{"id":223,"date":"2014-10-12T08:35:02","date_gmt":"2014-10-12T08:35:02","guid":{"rendered":"http:\/\/www.dss-edit.com\/word\/?page_id=223"},"modified":"2024-11-16T23:56:31","modified_gmt":"2024-11-16T23:56:31","slug":"sitemap","status":"publish","type":"page","link":"https:\/\/dss-edit.com\/sitemap\/","title":{"rendered":"Sitemap"},"content":{"rendered":"

About<\/a>    CV<\/a>    Teaching<\/a>    Sitemap<\/a>    \ud801\udc14\ud801\udc1d\ud801\udc1d \ud801\udc07\ud801\udc14\ud801\udc06\ud801\udc13<\/a><\/span><\/p>\n

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ARCHIVES<\/br>&PLATFORMS<\/a><\/td>\n<\/p>\n

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2024<\/p>\n

2020<\/p>\n

2016<\/p>\n

2015<\/p>\n

2014<\/p>\n

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2011<\/p>\n

2010<\/p>\n

2007<\/p>\n

2006<\/p>\n

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IRL.OBJ (Publishing platform, 2024-)<\/a><\/p>\n

Edit Publications (2010-20)<\/a><\/p>\n

Present Tense Pamphlets (Block Museum)<\/a><\/p>\n

EXE TXT (Gauss PDF)<\/a><\/p>\n

1000 Books by 1000 Poets<\/a><\/p>\n

PDF Composite Mixtape (ICA)<\/a><\/p>\n

Jacket2 Reissues Platform<\/a><\/p>\n

Eclipse Archive, Associate Editor<\/a><\/p>\n

Alcheringa: A Journal of Ethnopoetics 1970-1980<\/a><\/p>\n

Mcluhan and Something Else (1967): A Marshall Mcluhan Archive<\/a><\/p>\n

\/ubu Editions, Third Series<\/a><\/p>\n

J.Henry Chunko Blogspot Archive, 2006-2008<\/a><\/p>\n<\/td>\n

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ESSAYS<\/br>&ARTICLES<\/a><\/td>\n\n

2024<\/p>\n

2023<\/p>\n

2022<\/p>\n

2015<\/p>\n

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2011<\/p>\n

2010<\/p>\n

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2009<\/p>\n

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Grey Libraries: Publishing as Pedagogy (Spector Books)<\/a><\/p>\n

An Elegy for Jimmy & Lucy\u2019s House of K (Post45)<\/a><\/p>\n

Contingent Reading: A Poetics of the Search (ASAP Journal)<\/a><\/p>\n

Live Vinyl MP3: Mutant Sounds, PennSound, UbuWeb, SpokenWeb (Amodern)<\/a><\/p>\n

Incredible Machines (VVVNT Magazine)<\/a><\/p>\n

Archival Penumbra (American Book Review)<\/a><\/p>\n

24-Hour Field Examination Academic Performance<\/a><\/p>\n

A Third More Opulent: Digital Tactics for Expanding Lear<\/i><\/a><\/p>\n

Zen for Film and the Discourses of Use<\/a><\/p>\n

Reveal Source Code: The Thousand Platforms of Dr. Mabuse Online<\/a><\/p>\n

Heath, prelude to tracing the actor as network<\/a><\/p>\n

Mimeo Mimeo #3: Single Author Issue, Cuneiform Press<\/a><\/p>\n<\/td>\n

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POETIC<\/br>RESEARCH<\/a><\/td>\n\n

2023<\/p>\n

2022<\/p>\n

2019<\/p>\n

2018<\/p>\n

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2016<\/p>\n

2014<\/p>\n

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2012<\/p>\n

2011<\/p>\n

2010<\/p>\n

2008<\/p>\n

2007<\/p>\n

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Virtual Sibilance, High Fidelity Hiss (OEI #98-99)<\/a><\/p>\n

Elden Poem (Hysterically Real)<\/a><\/p>\n

Full Bleed: A Mourning Letter for the Printed Page (Sync)<\/a><\/p>\n

Apocalypse Reliquary: 1984-2000 (Monoskop\/Mediabus)<\/a><\/p>\n

B\u00e9zier Curve Annotated Portable Document Format & PDF Scented Candle (Full Stop)<\/a><\/p>\n

Radios (Make Now Press)<\/a><\/p>\n

Epic Lyric Poem (Troll Thread)<\/a><\/p>\n

Radios (Make Now Press)<\/a><\/p>\n

Penn Poetry & Poetics Reading Group<\/a><\/p>\n

Inventory Arousal (Bedford Press\/Architectural Association, London)<\/a><\/p>\n

Edit Publications: 11 Books Expanding Tan Lin’s 7CV<\/a><\/p>\n

The Book of Ravelling Women, Aphasic Letters<\/a><\/p>\n

my Dear coUntess, a Letter to Lord Kelvin<\/a><\/p>\n<\/td>\n

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CINEMA<\/a><\/p>\n<\/td>\n

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2024<\/p>\n

2013<\/p>\n

2010<\/p>\n

2009<\/p>\n

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Grand Theft Eco: Environmental Futures of LA (Ongoing)<\/a><\/p>\n

Gilded Rot Recut<\/a><\/p>\n

Although You May Start Out Looking For a Yellow Sky, You May Prefer a Pink One Once You See It<\/a><\/p>\n

Flash Artifacts: Ubuweb Film & Video<\/a><\/td>\n<\/p>\n

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SOUND<\/a><\/p>\n<\/td>\n

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2014<\/p>\n

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2012<\/p>\n

2009<\/p>\n

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2008<\/p>\n

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If Your Phone Doesn\u2019t Ring, It\u2019s Me (Lisa Cooley Gallery Exhibition)<\/a><\/p>\n

Teleconference (New Museum Podcast)<\/a><\/p>\n

PoemTalk Recordings (#43, #49, #53, and #72)<\/a><\/p>\n

Voices on a Gender, Performa 09 Radio Broadcast<\/a><\/p>\n

Feverish Propagations (1984-2009)<\/a><\/p>\n

No-Body Zone: An Exploding Audiobook<\/a><\/p>\n

Also This: No Title, Editorial Reprise Audio Essay<\/a><\/p>\n<\/td>\n

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EVENT<\/a><\/td>\n\n

2016<\/p>\n

2014<\/p>\n

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2013<\/p>\n

2012<\/p>\n

2011<\/p>\n

2010<\/p>\n

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2009<\/p>\n

2008<\/p>\n

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Ordinary Media Research Workshop (Northwestern, 2016-17)<\/a><\/p>\n

Poetry Will Be Made By All! (89plus\/LUMA Foundation)<\/a><\/p>\n

No Results Found \/ Aucun r\u00e9sultat trouv\u00e9 (Palais de Tokyo)<\/a><\/p>\n

Post-Digital Poetry (BHQFU)<\/a><\/p>\n

Research Service<\/a><\/p>\n

Unsearchable at ICA, with Mashinka Firunts and Avi Alpert<\/a><\/p>\n

Semiospectacle N\u00ba2, IRT Theater, with Mashinka Firunts<\/a><\/p>\n

The Dark Cloud of Dr. Mabuse vs. Gertrude Stein Video Organ<\/a><\/p>\n

Noise!2010 Poetics of Media Communication<\/a><\/p>\n

UbuWeb Digitisation Workshop, IRL at Capricious Space<\/a><\/p>\n

Radio Poetics \/ Radiophonic Poetry<\/a><\/p>\n<\/td>\n

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SELECTED<\/br>PRESS<\/a><\/td>\n\n

2023<\/br> <\/p>\n

2018<\/br><\/br><\/p>\n

2017<\/br><\/br><\/p>\n

2013<\/br><\/br> <\/p>\n

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2012<\/br> <\/p>\n

2011<\/br> <\/p>\n

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2010<\/br> <\/p>\n

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2009<\/br> <\/p>\n

2008<\/br> <\/p>\n

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\u201cNew English course embraces potential of AI.\u201d UCLA Newsroom. November 29.<\/a><\/br>Emma Horio<\/p>\n

\u201cPoetry in the Age of Consumer-Generated Content.\u201d Critical Inquiry, Summer, vol. 44, issue 4. June 13.<\/a><\/br>Craig Dworkin<\/p>\n

\u201cThinking the Unprintable in Contemporary Post-Digital Publishing.\u201d Chicago Review, vol. 60\/61, no. 4\/1.<\/a><\/br>Sophie Seita<\/p>\n

Nobody’s Business: Twenty-First Century Avant-Garde Poetics<\/i>, “Danny Snelson’s Disco Operating System,” Cornell University Press<\/a><\/br>Brian Reed<\/p>\n

Ordlyd #4: teknologi og litteratur, Mediehus Aarhus, Denmark.<\/a><\/br>See 21:00 to 25:00.<\/p>\n

ICA Miranda Blog, “Q & Q”<\/a><\/br>Jennifer Burris<\/p>\n

Jacket2, “Edit Publications: Tan Lin, Danny Snelson, et alia”<\/a><\/br>Al Filreis<\/p>\n

Contemporary Art Daily, “Freaks and Geeks” at Air de Paris<\/a><\/p>\n

Art in America, “Society of the Semiospectacle”<\/a><\/br>Jordan Hruska<\/p>\n

Rhizome, “From the Mixed-Up Files of Mr. Danny Snelson”<\/a><\/br>Brian Droitcour<\/p>\n

Printed Matter, “Edit Publications Launch Party”<\/a><\/p>\n

Poetry Foundation, “Poetics of Distribution, Metadata as Poesis”<\/a><\/br>Thom Donovan<\/p>\n

Art+Culture, “Curator’s Corner: Aphasic Letters”<\/a><\/br>Benjamin Gottlieb<\/p>\n

PennSound Daily, “Featured Resources, Selected by Danny Snelson”<\/a><\/br>Michael S. Hennessey<\/p>\n<\/td>\n

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CONTACT<\/a><\/td>\n\n

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 <\/p>\n<\/td>\n

Danny Snelson<\/a><\/td>\n\n

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