{"id":1394,"date":"2008-09-04T21:19:18","date_gmt":"2008-09-05T04:19:18","guid":{"rendered":"http:\/\/www.elojocojo.org\/blog2\/?p=1394"},"modified":"2025-09-23T10:38:41","modified_gmt":"2025-09-23T08:38:41","slug":"ipanema","status":"publish","type":"post","link":"https:\/\/elojocojo.org\/ipanema\/","title":{"rendered":"Ipanema"},"content":{"rendered":"\n

T\u00edtulo: Ipanema<\/em><\/p>\n\n\n\n

A\u00f1o: 2005<\/p>\n\n\n\n

Director: Gustavo Postiglione<\/p>\n\n\n\n

G\u00e9nero: Drama<\/p>\n\n\n\n

Duraci\u00f3n: 70\u2019<\/p>\n\n\n\n

Pa\u00eds: Argentina<\/p>\n\n\n\n

Formato original: V\u00eddeo Digital<\/p>\n\n\n\n

Tipo: Color<\/p>\n\n\n\n

Idioma original: Castellano<\/p>\n\n\n\n

Int\u00e9rpretes: Mauricio Dayub, Carlos Resta y Paula Siero<\/p>\n\n\n\n

Producci\u00f3n: Gustavo Postiglione<\/p>\n\n\n\n

Gui\u00f3n: Gustavo Postiglione<\/p>\n\n\n\n

Edici\u00f3n\/Montaje: Lucio Garc\u00eda<\/p>\n\n\n\n

Direcci\u00f3n de fotograf\u00eda: H\u00e9ctor Molina<\/p>\n\n\n\n

Sonido: Carlos Rossano<\/p>\n\n\n\n

M\u00fasica: Coki Debernardi<\/p>\n\n\n\n

SINOPSIS<\/strong><\/h2>\n\n\n\n

La calma antes de la tormenta<\/strong><\/h3>\n\n\n\n

Rosario amanece con aire tenso el 19 de diciembre de 2001. En la plaza, la gente se re\u00fane en peque\u00f1os grupos; el murmullo de la protesta es todo lo que se escucha. Juan y Valeria est\u00e1n desayunando frente al televisor: ignoran a\u00fan la magnitud de la jornada que amenaza con quebrar la cotidianidad de toda la ciudad y, quiz\u00e1s, del pa\u00eds entero.<\/p>\n\n\n\n

Reflejos de indignaci\u00f3n<\/strong><\/h3>\n\n\n\n

Mientras el alba se convierte en mediod\u00eda, las im\u00e1genes en la pantalla muestran columnas de vecinos marchando y pancartas improvisadas. La pareja observa c\u00f3mo la multitud crece y los gritos de reclamo es trasmutan en palabras de rabia, ahora conscientes de que el desborde social es imparable.<\/p>\n\n\n\n

El estallido colectivo<\/strong><\/h3>\n\n\n\n

Al caer la tarde, las noticias informan sobre saqueos en comercios cercanos al centro y enfrentamientos con la polic\u00eda. Juan sujeta el control remoto como si fuera un salvavidas, mientras Valeria cubre su rostro con las manos. <\/p>\n\n\n\n

Recordando el pasado<\/strong><\/h3>\n\n\n\n

Entre cortes publicitarios, la pareja conversa en voz baja. Valeria recuerda las conversaciones con sus padres, que vivieron crisis similares en los ochenta; Juan repasa fotos antiguas de marchas estudiantiles. Sus palabras se entrelazan con la trasmisi\u00f3n en directo: la televisi\u00f3n no solo refleja la protesta, sino que dicta la pauta de sus emociones y alimenta un sentido de urgencia compartido.<\/p>\n\n\n\n

Un nuevo d\u00eda incierto<\/strong><\/h3>\n\n\n\n

Cuando la noche cae, las luces de Rosario parpadean inciertas. En la pantalla, renuncia el presidente y estallan los aplausos en la plaza. Valeria apaga el televisor y se mira con Juan: hay alivio, pero tambi\u00e9n un miedo difuso a lo que vendr\u00e1. El pa\u00eds despierta con un futuro por escribirse.<\/p>\n\n\n\n

El filme Ipanema<\/em> particip\u00f3 en la edici\u00f3n 2007<\/a><\/strong> del Festival de cine el ojO cojo<\/strong> <\/a>en ese sentido nos sentimos honrados de haberla exhibido.<\/p>\n\n\n\n

Visita nuestro blog<\/strong><\/a>.<\/p>\n\n\n\n

IMDb<\/a> 6.2\/10<\/p>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Rosario amanece con aire tenso el 19 de diciembre de 2001. En la plaza, la gente se re\u00fane en peque\u00f1os grupos. 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