"This is not a revival or a remake.
It’s a personal interpretation."

- Colorsponge

"The goal was not to recreate the EB110, but to extract its core principles compactness, mechanical clarity, and confidence born from engineering ambition."

- Colorsponge

Design development:

From the beginning, the focus was on proportion and volume.
The car was treated as a sculptural object — wide, grounded, and deliberate. Familiar cues were abstracted and simplified, allowing new forms to emerge without falling into imitation.

The Re-Think.

The surfaces were refined through continuous digital sculpting, balancing sharp transitions with calm, architectural planes. Every adjustment was driven by intent rather than decoration.

Throughout the process, restraint became a key design tool.

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Proportions

The design is built around a strong wedge profile — not as a nostalgic gesture, but as a functional and architectural decision.
The forward-leaning stance gives the car a sense of tension and motion, even at rest. It feels planted, compressed, and ready to move.

Angular surfaces define the body, but never for the sake of aggression. Each plane is carefully controlled, meeting the next with purpose and clarity. Sharp edges are used to express structure, while larger surfaces remain calm, allowing the form to read cleanly from distance.

Proportion plays a central role.
The cabin is compact and tightly integrated into the body, emphasizing the mass of the car and reinforcing its low, grounded presence. Overhangs are minimized, volumes are concentrated, and the overall silhouette remains bold without feeling heavy.

Visualization

Once the form reached maturity, the emphasis shifted toward visualization.
The car was placed in neutral, open environments to read the silhouette clearly — allowing light and shadow to define the design without distraction.

The renders were treated as photographic studies rather than spectacle. The aim was realism and presence — presenting the car as an object that could exist, not a fantasy built for attention.

"Not a homage , but an evolution."

- Colorsponge

Intention

Surface development became an exercise in restraint. Sharp transitions were used only where they served the structure, while broader, calmer planes were allowed to breathe. Every line had to justify its existence. If it didn’t add clarity or intention, it was removed.

Discovery

Throughout this stage, the design evolved through repetition: pushing, breaking, stepping back, and refining again. The goal wasn’t to chase complexity, but to arrive at something that felt inevitable — as if the form couldn’t exist any other way.

"Exploring how a bold idea from decades ago might evolve when filtered through modern tools, sensibilities, and personal interpretation."

- Colorsponge

Side by Side

The EB110 has always stood out as a machine that felt engineered from the inside out — ambitious, complex, and uncompromising for its era. Instead of focusing on its visual identity, the first step was to understand its mindset: why it looked the way it did, and what problems it was trying to solve.

Early exploration focused on proportion studies and silhouette abstraction. The aim was to capture a sense of compact power — a car that feels dense, grounded, and confident without relying on excess aggression. No direct references were copied. Instead, familiar ideas were reduced to their essence and reassembled through a modern lens.

This phase was about asking questions, not answering them.

The Tool

The entire project was developed through a fast, iterative digital workflow designed to keep the focus on design rather than technical friction.

Plasticity played a central role in the early and mid stages of the process. Its flexibility allowed for rapid exploration of volumes and surface transitions, making it possible to move between rough ideation and precise refinement without breaking creative momentum. Forms were treated almost like digital clay — pushed, simplified, and reworked continuously as proportions evolved.

Once the core geometry was established, the model transitioned into a more detailed 3D pipeline for refinement, cleanup, and preparation for visualization. This stage focused on surface continuity, edge definition, and material logic — ensuring the design felt physically believable rather than purely conceptual.

"If you want to follow this digital concept as it becomes reality, subscribe to the Garagistic newsletter."

- HASTE

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