About

brad bordessa headshoot portrait

Aloha! My name is Brad Bordessa. I live in Honokaʻa, Hawaiʻi and am a full-time musician and educator. I’ve been playing ukulele for over 20 years.

I’m super passionate about helping people play real music off the top of their head – just like pro musicians. Anyone can learn to ditch their music sheet if given the right tools. I try to provide this intuitive style curriculum with my teaching so that students can begin playing solos, learning songs by ear, and understanding music by feel.

Live Ukulele, since it’s creation in 2007, has been my platform to share my expertise freely, as others in the Hawaiian music scene have shared theirs with me. I hope to help you become a better, more confident musician.

📧 Contact me with questions, to point out site errors, or just to talk story.

Many photos you see on the site are taken by my beloved and hilarious brother, Evan Bordessa.
Isaac Wang helped start the site, but has since moved on to doing smart, academic things I mostly don’t understand. He’s currently teaching at UH Mānoa. Listen to my podcast with Isaac (S2E14)

Study

Keoki Kahumoku invited me to his week-long Hawaiian Music workshop on scholarship from 2007 through 2014. During these formative years I had intensive mentoring sessions with Herb Ohta, Jr., Kimo Hussey, James Hill, Brittni Paiva, Moses Kahumoku, and Sonny Lim.

In 2013 I graduated with honors from the Institute of Hawaiian Music at University of Hawaiʻi Maui College under the direction of George Kahumoku, Jr. and Keola Donaghy.

Teaching

The majority of my work is in ukulele education. I’ve been teaching group and private lessons since I was 14!

Along the way, I’ve developed a signature style with an emphasis on confidence, self-expression, and musical exploration at any level.

I want ukulele players to feel comfortable jumping in and trying things on their own, even if they don’t know what they’re doing!

This has led me to inventing many new methods of teaching – to critical acclaim – that nurture a student’s innate abilities.

🍏 I’ve been a staff instructor at:

jam with herb ohta jr brad bordessa george kahumoku

Jammin’ with Herb Ohta, Jr. & Uncle George Kahumoku, Jr. PC: Gail Ginder

I’ve taught countless private and group lessons in my community and at Kō Education Center (formerly NHERC), Waimea Middle School (K-Arts), Hawaiʻi Preparatory Academy, Hōʻā, Hāmākua Youth Center, Waimea Country School, and more.

Traveling for business isn’t so much my bag, but I’ve been near and far to share my teaching over the years:

Performing

I play a few gigs a month solo or in groups. Performing feeds my soul and gives me wonderful opportunities to meet new people and grow as a person.

🎶 Notable solo appearances:

I’ve shared the stage with Herb Ohta Jr., Sonny Lim, HAPA, the late Martin Pahinui, Hawane Rios, Buckman Coe, and Ledward Kaapana – to name a few.

Playing “Olinda Road” with Hapa at the Mauna Lani

I gig regularly with Keoki Kahumoku and Larry Miller as Sweet Kani Lehua and in my rock/funk/hip-hop band, Kingside.

The very first time I jammed with Uncle Led!

Visit my personal website, BradBordessa.com, to find out more about my music and see where I’m playing next.

Support the Site

Your support and patronage (but without Patreon!) makes this website possible.

If you appreciate my content and the AD-FREE experience, support my work by contributing in one or all of the ways detailed on the page linked below:

Support the Site

My Gear:

These days I primarily play one of two Moore Bettah custom tenors made by Chuck Moore and strung with Uke Logic or Worth CH strings (Savarez Alliance KF95 low-G). Read more about the BB custom here.

From 2007-2013 I played a Kamaka HF-3 full time. You’ll see it in all videos, pictures, and lessons from that era. Read more about it here: My Kamaka HF-3.

Gear Breakdown

Technical Stuff:

Where are the ʻokinas!?!?!?!

The kānaka maoli and Hawaiian culture is most of what makes Hawaiʻi special. Without it, none of this has any meaning or purpose.

I have made honoring the language as best I can one of my top priorities in music. As such, “ʻukulele” in my world is always spelled with an ʻokina.

However, in order to be a full time internet ukulele instructor, I’ve come to realize that the traditional spelling ranks differently on search engines and holds back the potential visibility of what I do. I use the ʻokina whenever a web crawler isn’t going to read what I write (emails, premium content, ebooks, etc).

My apologies to the purists out there. I tried for a lot of years. I really did.

Privacy Policy:
I won’t sell your info to anybody. Promise. But if you want the legal-schmegal details you can read all about them here.

Affiliate Programs:
I am a participant in the Sweetwater Sound affiliate program. All affiliate links are clearly disclosed. Clicking on these links earns me a small commission if you order something through their site. You don’t pay any more and it helps support all the free content provided here.