple milk mulch is some serious ammo I have the power to be the soft ape what does the skull say? o nocturnal earth!
Randy Prunty
Nico Vassilakis
Glen Armstrong
Among the Forgetters #57 This is a city that never unzips its pants. A sad city in need of a good scrub down. A repressed city. Everyone owns a copy. A statue. A war hero whose pirouette in the thick of battle hardens and cracks off into history. I love the idea of juxtaposing colorful flowers with gun barrels, but they say I am a little too loving, too trusting. I love the juxtaposition of dancing and snakes, of public art and rigor mortis in theory, in theory
Nathan Anderson
Oh this monkey (paw) poinsettias on the bridge of your (nose!) a break from the hopeful fuel achoo achoo achoooooooooooooo not these not these steps again pearl coloured against the (glass) a tile and a chrome flute aakkkkkkk aakkkkkkk aakkkkkkkkkkkkkkkkk bbbzzzzzzzzzzzzzzzzzzzttttttttttttttttttttttt bbbzzzzzzzzzzzzzzzzzzzttttttttttttttttttttttt bbbzzzzzzzzzzzzzzzzzzzttttttttttttttttttttttttt (tttttttt) plu plu pluuuuuuuuuuuuuuuuuuuuuuuuu ba ba baaaaaaaaaaaaaaaaaaaaaaaaaaaaaa hu hu huuuuuuuuuuuuuuuuuuuuuuuuuu da da daaaaaaaaaaaaaaaaaaaaaaaaaaaaa you've got the itch so (scratch) it go on go (on) (go) on (go on) good
Charles A. Perrone
Fashionable Words 11-13-20 I was almost fifty years old when I added the word sartorial to my supposedly-superior vocabulary. If I am not mistaken, I was wearing on that occasion the legendary T-shirt and jeans, or something of that sort or of those means. Nicely-tailored lexical item that I was fortunate to befriend, for it even provoked rumblings in the well-worn memory banks. So, like, I was truly a motley teen, in myriad ways. I even had a sartrian phase, though I would've spelled it Sartrean. I'd barely begun to shave on a daily basis, yet I was reading, what was the title? ... The Transcendental Ego I do believe. Uh, no, sorry, that should be The Transcendence of the Ego. Get beyond it and for that matter your self while you're at it. There's a difference, a coated voice says, you dressed-down dope. Next, little hope for you, averred a former college roommate upon our unplanned reunion, you still take the prize for worst-dressed person in the room and in the class. And on did he babble about some disheveled playwright from Spain named Alfonso Sastre who sewed together versions of Irish plays and came to publish dramas in New York even though in Spanish plus a few scissored translations with such endearing titles as "Death Thrust" and "Tragic Prelude". Morbid stage mood indeed. At least you've avoided that level, mumbled, decades later, my exquisitely-clothed physical therapist while he tried to sort out my real sore maybe torn tendons, as I lay in my grey jump suit, adding that I was lucky, sort of, not to have aggravated the sartorius, a connective upper-leg muscle about which I learned absolutely nothing in my philosophy, drama, and anatomy courses.
Maggie Sullivan
Julia Rose Lewis
All those Barn Swallows Guttereal leaves the nickel lavender sky lies down to let to rent to make loose and lax. Some jello family: a fox and a horse with navicular and tardive dyskinesia see parking lots. I am mud and he is lavender resulting in lemonade to be held a good deal tapering all the way down. The lens can be Indiana if first electronic toll collection system or super moon or prime. The silken negatives say so fifty meters is fair play in the seal land waxing artifice and rock calls: there there reason. It is only a lepisma saccharinum moon I learn even in a nocturnal light. Sardine is no synonym for navy fleet I fear I have I left the sunflower test too soon do you know how your drinking water feels if it is the nearest I have ever found myself to meditation. II Not another archive a sponge and a spy and a nickel lyric calls purgatory a parking lot. They were silver platters even if there were a grey sieve let me be an anchovy for the shark knows there is a better fish under the door. She is certain as the ocean looks on the iphone. Let me be asbestos beside the ficus sacred and wood finish and food glaze as if willowing to shell layers. So the lobster residual says to star the varnished days all that lay like shellac because in the morning they were expensive computers; my mind to your mind and mica flaked compositions. If silver wishes safety pins paperclips and mint torpor a nickel lyric calls it tough-skinned wishes all the way down a shell lacking a hotel if skinny funnel then it is not a mint tornado let me be asbestos. III A fried egg riding pegasus with a dished face verifies that andalusite is not a recognized breed. The theater recalls itself to itself it is related to sillimanite as sugareal released itself into the wild hollow is not a horse that color of water rice. Some jello family is some jello family I can find a lifetime if performative then fall limnology is silken lies all the way down then put the first shirt over your head then the second then the giraffe is given a third feral love then do you know how your drinking water feels? If you will believe pyrite mica is glittereal mucus sells itself music calls as for being allergic to gold naturally it is not magic. Once upon a time there was a singing mint and a hotel leading to being gulped down; do not wait for the poet voice. In the sense sudden high bid dead battery and time hammering the grey jumper. Icing the state of Washington into horse trading before green does not grace the steeplechase: it feels like fucking barn swallows fucking.
Joan McNerney
Eileen R. Tabios
CANDESCENCE (May 2022, Napa Valley) White roses bring snow amidst drought— The same white of ashed cities— The same white of pages emptied of solutions with consolation existing only by smoothening issues into virtual images— flattening substance into white roses blossoming as if wars weren’t inflicted against the climate against Kharkiv against Kyiv, against Chernihiv against Mariupol against Kherson, against Mykolaiv against Odessa against Sunflowers whose gold whitened into gray

Joshua Martin
Blind Spring Lilac Plunge
of an opera sandstorm last over breakfast , rain summons a siren knees, converging, an El Dorado all down WaY, neatly brain HelD, felt, drowned USA tune To approach TuNa, shopping, best DreSSeD, baked IN reserve. / Against light of recessive RIOT squad that pinches, guts, stuck SPOKE, speaking, lashed grandiose stocking. / Wi ll & horn, a refusal that, which, upsell, SaIl OK-OK-OK-OK-OK, [manic frothing against] , guess you refuse think ing, witty as daylight utters backbreaking. / He art A total of TOTALITY, FOR Sake [needle as a cream to SHAVE], loosen ed grasping for low, a letter IN a BaNk vault, red amnes ia dropping substation TrIbE, Famously, [slurping, slurping] , dangling PrAy follow knife. / As always ScHooL collects gifts, taken FoR worse, in reverse melted as a tail. / .
Tom Hibbard
HOMAGE TO UKRAINE Is this the earth unlocked—Gog and Magog The smashed logos of buried time The coded universe’s familiar death pattern Advancing furtively inflated metaphors The ones about democratic Ukraine needing “de-Nazification” As fuel depots explode from Russian missiles Spewing oily plumes formed like Cyrillic script With misspellings and war crimes As arctic cold and snow linger in late March And grocery shoppers return across mine-fields of words Are those rock stars patrolling Kyiv’s outskirts on Tik Tok? The sun without warmth. A people erased. Could a virgin-spring be bubbling up in Blue-and-Yellow Grave-markers stooped from undaunted chants of freedom Dreams attacked continuously day and night Dreams of terminologies and cyber-security The coveted dimensionality of infinite children Odessa—accountable violins playing the national anthem In the face of pure destruction and random tyrannical storms Is this the moment unreality becomes reality With the Black Sea pounding the grand piano of world-wide globalism An eternal NATO museum of artistic red rubble Versus charred autos piled high in materialist forests And obsolete myths of incontestable forevers
Ben Nardolilli
Satellites The boys are back, bad for life, It’s a new year for them, new contests to submit to Hairstyle bans? They transcend them, They know the stories everyone needs to know Events are picked just for them to enjoy, Our revolution has to be theirs, we all deserve better Get on aboard if you believe them, It’s the last chance to get a ticket to party on the subway
Michael H. Brownstein
DO NOT IGNORE THE SUN to not wake up to not see the mansions made of skin the root of bone the splashes of gum disease across graffiti littered lawns a flux of heat blisters and blistered lips tongues swollen into heavy shipyard knots scurvy and bacteria laden lemonade a sudden loss of oxygen felt paper and cellophane sweat and spit an inability to scream muscular turbulence tendonitis a loss of self confidence brain waves thin as spider venom and the hollowing of a fly
John Grey
POEM FOR CAMEL AND PIG For my final act, I played the camel on the pig’s back. I clung to that sow like a web without a spider. All politics, the crowd said. Progressive, reactionary, we can’t tell the difference. Please, I silently begged. Don’t judge me by what you can’t understand. I’m just trying to make a living as a camel. The pig is fine with carrying its weight and mine. It’s a pig. And a cashier in real life. Too abstract, cried the back row. Too obvious, sang the center. A man up front spat in my camel fur. He wasn’t here for realism apparently. It’s always like this when I’m four-legged, hoofed, and goofy-looking. The audience is stuck with being human. Their costume doesn’t always suit them. They boo at the camel. They’ve kind words for the pig. But the pig wrote this skit. His script said, “Camel on top, the heavier the better.”






