Actor. Filmmaker. Racketeer.
An incredible and lush interpretation (and even narrative-analysis) of Camus’ philosophical classic. A devastating look at inhuman disconnection, and the ripples it creates. Manuel Dacosse‘s black and white cinematography is a sight to behold. Benjamin Voisin Gives a quiet yet shattering performance. Rebecca Marder is breathtaking. François Ozon‘s best film since ‘Frantz’.