Bookfest at Bank Street this October

There is no better way to get some autumn inspiration than attending Bank Street College’s annual Bookfest. On Saturday, October 20th, it is full of wonderful speakers, panels, and discussions.

The Center for Children’s Literature at Bank Street College is thrilled to announce the program for the 47th annual BookFest!  This will be BookFest’s 9th year at Bank Street.  Our keynote speaker will be the delightful and humorous Newbery Honor winner, Adam Gidwitz, author of The Inquisitor’s Tale: Or the Three Magical Children and Their Holy Dog. 

I’m excited to be back leading a book discussion, this time on Heroic Activists. You can see the full program and register here.

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Jack Gantos’s The Dented Head of Joey Pigza

 

Just discovered this among Audibles’ new releases and will be listening to it on my way to work today. Can’t wait!

Here’s the description:

Joey Pigza wants to win! In this audio-only adventure, Jack Gantos’s beloved hero races back into kids’ hearts with a tale about running, perseverance, and life’s inevitable crashes.

Despite his beat-up old shoes and struggles with ADHD, Joey won’t let anything hold him back – after all, he’s the lightning-fast champion of schoolyard races. But when a high-speed collision leaves him with a dented head and more problems than ever, can our infectiously impulsive hero overcome his hurdles and race to the top?

In this zany and surprisingly inspiring listen, perfect for kids ages 8 and up, our chaotic hero realizes he can’t outrun his troubles. Joining him this time around in a series of hyperactive hijinks are his eccentric Granny and his ever-faithful Chihuahua, Pablo. Written and performed by the multi-talented Jack Gantos, and delivered in a wildly energetic voice, this gem is full of the hilarity and heart that made the Joey Pigza creator a Newbery Award-winning children’s book icon.

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My Latest New York Times Reviews — Picture Books on Refugees and Migrants

Whether they are nostalgic reveries of those who came long ago to this nation of immigrants, or the brutal nightmares of worldwide millions fleeing war, violence and persecution today, memories of migration matter. Telling these stories seems more important than ever — even, and some might say especially, to children. A wave of picture books has arrived to help with this difficult task.

I had the great privilege to review six timely migration-centered picture books for the New York Times, Please check them out here.

 

 

 

 

 

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Eggers and Harris’ What Can a Citizen Do?

Here’s a delightful  trailer for Dave Eggers and Shawn Harris’ What Can a Citizen Do? forthcoming from Chronicle.

 

 

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Teaching and Learning About Slavery: The Royall House and Slave Quarters

I recently visited the Royall House and Slave Quarters in Medford, MA, an important site on enslavement in the north during the Revolutionary War period. In addition to the well-done tour, I was impress with the evolution of the site from one focused on the family and house to one emphasizing the role and significance of the enslaved who made it all possible. You can read about that in this article.  As is true for so many families and institutions in the north and overseas, wealth was gained through Caribbean sugar plantations. Slowly this complicity is becoming more known — institutions are grappling with how to deal with the fact that they exist because of enslavement. I highly recommend exploring their website as it is rich with resources such as documentation of those enslaved by the Royalls,  the important story of Belinda Sutton and her petitions,  and  Parallel Lives, Common Landscape: Artifacts from the Royall House & Slave Quarters. I plan to use this alongside the Whitney Plantation in my teaching of enslavement this coming year.

 

 

 

 

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BBCs His Dark Materials series is moving along

I just came across  this news release from the BBC a few weeks back full of tantalizing details regarding the new His Dark Materials series. Filming has begun in Cardiff on series three —yay! I was particularly intrigued by the plot description. (I’ve bolded curiosities and commented on them below.)

Dafne Keen takes on the lead role of Lyra, the young protagonist of the story who lives in Jordan College, Oxford. Placed there at the request of her Uncle, Lord Asriel (James McAvoy) she lives a sheltered life amongst the scholars and college staff while under the watchful protection of The Master (Clarke Peters) and Librarian Scholar Charles (Ian Gelder).

So I’m very curious about Librarian Scholar Charles. I don’t recall one in the first book, but there was indeed a Charles in the second…who was….yikes!

When the glamorous and mesmeric Mrs Coulter (Ruth Wilson) enters Lyra’s life she embarks upon a dangerous journey of discovery from Oxford to London. Here she meets Father MacPhail (Will Keen), Lord Boreal (Ariyon Bakare) and journalist Adele Starminster (Georgina Campbell) at a glittering society party where she first hears about the sinister General Oblation Board.

And here is Lord Boreal so Librarian Charles isn’t him (and that will only make sense if you know the series.) Hmmm, another seemingly new character — the journalist Adele Straminster.

Lyra is subsequently thrown into the nomadic world of the boat dwelling Gyptians – Ma Costa (Anne-Marie Duff), Farder Coram (James Cosmo), John Faa (Lucian Msamati), Raymond Van Geritt (Mat Fraser), Jack Verhoeven (Geoff Bell) and Benjamin de Ruyter (Simon Manyonda) who take her North in her quest.

Fun watching for this fan! Well done adaptation!

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Coming Soon: Kekla Magoon’s The Season of Styx Malone

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This book. Oh, this book. How much do I love you?

The Season of Styx Malone is not out for a couple of months yet, but I just had to write something so that you all get it on your radar. I knew Kekla Magoon from her other work,  say such hard hitting urban YA works as How It Went Down, a delightful futuristic reworking of Robin Hood, and X: A Novel, her collaboration with  Illyasah Shabazz which I adored, adored, adored.  And now this — one of the most delightful middle grade books I have read in some time.

The black Franklin boys, 10 year old Caleb and 11 year old Bobby Gene, have spent uneventful lives in a small town outside of Indianapolis. It is a place where everyone knows each other, where children can roam without parental worry, and where the bigger world stays away. While Bobby Gene is relatively content, Caleb is not. He wants to see the world outside of Sutton, but that isn’t going to happen if his father has anything to say about it, refusing to sign permission forms for yearly field trips to the city’s Children’s Museum.  When his father says he is extra ordinary, it infuriates Caleb; he wants to be more than ordinary not less. That it is the dangers for black boys out there that is behind this, a belief that staying under the radar is best, that it all comes from a paternal place of love and fierce desire to keep them safe, matters little to this boy yearning to break free.

And then a stranger comes to town. One Styx Malone, a sixteen year old foster child who gives them a summer to remember. They meet in the woods, not far from the boys’ home, where they are trying to figure out what to do with a bag of ill-gotten fireworks. (Won’t spoil how they got them other than to say it is hilarious.) Styx, exuding cool with an improbable candy cigarette dangling out of his mouth, convinces the boys that he can help them — mediate or parlay he says — to get rid of the loot for something better. And so begins the Great Escalator Trade in which they trade up and up and up to get the object of their dreams.  The escapades and adventures are absolutely delightful, at times breathtaking, and all completely true to the circumstances of these characters and the book’s setting. That is, it all seems completely plausible. This is because Magoon has not only created a wonderful array of characters, nuanced and unique each of them, but she has placed them in a superbly constructed world. There is a timeless quality to the boys’ lives that makes one understand why their father is trying so hard to keep them so penned in, yet Caleb’s yearning is so beautifully rendered along the way that it makes for a contemporary feel as well.

In addition to superb character development, elegant world building, and compelling plotting, Magoon is outstanding at sentence level writing. I was too busy reading to stop and mark favorites, so will reread to do so. Meanwhile, to give a taste, here are a few I picked out randomly:

Styx twirled the candy cigarette over his knuckles. “Your old lady’s really keeping the jam on you, eh?”

It didn’t occur to us to study his every move or wonder what he was hiding. How could he have been hiding anything? He was too busy showing us a whole new world.

The white of the sky and the chug of the train, the speed and the rocking and the grease scent tipped me toward giddy.

This is a book that leans toward happy while exploring deep themes that aren’t so happy. There are moments of laugh-out-loud hilarity, others that will bring you to tears, and still more that will have you pondering. The Franklin family and Styx Malone will be staying in my heart for a long time. I hope they will do likewise in yours.

 

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Sengbe Pieh (AKA Cinque) celebrated in Sierra Leone

This is so cool. When I was in Sierra Leone in the 1970s no one knew about the Amistad story. That has now changed and I saw mentions when I was there several years ago. Now there is this: a portrait of Sengbe Pieh (known as Cinque in the US) on the left side of the Big Market in Freetown, painted by Alusine Bangura. Thanks, Gary Schulze, for the photo.

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How To Do a Beloved Classic Today: Anne with an E, Season 2

Thanks to Ebony Elizabeth Thomas‘ smart and enthusiastic tweets for  Anne with an E, Season 2  I moved it up in my to-view pile. Now I’ve finished it and agree with Ebony wholeheartedly. This, to my mind, is a great model on how to expand, consider, interrogate, and so forth a beloved classic.

For those who aren’t aware, “Anne with an E” is a Netflix series based on L. M. Montgomery’s beloved book series Anne of Green Gables. I first read them a few decades ago when the books were popular among my then-fourth grade students. I haven’t seen any kids reading the books in many years, but they are still adored by those now-long-grown-up young readers from then. Add in an earlier also beloved television adaptation and it is understandable that a new one is going to have a tough road ahead.

The first season of “Anne with an E,” to the best of my knowledge, while adding in some backstories here and there, did not veer drastically from the books. This second season however — new characters, new places, new themes bring the larger world into insular Avonlea. One character heads off to find himself by working on a ship and befriends a black Trinidadian who shows him his homeland and takes the story into significant places of race, racism, and more in that time and place. Several other story lines address gender identity and the varying responses to that — some predictably horrid and others remarkably okay. To my mind, Anne’s character is maintained throughout and lends itself to considering different ways of living.

Now I’ve seen some dreadful changes with classics, but this isn’t the only one that I feel works. Another is Jacqueline Wilson’s Four Children and It, a clever updating of the now very problematic original, E. Nesbit’s Five Children and It.  Problematic because of racism, stereotyping, and more. I loved the original for many reasons, but am a fan of Wilson’s updating too. (ETA I was remiss when first writing this post in not mentioning Kate Saunders’ outstanding Five Children on the Western Front which justifiably won the 2015 Costa Award. My review is here.)

I’d love to see more of this. Maybe Doctor Dolittle? (Let’s forget about the awful Eddie Murphy movie which has nothing to do with the original book other than a vet as the main character and a bunch of talking animal friends.) Be so interesting to see the good doctor called out on his racism. (Here’s an interesting article on the history of the controversy of the book.) How about changing Prince Bumpo (from The Story of Doctor Dolittle) into something other than the sap Lofting makes him? In one edition a few decades back, that story line was completely rewritten by Patricia and Fred Mckissack, but I’d love to see someone do something even more drastic along the lines of the new Anne with an E.  Perhaps by making Bumpo far more an active agent in the story along the lines of Bash?  Hmmm…. what about doing what Matt Johnson did to Poe so wonderfully in Pym: A Novel

Anyway, if you are a fan from childhood and too much away from fidelity to the original will distress you, this isn’t the adaptation for you. But if you are someone with both a childhood love for them and an openness to opening up the world in these books, I recommend the Netflix series highly.

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Looking Back on 2018 Books

Literature, whether for adults or young readers, often reflects its time. Each year at awards time, along with such perennial debates as popularity versus literary quality, subjectivity, and age appropriateness, critics often focus on thematic treatments that are on the general public’s minds. Recent times have been challenging for many, with societal concerns such as human rights, gender issues, racism, gun violence, civil rights, and equity dominating our national conversation. Notable in 2017 was the passionate response by children’s book creators to these issues, intertwined with that of identity and representation. Whose story gets told, and who gets to tell it?

That is the start of Roxanne Feldman and my Horn Book Magazine article “2017 in Review: The Year in Words.” It is in the magazine’s award issue, alongside speeches such as Erin Entrada Kelly‘s Newbery one (as those who followed my druthers for this award, you won’t be surprised that I was delighted with it).  We explore what the awards suggest in terms of diversity and #ownvoices as well as other interesting aspects to last year. Hope you check it out!

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