{"title":"Dynamics","description":"\u003cp\u003eKMR can help you choose the very best in Analogue Compression and Limiting options available, alongside Multiband options for Mastering or Mixing. We have many designs available for demo, onsite or in your own studios, where you can check out VCA, FET, Optical, Vari-mu and more... at your own pace.\u003cbr\u003e\u003c\/p\u003e\n\u003c!----\u003e","products":[{"product_id":"a-designs-hm2-nail-compressor","title":"A-Designs HM-2 Nail Compressor","description":"\u003cp\u003eThe \u003cstrong\u003eA-Designs HM2 Nail Compressor\u003c\/strong\u003e is an innovative award-winning hybrid rack-mounted stereo compressor\/limiter from A-Designs.\u003c\/p\u003e\n\n\n\n\u003cp\u003eBuilt from the finest components, the A-Designs HM2 uses a hybrid combination of solid-state and valve design to bring you the warmth and breadth of their tube technology approach.\u003c\/p\u003e\n\n\n\n\u003cp\u003eThe clever part of the HM2 Nail Compressor is the way that it incorporates a Hard Threshold and Sidechain Filter alongside its regular Threshold control - put simply, without the Hard Threshold in use, the HM2 Nail acts in a simple gain reduction mode. With the Hard Threshold and the Sidechain HPF Filter in action you can rely on the HM2 to add compression above the desired frequency selected, without being affected by the bass information below it.\u003c\/p\u003e\n\n\n\n\u003cp\u003eA Mix knob on the HM2 is another neat feature of the unit, allowing you to vary the amount of compression you are applying without resetting input levels. Capable of working as both a stereo unit across the mix bus, the A-Designs HM2 Nail Compressor is also perfectly suited to control the dynamics as two mono units, for channel insertion.\u003c\/p\u003e\n\n\n\n\u003cp\u003eWidely acclaimed by engineers and producers, both for the Nail HM2 Compressor and many of their other top quality units, A-Designs has earned itself an enviable reputation for providing you with nothing but the best.\u003c\/p\u003e","brand":"MTR Ltd","offers":[{"title":"Default Title","offer_id":44941410337060,"sku":"ITM000008","price":2687.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/adesigns-hm2nail-front.jpg?v=1680168237"},{"product_id":"acme-audio-opticom-xla-3-mkiii","title":"Acme Audio Opticom XLA-3 MkII","description":"\u003ch2\u003e\n\u003cmeta charset=\"utf-8\"\u003eACME AUDIO OPTICOM XLA-3 MKIII\u003c\/h2\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"group w-full text-gray-800 dark:text-gray-100 border-b border-black\/10 dark:border-gray-900\/50 bg-gray-50 dark:bg-[#444654]\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"flex p-4 gap-4 text-base md:gap-6 md:max-w-2xl lg:max-w-[38rem] xl:max-w-3xl md:py-6 lg:px-0 m-auto\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"relative flex w-[calc(100%-50px)] flex-col gap-1 md:gap-3 lg:w-[calc(100%-115px)]\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"flex flex-grow flex-col gap-3\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"min-h-[20px] flex items-start overflow-x-auto whitespace-pre-wrap break-words flex-col gap-4\"\u003e\n\u003cdiv data-mce-fragment=\"1\" class=\"markdown prose w-full break-words dark:prose-invert light\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe\u003cstrong\u003e \u003c\/strong\u003eAcme Audio Opticom XLA-3 MKIII is a single-channel all-valve optical limiter, drawing inspiration from the legendary Teletronix LA-2. It is meticulously crafted to meet stringent military-style specifications.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Acme Audio Opticom XLA-3 MKIII unleashes the potential of a distinctive triple optoelectronic circuit, seamlessly combining the finest qualities from three separate compression curves into a unified unit, resulting in a captivating array of non-linear dynamic effects. This cutting-edge device exhibits sonic versatility that spans the spectrum, offering pristine clarity at one end and irresistibly warm and overdriven tones at the other.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eInnovative Design and Uncompromising Quality\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eAt the heart of the Opticom lies a powerful combination of high-speed cadmium-selenide optical photocells for precise detection and an all-valve circuitry with point-to-point wiring, ensuring top-notch quality and durability. Encased in a robust 16-gauge solid steel chassis, every component, including the military-grade elements and custom-ordered bakelite analogue control knobs, exudes excellence. Further enhancing usability, full-sized backlit panel meters and Neutrik\/cliff connectors guarantee reliable performance for years.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eRevolutionary Performance and Timeless Character\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eInspired by the granddaddy of tube-levelling amplifiers, the Acme Audio Opticom XLA-3 MKIII has taken the professional audio realm by storm. Emanating rich, fat, and warm sonic character akin to traditional tube optical limiters, it also delivers impressive speed and versatility, surprising users.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eDynamic Precision and Harmonic Versatility\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe triple optoelectronic circuit unlocks the ability to dial in three distinct response curves, offering maximum dynamic control and preserving transients even under heavy gain reduction. With the added charm of a CineMag input transformer that infuses harmonic bite, the Opticom XLA-3 MKIII emerges as the go-to dynamics controller for virtually any signal.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIts unrivalled adaptability makes the XLA-3 MKIII the reliable choice for easily handling vocals and instruments. With a vast tonal range from clean and transparent to harmonically rich and saturated, alongside compression curves ranging from gentle to aggressive, it embodies unparalleled versatility. And when pushed to the limit, it ensures lead vocals are firmly embedded in the mix, thanks to its harmonically biting capabilities.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eAdaptive Modes and Triple Optoelectronic Circuit\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eEquipped with Normal, Fast, and Slow modes, the XLA-3 MKIII caters to subtle transient enhancement and comprehensive dynamics control. The proprietary triple optoelectronic circuit amalgamates the best qualities of three compression curves, elevating its performance close to that of FET designs, while retaining its high-speed optical limiter essence.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eThe Ultimate Flexible Optical Limiter\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eProducing great-sounding results is effortless with the Opticom XLA-3 MKIII, a standout among the most flexible optical limiters. Whether taming the dynamic range of a vocal, enriching a bass guitar's timbre, or applying creative compression to a drum track, achieving your desired outcome is intuitive. With its ability to create a wide range of captivating nonlinear dynamic effects, the XLA-3 MKIII is an invaluable asset in any musical setting.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Acme Audio","offers":[{"title":"Default Title","offer_id":44941411057956,"sku":"ITM000029","price":2249.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/acme-opticom-xla-3-mkiii-kmr.jpg?v=1680168260"},{"product_id":"acme-audio-opticom-xla-500","title":"Acme Audio Opticom XLA-500","description":"\u003ch2\u003e\n\u003cmeta charset=\"utf-8\"\u003eACME AUDIO OPTICOM XLA-500\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe Acme Audio Opticom XLA-500 is an impressive dual-slot single-channel valve limiter designed for the popular 500 series format, drawing inspiration from the renowned Opticom XLA-3 MkII. Meticulously crafted to retain the essential character of its larger sibling, the XLA-500 cleverly incorporates a tube in its makeup gain circuit, resulting in a more focused and rich sound.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eIt remains faithful to the triple optoelectronic circuit of its predecessor while benefiting from the added enhancements of Cinemag input and output transformers, ensuring it delivers the same functionalities as the original but with a distinct sonic personality.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe XLA-500 captures the same fat and warm sonic character typical of traditional tube optical limiters while surprising users with impressive speed and versatility. Its forgiving handling of vocals and instruments makes it a reliable go-to for any audio source. But unlike older opto compressors, this unit is far from a one-trick pony. It offers diverse tones, from clean and transparent to harmonically rich and even saturated and dirty.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eWith compression curves spanning from slow and gentle to very fast and aggressive, the XLA-500 showcases exceptional flexibility.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eMulti-Mode Optical Limiter with Innovative Triple Compression Curves\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eThe XLA-500 features three distinct modes: Normal, Fast, and Slow. In Slow mode, it preserves initial transients, offering subtle transient enhancement and dynamics control characteristics of conventional opto compressors. However, it doesn't stop there—thanks to its proprietary triple optoelectronic circuit, it blends the most desirable characteristics of three different compression curves into one unit. Add a Class A gain stage and CineMag input and output transformers to the mix, and you have a high-speed optical limiter capable of rivalling the performance of FET designs.\u003c\/p\u003e\n\u003ch2 data-mce-fragment=\"1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eA Versatile 500 Series Optical Limiter\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp data-mce-fragment=\"1\"\u003eConsidered one of the most versatile 500 Series optical limiters available, the Opticom XLA-500 facilitates a myriad of audio applications. Whether it's gently controlling the dynamic range of a vocal, adding thickness and weight to a bass guitar, or achieving aggressive drum track compression, the XLA-500 accomplishes it all effortlessly. With its ability to produce a wide range of nonlinear dynamic effects, this limiter is a perfect fit for any musical setting, allowing artists and engineers to explore and create confidently.\u003c\/p\u003e","brand":"Acme Audio","offers":[{"title":"Default Title","offer_id":44941411254564,"sku":"ITM000031","price":832.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/acme-opticom-xla500-kmr.jpg?v=1680168261"},{"product_id":"anamod-audio-am660","title":"AnaMod AM660","description":"The \u003cstrong\u003eAnaMod AM660 Limiter\u003c\/strong\u003e is single channel solid state 500-Series module based on the mono Fairchild compressor.\n\n\n\nWith the Fairchild 660 compressor as its inspiration, the AnaMod AM660 has been designed to offer you that same legendary sound that graced classic recordings by the greatest engineers and bands of their day. But this one is a neat single channel unit and is ready to slip straight into your 500 Series rack.\n\n\n\nAs befits a classic recreation, the AnaMod AM660 has a beautiful vintage appearance with large VU meter and a simple control panel - switchable attack\/release presets and an Input Gain and Threshold control are all that the Beatles needed - so that should be good enough for you to be getting along with, as well.\n\n\n\nEmulating the smooth tone and subtle control and behaviour of the original using the AnaMod modelling process, has resulted in a fine-sounding, long sought-after piece of recording history being available for 500 Series racks with the AnaMod AM660.\n\n\n\n\u003cstrong\u003eAnaMod AM660 Limiter Overview:\u003c\/strong\u003e\n\n\n\n‚Ä¢\tInput Impedance: 20KŒ©, balanced \n\n‚Ä¢\tOutput Impedance: less than 50Œ© \n\n‚Ä¢\tMax. Output Level: +27dBu, balanced \n\n‚Ä¢\tInput Gain: -15 to +15 dB \n\n‚Ä¢\tFrequency Response: +\/- 1 dB from 40Hz to 15kHz \n\n‚Ä¢\tNoise Level: better than 73dB below +4dBu, 0-30kHz \n\n‚Ä¢\tLimiting Noises: same level as a vintage 660 with GE five star 6386 tubes and properly balanced \n\n‚Ä¢\tTotal Harmonic Distortion: level- and compression-dependent \n\n‚Ä¢\tCompression Ratio: Variable from 1: 1 to 20:1, level-dependent","brand":"AnaMod Audio","offers":[{"title":"Default Title","offer_id":44941420527908,"sku":"ITM000345","price":1499.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/anamod-am660-kmraudio.jpg?v=1680168425"},{"product_id":"api-2500-plus","title":"API 2500+","description":"\u003cp\u003eThe \u003cstrong\u003eAPI Audio 2500+ Stereo BUS Compressor\u003c\/strong\u003e is a fresh take on API's classic 2500 compressor design, with some features originally developed exclusively for the 50th anniversary edition, including the blend control for parallel processing and more.\u003c\/p\u003e\n\n\u003cp\u003eThe 2500 has always been seen by most studios as the \"go-to\" compressor for almost any mix BUS application, it's simplicity, versatility and sound quality has meant that it's found its way into countless studios around the world.\u003c\/p\u003e\n\n\u003cp\u003e2500+ is a refined take API's classic circuit, with some extra features to extend its capabilities and possible applications. The added blend control which was originally found on the 50th anniversary edition gives you three modes to control the compression results:\u003c\/p\u003e\n\n\u003cp\u003eOff for standard 2500 functionality, parallel for parallel compression and a wet dry mix ratio control, to let dial in precision results and potentially be a bit more aggressive with your settings!\u003c\/p\u003e\n\n\u003cp\u003eWith API's signature 2520 OP Amps, incredibly wide threshold lookup and their patented THRUST filtering, this new take on the 2500 gives you all the sonic qualities of the original, with some much appreciated mod-cons.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eThe main features of the API Audio 2500 Plus Include\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003e19\" Rackmount Stereo BUS Compressor\u003c\/li\u003e\n\n\u003cli\u003eOperates and dual mono or linked stereo\u003c\/li\u003e\n\n\u003cli\u003e2520 OP Amps\u003c\/li\u003e\n\n\u003cli\u003eVariable threshold control from -20dBu to +20dBu\u003c\/li\u003e\n\n\u003cli\u003eWet to dry ration control with three settings\u003c\/li\u003e\n\n\u003cli\u003eTHRUST circuit for precision side-chaining\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"ATI Group","offers":[{"title":"Default Title","offer_id":44941422002468,"sku":"ITM000423","price":2745.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/api_2500_plus.jpg?v=1680168471"},{"product_id":"api-529-stereo-compressor","title":"API 529","description":"\u003cp\u003eThe \u003cstrong\u003eAPI 529 Stereo Compressor \u003c\/strong\u003eis a 500 series compressor inspired by the legendary 2500 and featuring API’s renowned 2520 discrete Op Amps, Thrust control and choice of Feedforward or feedback compression.\u003c\/p\u003e\n\n\u003cp\u003eThe API 529 delivers API’s unmistakable warmth, clarity and punch in a flexible small two-slot 500 series module. Featuring API’s Thrust side chain circuitry the 529 lets you tweak the sidechain frequency response for punchy low end. It also boasts an Old\/New switch that allows you to switch between feedforward or feedback compression styles, as well as 3 selectable knee curve option to further tweak the compression response. Finally, an auto gain make up button lets you adjust threshold and ratio controls without affecting the output level.\u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eAPI 529 Stereo Compressor Main Features:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eContinuously variable detented Gain, Threshold, Attack, Ratio and Release controls\u003c\/li\u003e\n\n\u003cli\u003e10 segment LED meters show Gain Reduction and selectable Input or Output Level\u003c\/li\u003e\n\n\u003cli\u003eOver Threshold LED\u003c\/li\u003e\n\n\u003cli\u003ePatented \u003cem\u003eTHRUST® \u003c\/em\u003eSwitch for frequency dependent side chain control\u003c\/li\u003e\n\n\u003cli\u003e3 selectable compressor curve Knee settings\u003c\/li\u003e\n\n\u003cli\u003eSelectable New or Old switch for feed-forward or feed-back operation\u003c\/li\u003e\n\n\u003cli\u003eSelectable variable or auto compressor make-up gain\u003c\/li\u003e\n\n\u003cli\u003eThree way In\/Out including full hard relay bypass\u003c\/li\u003e\n\n \u003cli\u003eAudio circuit uses 2510 and 2520 Discrete Op Amps with transformer output\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"ATI Group","offers":[{"title":"Default Title","offer_id":44941422985508,"sku":"ITM000444","price":1857.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/api-529-kmr.jpg?v=1680168488"},{"product_id":"api-select-sr22-2-channel-compressor","title":"API Select SR22","description":"\u003cp\u003eThe \u003cstrong\u003eAPI Select SR22 \u003c\/strong\u003eis a dual-channel compressor that includes the same VCE compressor circuit as those found in the original ATI Paragon live mixing console.\u003c\/p\u003e\n\n\u003cp\u003eThe \u003cstrong\u003eAPI Select SR22 \u003c\/strong\u003eis a dual-channel compressor that includes the same VCE compressor circuit as those found in the original ATI Paragon live mixing console.\u003c\/p\u003e\n\n\u003cp\u003eThe API Select SR22 includes API's patented Thrust circuit on each channel. 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Capable of offering the sound and performance of the undoubted classic from which it is derived, the 54F50 from Audio Maintenance is built to an uncompromisingly high standard and as such represents great value for money.\u003c\/p\u003e\n\n\n\n\u003cp\u003eWith such care and attention to the details, the 54F50 is the perfect way to control the dynamics of your music and at the same time take the revered compression and limiting capabilities previously only offered in console units now long-defunct and largely unavailable - not to say unaffordable as well, in many cases.\u003c\/p\u003e\n\n\n\n\u003cp\u003eBy making and sourcing parts for old equipment, as well as producing DIY kits and hardware, Audio Maintenance has gone out to uphold the values and standards that have made the original equipment so collectible today - now with the Audio Maintenance 54F50 you can own a future classic.\u003c\/p\u003e\n\n\n\n\u003cstrong\u003eAudio Maintenance 54F50 Overview:\u003c\/strong\u003e\n\n\u003cul\u003e\n\n\u003cli\u003eClassic 4 stage (Class A) amplifier, 4 transformer design\u003c\/li\u003e\n\n\u003cli\u003eAll discrete component (no surface mount devices)\u003c\/li\u003e\n\n\u003cli\u003eEntirely hand assembled and tested in the England to exacting quality standards.\u003c\/li\u003e\n\n\u003cli\u003eLine Input: Carnhill transformer balanced (Mu-metal screened Classic VTB9046), 10k Input Impedance\u003c\/li\u003e\n\n\u003cli\u003eInterstage: Carnhill Mu-metal screened Classic VTB9045 and VTB9046\u003c\/li\u003e\n\n\u003cli\u003eLine Output: Carnhill transformer balanced (Classic full size output transformer)\u003c\/li\u003e\n\n\u003cli\u003eCompressor: (Class A) amplifier design\u003c\/li\u003e\n\n\u003cli\u003eRatio 1.5:1, 2:1, 3:1, 4:1 \u0026amp; 6:1\u003c\/li\u003e\n\n\u003cli\u003eDual attack speeds (Fast = 5mS, Slow = 25mS) *\u003c\/li\u003e\n\n\u003cli\u003eMake-up gain 0dB to 20dB in 2dB steps\u003c\/li\u003e\n\n\u003cli\u003eRecovery (release) 400mS, 800mS, 1.6S \u0026amp; Auto\u003c\/li\u003e\n\n\u003cli\u003eThreshold ‚Äì20dBu to +10dBu\u003c\/li\u003e\n\n\u003cli\u003eLimiter: (Class A) amplifier design\u003c\/li\u003e\n\n\u003cli\u003eDual attack speeds (Fast = 100uS, Slow = 5mS) *\u003c\/li\u003e\n\n\u003cli\u003eRecovery (release) 100mS, 200mS, 800mS \u0026amp; Auto\u003c\/li\u003e\n\n\u003cli\u003eThreshold +4dBu to +12dBu (in 1dB steps)\u003c\/li\u003e\n\n\u003cli\u003eStereo link via either the backplane edge connector, an XLR or both\u003c\/li\u003e\n\n\u003cli\u003eIlluminated meter selectable for input, output or gain reduction metering.\u003c\/li\u003e\n\n\u003cli\u003ePower off signal bypass\u003c\/li\u003e\n\n\u003cli\u003eEntirely stainless steel chassis.\u003c\/li\u003e\n\n\u003cli\u003eTotal current consumption 150mA (per unit)\u003c\/li\u003e\n\n\u003cli\u003eAlso available supplied as a pair in a box containing a \"mono\/stereo\" switch\u003c\/li\u003e\n\n\u003c\/ul\u003e\n\n\n\n\u003ch2\u003e\u003cstrong\u003eAudio Maintenance EZ1073-500\u003c\/strong\u003e\u003c\/h2\u003e\n\n\u003cp\u003eThe \u003cstrong\u003eAudio Maintenance EZ1073-500\u003c\/strong\u003e module is a dual-slot mono 500 Series hand-built Class A preamp and EQ module inspired by original 1073 unit.\u003c\/p\u003e\n\n\n\n\u003cp\u003eHand-made in Britain, the Audio Maintenance EZ1073-500 offers exceptional quality and a great sounding preamp and EQ for your 500 Series rack. Not surprising when you consider that it is derived from the legendary Neve 1073, but surprising when you read the comments by users that rate it alongside the original units.\u003c\/p\u003e\n\n\n\n\u003cp\u003eTo do that, Audio Maintenance built the EZ1073-500 with the finest components it could source, including the large output transformer, previously seen as a bar to making a 500 Series version - the microphone and line inputs have their own separate circuits too, including transformers - the Carnhills used throughout the EZ1073-500. 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The audio path uses a Class A discrete amplifier designs in a balanced configuration with radio steel laminated transformer coupling to the diode bridge element. The result is a very tight and musical character full of rich harmonics.\u003c\/p\u003e\n\n\u003cp\u003eEasy to use the DBC-M features six-switched attack and release times covering a wide range of options from fast to slower and even an interesting auto release mode.  A single Compress rotary knob adjusts the automatic ratio and threshold with ratio progressively increased as the gain reduction deepens. This ensures seamless control of very dynamic signals and complex percussive signals. 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Audio Taper allows the Chandler TG1 to work better with low input settings and the Harmonic Distortion that lets you add up to 2% distortion to your signal. 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These provide the best sound available with the Attack, Release and Shape Settings. There is also one Variable control which is controlled by the front panel.\u003c\/p\u003e\n\n\u003cp\u003eSlipping effortlessly between Compression and Limiting, or both, the \u003cstrong\u003eCrane Song STC-8\u003c\/strong\u003e can be transparent using the HARA postion on the front panel for a complete overload protection. If the signal path requires some extra character then switch in the KI postion, where it provides extra warmth, with the texture of sound dependant on the Attack, Release and Shape Control Settings.\u003c\/p\u003e\n\n\u003cp\u003eExtremely high quality metering and controls provide the final touches to one of the best mix compressors out there.\u003c\/p\u003e\n\n\u003cp\u003e \u003c\/p\u003e\n\n\u003cp\u003e\u003cstrong\u003eCrane Song STC-8 Features:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eCompressor Attack Time: FAST = measured by doing 18 dB of Gain Reduction. 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A true Dual detector is also employed instead of the usual one detector used in linking operation, avoiding the narrowing of the stereo image experienced with many compressors. As a result, the Dangerous Compressor is ideal for mastering application or as a transparent vocal compressor.\u003c\/p\u003e\n\n\n\n\u003cp\u003eIn addition to its great sound, the Compressor is extremely powerful and laden with features such as its flexible side-chain circuitry offering a Bass cut control and Sibilance. The former is ideal to avoid unnecessary triggering from low frequencies. A Sibilance Boost is also included which will control the excess sibilance and shrill sound without any post-compression hangover.\u003c\/p\u003e\n\n\n\n\u003cp\u003eThe Dangerous Compressor is also extremely simple to use. Simply press the button of your choice and turn the threshold knob to obtain great results in no time at all. Buttons include, a Smart Dyn Dual Slope Detection which will limit peaks while compressing the Average level, and an Auto Attack and Release which will help you set the compressor and forget it.\u003c\/p\u003e","brand":"Bigger Boat Distribution","offers":[{"title":"Default Title","offer_id":44941476331812,"sku":"ITM002033","price":2820.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/dangerous-compressor-kmr.jpg?v=1680169633"},{"product_id":"dav-bg4-stereo-compressor-limiter","title":"DAV Electronics BG4 Stereo Compressor\/Limiter","description":"\u003cp\u003e\u003cstrong\u003eDAV Electronics BG4 Stereo Compressor \/ Limiter\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cp\u003eBased on the original Decca mix limiter circuits and a beautiful example of audio manipulation.\u003c\/p\u003e\n\n\u003cp\u003eLow noise and distortion as the Decca 1977 circuit has been brought up to date\u003c\/p\u003e","brand":"DAV Electronics","offers":[{"title":"Default Title","offer_id":44941477183780,"sku":"ITM002060","price":708.33,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/bg4_mkii_front.jpg?v=1680169654"},{"product_id":"dav-bg6-stereo-compressor-limiter","title":"DAV Electronics BG6 Stereo Compressor\/Limiter","description":"\u003cp\u003eThe \u003cstrong\u003eDAV Electronics BG6\u003c\/strong\u003e is a Decca Heritage compressor\/limiter, based on the classic BG4.\u003c\/p\u003e","brand":"DAV Electronics","offers":[{"title":"Default Title","offer_id":44941477347620,"sku":"ITM002065","price":474.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/bg6photo_2.jpg?v=1680169660"},{"product_id":"dave-hill-designs-titan","title":"Dave Hill Designs Titan","description":"\u003cp\u003e\u003cstrong\u003eDave Hill Designs Titan\u003c\/strong\u003e is an analogue compressor \/ limiter with a very large range of colour and control choices with recall.\u003c\/p\u003e\n\n\u003cp\u003eThe main audio path is a discrete Class A design. 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These controls have their settings displayed on the colour LCD display.\u003c\/p\u003e\n\n\u003cp\u003eThe Shape control shows the knee of the compressor, with the knee characteristic being graphically drawn on the LCD to allow the user to see the knee's shape. The graphical display updates with the changing of the Threshold and Shape controls.\u003c\/p\u003e\n\n\u003cp\u003eWhen stereo linked the unit selected as control master will control all functions on the second channel. 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In addition to the release of the Obsidian 500, there will be a Dual Mono Expansion module available which gives you independent metering for each channel, and access to the side chain inputs, which can be crucial for many applications.\u003c\/p\u003e\n\n\n\n\u003cp\u003e\u003cstrong\u003eDramastic Audio Obsidian 500 Features:\u003c\/strong\u003e\u003c\/p\u003e\n\n\u003cli\u003eTXIO Enhanced™ Transformer Balanced I\/O\u003c\/li\u003e\n\n\u003cli\u003ePrecision Stepped Controls To Accurately Recall Settings\u003c\/li\u003e\n\n\u003cli\u003eVCA Feed-Forward Compression\u003c\/li\u003e\n\n\u003cli\u003eSelectable Internal High Pass Filter\u003c\/li\u003e\n\n\u003cli\u003eExpansion Port For Additional Features\u003c\/li\u003e\n\n\u003cli\u003eLink Multiple Modules Together\u003c\/li\u003e\n\n\u003cli\u003eSelectable Pad Settings\u003c\/li\u003e\n\n\u003cli\u003eSuperior Imaging\u003c\/li\u003e\n\n\u003cli\u003eRatio settings: 1.5:1, 2:1, 4:1, 8:1, 10:1, 12:1 and 20:1\u003c\/li\u003e\n\n\u003cli\u003eAttack control range: 0.1, 0.3, 1.0, 3.0, 10, and 30 mSec\u003c\/li\u003e\n\n\u003cli\u003eRelease control range: 0.1, 0.3, 0.6, 1.2 sec, AUTO and Lo-Fi\u003c\/li\u003e\n\n\u003cli\u003eHPF settings: 30Hz, 60Hz, 105Hz, 125Hz, 185Hz, 330 Hz\u003c\/li\u003e\n\n\u003cli\u003eMakeup Gain Output 12 db\u003c\/li\u003e\n\n\u003cli\u003eMade in USA\u003c\/li\u003e","brand":"Dramastic Audio Corp.","offers":[{"title":"Default Title","offer_id":44941487571236,"sku":"ITM002580","price":2150.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/obsidian_500_stereo.jpg?v=1680169840"},{"product_id":"dramastic-audio-obsidian-500-dual-mono-expansion","title":"Dramastic Audio Obsidian 500 Dual Mono Expansion","description":"\u003cp\u003eThe \u003cstrong\u003eDramastic Audio Obsidian\u003c\/strong\u003e, through the use of several proprietary methods, performs a range of tasks unheard of from the average SSL type VCA buss compressor.\u003c\/p\u003e\n\u003cp\u003eThe \u003cstrong\u003eDramastic Audio Obsidian 500 Dual Mono Expansion\u003c\/strong\u003e adds dual mono functionality to the Obsidian 500\u003c\/p\u003e\n\u003cp\u003eThe Dramastic Audio Obsidian 500 Dual Mono Expansion links to the Obsidian 500 via the Expansion port and provides independent metering for both Left and right channels as well as duplicating the controls allowing for different settings on each channels.\u003c\/p\u003e\n\u003cp\u003eWith the Dual Mono Expansion, it is also possible to use the secondary inputs of your 500 Series Chassis as a Side-chain input\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSpecifications :\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eDuplicate set of precision stepped controls\u003c\/li\u003e\n\u003cli\u003eIndependent metering of left and right channels\u003c\/li\u003e\n\u003cli\u003eExternal Side-Chain input for left and right channels\u003c\/li\u003e\n\u003cli\u003eExpansion port for linking to the obsidian 500\u003c\/li\u003e\n\u003cli\u003e1 Year Limited Warranty\u003c\/li\u003e\n\u003cli\u003eMade in USA\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Dramastic Audio Corp.","offers":[{"title":"Default Title","offer_id":44941487604004,"sku":"ITM002581","price":1895.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/obsidian_500_dual_mono.jpg?v=1680169841"},{"product_id":"drawmer-1968","title":"Drawmer 1968 MkII","description":"\u003cp\u003eThe \u003cstrong\u003eDrawmer 1968 MkII \u003c\/strong\u003eis a dual-channel Tube\/FET stereo buss compressor designed to provide a transparent and open sound even at high compression.\u003c\/p\u003e\r\n\u003cp\u003eThe Drawmer 1968 MkII uses a J-FET gain reduction circuit designed to provide faster compression than the original Drawmer 1960 while a 12AX7 valve is provided at the makeup gain amplifier stage. This latter stage adds up to 20dB of additional gain. To keep the sound transparent, the 1968 MkII uses a soft knee compression where the ratio increases with the amount of gain reduction.\u003c\/p\u003e\r\n\u003cp\u003eFurthermore, it boasts improved attack times with six predefined choices: 2ms, 9ms, 15ms, 30ms and 50ms. Release time include three fixed times options (100ms, 500ms and 1s) as well as three program-dependent settings (200ms-2s, 500ms-5s and 1s-10s).\u003c\/p\u003e\r\n\u003cp\u003eSide-chain connections are provided allowing the unit to be used in conjunction to an EQ or Side-chain signal for ducking. Switchable Big and Bigger modes use side-chain hpf reducing the amount of processing applied to the low end creating a more solid low frequency and less unwanted pumping.\u003c\/p\u003e\r\n\u003cp\u003eBoth Channel 1 and 2 include an illuminated VU meter which glows yellow when signal passes through and changes to red to signify approaching to clipping. The main VU meters can be assigned to normal ouptut levels, gain reduction or VU + 10dB for users working at high output levels.\u003c\/p\u003e\r\n\u003cp\u003e\u003cstrong\u003eDrawmer 1968 MkII Main Features:\u003c\/strong\u003e\u003c\/p\u003e\r\n\u003cul\u003e\r\n\u003cli\u003e2 Channel Tube\/FET Compressor.\u003c\/li\u003e\r\n\u003cli\u003e2 soft-knee compressors with variable threshold, attack, release and output gain.\u003c\/li\u003e\r\n\u003cli\u003eSwitchable BIG and BIGGER control on each channel.\u003c\/li\u003e\r\n\u003cli\u003eDual mono or true stereo link operation.\u003c\/li\u003e\r\n\u003cli\u003eSide chain access and side chain listen facility.\u003c\/li\u003e\r\n\u003cli\u003eVU metering of gain reduction and output levels.\u003c\/li\u003e\r\n\u003cli\u003eSwitchable +10dB mode on VU re-scales the meter for users working at ‘hot’ output levels.\u003c\/li\u003e\r\n\u003cli\u003eVU red warning glow to signify ‘approaching clipping’.\u003c\/li\u003e\r\n\u003cli\u003eBalanced +4dB XLR in\/outs.\u003c\/li\u003e\r\n\u003cli\u003eDue to customer demand we have introduced new features to the 1968 MkII:\u003c\/li\u003e\r\n\u003cli\u003eExpanded the BIG to include BIGGER - setting the filters to 75Hz and 150Hz.\u003c\/li\u003e\r\n\u003cli\u003eAdded internal jumpers that can be configured to remove the soft clip section.\u003c\/li\u003e\r\n\u003cli\u003eAdded internal jumpers to make the output hotter by 6dB, if required.\u003c\/li\u003e\r\n\u003cli\u003eImprovement have been made to the PSU to lower the noise floor.\u003c\/li\u003e\r\n\u003c\/ul\u003e","brand":"Drawmer Electronics Ltd","offers":[{"title":"Default Title","offer_id":44941487669540,"sku":"ITM002583","price":1220.83,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/drawmer-1968-mkii-kmr.jpg?v=1680169844"},{"product_id":"drawmer-1973-three-band-stereo-compressor","title":"Drawmer 1973 Three-Band Stereo Compressor","description":"\u003cp\u003eThe \u003cstrong\u003eDrawmer 1973\u003c\/strong\u003e is a stereo FET three-band multi-band compressor inspired by the world-class Drawmer S3 the 1960 and 1968 processors.\u003c\/p\u003e\r\n\u003cp\u003eThe Drawmer 1973 provides transparent soft-knee compression on all three-bands with variable 6dB\/oct crossover points. In addition to the usual Threshold, Attack, Release and Gain makeup, each band features a bypass and mute function giving you much more flexibility and letting you tune in the frequency you want to compress easily. Two modes, Big and Air, are included to help preserve the very deep lows and enhance the sparkle in your highs. Parallel compression is also possible with a Wet\/ Dry knobs and output gain control.\u003c\/p\u003e\r\n\u003cp\u003eTwo analogue VU metres are included with switchable +10dB metre modes and a switchable Peak mode to display fast transients. The 1973 is built with the same quality found on all Drawmer products wih a rugged steel chassis and aluminium front panel. 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The inclusion of new sophisticated 'automated' circuitry allows the engineer to precisely control both the dynamic range and 'absolute' peak level of the programme instantly, without sacrificing essential control parameters.\u003c\/p\u003e\n\n\u003cp\u003eThis perfect balance of features makes the DL441 ideal for use in sound reinforcement and outside broadcast applications where an economy in rack space is essential. Each channel combines a fully professional 'Auto Attack\/Release' Compressor with a variable threshold 'Peak Level' Limiter on the output providing a transparent 'endstop'. 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HARD knee compression can also be used creatively as an effect, particularly in the treatment of drum and guitar sounds, or for giving rock vocals a 'compressed sound'.\u003c\/li\u003e\n\n\u003cli\u003eAuto Attack and Release - removes the need for manual adjustment by producing a response that constantly follows the dynamics of the signal. This enables the DL441 to preserve crisp transients without allowing excessive peaks to occur. A smooth yet lively recovery from compression minimizes side effects such as 'pumping' and 'breathing'. This feature is particularly valuable when the program being treated does not have predictable or consistent dynamics, such as complete mixes, vocals or 'slapped and pulled' bass guitar.\u003c\/li\u003e\n\n\u003cli\u003ePeak Level Limiter - 'Zero Response Time', 'Zero Overshoot' circuitry provides an absolute limit to the peak level of the output signal, adjustable from 0db to +16dB above system level. 'Zero Response Time' transparent limiting means that the DL441 provides complete protection from even the fastest and shortest signal overloads, making the unit ideally suited for speaker system protection in sound reinforcement applications. The sophisticated circuitry will also prevent unpleasant distortion when used for digital mastering.\u003c\/li\u003e\n\n\u003cli\u003eMetering - Comprehensive bar graph displays give 'at a glance' indications of gain reduction, and input\/output signal level\u003c\/li\u003e\n\n\u003cli\u003eGain reduction from 1dB to 30dB is shown simultaneously with signal level from 10dB to +10dB. When the channel is in BYPASS the output bar graph displays the input signal level.\u003c\/li\u003e\n\n\u003cli\u003eOther single LEDs indicate function status of Hard\/Soft compression, Bypass, Peak Limiting, Linking, and Power on.\u003c\/li\u003e\n\n\u003cli\u003eBypass - A fully balanced hard-wire bypass connects the input directly to the output allowing signal to pass through the unit with no power applied. Stereo Linking - Channels 1-2 and\/or 3-4 can be stereo linked, where the left channel of the stereo pair becomes the master.\u003c\/li\u003e\n\n\u003cli\u003eOperating Level - The operating level of the DL441 can be instantly switched, independently on each channel, for either +4dBu or 10dBu operation using a rear panel push switch. Input\/Output - The DL441 is provided with balanced inputs and outputs on XLR connections.\u003c\/li\u003e\n\n\u003c\/ul\u003e","brand":"Drawmer Electronics Ltd","offers":[{"title":"Default Title","offer_id":44941490127140,"sku":"ITM002603","price":1079.17,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/drawmer-dl441-kmr.jpg?v=1680169867"},{"product_id":"drawmer-ds201","title":"Drawmer DS-201 Dual Noise Gate","description":"\u003cp\u003eThe DS201 is a sophisticated dual channel noise gate incorporating a number of features pioneered by Drawmer, which are invaluable to the sound engineer, and not found on conventional noise gates. \u003c\/p\u003e\n\n\u003cp\u003evariable high pass and low pass filters for \"frequency conscious\" gating \u003c\/p\u003e\n\n\u003cp\u003ecomprehensive envelope control, attack, hold, decay, and range \u003c\/p\u003e\n\n\u003cp\u003ekey input for external triggering \u003c\/p\u003e\n\n\u003cp\u003e\"key listen\" facility \u003c\/p\u003e\n\n\u003cp\u003eextremely fast attack time, to preserve the natural attack of the sound \u003c\/p\u003e\n\n\u003cp\u003ebalanced inputs and outputs \u003c\/p\u003e\n\n\u003cp\u003estereo linkable \u003c\/p\u003e\n\n\u003cp\u003ecan be used for \"Gating\" or \"Ducking\" \u003c\/p\u003e\n\n\u003cp\u003ehigh audio specification \u003c\/p\u003e\n\n\u003cp\u003eThese features and its \"user friendliness\" have made it the \"industry standard\" throughout the world. \u003c\/p\u003e\n\n\u003cp\u003eSetting up noise gates can be tedious and unrewarding. For example, when attempting to separate a signal from unwanted noise or crosstalk that is relatively high in level, spurious triggering of the gate by unwanted components within the sound can be a serious problem. This can often be experienced in the studio when recording a drum kit. If a gate is used to clean up the snare drum sound it is quite likely that the nearby hi-hats will spill into the snare drum microphone and cause the gate to open. Increasing the threshold level may cure this problem, but then there is a very real danger that any quieter snare drum beats may not cause the gate to open at all and the performance can easily be ruined. \u003c\/p\u003e\n\n\u003cp\u003eThe DRAWMER solution to this problem is the inclusion of two variable filters, one high-pass and one low-pass, which act upon the side-chain keying circuitry. By setting the output switch to key listen the user can hear the action of the filters and adjust them to reject high frequency spillage from the hi-hats. This now enables the gate to only open on the lower frequencies present in the snare drum. \u003c\/p\u003e\n\n\u003cp\u003eDrawmer pioneered the concept of frequency conscious gating, and the Drawmer DS201 was the first noise gate to include this feature. \u003c\/p\u003e\n\n\u003cp\u003eThe very fast attack of the DS201 means that it can open in a matter of micro seconds, thus preserving the natural attack of whatever sound is being gated and the comprehensive envelope controls mean that the gain can be changed at whatever rate best suits the material being processed. With vocals for example, a fairly fast attack is needed so as not to clip the leading consonants but a slower release time will prevent the end of words being clipped off and will also fade out any noise gradually rather than cutting it off abruptly. This latter point is very important as the human ear is far more sensitive to rapidly changing noise levels than to a constant low level noise. \u003c\/p\u003e\n\n\u003cp\u003eAnother important role played by the gate is in the reshaping of existing sounds. An example of this might involve a simple sampling delay line used to store a sound to be re-triggered later and added to a mix. A gate can be used to impart a slower attack or faster decay to the sound and careful setting of the decay envelope can effectively hide any noise present at the end of the sample. When using a sampler or drum machine the gate can be considered a triggered envelope shaper, and the wide range allowed by the envelope controls make the DS201 ideal for this application. \u003c\/p\u003e\n\n\u003cp\u003eThe unit can be switched to accept a key input, which allows the gate to be triggered externally. An example of this would be to use a snare drum signal to open the gate on a separate ambient microphone to create a natural alternative to gated reverb. \u003c\/p\u003e\n\n\u003cp\u003eEach channel can be individually switched from Gating to Ducking for 'voice over' applications or the removal of 'clicks' and 'pops'.\u003c\/p\u003e\n\n\u003cp\u003eOne ex-demonstration unit available. Full warranty.\u003c\/p\u003e","brand":"Drawmer Electronics Ltd","offers":[{"title":"Default Title","offer_id":44941490159908,"sku":"ITM002604","price":791.67,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/products\/drawmer-dl201-kmr.jpg?v=1680169867"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0707\/4915\/9716\/collections\/KMR-Audio-Dynamics-Collection.jpg?v=1732146680","url":"https:\/\/kmraudio.com\/collections\/dynamics.oembed","provider":"KMR Audio","version":"1.0","type":"link"}