{"id":17023,"date":"2020-04-21T10:36:16","date_gmt":"2020-04-21T09:36:16","guid":{"rendered":"https:\/\/loops-expanded.com\/?post_type=profile&p=17023"},"modified":"2023-02-16T17:12:42","modified_gmt":"2023-02-16T16:12:42","slug":"loops-expanded2020","status":"publish","type":"profile","link":"https:\/\/loops-expanded.com\/profile\/loops-expanded2020\/","title":{"rendered":"Loops.Expanded 2020-21"},"content":{"rendered":"
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Loops.Expanded 2020-21
\n<\/strong><\/b>Decentralized exhibition<\/h3>\n

The Loops.Expanded curatorial team has the pleasure of sharing the results of its work on the 2020 International Open Call.\u00a0<\/span><\/p>\n

Just as we said when the submission phase has ended, <\/span>the quality and diversity of the 257 submitted works is a testimony of the loop strengths and vitality. That\u2019s the reason why we had a fascinating, but no easy (and slightly delayed) task. Fortunately enough, <\/span>the submitted works enabled us having a real, beautiful and convincing discussion about purposes and meanings.\u00a0<\/span><\/p>\n

So in this list, we are sharing the works for which we have a commitment to show. <\/span>Each curatorial partner will select one or more works and, depending on local conditions, the form of the exhibition could include shows or screenings in museums, galleries, theatres or outdoors screenings, symposiums and\/or masterclasses.<\/span> Hopefully, we will have a second list of more confirmed exhibitions.<\/span><\/p>\n

This network aims to not to function as a traditional jury that just selects or rejects, but rather as a curatorial group whose goal is to unite and exhibit a \u2018treasure trove\u2019 around the loop. The present list is the autonomous but convergent work of programmers representing moving image projects in five countries: Ant\u00f3nio da C\u00e2mara<\/a> (Duplacena<\/a> <\/strong>\/ Festival Temps d\u2019Images, Lisbon \u2013 Portugal). Mario Guti\u00e9rrez Cru<\/a> & Araceli L\u00f3pez<\/a> (PROYECTOR<\/a><\/strong>, Madrid \u2013 Spain); Sandra Lischi<\/a> (Ondavideo<\/strong><\/a>, Pisa \u2013 Italy); Tom Van Vliet<\/a> (WWVF<\/a><\/strong>, Amsterdam \u2013 Netherlands); Jaqueline Beltrame<\/a> and Alisson Avila<\/a> (Cine Esquema Novo collective<\/a><\/strong> (Porto Alegre \u2013 Brazil) and Irit Batsry <\/a>and Alisson Avila<\/a> (Loops.Lisboa<\/strong><\/a> \/ Festival Temps d\u2019Image<\/strong>s<\/a>, Lisbon \u2013 Portugal).<\/span><\/p>\n

Thank you again to all the artists and collectives taking part in this international and decentralized network, dedicated to exhibiting and researching the concept and the form of the loop in video art \/ moving image. We want to explore an inter-related and interdependent approach in a global video art landscape and empower different perspectives to a unique form: from pre-cinema to the present time of computational, sound and audiovisual \u201cinfinite loops\u201d.<\/span><\/p>\n

The Loops.Expanded team<\/span><\/p>\n<\/div>\n

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Artists<\/b><\/h3>\n
Ariel Uzal & Julieta Caputo<\/b><\/a> (Argentina): Principia, Grativational Limbo<\/i><\/a> 2018, 5:00<\/div>\n
Carlos Adriano<\/b><\/a> (Brazil): A Rotina ter\u00e1 seu Enquanto<\/i><\/a> 2019, 10:04<\/div>\n
DEHORS\/<\/b>AUDELA<\/b><\/a>\u00a0(Italy): Aporia<\/i><\/a> 2019, 13:20<\/div>\n
Emanuele Dainotti<\/b><\/a> (Italy): SANTA MAR\u00cdA<\/i><\/a> 2018; infinite loop<\/div>\n
Eunice Artur<\/a> & agendas obscuras<\/a><\/b> (Portugal): Pandopticon<\/i><\/a> 2020, 13:32<\/div>\n
Francisco Pradilla Barrero<\/b><\/a> (Spain): Partial Eclipse<\/i><\/a> 2020, 02:56<\/div>\n
Hasan Daraghmeh<\/b><\/a> (Palestine): The Door<\/i><\/a> 2020, 8:00<\/div>\n
Ilaria Di Carlo<\/b><\/a> (Italy): The Divine Way<\/i><\/a> 2018, 15:00<\/div>\n
Juan-Ram\u00f3n Barbancho<\/b><\/a> (Spain): La muerte no enterrada<\/i><\/a> 2016, 13:54<\/div>\n
Kika Nicolela<\/b><\/a> (Brazil): Actus<\/i><\/a> 2010, 16:00<\/div>\n
Matias Guerra <\/b><\/a>(Chile): Mat\u2019s 6000 frame workout with JLG<\/i><\/a> 2020, 4:26<\/div>\n
Marc Clemente <\/b><\/a>(Spain \/ Morocco): Gnawa Collective: Intrusion or Resource?<\/a> 2020, 9:01
\n<\/em>Miguel Escobar <\/b><\/a>(Colombia): An Image of a Fa\u00e7ade<\/em><\/a> 2020, 12:40<\/em>
\nNacho Recio<\/a><\/b> (Spain): Ant<\/i><\/a> 2014, 15:00<\/div>\n
Shahar Marcus<\/b><\/a> (Israel): Dig<\/i><\/a> 2019, 5:35<\/div>\n
Tseng Yu Chin<\/b><\/a> (Taiwan): Shivering Wall<\/i>;<\/a> 2019, 10:01
\nW. Mark Sutherland<\/b><\/a> (Canada): America a Videopoem<\/i><\/a> 1988, 04:04<\/div>\n

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Videos<\/span><\/h4>\n<\/div>\n
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\"Motherland\"
<\/a><\/div><\/figure><\/div>

Motherland<\/a><\/h4>
Catherine radosa<\/h6><\/header><\/div>\t<\/div>\r\n<\/article>\r\n\r\n\r\n\r\n
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\"Mat\u2019s
<\/a><\/div><\/figure><\/div>

Mat\u2019s 6000 frame workout with JLG<\/a><\/h4>
Mat\u00edas Guerra<\/h6><\/header><\/div>\t<\/div>\r\n<\/article>\r\n\r\n\r\n\r\n
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\"La
<\/a><\/div><\/figure><\/div>

La muerte no enterrada<\/a><\/h4>
Juan-Ram\u00f3n Barbancho<\/h6><\/header><\/div>\t<\/div>\r\n<\/article>\r\n\r\n\r\n\r\n
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\"Partial
<\/a><\/div><\/figure><\/div>

Partial eclipse<\/a><\/h4>
Francisco Pradilla Barrero<\/h6><\/header><\/div>\t<\/div>\r\n<\/article>\r\n\r\n\r\n\r\n
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\"Principia,
<\/a><\/div><\/figure><\/div>

Principia, gravitational limbo<\/a><\/h4>
Ariel Uzal & Julieta Caputo<\/h6><\/header><\/div>\t<\/div>\r\n<\/article>\r\n\r\n\r\n\r\n
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\"A
<\/a><\/div><\/figure><\/div>

A Rotina ter\u00e1 seu Enquanto<\/a><\/h4>
Carlos Adriano<\/h6><\/header><\/div>\t<\/div>\r\n<\/article>\r\n\r\n\r\n\r\n
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\"Ant\"
<\/a><\/div><\/figure><\/div>

Ant<\/a><\/h4>
Nacho Recio<\/h6><\/header><\/div>\t<\/div>\r\n<\/article>\r\n\r\n\r\n\r\n
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\"Gnawa
<\/a><\/div><\/figure><\/div>

Gnawa Collective: Intrusion or Resource?<\/a><\/h4>
Marc Clemente <\/h6><\/header><\/div>\t<\/div>\r\n<\/article>\r\n\r\n\r\n\r\n
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\"Shivering
<\/a><\/div><\/figure><\/div>

Shivering wall<\/a><\/h4>
Tseng Yu Chin <\/h6><\/header><\/div>\t<\/div>\r\n<\/article>\r\n\r\n\r\n\r\n
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\"Actus\"
<\/a><\/div><\/figure><\/div>

Actus<\/a><\/h4>
Kika Nicolela<\/h6><\/header><\/div>\t<\/div>\r\n<\/article>\r\n\r\n\r\n\r\n
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\"An
<\/a><\/div><\/figure><\/div>

An Image of a Fa\u00e7ade<\/a><\/h4>
Miguel Escobar<\/h6><\/header><\/div>\t<\/div>\r\n<\/article>\r\n\r\n\r\n\r\n
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\"Dig\"
<\/a><\/div><\/figure><\/div>

Dig<\/a><\/h4>
Shahar Marcus<\/h6><\/header><\/div>\t<\/div>\r\n<\/article>\r\n\r\n\r\n\r\n
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\"America
<\/a><\/div><\/figure><\/div>

America a videopoem<\/a><\/h4>
W. Mark Sutherland<\/h6><\/header><\/div>\t<\/div>\r\n<\/article>\r\n\r\n\r\n\r\n
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\"The
<\/a><\/div><\/figure><\/div>

The Door<\/a><\/h4>
Hasan Daraghmeh<\/h6><\/header><\/div>\t<\/div>\r\n<\/article>\r\n\r\n\r\n\r\n
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\"Santa
<\/a><\/div><\/figure><\/div>

Santa Mar\u00eda<\/a><\/h4>
Emmanuele Dainotti<\/h6><\/header><\/div>\t<\/div>\r\n<\/article>\r\n\r\n\r\n\r\n
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\"Pandopticon\"
<\/a><\/div><\/figure><\/div>

Pandopticon<\/a><\/h4>
Eunice Artur & agendas obscuras<\/h6><\/header><\/div>\t<\/div>\r\n<\/article>\r\n\r\n\r\n\r\n
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\"Aporia\"
<\/a><\/div><\/figure><\/div>

Aporia<\/a><\/h4>
DEHORS\/AUDELA<\/h6><\/header><\/div>\t<\/div>\r\n<\/article>\r\n\r\n\r\n\r\n
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\"The
<\/a><\/div><\/figure><\/div>

The Divine Way<\/a><\/h4>
Ilaria Di Carlo<\/h6><\/header><\/div>\t<\/div>\r\n<\/article>\r\n\r\n\r\n<\/div>\n\n
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Artists<\/span><\/h4>\n<\/div>\n\n
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