ImageGuy

My photography, my art, my thoughts.

A time to remember…

I was born in mid-September, so autumn has always been a season that has special memories for me. Growing up in Georgia, autumn came on somewhat slower than here in the northeast, but the feelings of the first chill air, the changing trees, the smells of leaves burning still return every year and take me back. I lived on a small dirt road (at least it was then, now it’s paved) in Decatur. Our front yard was fairly small, though as a child it felt quite large. There were two large oak trees in the front yard so leaves had to be raked. They were usually piled at the edge of the yard in the roadside where they might have gotten jumped in a few times before they were eventually burned. This would not be a raging flame, but instead a slow smoldering smokey fire that would fill the neighborhood with a wonderful oaky smell. I get those same feelings when I walk in my back yard, kicking the acorns from the oaks in the back by the fence and smell our wood stove on the chilly breeze.

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As I walked the dog this morning up past Joan and Joel’s house, there were two does watching us from across the street. Later, a little farther up the road, two more does bounded off through the woods as we approached, their white tails waving as they leapt away. Margot and I walked to our usual turn around and as we began back down the hill a red fox darted out into the road and, upon seeing us approaching, thought better of it and turned back up Joel’s drive way.  Margot bounded through the leaves on the side of the road like the child in the leaf pile.

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Last night I went to play cards with friends on Bostwick Road. Dave and Mary Rose own the Bostwick House B&B and their gothic Victorian sits high on Bostwick hill with amazing views out across the valleys south of Ithaca. The sky was an amazing color with beautiful thin clouds at dusk and a huge full moon was rising from the east. They have several laying hens that roam the yard and scratch about, following you like pets. A rare night.

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I walked the trail to the falls last weekend at Taughannock Park to enjoy the peak fall color. We are so lucky here to be surrounded by amazing landscapes and the glory of nature. The road sides and farm fields are so beautiful this time of year with red sumac, asters and golden rod, teasels and wild grape. Fields of drying corn and weeping sunflowers stretch out under the autumn clouds. Maples glow an amazing red-orange against blue sky. The vibrance of the colors almost difficult to look at.

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The splendor of this transition will be over all too soon, giving way to bare trees, cold wind, and the inevitable snows of winter. Time to hunker down and feed the wood stove and make a big pot of soup.

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All images are Copyright © George Cannon, All Rights Reserved.

Running To Places finishes the season with Wind in the Willows

Running To Places, Ithaca’s youth theatre company, has finished their 2010 season with their final production, Wind in the Willows.  Staged at the Community School of Music and Art in Ithaca, a fine group of young actors, including many newcomers, put on great entertainment with a great family oriented show.

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Ally Mirin as the lovable Mole and Alex Crenshaw as the every correcting and slightly bossy Rat ventured, as the best of friends, up and down the river and through the wild woods, teaching mole the ways of surviving in the world. The wild woods are dangerous, with the always lurking band of weasels, ferrets, stouts, and fox.

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Adventure came with the introduction of the reckless Toad played with great verve by Sais Meyerhoff. We are further introduced to other wonderful characters as Toad takes Mole and Rat along on the caravan where we meet the depressed and cranky Alberta, the horse, played by Allison Mollenkamp.  Toad’s desire for all things new and exciting regardless of the cost, leads to further misadventures despite the efforts of Mole, Rat and their friend, Badger, played by Max Mollenkamp, to tame Toad’s wild extravagances and misbehavior.

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Toad is sent to prison for car theft, only to escape with the help of the jail attendant, the washerwoman, a barge woman and train engineer. The weasel band is always in hot pursuit.

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Toad is joined by Mole, Rat, and Badger, who sneak in through a secret passage to reclaim Toad Hall from the weasel band and Toad agrees to become a new, restrained, and more humble Toad, only to discover doing so brings her more attention than ever before.

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The play was truly fun and entertaining, and despite the few scenery mishaps, the cast came through like true theatre veterans to bring another great Running to Places season to a close. A great job, guys, as always.

Thanks to Joey, Gail, and everyone else who works so hard to help these great kids to realize their talent and give them the chance to express themselves, build skills and friendships, and entertain us all. Thanks also for letting me be a part of this family and experience what you all do up close and personal. It’s been a great season and I am excited for the beginning of season 4. It promises to be great once again.

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As usual, images from this and all R2P productions are available at http://imageguy.zenfolio.com with 20% of the proceeds going back to Running To Places.

All images are Copyright © George Cannon.

Running To Places does Guys and Dolls

On August 13th, 14th, and 15th, at Ithaca’s State Theatre, Running To Places Theatre Company again presented an amazing performance. This time it was Guys and Dolls. An amazing cast, full pit band, and great supporting team once again gave stellar performances to everyone’s delight. It was sort of bitter sweet in that so many of the cast members were graduating seniors this year and are now leaving for college, so we will miss their incredible talents. First on that list is Jeremy Pletter who played Nathan Detroit. Jeremy is a veteran of so many shows with a booming deep voice. This time he put on the squeaky Brooklynese accent to give great life to his character and, as always, delivered a marvelous performance. Humorous, lovable, expressive, and utterly entertaining.We will really miss you Jeremy.

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Opposite his role was the totally professional Valerie Kilmer as Adelaide. Valerie has such poise and charisma, a fantastic voice, and a natural talent for the stage. She is an absolute joy to watch. I can easily imagine her in a Broadway performance. She’s that good. Best of luck, Valerie.

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The other leading roles went to two other seniors. Sarah Steurer played the lovable Sarah Brown who falls for gambler Sky Masterson played by Adam Beckwith. Sarah was perfect for the part with an innocence and vulnerability fitting the part. The handsome Adam dapperly dressed as the high roller Sky gave another masterful performance as he has always done in so many R2P productions.

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Jacob Clay gave another fabulous performance as Nicely Nicely, and terrific supporting roles from St. John Faulkner, Nola Booth, James Potter, and the rest of the cast made the show a huge success. Wonderful choreography from Todd Peterson for all the main performers and the big productions of the Hot Box Girls and the Havana Dancers looked great on stage to wonderful songs like Sit Down You’re Rockin’ The Boat and Bushel and a Peck.  And stunning solo performances like Adelaide’s Lament by Valerie and My Time of Day by Adam and great duets like I’ve Never Been In Love Before and Marry The Man Today by Sarah, Adam, and Valerie testified to the amazing talents of these young artists. All of you were amazing.

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The pit band, led by Mike Wade, was outstanding, and thanks and praise must also go out to all the rest including Joey and Gail, Travis, Rica, Nick, Katarina, Allison, Brianna, Katie, Max, and everyone else that worked so hard on the show. You always excel and never disappoint. Thank you all for another great entertaining production.

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All images are Copyright © George Cannon.

Images from this show and all Running To Places productions can be purchased at http://imageguy.zenfolio.com with 20% going back to Running To Places.

Katie and Jake at Cornell

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Back in December I met with Katie and Jake to talk about their wedding and was very pleased when they booked with me. I knew when I met them that their wedding would be beautiful and fun. Both living in California now, they are originally from this area so came back to Ithaca to be married at Sage Chapel on the Cornell campus on June 26th.  The weather teased us that day threatening rain all day, but fortunately spared us the umbrellas (though not the summer heat).
I met Katie and her bridal party at Innovations in downtown Ithaca for hair and makeup. As is often the case, parties and late nights left everyone kind of dragging a bit, but the excitement was still there.  Katie is a small girl with the longest eyelashes I have ever seen.

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The guys were having a cold one and watching the World Cup matches at The Rose tavern with Katie’s dad after shooting some hoops earlier.

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I returned to the Statler Hotel at Cornell to shoot the bride getting ready amidst the cell phone calls, pizza deliveries, and bustling about with last minute preparations. My daughter, Tessa, met me there to play the role of assistant for the day. Her first venture into that realm, but a great help and fun to have her along. The bridal party was having a great time up in the room. Katie’s dress was gorgeous, sleek and smooth, with amazing beading down her bare back.

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After a while in the bridal suite, I returned to Sage to wait for the guys to arrive.  I met Eric, the videographer,  there from Black Tie Entertainment up in Syracuse (they provided the DJ services as well) and we spoke about plans for images and how best to cooperate with each other. I also met Sara White from Wildflowers in Dryden, NY who was supplying all the beautiful calla lilies for the wedding.

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The ceremony was fairly short and very sweet. The wedding party gathered outside for formal groups and then we boarded the limo bus for some bride and groom shots. At this point, unfortunately, we were running a bit behind schedule and had to cut out special picture time short, foiling plans to go to the Cornell Arboretum for some bride and groom shots in the landscape. A disappointment, but these things happen so you go with the flow.

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Back at the Statler, the room was beautiful. The food was delicious. The bar was open and the party was off and running. The cake was small and symbolic, but a work of art. The bride and groom were encouraged to kiss, not by the traditional clinking of the glasses, but by table groups standing and singing love songs to them. Great fun.

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As I have always found, it was the bride’s maid that were the life of the party (thanks Gina), though some of the older members of the guests cut a pretty mean rug as well.

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All in all, a wonderful occasion and a beautiful wedding with a great couple. Thanks to Katie, Jake, The Benningers, and all the wedding party for making me feel so welcome and including me in the festivities. You guys were all great!

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All Images are Copyright © George Cannon. All Rights Reserved.

Armstrong 2010 Dance Recital

ASD is back for another amazing annual recital.

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Even though my daughter is no longer dancing with the Armstrong School of Dance since she graduated high school last year and has moved on to college, I still miss seeing these beautiful young dancers and still feel compelled to go and photograph their annual performance. As always, this year’s recital took place at Ithaca College’s Ford Hall. Split into two major productions, with the tiny tots dancing early and the older girls dancing later, it was great to return and see those familiar faces.

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I am only allowed to photograph at dress rehearsal and it always seems that no matter how early I get there and position myself, at the last minute a six foot eight guy with a big head will sit two rows in front and I’m shooting around him all night. But that being said, it took nothing away from great dancing from tiny peanuts to the team girls and graduating seniors. This year the team Moms even got on stage and I have to hand it to them. Karen made them run through the whole thing twice at rehearsal and I’m not sure I would have that kind of stamina. Bravo, Moms! You did great.

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I believe what I love most with the tiny kids are the expressions, the way they either keep their eyes fixed on their teacher (usually on stage with them) or the way they seem totally distracted and wave at relatives in the audience in their first big onstage experience. They are so adorable and I struggle to keep my eyes working all the time because there is so much cuteness to capture.

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I loved the tributes to Michael Jackson with the gloves that swallowed the tiny hands. The excitement, the pride, the joy at performing and wearing the sparkly costumes. It’s every tiny girl’s dream to have all eyes on them on stage and they never disappoint whether they remember the steps or not.

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It’s wonderful to see the older girls dance every year too, because so many of them I have seen grow and mature as dancers and young women over the last several years. I wished my daughter was back up there dancing with them, because I always loved watching her with this group so much. But all the same, I still feel a real affection for these students that follow in her footsteps and still feel as though our family is part of the Armstrong family. It’s part of what continues to bring me back.

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Also, since I have been so connected with Running To Places Theatre Company, it’s great to see faces from R2P in the ranks of Armstrong dancers and have that double connection now.

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So to Karen and all the team girls, I wish you the best of luck at nationals this year. I enjoyed seeing you all dance again this year so very much. You are all so beautiful, graceful, athletic, talented, and entertaining. Thanks for another great performance. Life is short, DANCE HARD!

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All Images are Copyright © George Cannon.

These pictures and many more from my shoot are available at http://imageguy.zenfolio.com.

R2P2 Second Stage Premieres with “The Last Five Years”

As if Running To Places didn’t have enough going on, they have launched a second stage dubbed R2P2 to serve as an experimental lab for some of the older students. R2P2 will give these young theatre enthusiasts a chance to take a bigger role in all phases of the production. So from June 7th through today, they are presenting their first production, launching with “The Last Five Years”, a wonderful off-Broadway story by Jason Robert Brown of Jamie and Cathy in their five year relationship.

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Told as a one-act, two person musical it follows a unique path with Cathy’s version starting at the end of their relationship and working backward, while Jamie’s version starts at the beginning and moves forward. It is a beautiful, sensitive, and intimate portrayal performed like professionals by Kevin Hilgartner as Jamie and Alex LoPinto as Cathy.

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To add to the intimacy, the production was staged at Risley Hall Theatre on the Cornell University campus. A small theatre with only 90 seats, it brings the play closer and more personal and makes the touching story and dynamic performances of these two young actors real and very moving.

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Alex LoPinto conveys the emotions of sadness and disappointment at a relationship that has reached its end, the unsure but hopeful years of connection with Jamie, and finally the early years of struggling to become a success on her own while reaching out to a new relationship. She is a beautiful young woman with a strong clear voice and the ability to hold you captivated with her emotion and believable portrayal.

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Kevin Hilgartner does a fabulous job with the character of Jamie, the young author who wants success and will not let go of the rising path of his career. He falls for Cathy and struggles with the balance of his goals and his love and support of her. In the end, he turns to another, frustrated yet determined to continue on his life path, now without Cathy.

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The show was directed by Kevin’s brother, Nathan Hilgartner, who has starred in other R2P productions such as “the Music Man, and “The Man Who Came To Dinner”. You did a fabulous job, Nathan, in bringing real life, hope and poignancy to the performances of Jamie and Cathy.

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Music direction was from Jeremy Pletter, another current R2P member who has appeared regularly in their productions and provided such an incredible performance as the carnivorous plant in “Little Shop of Horrors” last season.

Elaine Young served as stage manager with set design by Technical Director, Mike Garrett and costumes by Aaron Porter and Shauna Belokur.

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It is a touching and emotional story and presented with maturity and professionalism by this new team and promises to bring to our community even more of the amazing talent of Ithaca’s young theatre performers. Bravo, R2P2 on a resounding inaugural production, Bravo!

All images are Copyright © George Cannon.  Images from all Running To Places productions are available at http://imageguy.zenfolio.com with 20% going back to support Running To Places.

R2P – You’re a Good Man, Charlie Brown at the State Theatre

On May 22nd, 23rd, and 24th, Running To Places, Ithaca’s amazing youth theatre company, presented “You’re a Good Man Charlie Brown” at Ithaca’s State Theatre. With only a small cast of six incredibly talented young performers, they offered up a load of entertainment, bringing to life the comical characters of the Peanuts comic strip.

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Galen Gibian played the lovable but always frustrated Charlie Brown. Whether struggling to get his kite off the ground, managing the ever losing baseball team, or obsessing over that little red-haired girl, Charlie’s failures continue to plague him through the show. Taunted constantly by Lucy, played by Sophie Potter, Charlie just can’t get a break. I have to say I could really see Lucy’s character come to life when Sophie would clench her fists by her side, throw her head back and yell AAAAARRRRRGGGGHHHH!

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Linus clutched his blanket tightly, explaining philosophically how important it is for a child to have something to hold on to for security. Wonderfully played by Marcel Merwin, Linus danced with animated blankets in a really sweet number choreographed by Todd Peterson, who does such an amazing job throughout the show with all of these talented kids.

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Shroeder, played by Elias Spector-Zabusky, did his best to ignore the amorous rantings of Lucy, quizzed Sally on her frustrations with jump ropes, and gave a great performance with Beethoven’s Birthday. Elias is a veteran of numerous R2P productions and never fails to entertain.

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Another veteran performer, like Elias and Marcel, is the ever popular and totally captivating Kasia Sendek, who played Charlie’s little sister, Sally. Every time I see Kasia perform, I am just blown away. Whether she is singing, dancing, or just stealing our hearts, she is a show stopper every time. Her monologue about her “C” in coat hanger sculpture is one for the scrapbook. And her duet performance with Elias doing “My Philosophy” was a smash.  Bravo, Kasia.

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And finally, the ever lovable Snoopy was played by Shauntle Barley. Shauntle amazed us all with her dance and acrobatics on stage. She is astoundingly flexible and and graceful, and another amazing talent among the pool of R2P performers. Snoopy tickled our funny bone over and over with great tongue-in-cheek humor and silent sarcasm and with the help of great staging and a flying dog house, took us on a search and destroy mission in his Sopwith Camel in search of the infamous Red Baron. Snoopie’s Suppertime routine was one of the most fun performances in the show.

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As always, Gail, Joey, Todd, and music director Jon Riss, did a fantastic job of shaping this small group into a wonderful, entertaining production. Not to leave out all the others, and there are many, who do so much more in making these productions a success behind the scenes. Special kudos to Alexander Woods and Laura Krassowski for amazing sets, to Molly Hennighausen for another great job as stage manager. And to the many I have not mentioned here, including the rest of the production and stage crews, musicians, the many who help with costumes, tickets, concessions, and everything else, and of course the sponsors and supporters and parents, thank you all for all you do to make these performances happen. Our community is so much better in so many ways for what this theatre company brings us again and again.

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All images are Copyright © George Cannon, All Rights Reserved.

Images from “You’re A Good Man Charlie Brown” are available at http://imageguy.zenfolio.com

with 20% going back to Running To Places. Please see all the photos there and please sign the guest book.

Pao Bhangra IX at Cornell University

On Saturday, April 24th, 2010, Cornell Bhangra and Cornell University presented the 9th Annual Pao Bhangra at Barton Hall.  Pao Bhangra has grown to be the largest student run show on Cornell’s campus and likely the largest Bhangra production in North America. For those who are not familiar with Bhangra, it is a joyous high-energy folk dance which originated from folk dances of the Punjab region of India and Pakistan and has come to be a modern day celebratory dance of today’s youth. An ever increasing popular music form, the Bhangra music has made its way into American and Canadian popular music blending with other styles such as hip-hop and reggae.

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Pao Bhangra 9 at Cornell presented scores of costumed dancers including the host teams of Cornell Mundey, Cornell Kudiyan, Cornell Mixed and Alumni. Guest teams performed from Anakh-e-Gabroo (New York, NY), M.I.T. (Cambridge, MA), NTP Entertainment (Toronto, Ontario), University of Rochester (Rochester, NY), and YPA – York University (Toronto, Ontario), and additional guest appearances by Rochester Kids Bhangra, Cornell Raas, and an amazing drumming demonstration by Cornell Yamanti.

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The performances drew a crowd of almost 3000 people and thrilled spectators with almost three solid hours of high-energy graceful and acrobatic dancing. Pao Bhangra is a spectacular cultural experience, colorful and stimulating, exciting and grandly entertaining. My many thanks to Nitin Malik and Cornell Bhangra for allowing me to be up close to the action and for another amazing Bhangra production.

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Images are Copyright © George Cannon. All Rights Reserved.

Copies of photos from this Bhangra production are available at http://imageguy.zenfolio.com.

Adobe CS5 adds many features

As a member of NAPP, I had the good fortune to be included in Beta testing the new Adobe Photoshop CS5. So often when a new upgrade comes out, the tendency is to wait a version or two to allow more new features to be added to make the upgrade price worthwhile. I’ve been using CS4 for less than a year, but can easily say that I will upgrade to CS5 because the new improvements are so numerous and so dramatic. The time savers and new capabilities make it well worth the cost to upgrade and, since NAPP offers a 15% discount on all Adobe products, the price is even better (a bonus). We were prevented as beta testers from revealing, first, that we even were beta testers, and second, from saying anything about the new features in CS5. But Adobe announced the release of CS5 on Monday, and so now the lid is off and we are free to talk. NAPP has been running webinars twice a day all week to tout the new release and all its new features. I still have not tested everything, but what I have tested is amazing. Here are a few things I have to show you.

One of my more recent directions with my photographic art has been the creation of photographic abstracts. In Photoshop CS5, there is a new tool called Puppet Warp that will help me to do new things in my abstracts that I simply could not do before. Puppet Warp allows you to place “push pins” at location on a mesh type grid, anchoring the image at those points. You are then free to warp the image and maintain those anchors where they are. It’s amazing to see. These two images were created using Puppet Warp in the process with other steps.

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During the webinars that NAPP has been running, R. C. Concepcion showed a demo using Puppet Warp with a small cartoon character on a white background. By anchoring points on the body, he could warp-move the arms and legs and head like animation. The anchors even have depth or order about them that allow you to bring the points forward or send them backward, warping objects in front or behind others. It’s amazing.

The second abstract above also uses another new feature in CS5. HDR toning.  HDR or High Dynamic Range photography is all the rage these days with programs like Photomatix being the software of choice for this kind of manipulation. Essentially it allows the combination of several images of the same scene, shot on a tripod at a range of exposures so all areas from deep shadow to bright highlight can be compressed to appear in the image. This can be a subtle effect or it can be exaggerated (as you will see in many HDR images these days) to create very edgy high contrast graphic images.

CS5 has incorporated HDR Pro now that allows this to be done directly in Photoshop. Unlike Photomatix HDR images, Photoshop controls the amount of noise that results with much greater success. The controls are fairly elaborate, though not as extensive as Photomatix. But very wide ranging in their ability. This HDR feature can be used to create the same edgy look as many popular HDR images or can simply be used to control contrast and dynamic range in general images such as in this landscape, created from four exposures. One of the big advantages of HDR Pro in CS5 is the anti-ghosting feature that allows you to choose the frame from which you wish to extract detail that might show movement in the combination resulting in ghosting, such as water reflections or leaves moving in a breeze. The image below was shot on a breezy day, but no ghosting appears.

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In addition, Photoshop CS5 also has a feature called HDR toning that is simply an adjustment operation to a single image, that creates the popular HDR look without combining several images. It comes with a number of presets (none of which seem to look very good at first, unfortunately) and the ability to create your own presets and save them. Here are a few examples of the HDR Toning adjustment using my own preset.

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Probably the most talked about feature in CS5 to be added is Content Aware Fill. When I first saw this, I was blown away. This is a feature that is not well suited for every instance of object replacement in a scene or repair of a mistake. But what it can do, when used in the right place, is often unbelievable. It may not do everything you’d like when you apply it, but it will bring you so much closer in a fraction of the time, that what you have left to do is minimal. For those who do Panoramas by merging several shots, you know how you must crop major areas to square up the panorama.  Content Aware Fill does an amazing job of creating content to fill those edge areas so extensive cropping is not required.

Here are some examples of Content Aware Fill. The first shot is one that had a bad lens flare. This one took a bit of experimenting with the selections, but with a little cleanup work, the results were very good and took far less time than I would have spent without Content Aware Fill. Here’s the before and after.

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Here are a couple of other before and afters just to show how well this works. Both required minimal cleanup with healing brush or the clone tool.

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In addition to Content Aware Fill, there is also Content Aware Healing Brush. Here’s one that was just fun using Content Aware.

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It actually has great promise for retouchers and those who repair old images.

These are just a few examples. CS5 also includes new Noise Reduction in Camera Raw as well as the addition of Grain effects. There is an amazing upgrade to Refine Edge when dealing with tricky selections like wispy hair. There’s 3D Repousse that allows you to turn almost any shape, type, etc. into a 3D object with just a click. There are new perspective features, a big upgrade to Lens Correction, great new brush features, and Mini Bridge, a small version of Bridge that allows you to view files in Photoshop in a small panel without having to shift out to the Bridge application (although Bridge does have to be running in the background because Mini Bridge is actually connected to the main version of Bridge). And there’s even more.

So if you are a regular Photoshop user, you’re gonna love the enhancements. Adobe is planning to ship by mid May say all the reports, so preorder now. You’ll be glad you did.

R2P does Singing In The Rain in Newfield

After weeks of work by the amazing Running To Places theatre company, Singing In The Rain was presented last weekend at Newfield High School. Starring in the production were A J Newman as Don Lockwood, Marissa Mekos as Kathy Selden, Vanessa Anderson as Lina Lamont, and Tommy Strawderman as Cosmo Brown. All gave fantastic performances. And a great supporting cast including Charlotte Senders, Joel Beckman, Cacidy Rosemann,  and a host of others filled the stage with great action, song and dance.

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The production was big, complicated, and a huge undertaking with a massive set piece affectionately called “the beast” that was rotated by a host of stage hands and cast as scenes changed; an entirely separate silent movie production that ran at several segments of the show, and actual “rain” on stage for the “Singing In The Rain” dance number with A J. A fantastic array of costumes constantly arriving on the stage dazzled the audience with the sparkle, color, and feel of an early twentieth century setting, and the great piano and percussion accompaniment by music director Jon Riss and percussionist Caleb White gave even more to the period feel of the whole production.

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The show was very high energy with musical numbers like “Fit As A Fiddle” and “Make ‘Em Laugh” with A J and Tommy that left me exhausted just watching them, and bigger ensemble production numbers with great dance work by James Potter, Marissa Mekos, and a host of other amazing singing, dancing, tapping cast members. All of these kids just shine with talent and energy. And hats off to Todd Peterson, choreographer, for his tireless efforts in shaping and directing these dance numbers. What a job.

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Day after day, these kids gave it their all. The stars, mostly 7th and 8th graders, showed incredible stamina, talent, and resourcefulness. Great direction by Joey Steinhagen brought out such wonderful expression and focused performances from these fantastic kids who simply love to perform and gain so much in growth, experience, self-confidence, and friendship through production after production.

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I was particularly impressed with the performances of Vanessa Anderson who was so consistent, humorous, and just downright lovable as Lina Lamont, in spite of her character’s flaws. You just couldn’t help but love her. Can’t wait to see what Vanessa does next.

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So to all the cast and crew, fantastic job! To Gail, Joey, Todd, Jon, Molly, and everyone else behind the scenes, WOW! Another amazing performance. Thank you all for your dedication, tireless hours given so freely, and love of these kids. Thanks to all the sponsors for their support. Our community is so much better for all you do. Thanks for another great show. Can’t wait for “You’re A Good Man, Charlie Brown”.

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All images are Copyright © George Cannon.

Photos from this production and other Running To Places productions are available at http://imageguy.zenfolio.com.