Lucien Gaudion

Lucien Gaudion https://luciengaudion.audio Lucien Gaudion Sun, 09 Feb 2025 23:34:51 +0000 https://luciengaudion.audio en transVISION v2 https://luciengaudion.audio/transVISION-v2 https://luciengaudion.audio/following/luciengaudion.audio/transVISION-v2 Sun, 09 Feb 2025 23:34:51 +0000 Lucien Gaudion 14575352 Transvision (Gaëtan Parseihian et Lucien Gaudion) un dispositif sonore, vibratoire et suspendu partagé à plusieurs. C’est un voyage, proche de l’état modifié de conscience, méditatif et hypnotique sur un dispositif pour 12.4 hauts-parleurs et une centaine de vibreurs. Gaëtan Parseihian, Lucien Gaudion <img src="https://payload.cargocollective.com/1/10/322322/14575352/WhatsApp-Image2-2025-01-21-at-09.10.48_670.jpeg" width="670" height="446" width_o="1600" height_o="1066" src_o="https://payload.cargocollective.com/1/10/322322/14575352/WhatsApp-Image2-2025-01-21-at-09.10.48_1600.jpeg" data-mid="80120559" border="0" align="left" data-title="670 — 670 × 446"data-hi-res="https://payload.cargocollective.com/1/10/322322/14575352/WhatsApp-Image2-2025-01-21-at-09.10.48_1340_c.jpeg" /><img src="https://payload.cargocollective.com/1/10/322322/14575352/WhatsApp-Image-2025-01-21-at-09.10.48_670.jpeg" width="670" height="446" width_o="1600" height_o="1066" src_o="https://payload.cargocollective.com/1/10/322322/14575352/WhatsApp-Image-2025-01-21-at-09.10.48_1600.jpeg" data-mid="80120557" border="0" align="left" data-title="670 — 670 × 446"data-hi-res="https://payload.cargocollective.com/1/10/322322/14575352/WhatsApp-Image-2025-01-21-at-09.10.48_1340_c.jpeg" /><img src="https://payload.cargocollective.com/1/10/322322/14575352/WhatsApp-Image-12025-01-21-at-09.10.48_670.jpeg" width="670" height="446" width_o="1600" height_o="1066" src_o="https://payload.cargocollective.com/1/10/322322/14575352/WhatsApp-Image-12025-01-21-at-09.10.48_1600.jpeg" data-mid="80120558" border="0" align="left" data-title="670 — 670 × 446"data-hi-res="https://payload.cargocollective.com/1/10/322322/14575352/WhatsApp-Image-12025-01-21-at-09.10.48_1340_c.jpeg" /> <img src="https://payload.cargocollective.com/1/10/322322/14575352/WhatsApp-Image3-2025-01-21-at-09.10.48_670.jpeg" width="670" height="446" width_o="1600" height_o="1066" src_o="https://payload.cargocollective.com/1/10/322322/14575352/WhatsApp-Image3-2025-01-21-at-09.10.48_1600.jpeg" data-mid="80120560" border="0" align="left" data-title="670 — 670 × 446"data-hi-res="https://payload.cargocollective.com/1/10/322322/14575352/WhatsApp-Image3-2025-01-21-at-09.10.48_1340_c.jpeg" /> photos ©️ Grégoire Édouard - Biennale des Imaginaires Numériques Transvision (Gaëtan Parseihian et Lucien Gaudion) un dispositif sonore, vibratoire et suspendu partagé à plusieurs. C’est un voyage, proche de l’état modifié de cons... workshop https://luciengaudion.audio/workshop https://luciengaudion.audio/following/luciengaudion.audio/workshop Thu, 13 Jun 2024 11:32:10 +0000 Lucien Gaudion 14366301 Ces videos sont la restitution d’un atelier réalisé par les élèves des classes de terminale pro (AP et GMNF) du lycée des calanques à marseille, accompagné de l’artiste sonore Lucien Gaudion. Ce travail fut initié en partenariat entre Mme Bouvÿ-Thabourey dans le cadre des cours d’éducation socioculturelle, du gmem centre national de création musicale et de l'association deletere. Après avoir visionné des videos d’artistes sur la chaine youtube EAR https://www.youtube.com/c/earways/videos le collectif formé des étudiants et de l’artiste à pu élaborer ses propre videos. À l’aide de divers capteurs de sons fait maison et de haut parleur embarqués notre petite troupe à expérimenté dans l’enceinte du lycée des calanques des images d’eux mêmes effectuant des prises de sons créatives et contextuelles ou de simples actions dialoguant avec l’environnement sonore. Ces videos sont la restitution d’un atelier réalisé par les élèves des classes de terminale pro (AP et GMNF) du lycée des calanques à marseille, accompagné de l’ar... One week https://luciengaudion.audio/One-week https://luciengaudion.audio/following/luciengaudion.audio/One-week Thu, 13 Jun 2024 11:32:03 +0000 Lucien Gaudion 10874256 Zeolite https://luciengaudion.audio/Zeolite https://luciengaudion.audio/following/luciengaudion.audio/Zeolite Thu, 13 Jun 2024 11:32:02 +0000 Lucien Gaudion 12117558 <img src="https://payload.cargocollective.com/1/10/322322/12117558/Sans-titre-4_670.jpg" width="670" height="670" width_o="1753" height_o="1753" src_o="https://payload.cargocollective.com/1/10/322322/12117558/Sans-titre-4_1753.jpg" data-mid="70111292" border="0" align="left" data-title="670 — 670 × 670"data-hi-res="https://payload.cargocollective.com/1/10/322322/12117558/Sans-titre-4_1340_c.jpg" /><img src="https://payload.cargocollective.com/1/10/322322/12117558/Sans-titre-5_670.jpg" width="670" height="670" width_o="1656" height_o="1656" src_o="https://payload.cargocollective.com/1/10/322322/12117558/Sans-titre-5_1656.jpg" data-mid="70111293" border="0" align="left" data-title="670 — 670 × 670"data-hi-res="https://payload.cargocollective.com/1/10/322322/12117558/Sans-titre-5_1340_c.jpg" /><img src="https://payload.cargocollective.com/1/10/322322/12117558/Sans-titre-6_670.jpg" width="670" height="670" width_o="1542" height_o="1542" src_o="https://payload.cargocollective.com/1/10/322322/12117558/Sans-titre-6_1542.jpg" data-mid="70111294" border="0" align="left" data-title="670 — 670 × 670"data-hi-res="https://payload.cargocollective.com/1/10/322322/12117558/Sans-titre-6_1340_c.jpg" /> https://daath.bandcamp.com/album/lucien-gaudion-zeolite A. ZEMO (part.1) Mokuhen + lucien gaudion aka Zlm A collaborative album using the sounds made by the musician «Mokuhen» which are then sent and composed by lucien gaudion. 13’00 2016 B. ZEMO (part.2) 6’25 CORRUPTED MUSIC 6’35 Malwares read as raw datas (with audacity) and rearranged using editing techniques. 2016 thx to mokuhen, tsuku boshi records, daath rec. https://daath.bandcamp.com/album/lucien-gaudion-zeolite A. ZEMO (part.1) Mokuhen + lucien gaudion aka Zlm A collaborative album using the sounds made by the... Nocturne I https://luciengaudion.audio/Nocturne-I https://luciengaudion.audio/following/luciengaudion.audio/Nocturne-I Thu, 13 Jun 2024 11:32:01 +0000 Lucien Gaudion 12049651 nocturne I est une « musique pour la nuit » elle s’inspire de celles composées au début du XIXéme siècle par les compositeurs de musique romantique et nous plonge dans un paysage sonore synthétique explorant une faune nocturne travestie par des procédés de synthèses sonores. nocturne I est une pièce pour hauts parleurs se jouant la nuit, en extérieur sur un dispositif d’enceintes mobiles sur batteries conçues pour l'occasion. The title of this piece is inspired by the nocturnes by the Romantics composers of the beginning of the 19th Century. It places itself midway between a fictional soundscape and nocturnal music. Inspired by the vitality of the nocturnal soundscapes found in the southern regions of France, this piece offers an electronic imaginary phauna to listen to; yet, even if it recreates animal sounds, this piece triggers an anti-natural reaction, some sort of bioacoustic techno. Première écoute sur l'archipel du frioul le 8 octobre 2016. <img src="https://payload.cargocollective.com/1/10/322322/12049651/DSCN8023_670.JPG" width="670" height="502" width_o="2048" height_o="1536" src_o="https://payload.cargocollective.com/1/10/322322/12049651/DSCN8023_2048.JPG" data-mid="64617058" border="0" align="left" data-title="670 — 670 × 502"data-hi-res="https://payload.cargocollective.com/1/10/322322/12049651/DSCN8023_1340_c.JPG" /><img src="https://payload.cargocollective.com/1/10/322322/12049651/L1040685_670.jpg" width="670" height="502" width_o="1000" height_o="750" src_o="https://payload.cargocollective.com/1/10/322322/12049651/L1040685_1000.jpg" data-mid="64617057" border="0" align="left" data-title="670 — 670 × 502"data-hi-res="https://payload.cargocollective.com/1/10/322322/12049651/L1040685_1000.jpg" /><img src="https://payload.cargocollective.com/1/10/322322/12049651/L1040687_670.jpg" width="670" height="502" width_o="1000" height_o="750" src_o="https://payload.cargocollective.com/1/10/322322/12049651/L1040687_1000.jpg" data-mid="64617017" border="0" align="left" data-title="670 — 670 × 502"data-hi-res="https://payload.cargocollective.com/1/10/322322/12049651/L1040687_1000.jpg" /><img src="https://payload.cargocollective.com/1/10/322322/12049651/L1040702_670.jpg" width="670" height="502" width_o="1000" height_o="750" src_o="https://payload.cargocollective.com/1/10/322322/12049651/L1040702_1000.jpg" data-mid="64617018" border="0" align="left" data-title="670 — 670 × 502"data-hi-res="https://payload.cargocollective.com/1/10/322322/12049651/L1040702_1000.jpg" /><img src="https://payload.cargocollective.com/1/10/322322/12049651/L1040725_670.jpg" width="670" height="502" width_o="1000" height_o="750" src_o="https://payload.cargocollective.com/1/10/322322/12049651/L1040725_1000.jpg" data-mid="64617021" border="0" align="left" data-title="670 — 670 × 502"data-hi-res="https://payload.cargocollective.com/1/10/322322/12049651/L1040725_1000.jpg" /><img src="https://payload.cargocollective.com/1/10/322322/12049651/L1040726_670.jpg" width="670" height="502" width_o="1000" height_o="750" src_o="https://payload.cargocollective.com/1/10/322322/12049651/L1040726_1000.jpg" data-mid="64617025" border="0" align="left" data-title="670 — 670 × 502"data-hi-res="https://payload.cargocollective.com/1/10/322322/12049651/L1040726_1000.jpg" /><img src="https://payload.cargocollective.com/1/10/322322/12049651/DSCN8042_670.JPG" width="670" height="502" width_o="2048" height_o="1536" src_o="https://payload.cargocollective.com/1/10/322322/12049651/DSCN8042_2048.JPG" data-mid="64617051" border="0" align="left" data-title="670 — 670 × 502"data-hi-res="https://payload.cargocollective.com/1/10/322322/12049651/DSCN8042_1340_c.JPG" /><img src="https://payload.cargocollective.com/1/10/322322/12049651/14625394_676392412521069_243683727_n_540.jpg" width="540" height="922" width_o="540" height_o="922" src_o="https://payload.cargocollective.com/1/10/322322/12049651/14625394_676392412521069_243683727_n_540.jpg" data-mid="64617099" border="0" align="left" data-title="670 (540) — 540 × 922"/> © photos Gaëtan Parseihian This soundwork has been selected via the Süden Radio #2 - Call for soundworks remerciements : François Wong, Elena Biserna, Gaetan Parseihian, Maxime Barthélémy, Charles Bascou, Mathieu Clavez. nocturne I est une « musique pour la nuit » elle s’inspire de celles composées au début du XIXéme siècle par les compositeurs de musique romantique et nous plonge ... T.O.C. https://luciengaudion.audio/T-O-C https://luciengaudion.audio/following/luciengaudion.audio/T-O-C Thu, 13 Jun 2024 11:31:48 +0000 Lucien Gaudion 9696790 <img src="https://payload.cargocollective.com/1/10/322322/9696790/IMG_6271_670.jpg" width="670" height="893" width_o="3024" height_o="4032" src_o="https://payload.cargocollective.com/1/10/322322/9696790/IMG_6271_3024.jpg" data-mid="75645501" border="0" align="left" data-title="670 — 670 × 893"data-hi-res="https://payload.cargocollective.com/1/10/322322/9696790/IMG_6271_1340_c.jpg" /> Installation / Performance Hauts-parleurs basse fréquences, percuteurs stereolythographiés, amplis, câbles, ordinateur, carte son. T.O.C. est un dispositif in situ d’activation acoustique d’une architecture. Il permet de mettre au jour le potentiel sonore de chaque espace dans lequel il est installé. L’espace d’exposition devient alors un gigantesque instrument de percussion/de résonance à l’échelle du bâtiment. C’est une installation qui interroge les techniques actuelles de production sonore en tentant de contourner leurs modalités usuelles. De plus, par sa conception avec des matériaux de récupération souvent glanés ou trouvés, le dispositif tente de s’affranchir d’une forme de tyrannie commerciale technologique de consommation high-tech. ---- T.O.C. is an in situ device for the acoustic activation of an architecture. It reveals the sound potential of each space in which it is installed. The exhibition space then becomes a gigantic percussion/resonance instrument on the scale of the building. This installation questions the current sound production techniques by trying to circumvent their usual modalities. Moreover, by its design with recovery materials often gleaned or found, the device tries to free itself from a form of technological tyranny of high-tech consumption. production déléguée GMEM : http://gmem.org/production/t-o-c/ Avec le soutien du CNC-DICRéAM T.O.C — Lucien-Gaudion from gmem-CNCM-marseille on Vimeo. <img src="https://payload.cargocollective.com/1/10/322322/9696790/DSC_708_670.jpg" width="670" height="444" width_o="1920" height_o="1275" src_o="https://payload.cargocollective.com/1/10/322322/9696790/DSC_708_1920.jpg" data-mid="52223600" border="0" align="left" data-title="670 — 670 × 444"data-hi-res="https://payload.cargocollective.com/1/10/322322/9696790/DSC_708_1340_c.jpg" /><img src="https://payload.cargocollective.com/1/10/322322/9696790/DSC_5091_670.jpg" width="670" height="444" width_o="1920" height_o="1275" src_o="https://payload.cargocollective.com/1/10/322322/9696790/DSC_5091_1920.jpg" data-mid="52223611" border="0" align="left" data-title="670 — 670 × 444"data-hi-res="https://payload.cargocollective.com/1/10/322322/9696790/DSC_5091_1340_c.jpg" /><img src="https://payload.cargocollective.com/1/10/322322/9696790/DSC_5138_670.jpg" width="670" height="444" width_o="1920" height_o="1275" src_o="https://payload.cargocollective.com/1/10/322322/9696790/DSC_5138_1920.jpg" data-mid="52223659" border="0" align="left" data-title="670 — 670 × 444"data-hi-res="https://payload.cargocollective.com/1/10/322322/9696790/DSC_5138_1340_c.jpg" /><img src="https://payload.cargocollective.com/1/10/322322/9696790/004_1942_670.jpg" width="670" height="446" width_o="1500" height_o="1000" src_o="https://payload.cargocollective.com/1/10/322322/9696790/004_1942_1500.jpg" data-mid="58202400" border="0" align="left" data-title="670 — 670 × 446"data-hi-res="https://payload.cargocollective.com/1/10/322322/9696790/004_1942_1340_c.jpg" /> Installation / Performance Hauts-parleurs basse fréquences, percuteurs stereolythographiés, amplis, câbles, ordinateur, carte son. T.O.C. est un dispositif in si... Samā‘ https://luciengaudion.audio/Sama https://luciengaudion.audio/following/luciengaudion.audio/Sama Thu, 13 Jun 2024 11:31:46 +0000 Lucien Gaudion 13201002 <img src="https://payload.cargocollective.com/1/10/322322/13201002/IMG_2394_670.JPG" width="670" height="893" width_o="3024" height_o="4032" src_o="https://payload.cargocollective.com/1/10/322322/13201002/IMG_2394_3024.JPG" data-mid="75628985" border="0" align="left" data-title="670 — 670 × 893"data-hi-res="https://payload.cargocollective.com/1/10/322322/13201002/IMG_2394_1340_c.JPG" /> Samā’ - Vidéo HD - 13:43 min - 2022 Lucien Gaudion - Réalisation : Simon Grass - Prise de son : Julien Hô Kim La vidéo Samā’ documente la performance éponyme [2016] de Lucien Gaudion à travers différents paysages autour du Mont Ventoux. Samā‘ (du turc semâ) est un mot arabe qui renvoie à la notion d’audition spirituelle et désigne également une danse giratoire des derviches tourneurs soufis. La performance consiste à faire tournoyer un haut-parleur diffusant des drones afin de sculpter l’espace sonore. Ces sons continus sont élaborés au préalable in situ, en fonction des résonances du lieu. Le tournoiement, par la vitesse et la longueur de câble donnés par l’interprète, dessine une spirale invisible tout en révélant les propriétés acoustiques du lieu. Cette vidéo est le fruit d'une collaboration entre L'AMI, l’Embobineuse, deletere et Euphonia dans le cadre de la Convention de partenariat Etat DRAC, Région Sud PACA et CNM. ---- Samā‘ (from Turkish semâ) refers to spiritual hearing. It also refers to a roundabout dance of Sufi whirling dervishes. ACOUSTIC SPIRAL: The performance consists of a spinning loudspeaker that release drones in order to sculpt the sound space. These continuous sounds are developed beforehand in situ, depending on the resonance of the room. The spin draws an invisible spiral with the speed and length of cable given by the performer while revealing the acoustic properties of the place. ♫ sama_records_maya_rosa_la_muse.mp3  Play sama recorded by Maya Rosa @ la muse en circuit Samā’ - Vidéo HD - 13:43 min - 2022 Lucien Gaudion - Réalisation : Simon Grass - Prise de son : Julien Hô Kim La vidéo Samā’ documente la performance éponyme [201... Ballast https://luciengaudion.audio/Ballast https://luciengaudion.audio/following/luciengaudion.audio/Ballast Thu, 13 Jun 2024 11:31:44 +0000 Lucien Gaudion 13286507 2018 La performance consiste à explorer le potentiel sonore d’un réseau électrique. Pour cela, des micros captant les champs électromagnétiques rendent audibles les décharges d’allumage de tubes fluorescents (néons). Chaque tube fluorescent peut être actionné indépendamment grâce à une carte électronique connectée à un ordinateur. Ainsi, par le biais d’algorithmes produisant des séquences d’allumage, ces décharges deviennent des processus rythmiques audibles contrôlés en direct par l'artiste-performeur. L’influx électrique devient perceptible à la fois par la lumière et le son, dans un dialogue ultra-synchrone. L’électricité devenue phénomène physique réagence l’espace de monstration dans une expérience à la fois synesthésique et épileptique. --- The performance is to explore the sound potential of a power grid. In order to do this, the artist uses microphones that capture electromagnetic fields in order to make the discharge of fluorescent tubes (neon lights) audible. Each fluorescent tube can be operated independently, thanks to an electronic board connected to a computer. Thus, by means of algorithms producing ignition sequences, these discharges become audible rhythmic processes controlled in real time by the artist-performer. The electric impulse becomes perceptible by both light and sound, in an ultra-synchronous dialogue. Electricity becomes a physical phenomenon and reshapes the space of monstration in a both synesthetic and epileptic experience. <img src="https://payload.cargocollective.com/1/10/322322/13286507/Capture-dcran-2023-04-13--15.39.47_670.png" width="670" height="374" width_o="1996" height_o="1116" src_o="https://payload.cargocollective.com/1/10/322322/13286507/Capture-dcran-2023-04-13--15.39.47_1996.png" data-mid="79180486" border="0" align="left" data-title="670 — 670 × 374"data-hi-res="https://payload.cargocollective.com/1/10/322322/13286507/Capture-dcran-2023-04-13--15.39.47_1340_c.png" /><img src="https://payload.cargocollective.com/1/10/322322/13286507/Capture-dcran-2023-04-13--15.39.55_670.png" width="670" height="374" width_o="1998" height_o="1116" src_o="https://payload.cargocollective.com/1/10/322322/13286507/Capture-dcran-2023-04-13--15.39.55_1998.png" data-mid="79180487" border="0" align="left" data-title="670 — 670 × 374"data-hi-res="https://payload.cargocollective.com/1/10/322322/13286507/Capture-dcran-2023-04-13--15.39.55_1340_c.png" /><img src="https://payload.cargocollective.com/1/10/322322/13286507/Capture-dcran-2023-04-13--15.40.01_670.png" width="670" height="374" width_o="1994" height_o="1114" src_o="https://payload.cargocollective.com/1/10/322322/13286507/Capture-dcran-2023-04-13--15.40.01_1994.png" data-mid="79180488" border="0" align="left" data-title="670 — 670 × 374"data-hi-res="https://payload.cargocollective.com/1/10/322322/13286507/Capture-dcran-2023-04-13--15.40.01_1340_c.png" /> video : Simon Grass son : Julien Hô Kim Cette vidéo est le fruit d'une collaboration entre L'AMI, l’Embobineuse, deletere et Euphonia dans le cadre de la Convention de partenariat Etat DRAC, Région Sud PACA et CNM. 2018 La performance consiste à explorer le potentiel sonore d’un réseau électrique. Pour cela, des micros captant les champs électromagnétiques rendent audibles le... Hoaxophonie https://luciengaudion.audio/Hoaxophonie https://luciengaudion.audio/following/luciengaudion.audio/Hoaxophonie Thu, 13 Jun 2024 11:31:43 +0000 Lucien Gaudion 13483455 youtube video Hoaxophonie est une performance qui donne à entendre des sons de grande puissance se propageant à travers le paysage, formant une sorte «d’aurore boréale acoustique». Cette performance a pour point de départ l’émulation d’un phénomène sonore connu sous le nom de « the hum* ». Avec cette création, l'artiste procède à un piratage de la perception de l’environnement sonore. *the Hum (traduit en français par “le bourdonnement”) est un phénomène qui s'est fait connaître il y a quelques années à travers des vidéos sur Youtube. Ces vidéos semblent toujours être filmées de façon amateur. Le plus souvent, c’est une vue du ciel accompagnée d’un son mystérieux, dont la personne qui filme semble ne pas identifier la provenance. Ce son puissant de basses fréquences paraît toujours provenir du ciel, comme d’une gigantesque trompette divine. HOAXOPHONIE is a performance in which loud sounds can be heard propagating through the landscape, forming a sort of «acoustic aurora borealis». In this performance, the artist draws his inspiration from a sound phenomenon known as The Hum*. With this creation, he proceeds to hack the perception of sound environment. *the Hum is a phenomenon that started to become known on Youtube a few years ago through amateur videos. Most of the time, the video shows a view of the sky, accompanied by a mysterious sound of unidentified source. The Hum is experienced as a consistent, low-pitched noise, much like the sound of a large truck idling in a nearby parking lot. It always seems to come from the sky, maybe from a gigantic divine trumpet. Page Wikipedia https://fr.wikipedia.org/wiki/Hum_(son) Site qui ressence le appartitions du phénomène https://thehum.info <img src="https://payload.cargocollective.com/1/10/322322/13483455/Capture-dcran-2018-04-20--12.16.15_670.png" width="670" height="445" width_o="1130" height_o="752" src_o="https://payload.cargocollective.com/1/10/322322/13483455/Capture-dcran-2018-04-20--12.16.15_1130.png" data-mid="72598680" border="0" align="left" data-title="670 — 670 × 445"data-hi-res="https://payload.cargocollective.com/1/10/322322/13483455/Capture-dcran-2018-04-20--12.16.15_1000.png" /> <img src="https://payload.cargocollective.com/1/10/322322/13483455/Capture-dcran-2018-04-20--12.16.31_504.png" width="504" height="756" width_o="504" height_o="756" src_o="https://payload.cargocollective.com/1/10/322322/13483455/Capture-dcran-2018-04-20--12.16.31_504.png" data-mid="72598687" border="0" align="left" data-title="670 (504) — 504 × 756"/><img src="https://payload.cargocollective.com/1/10/322322/13483455/Capture-dcran-2018-04-20--12.16.39_670.png" width="670" height="447" width_o="1132" height_o="756" src_o="https://payload.cargocollective.com/1/10/322322/13483455/Capture-dcran-2018-04-20--12.16.39_1132.png" data-mid="72598689" border="0" align="left" data-title="670 — 670 × 447"data-hi-res="https://payload.cargocollective.com/1/10/322322/13483455/Capture-dcran-2018-04-20--12.16.39_1000.png" /><img src="https://payload.cargocollective.com/1/10/322322/13483455/Hoaxophonie-festivalsousleau2020_18_670.jpg" width="670" height="376" width_o="2319" height_o="1302" src_o="https://payload.cargocollective.com/1/10/322322/13483455/Hoaxophonie-festivalsousleau2020_18_2319.jpg" data-mid="77205116" border="0" align="left" data-title="670 — 670 × 376"data-hi-res="https://payload.cargocollective.com/1/10/322322/13483455/Hoaxophonie-festivalsousleau2020_18_1340_c.jpg" /> <img src="https://payload.cargocollective.com/1/10/322322/13483455/Hoaxophonie-festivalsousleau2020_20_670.jpg" width="670" height="376" width_o="2319" height_o="1302" src_o="https://payload.cargocollective.com/1/10/322322/13483455/Hoaxophonie-festivalsousleau2020_20_2319.jpg" data-mid="77205117" border="0" align="left" data-title="670 — 670 × 376"data-hi-res="https://payload.cargocollective.com/1/10/322322/13483455/Hoaxophonie-festivalsousleau2020_20_1340_c.jpg" /><img src="https://payload.cargocollective.com/1/10/322322/13483455/Hoaxophonie-festivalsousleau2020_12_670.jpg" width="670" height="502" width_o="5000" height_o="3750" src_o="https://payload.cargocollective.com/1/10/322322/13483455/Hoaxophonie-festivalsousleau2020_12_5000.jpg" data-mid="77205112" border="0" align="left" data-title="670 — 670 × 502"data-hi-res="https://payload.cargocollective.com/1/10/322322/13483455/Hoaxophonie-festivalsousleau2020_12_1340_c.jpg" /> Quelques exemples de description tirées de « World Hum Map and Database Project servant de partition au projet» : 12/05/2012 14:15:19 At night A low frequency tone rough match from the piano -not quite D# or Eb which equates to approximately 41 or 82 Hz, hard to distinguish which. First heard on July 28th 2004. Initially sounded like a diesel truck, but later like an electrical drone. 12/11/2012 14:08:48 Same day and night Usually a multiple low pitched sound that is an irregular throbbing hum that sounds like an idling engine or generator. Rarely a very loud vibrating hum, as if it were being generated by a large fleet of propeller aircraft, at high altitude, which doesn’t move - I.E. no Doppler. 12/25/2012 11:14:57 At night Metallic-like sound, like a loud diesel engine that goes on several seconds and then stops, only to start again moments later. 12/28/2012 23:06:28 At night A low, rumbling, pulsating sound. It goes for a count of 1-2 stop 1-2 stop then it goes for approximately 6 beats stop then linger for a lot longer. 1/1/2013 20:51:43 At night Sounds like a pulse which increases and decreases volume. It is a low frequency sound. 1/6/2013 2:09:03 Same day and night Very low frequency oscillating hum. It often reminds me of what a cell phone sounds like when placed near a speaker at just the ring angle. The start-stop oscillations of communicating with the cell tower is very similar. However, at times, it will be constant and steady for minutes at-a-time. It sounds like a 60hz tone in my head, very fast, constant at times, short burst at other times. Always very low, though. 1/14/2013 0:51:36 At night about 50 to 60 hz with almost a baudot sounding pulsing. Baudot is an old mode of communications over high frequency radio. 1/14/2013 6:28:39 At night Extra Low Frequency sounding like blowing accross a large glass bottle that keeps in a steady pattern of a heartbeat repeating consistently with a duration of any 5 letter single sylable word’s spoken length; books, books, books,,, games, games, games,,, etc. Avec le soutien du DICREAM Remerciements : Aram Kebabdjian, Quentin Destieu, Sylvain Huguet, Lab Gamerz, Constance Meffre, Venzha Christ, Adelin Schweitzer, Won, Samir Zrhiba, Joan Costeja, Jessica Arfuso, Ariel Delebecque, Jim. youtube video Hoaxophonie est une performance qui donne à entendre des sons de grande puissance se propageant à travers le paysage, formant une sorte «d’aurore b... Les mers imaginaires https://luciengaudion.audio/Les-mers-imaginaires https://luciengaudion.audio/following/luciengaudion.audio/Les-mers-imaginaires Thu, 13 Jun 2024 11:31:42 +0000 Lucien Gaudion 14096350 <img src="https://payload.cargocollective.com/1/10/322322/14096350/IMG_2130MI-pause-longueNH_670.JPG" width="670" height="446" width_o="5000" height_o="3333" src_o="https://payload.cargocollective.com/1/10/322322/14096350/IMG_2130MI-pause-longueNH_o.JPG" data-mid="77237009" border="0" align="left" data-title="670 — 670 × 446"data-hi-res="https://payload.cargocollective.com/1/10/322322/14096350/IMG_2130MI-pause-longueNH_1340_c.JPG" /><img src="https://payload.cargocollective.com/1/10/322322/14096350/IMG_2147MI-pause-longueNH_670.JPG" width="670" height="446" width_o="5000" height_o="3333" src_o="https://payload.cargocollective.com/1/10/322322/14096350/IMG_2147MI-pause-longueNH_5000.JPG" data-mid="77237011" border="0" align="left" data-title="670 — 670 × 446"data-hi-res="https://payload.cargocollective.com/1/10/322322/14096350/IMG_2147MI-pause-longueNH_1340_c.JPG" /><img src="https://payload.cargocollective.com/1/10/322322/14096350/Capture-Etude-3_670.png" width="670" height="473" width_o="1250" height_o="884" src_o="https://payload.cargocollective.com/1/10/322322/14096350/Capture-Etude-3_1250.png" data-mid="77179068" border="0" align="left" data-title="670 — 670 × 473"data-hi-res="https://payload.cargocollective.com/1/10/322322/14096350/Capture-Etude-3_1000.png" /> Les mers imaginaires - © photos Nathalie Havez Wendy Cornu et Lucien Gaudion proposent une suite d'études questionnant les fondamentaux corps, son, lumière. Ainsi le geste sculpte l'espace sonore, la lumière produit des phénomènes acoustiques et les mouvements du corps des illusions optiques. Ces études explorent la notion de « causalité circulaire ». Si bien que l’écriture de chaque élément est interdépendante de chaque autre, récursivement. Dans un flux et reflux permanent, tels des Mers imaginaires, les sons, la lumière et le geste fondateur se rencontrent et se font écho dans une interdépendance consentie, entre synchronicité et analogie. ---- Wendy Cornu and Lucien Gaudion propose a series of studies questioning three fundamentals: body, sound and light. Thus, the gesture sculpts the sound space, the light produces acoustic phenomena and the movements of the body generate optical illusions. These studies explore the notion of circular causality, which means that the writing of each element is interdependent, recursively. In a constant dynamic of ebb and flow, sounds, light and the founding gesture meet and echo in a consensual interdependence, just as imaginary seas, between synchronicity and analogy. vidéo : https://vimeo.com/505177190 mdp : LMI #récursivité #approche_systémique #boucle #holistique #feedback #système #causalité_circulaire #effet_domino #réaction_en_chaine Coproduction : KLAP / Maison pour la danse – Marseille, GMEM / Centre National de Création Musicale – Marseille Soutien financiers : DRAC PACA, Région PACA, Ville de Marseille, Ville d’Aix en Provence Avec le soutien de : Théâtre de L’Oulle – Avignon, Pôle 164 Marseille Remerciements : Les Femmes sont là / Fabrique de la Danse – Paris, Jean-Christophe Paré, Fondation Royaumont – Asnières sur Oise, Nathalie Havez, deletere lab Les mers imaginaires - © photos Nathalie Havez Wendy Cornu et Lucien Gaudion proposent une suite d'études questionnant les fondamentaux corps, son, lumière. Ai...