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<channel>
	<title>F.A.T.</title>
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	<pubDate>Wed, 21 Aug 2019 19:00:01 +0000</pubDate>
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		<title>Home</title>
				
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            1Manifesto&#38;nbsp;2Program&#38;nbsp;3Semesters&#38;nbsp;4Sessions
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	Coomaraswamy 
AnandaCoomaraswamy
1977 
Traditional 
Art 
TraditionalArt 
Symbolism
Princeton

PrincetonUniversityPress
India
medieval 
philosophy 
sophia 
perennis
sophiaperennis
MiddleAge
East
Perennialism











Carpo

MarioCarpo 

2015
TheStyleofBigData
BigData
Staedelschule 
Architecture 
Class 
SAC 
Frankfurt
Shift 
Science
Technology
Postmodern 
Postmodernism 
Culture
Digital
Designer
Digitalshift
Natural 
Process
Naturalprocesses 
Mathematicaltheories
Pattern
ReynerBanham 
Professor
Theory
History 
Bartlett


Media
Information
Technology

InformationtechnologyTafuri ManfredoManfredo1980TheoriesTheoriesandHistoryofArchitectureGranadaPublishing
EclipseofHistory EclipseModernLeonBattistaAlberti 
FilippoBrunelleschi
BrunelleschiClassicLanguageClassicallanguage Objectuality MedievalcityPartisan OperativecriticismCriticism &#38;nbsp;Renaissance





Brott SimoneBrott LeCorbusier Fascist RevolutionFascistRevolutionThreshold &#38;nbsp;SA+PPress
VersuneArchitectureLC Corbusier
ArchitectureouRevolution
AvantgardeBenitoMussoliniMussoliniGeorgesSorelSorelMetaphysicNietzscheHegel QueenslandUniversity&#38;nbsp;
YaleUniversity 


	Powell ChristopherPowell 
ShapesofSacredSpace

Sacred Space GeometryMaya MayaCosmology Cosmology2010UniversityofTexas AustinProportionShamansDesign Vernacular ArchaeologistArchaeologyWittkower WittkowerRudolf 1962ArchitecturalPrinciples 
Principles AgeHumanismAgeofHumanismLondonAlecTirantiAlbertiPalladioVitruviusUniversityofBerlinRenaissanceBaroqueAureliPierVittorioAureli 2011ArchitectureforBarbarians

Architecture AA AAFiles UKArchitecturalAssociation

Generic GenosHilberseimer MartinoTattaraTattaraDogmaBrusselsPossibilityofanAbsoluteArchitecturePossibility 
AbsoluteArchitectureAbsoluteCambridgeMassachusettsUnited States MITPressCityCompositionParts

EasterlingKellerEasterling2014ExtrastatecraftPowerInfrastructure
ThePowerofInfrastructure
VersoLawDiplomacyTechnologiesPoliticalideologiesIdeologiesActiveform Politics AmericanArchitectUrbanistWriterYaleUniversity
MariHvattumStyleNineteenthCenturySemperHübschBötticherWagnerZeitgesitGesamtkunstwerkCrisisCorrespondenceEAHNArchitecturalHistories


	HannesMeyer Meyer1926DieneueWelt DasWerkZurichSwitzerlandTheNewWorldBerkeleyUniversityofCalifornia

GlobalagendaHumanproduct

HumanisticvaluesAvantgardeModernity Modernism BauhausPhilipUrsprungUrsprung2012ArtandArchitecture 1960sArtandArchitecturesincethe1960sExpressionParkBooksSynopsisHistoryofArt 
HistoryofArchitecture

ETHZurichETHGeersKerstenGeers 2013Intentions InventionsOase90 
WhatIsGoodArchitecture
GoodArchitectureRotterdam NAiPublishersNAiAbalos&#38;amp;HerrerosAbalos HerrerosAlejandrodelaSotaSotaOfficeSan RoccoVanSeverenKGDVSGhent MendrisioAccademia
ParnellSteveParnell 2013RichardsAlternative
JimRichards
ArchitecturalReviewSocialRoleAnonymous 
Anonymousarchitecture












Bibliography
Kroll
LucienKroll 

Friendly 

FriendlyArchitecture

Respectfortheplanet
Respect 
Planet
Low-tech
Lowtech 
Humanvalues

Sustainableapproach

ciaobuildingredyellow





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	<item>
		<title>Session 01_I</title>
				
		<link>https://f-a-t.org/Session-01_I</link>

		<pubDate>Wed, 14 Aug 2019 09:53:05 +0000</pubDate>

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Semester I ON PERMANENCESession 01 10.01.2018Location: Lochergut, Zurich, CH



	
Kentish
Coomaraswamy, Ananda1977
Traditional art and symbolismPrinceton, United
States, Princeton University Press


	&#60;img width="873" height="1359" width_o="873" height_o="1359" data-src="https://freight.cargo.site/t/original/i/d2f2b13beca20703c3a2b677482e3c56e89a61b64db96100fcc1067e8ea32539/Session-01---Ananda-Coomaraswamy---Traditional-art-and-symbolism---1977.jpg" data-mid="48560621" border="0" data-scale="68" src="https://freight.cargo.site/w/873/i/d2f2b13beca20703c3a2b677482e3c56e89a61b64db96100fcc1067e8ea32539/Session-01---Ananda-Coomaraswamy---Traditional-art-and-symbolism---1977.jpg" /&#62;
	︎Download PDF

	Text Synopsis
	

















The text describes the philosophy of medieval and oriental as “the traditional doctrine of art”.



“Both arts come much nearer to what we understand by science than they do
to the naive behaviorism of the modern “artist””. It is impossible to trace a story of this art, just as it’s impossible to make a history of metaphysics, as their content is
eternal. Coomaraswamy calls this philosophy “sophia
perennis”.



“If modern art cannot be described in terms of the same philosophy, it may
be because it has no end beyond itself because it’s too “fine” to be applied and too “meaningful” to mean anything…so far from this, the Middle Ages and the East held that “beauty has to do with cognition”, that the “operative habit is an intellectual virtue” and that whatever is indefinite in a work of art, it is so much the less
in being a work of art”.









	About the Author
	

















Ananda Kentish Coomaraswamy (22 August 1877 − 9 September 1947) was a
Sri Lankan Tamil philosopher and metaphysician, as well as a pioneering
historian and philosopher of Indian art, particularly art history and
symbolism, and an early interpreter of Indian culture to the West. He served as
curator of Indian art at the Boston Museum of Fine Arts. Along with René Guénon
and Frithjof Schuon, Coomaraswamy is regarded as one of the three founders of
Perennialism, also called the Traditionalist School, referring to the concept
of perennial philosophy.

	













































































Coomaraswamy 

AnandaCoomaraswamy

1977 

Traditional 

Art 

TraditionalArt 

Symbolism

Princeton

PrincetonUniversityPress

India

medieval 

philosophy 

sophia 

perennis

sophiaperennis

MiddleAge

East

Perennialism




	&#60;img width="2902" height="2902" width_o="2902" height_o="2902" data-src="https://freight.cargo.site/t/original/i/d4ee2ef570b025ec5b4d1a6c486a1ba28ccddb78e438896337b685398545d5d0/Session_01.JPG" data-mid="50624557" border="0" data-scale="65" src="https://freight.cargo.site/w/1000/i/d4ee2ef570b025ec5b4d1a6c486a1ba28ccddb78e438896337b685398545d5d0/Session_01.JPG" /&#62;
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	<item>
		<title>Session 02_I </title>
				
		<link>https://f-a-t.org/Session-02_I</link>

		<pubDate>Wed, 14 Aug 2019 10:07:48 +0000</pubDate>

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Semester I ON PERMANENCESession 0214.02.2018Location: Genossenschaft Kalkbreite, Zurich, CH



	
TEXT AWittkower,
Rudolf1962Architectural principlesin the age of humanism
London, Alec Tiranti






































TEXT BPowell, Christopher2010
The
shapes of sacred spacePHD dissertation
University of Texas, Austi

	&#60;img width="1000" height="1600" width_o="1000" height_o="1600" data-src="https://freight.cargo.site/t/original/i/1d4aaefc334093f9a456b4542dc61b210f6bf8d47b9d226c8616cc7a1f54742c/Session-02---Rudolf-Wittkower---Architectural-principles-in-the-age-of-humanism---1952---Excerpt.jpg" data-mid="48561109" border="0" data-scale="64" src="https://freight.cargo.site/w/1000/i/1d4aaefc334093f9a456b4542dc61b210f6bf8d47b9d226c8616cc7a1f54742c/Session-02---Rudolf-Wittkower---Architectural-principles-in-the-age-of-humanism---1952---Excerpt.jpg" /&#62;
	︎Download PDF TEXT A

︎Download PDF TEXT B

	TEXT A Text Synopsis
	

















Proceeding from a study of the work of Alberti and
Palladio, Wittkower based the genesis of the architecture of Humanism on a
system of harmonic relationships that placed the proportions of the human body
in relation to those of a building. He thus established a bond between man,
nature, and the universe that was legitimized by the authority of Vitruvius


He attempted to reduce complex projects to a system of
mathematical equations, identifying in each building a repetitive but renewable
compositional formula.















	TEXT A About the Author
	

















Rudolf Wittkower (1901-1971) was born in Berlin and
received his Ph.D. from the University of Berlin in 1923. He is considered a
leading authority on the art and architecture of the Renaissance and Baroque
periods.








	TEXT B Text Synopsis
	The dissertation of Christopher Powell explores the
fundamental characteristics of a system of geometry and proportion currently
used by Maya house builders and shamans to design vernacular architecture in
indigenous Maya communities. It demonstrates how this system of geometry and
proportion was also used by the Maya of the Classic and Post-Classic periods.

	TEXT B About the Author
	
	Christopher Powell is an Archaeologist. He has worked
all over the Maya world, conducting, supervising and directing excavations both
in the ruins and with the modern Maya people.

	










Powell 
ChristopherPowell 
ShapesofSacredSpace
Sacred Space 
Geometry
Maya 
Art 
MayaCosmology 
Cosmology
2010
UniversityofTexas 
Austin
Proportion
Shamans
Design 
Vernacular 
Archaeologist
Archaeology
Wittkower 
WittkowerRudolf 
1962
ArchitecturalPrinciples 
Principles 
Age
Humanism
AgeofHumanism
London
AlecTiranti
Alberti
Palladio
Vitruvius
UniversityofBerlin
Renaissance
Baroque




	&#60;img width="2384" height="2384" width_o="2384" height_o="2384" data-src="https://freight.cargo.site/t/original/i/59e94314955658cf9575f711987732a164f358e22f7898d8cc1d1f4d8cc73dd9/Session_02.JPG" data-mid="50624570" border="0" data-scale="68" src="https://freight.cargo.site/w/1000/i/59e94314955658cf9575f711987732a164f358e22f7898d8cc1d1f4d8cc73dd9/Session_02.JPG" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>Session 03_I</title>
				
		<link>https://f-a-t.org/Session-03_I</link>

		<pubDate>Wed, 14 Aug 2019 10:12:19 +0000</pubDate>

		<dc:creator>F.A.T.</dc:creator>

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Semester I ON PERMANENCESession 0314.03.2018Location: Lochergut, Zurich, CH
Photography

	
Meyer, Hannes1994
The
New WorldThe Weimar Republic Sourcebook
Berkeley, United StatesUniversity
of California Press







	&#60;img width="2733" height="3286" width_o="2733" height_o="3286" data-src="https://freight.cargo.site/t/original/i/7d0d4b674ae21d808ba6f8e8e5a4240dc7c543dedc1e0e104bb6b7029ddbde0d/Session-03---Hannes-Meyer---The-new-world-english-version.jpg" data-mid="48561467" border="0" data-scale="73" src="https://freight.cargo.site/w/1000/i/7d0d4b674ae21d808ba6f8e8e5a4240dc7c543dedc1e0e104bb6b7029ddbde0d/Session-03---Hannes-Meyer---The-new-world-english-version.jpg" /&#62;
	︎Download PDF

	Text Synopsis
	



































Hannes
Meyer describes the changes occurring at the beginning of the last century and
wishes for a synthesis toward a new “Esperanto”. The ambition for a new scale
of collective intelligence overtakes the national dimension and formulates a
new “global“ agenda. Here, technology is described as a human product,
perfectly integrated with humanistic values. The accumulation of images
expresses in written form the very mechanical aesthetic typical of the
avant-garde of the 19th century. Indeed, the “ruthless denial of the past” uses
very classical categories and proclaims some of the deepest dreams of the
modern.















	About the Author
	

















Missing

	










HannesMeyer 
Meyer
1926DieneueWelt 
DasWerk
Zurich
Switzerland
TheNewWorld
Berkeley
UniversityofCalifornia
Globalagenda
Humanproduct

Humanisticvalues

Avantgarde
Modernity 
Modernism 
Bauhaus 




	&#60;img width="3020" height="3020" width_o="3020" height_o="3020" data-src="https://freight.cargo.site/t/original/i/2d3932ca7e25f6bb3be1a333888d42439198672b274cb25b682cb19574be3280/Session_03.JPG" data-mid="50624580" border="0" data-scale="62" src="https://freight.cargo.site/w/1000/i/2d3932ca7e25f6bb3be1a333888d42439198672b274cb25b682cb19574be3280/Session_03.JPG" /&#62;
</description>
		
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	<item>
		<title>Session 04_I </title>
				
		<link>https://f-a-t.org/Session-04_I</link>

		<pubDate>Wed, 14 Aug 2019 10:16:25 +0000</pubDate>

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Semester I ON PERMANENCESession 0418.04.2018Location: Tanzhaus, Zurich, CH


	
Carpo,
Mario2015
The Style of Big Data
Lecture given at the
Staedelschule Architecture Class (SAC)Lecture Series, Frankfurt







	&#60;img width="311" height="440" width_o="311" height_o="440" data-src="https://freight.cargo.site/t/original/i/61079df061b98cbac9dedd2dfab89a73a4514866f3ea1ed8fabb762148fcdcae/Mario-Carpo-311x440.jpg" data-mid="48561606" border="0" data-scale="76" src="https://freight.cargo.site/w/311/i/61079df061b98cbac9dedd2dfab89a73a4514866f3ea1ed8fabb762148fcdcae/Mario-Carpo-311x440.jpg" /&#62;
	

	Text Synopsis
	





















































In this lecture, Carpo will address
'big data' not as a mere quantitative phenomenon. ‘Big data’ represents a major
shift in the history of science, technology and post-modern culture at large. 


It allows digital designers to
compose and engage with the messiness of some natural processes without going
through the traditional mediation of abstract and general mathematical theories
and patterns.















	About the Author
	

















Mario Carpo is the Reyner Banham
Professor of Architectural Theory and History at the Bartlett, University College
London. His research and publications focus on the relationship between
architectural theory, cultural history, and the history of media and
information technology.

	Carpo
MarioCarpo 
2015
TheStyleofBigData
BigData
Staedelschule 
Architecture 
Class 
SAC 
Frankfurt
Shift 
Science
Technology
Postmodern 
Postmodernism 
Culture
Digital
Designer
Digitalshift
Natural 
Process
Naturalprocesses 
Mathematicaltheories
Pattern
ReynerBanham 
Professor
Theory
History 
Bartlett
London
Media
Information 
Technology
Informationtechnology




	&#60;img width="1080" height="1080" width_o="1080" height_o="1080" data-src="https://freight.cargo.site/t/original/i/a664690bde44b2b884561d3f9a2d08a3aadc56ee4436591a0ab063aa75a53ddd/Session_04.jpg" data-mid="50624591" border="0" data-scale="66" src="https://freight.cargo.site/w/1000/i/a664690bde44b2b884561d3f9a2d08a3aadc56ee4436591a0ab063aa75a53ddd/Session_04.jpg" /&#62;
</description>
		
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	<item>
		<title>Session 05_I  </title>
				
		<link>https://f-a-t.org/Session-05_I</link>

		<pubDate>Wed, 14 Aug 2019 10:18:51 +0000</pubDate>

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Semester I ON PERMANENCESession 0509.05.2018Location: ETH Zurich, Zurich, CH


	
TEXT A
Aureli, Pier Vittorio2011
Architecture for BarbariansAA Files 63London, United KingdomThe
Architectural Association
TEXT B

















Aureli,
Pier Vittorio
2011
The Possibility of an Absolute Architecture
Cambridge, Massachusetts
United States, The MIT Press









	&#60;img width="1651" height="2409" width_o="1651" height_o="2409" data-src="https://freight.cargo.site/t/original/i/023d678bafd0847b6498ac692bd77168e60bc331af131082d19961d6c7b97f6f/Session-05---Pier-Vittorio-Aureli---The-possibility-of-an-absolute-architecture---2011.jpeg" data-mid="48561644" border="0" data-scale="74" src="https://freight.cargo.site/w/1000/i/023d678bafd0847b6498ac692bd77168e60bc331af131082d19961d6c7b97f6f/Session-05---Pier-Vittorio-Aureli---The-possibility-of-an-absolute-architecture---2011.jpeg" /&#62;
	︎Download PDF Text A︎Download PDF Text B



	TEXT A Text Synopsis
	







































































“The
term “generic” comes from the Greek word “genos”,
meaning race, kind, or species and from the verb generating or producing. It
refers to an undifferentiated common quality that appears prior to that of the
individual. Generic is thus both what is common and what is coming into being”.
The idea of reiteration embedded in the concept of “generic” precisely
addresses the topic of permanence. The project of Hilberseimer introjected the
values of its epoch and led to envision of a new kind of man. Once again, we
find an old cultural tradition unfolding into something unprecedented.















	TEXT B&#38;nbsp;Text Synopsis
	

















In The
Possibility of an Absolute Architecture, Pier Vittorio Aureli proposes that a
sharpened formal consciousness in architecture is a precondition for political,
cultural, and social engagement with the city. Aureli uses the term “absolute”
not in the conventional sense of “pure”, but to denote something that is
resolutely itself after being separated from its other. In the pursuit of the
possibility of an absolute architecture, the other is the space of the city,
its extensive organization, and its government. Politics is agonism through
separation and confrontation; the very condition of architectural form is to
separate and be separated. Through its act of separation and being separated,
architecture reveals at once the essence of the city and the essence of itself
as political form: the city as the composition of (separate) parts.














About the AuthorPier
Vittorio Aureli is an architect and educator. Aureli teaches at the
Architectural Association where he is Director of studies in the Ph.D. program,
lecturer in the History and Theory program and Unit Master in the diploma
school. He is the author of several books, including The Project of Autonomy:
Politics and Architecture Within and Against Capitalism (2008), The Possibility
of an Absolute Architecture (2011), and Ritual and Walls: The Architecture of
Sacred Space (2016, with Maria Shéhérazade Giudici), The Room of One’s Own
(2017, with Dogma) and Loveless: Minimum Dwelling and its Discontents (2019,
with Dogma).Together
with Martino Tattara, he is the co-founder of Dogma, an architecture firm based
in Brussels. 
	










Aureli
PierVittorioAureli 
2011
ArchitectureforBarbarians
Architecture 
AA 
AAFiles 
London
UK
ArchitecturalAssociation
Generic 
Genos
Hilberseimer 
MartinoTattara
Tattara
Dogma
Brussels

PossibilityofanAbsoluteArchitecture
Possibility 
AbsoluteArchitecture
Absolute

Cambridge
Massachusetts
United States 
MITPress
City
Composition
Parts




	&#60;img width="1197" height="1197" width_o="1197" height_o="1197" data-src="https://freight.cargo.site/t/original/i/6ac1bcc7f9ab00fca738b04d9d100d702de5f9b20cdfc58dd35f9a5a310a1282/Session_05.JPG" data-mid="50624593" border="0" data-scale="65" src="https://freight.cargo.site/w/1000/i/6ac1bcc7f9ab00fca738b04d9d100d702de5f9b20cdfc58dd35f9a5a310a1282/Session_05.JPG" /&#62;
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	<item>
		<title>Session 06_I  </title>
				
		<link>https://f-a-t.org/Session-06_I</link>

		<pubDate>Wed, 14 Aug 2019 10:20:43 +0000</pubDate>

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Semester I ON PERMANENCESession 0620.06.2018Location: Atelier Hans Josephsohn, Zurich, CH


	
Ursprung,
Philip2012
Art and Architecture since the 1960sin Expression: Architecture and the
ArtsZurich, Park Books







	&#60;img width="2479" height="3235" width_o="2479" height_o="3235" data-src="https://freight.cargo.site/t/original/i/b077047fb443e8696335f53b635ce5e4dc4483e9063fdb7640d855ea1503af0a/Session-06---Philip-Ursprung---Art-and-Architecture-since-the-1960s---2012.jpg" data-mid="48561671" border="0" data-scale="74" src="https://freight.cargo.site/w/1000/i/b077047fb443e8696335f53b635ce5e4dc4483e9063fdb7640d855ea1503af0a/Session-06---Philip-Ursprung---Art-and-Architecture-since-the-1960s---2012.jpg" /&#62;
	︎Download PDF&#38;nbsp;

	Text Synopsis
	

























































































In this text, Philip Ursprung analyzes the complex
relationship between architecture, art and eventually design in the last
decades starting from the `60s. 
He raises the question as to whether design will
absorb art and architecture at some point in the not-too-distant future. Design,
not as in the manufacture of particular products, but as the overall design of
our surroundings, even of our very lives, as an unbreakable concatenation of
immediate presences, as a constant presence.















	About the Author
	

















Philip Ursprung has been a Professor
of the History of Art and Architecture at ETH Zürich since 2011 and Designated Dean of the Department of Architecture.
He earned his Ph.D. in Art History at Freie Universität Berlin in 1993 after studying in Geneva, Vienna, and Berlin and his
Habilitation at ETH Zurich in 1999. He taught at the University of Geneva, the
Hochschule der Künste Berlin, the GSAPP of Columbia
University New York, the Barcelona Institute of Architecture and the University
of Zürich. 
Philip Ursprung served as an advisor
to the Swiss Federal Government as a member of the Eidgenössische Kunstkommission from 1997 to 2004. He
was president of the Fondation Nestlé pour l’Art from 2003 to 2014 and president of the Jury of Akademie Schloss
Solitude in Stuttgart from 2007-2011. Since 2013, he has been president of the
scientific board of Zentralinstiut für
Kunstgeschichte in Munich. 















	










PhilipUrsprung
Ursprung
2012
ArtandArchitecture 
1960s
ArtandArchitecturesincethe1960s
Expression
Zurich
ParkBooks
Synopsis
HistoryofArt 
HistoryofArchitecture
ETHZurich
ETH




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		<title>Session 07 08_I </title>
				
		<link>https://f-a-t.org/Session-07-08_I</link>

		<pubDate>Wed, 14 Aug 2019 10:25:27 +0000</pubDate>

		<dc:creator>F.A.T.</dc:creator>

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Semester I ON REVOLUTIONSession 07 - 0805.12.2018 - 30.01.19Location: Lochergut, Zurich, CH


	
Tafuri, Manfredo1980Theories and History of ArchitectureLondon, United KingdomGranada
Publishing Limited







	&#60;img width="1846" height="2763" width_o="1846" height_o="2763" data-src="https://freight.cargo.site/t/original/i/68b04acd30f66a96074365953ab1bbfa3a2c1aa33d15291e43dfe692a41037e6/Session-07---08---Manfredo-Tafuri---Theories-and-History-of-Architecture---1980---Chapter-1---Modern-Architecture-and-the-Eclipse-of-History.jpg" data-mid="48561785" border="0" data-scale="65" src="https://freight.cargo.site/w/1000/i/68b04acd30f66a96074365953ab1bbfa3a2c1aa33d15291e43dfe692a41037e6/Session-07---08---Manfredo-Tafuri---Theories-and-History-of-Architecture---1980---Chapter-1---Modern-Architecture-and-the-Eclipse-of-History.jpg" /&#62;
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︎Download PDF Part 2


	Text Synopsis
	











































































































The
problem of assessing contemporary architecture historically comes from its
initial choice: presenting itself as a radically anti-historical phenomenon”.


In this
essay, Tafuri describes the Eclipse of History as the very essence of the
“Modern” since the very beginning. He identifies in Leon Battista Alberti and Filippo
Brunelleschi two fundamentally different paradigms of this dynamic,
encompassing, as such, architectural history until now.


On the
one hand, we find the philological approach, the precise reconstruction of the
grammar of the classic and a negotiation with the past ages of Alberti.
On the
other, the opportunistic deployment of the classical language aimed to
formulate a new architecture, based on a high degree of rational “objectuality”,
counteracts the medieval city with a brand new Ethos. In both cases, the figure
of revolution appears and reveals its paradoxical meaning.















	About the Author
	



































Manfredo
Tafuri (Rome, 4 November 1935 – Venice, 23 February 1994), was an Italian
architect, historian, theoretician, critic, and academic. He was described by
one commentator as the world's most important architectural historian of the
second half of the 20th century. He is noted for his pointed critiques of the
partisan "operative criticism" of previous architectural historians
and critics like Bruno Zevi and Sigfried Giedion and for challenging the idea
that the Renaissance was a "golden age", as it had been characterized
in the work of earlier authorities like Heinrich Wölfflin and Rudolf Wittkower.















	










Tafuri 
ManfredoManfredo
1980
Theories
History 
Architecture
TheoriesandHistoryofArchitecture
London
UK
GranadaPublishing
EclipseofHistory 
Eclipse
Modern
LeonBattistaAlberti 
Alberti 
FilippoBrunelleschi
Brunelleschi
Classic
Language
Classicallanguage 
Objectuality 
Medievalcity
Partisan 
Operativecriticism
Criticism &#38;nbsp;
Renaissance




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		<title>Session 09_II</title>
				
		<link>https://f-a-t.org/Session-09_II</link>

		<pubDate>Wed, 14 Aug 2019 10:28:01 +0000</pubDate>

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Semester II&#38;nbsp;ON REVOLUTIONSession 0920.03.2019Location: Lochergut, Zurich, CH


	
Easterling, Keller2014Extrastatecraft: The Power of Infrastructure
London, United Kingdom,
Verso














	&#60;img width="1664" height="2560" width_o="1664" height_o="2560" data-src="https://freight.cargo.site/t/original/i/b078b5d77ee6af2643d3313c5488f58f283578766de5fb1cd3672d53c3628caf/Session-09---Keller-Easterling---Extrastatecraft---The-Power-of-Infrastructure-Space---2014.jpg" data-mid="48561875" border="0" data-scale="70" src="https://freight.cargo.site/w/1000/i/b078b5d77ee6af2643d3313c5488f58f283578766de5fb1cd3672d53c3628caf/Session-09---Keller-Easterling---Extrastatecraft---The-Power-of-Infrastructure-Space---2014.jpg" /&#62;
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	Text Synopsis
	





























































































































“Contemporary
infrastructure space is the secret weapon of the most powerful people in the
world, precisely
because it orchestrates activities that can remain unstated but are
nevertheless consequential”.


Keller
Easterling offers us an unprecedented point of view on the spatial agents and
the key-power of the 21st century.
Some of
the most radical changes to the globalizing world are being written, not in the
language of law and diplomacy, but in these spatial, infrastructural
technologies— often because market promotions or prevailing political
ideologies lubricate their movement through the world.”
The
“active form” emerges as a new figure in the realm of spatial agency and
establishes a new scale of thinking about the relationship between design and
politics.















	About the Author
	





















































Keller
Easterling is an American architect, urbanist, writer, and professor at Yale
University.


She is a
contemporary writer working on the issues of urbanism, architecture, and
organization in relation to the phenomena commonly defined as globalization.

	Easterling
KellerEasterling
2014
Extrastatecraft
Power
Infrastructure
ThePowerofInfrastructure
London 
UnitedKingdom
Verso
Law
Diplomacy
Technologies
Politicalideologies
Ideologies
Activeform 
Design
Politics 
American
Architect
Urbanist
Writer
Professor
YaleUniversity




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