My first reading of Rachel Aviv’s piece on Oliver Sacks, “Mind Over Matter,” in the December 15th 2025 issue of The New Yorker, left me despondent and a bit peeved (https://www.newyorker.com/magazine/2025/12/15/oliver-sacks-put-himself-into-his-case-studies-what-was-the-cost). It seemed like an exposé, maybe even a take-down of sorts, designed to lower our opinion of the famous neurologist. In my second reading, I was able to glimpse Aviv’s effort to be fair-minded and present a balanced picture. How did I miss that the first time around? Was my first reading a misreading? Or was there some inchoate, affect-laden content part of my experience that might be elaborated? Is there even such a thing as a fair-minded exposé? And how might that differ from a critical reading?
Rachel Aviv was granted access to records and notebooks by the Oliver Sacks Foundation, many of which had never been viewed before. This allowed her to observe and compare his private thoughts to his published works, where she detects evidence that Sacks projected himself into some of famous case studies (like Leonard L from Awakenings), and how he worried, and felt guilty, about having taken liberties by putting words in his patients’ mouth, fostering narrative coherence at the expense of truthfulness. There are no universally accepted standards for writing about patients, but writing about yourself as if you were writing about a patient seems to cross a line. It matters, though, how aware you are of doing so (and it also matters why--for example, protecting the patient’s confidentiality).
Aviv argues that in the case of Leonard L, Sacks misrepresented him as, bookish and introspective, like Sacks himself, whereas according to testimony by friends and himself, he was an ordinary, social kid. Indeed, Aviv’s commentary turns on Leonard’s retrospective self-understanding in which he proudly describes two rapes (one of a cousin) when he was younger, which she interprets as Sacks submerging the sexualized material due to his own discomfort. I can think of alternative explanations: that Sacks might not have been convinced that the alleged rapes occurred and were fantasies created under the influence of L-Dopa or that the rapes would have added an element of psychopathy that pulled the story in an awkward and unseemly direction.
I am not claiming that Aviv is wrong to be concerned that Sacks read himself into his patients, although I do regard it as heartening that he worried about this in his journals and knew himself well enough not to be in denial about it Clinicians need to use themselves as instruments of understanding, and it can be confusing to disentangle self from other. Good clinicians replay interactions and often recognize their failures and mistakes. Aviv notes that, over time, Sacks’ case histories became more sober, presumably less likely to postulate others as himself. Moreover, Kate Edgar, his no-nonsense editor, testified that she was unaware of any funny business with the case histories.
For Aviv, Sacks’ sexual repression as a gay man for most of his life is a relevant and major factor in considering his legacy. It is certainly striking that he did not have sex for 35 years during the time that his writing career took shape. Aviv notes that Lawrence Wechsler, a friend of Sacks wanted to write a biography about him, and decided to organize it around Sacks’ homosexuality, which led Sacks to pull out of cooperating with the project.[i] Aviv reads Sacks as uncomfortable with being gay, at one point noting that Awakenings came out the same year as Stonewall occurred. But Sacks is explicit about his indifference to current affairs in his second memoir, On the Move (2015), “whether political, social or sexual” (hereafter abbreviated as OM, p 237). However unresponsive Sacks was to social changes regarding homosexuality, he was deeply affected by his experience of the past: that “it was not easy, or safe, to be an open or practicing homosexual in the London of the 1950s” (OM, p.38).

Sacks also experienced a major trauma in his mother’s reaction to his being gay, which was to tell him she wished he had not been born. Aviv tells this story in a truncated form: what actually happened is that Sacks revealed his identity to his father and asks him not to tell his mother, which his father did —resulting in a double betrayal (OM, pp.10-11). A significant part of Aviv’s story then concerns the psychoanalysis Sacks had with Leonard Shengold, which last nearly a half-century. Aviv questions whether the analysis helped Sacks to find peace with being gay, and she seems to be skeptical about whether such an interminable analysis could possibly be beneficial.
My response to knowing that Sacks had such a long analysis is not to presume its success or failure. During the last 7 year of his life, Sacks fell in love and partnered with a fellow writer, Billy Owens, which Aviv reports on neutrally, whereas it has always impressed and delighted me to learn about.[ii] I am inclined to believe, as Sacks did, that his analysis helped him to cultivate and sustain his creativity. I would also guess, given the relatively undeveloped state of clinical neurology then, that Sacks used the sessions to discuss his patients and benefit from Shengold’s clinical training and wisdom. When I was writing my book, Minding Emotions, in which there is a chapter on Sacks, I contacted Shengold and had a friendly exchange with him after Sacks’ death, inquiring whether he would talk to me about their work together. He declined, he said, because he intended to write about it himself. It was obvious that he was proud of their work together. and he told me the same story which Aviv reports: that they agree to call each other by their first names, just before Sacks’ death.[iii]
There is something is missing in Aviv’s account of Sacks. At one point, she notes that he was writing in a discipline where “reproducibility” iis expected, which reveals a gap between the obligation that she presumes for the case studies that he does not. He was far more curious about phenomena that was radically unique and unexpected. Sacks was a critic of growing specialization in neurology, and in medicine in general, where objective measures were adopted to the exclusion of listening to patients. He also voiced a specific concern about neurology’s indifference to its own history.
In Sacks’ first memoir, Uncle Tungsten (2001), he reflects on being enamored with the 19th century poet/chemist, Humphrey Davy, “one of my particular heroes” (hereafter abbreviated as UT, p. 85) whose description of consuming nitrous oxide, was possibly the first psychedelic experience in western literature (UT, p. 118). Sacks delights in enumerating Davy’s other discoveries and repeating some of them in his own lab (UT, p, 122). Sacks points out that Davy loved to conduct experiments in public, stressing that this was prior to the divide between literary and scientific culture.
The impetus for Sacks’ work can be understood as a protest against the deepening of this divide between “two cultures” in the 20th century, outlined by Snow.[iv] Sacks refuses this divide, declaring that: “I think in narrative and historical terms” (OM, p. 102), and affirming his intellectual identity: “I am a storyteller, for better or worse. I suspect that a feeling for stories, for narrative, is a universal human disposition, going with our powers of language, consciousness of self, and autobiographical memory” (OM, p.384). While autobiographical memory provides no assurance of accuracy, the long and slow work of clinical work aims to converge toward truth, insofar as that is possible.
Davy was a fascinating figure: a close friend of Coleridge, the first scientist to be knighted since Issac Newton, ahead of his time in experimenting with photography and cinema, and creator of the Davy safety lamp, which had a personal connection for Sacks, as it was later modified by his maternal grandfather. But what Sacks most admired about Davy was his personality: “not modest, like Scheele, not systematic, like Lavoisier, but filled with the exuberance and enthusiasm of a boy, with a wonderful adventurousness and sometimes dangerous impulsiveness—he was always at the point of going too far—and it was this which captured my imagination above all” (UT, p. 131). In observing these characteristics of Davy, Sacks is clearly identifying with them.
Indeed, one of the only repeated passages in both of Sacks’ memoirs, UT and OM, is a comment made by a teacher about him, which made a lasting impression: “Sacks will go far if he does not go too far” (UT, p. 140; OM, p. 7). Like his hero, Humphrey Davy, Sacks was willing to risk going too far. This bothers Aviv, and she is reluctant even to credit his self-awareness. The issue goes beyond personality style; it bears on diagnosis, as Sacks notes how neurology dwells on deficits over excesses. In an Op Ed that Sacks wrote in the New York Times, on June 5, 2015, just two months prior to his death, he was in a playful mood, amused by his propensity to mishear phrases like “Christmas Eve” as “Kiss my Feet.” Engaged and ludic until the end.
My reaction to Aviv’s piece cannot resolve its ambiguity. Aviv holds Sacks accountable for insinuating himself into his reading of his patient Leonard; yet later she mentions that Leonard was overwhelmed with grief (shedding “enough tears to fill a bucket,” according to his mother) upon learning Sacks would not be returning to work after breaking his leg. This seems like confirmation that Leonard did not feel misunderstood by Sacks in the room.
So maybe some caution is needed in equating the writer and the clinician. Aviv links the two and is turned off by Sacks’ exuberance. Her reading falls short because she neglects to heed how Sacks wished to be understood. This is why I sense the presence of underlying affects, which distinguish Aviv’s reading from one that tried to wrestle with the project that Sacks adopted for himself, to write with the freedom of having no boundaries between science and literature.
[i] Wechsler did publish his book: And How Are You, Dr. Sacks: A Biographical Memoir of Oliver Sacks (Picador, 2020).
[ii] In Sacks own words: “Deep, almost geological changes had to occur; in my case, the habits of a lifetime’s solitude, and a sort of implicit selfishness and self-absorption, had to change. New needs, new fears, enter one’s life—the need for another, the fear of abandonment. There have to be deep, mutual adaptations” (OM, p. 381).
[iii] E. Jurist (2018). Minding Emotions, (Guilford), p. 116.
[iv] C.P. Snow (1959). The Two Cultures and the Scientific Revolution (Cambridge).













