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ORCIDAlex McLean
Person information
- affiliation: Deutsches Museum, Munich, Germany
- affiliation (former): University of Leeds, UK
- affiliation (PhD 2011): Goldsmiths College, London, UK
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2020 – today
- 2025
[c21]Nirmal Adhikari
, Brian Lilley, Martha Radice, Susan Fitzgerald, Alex McLean, Derek Reilly:
Combining Experiential and Spatial Data for Immersive AR Narrative Creation: A Phased Methodology. ICIDS (1) 2025: 133-157- 2024
- [c20]Alex McLean:
From Konnakol to Live Coding. FARM 2024: 36-41 - [i5]Elizabeth Wilson, Mika Satomi, Alex McLean, Deva Schubert, Juan Felipe Amaya Gonzalez:
Embodied Exploration of Latent Spaces and Explainable AI. CoRR abs/2410.14590 (2024) - 2023
- [i4]Dave Griffiths, Elizabeth Wilson, Iván Paz, Alex McLean, Joana Chicau, Flor de Fuego, Timo Hoogland, Eloi Isern, Michael-Jon Mizra, Roger Pibernat:
Patterns in Deep Time. CoRR abs/2307.11786 (2023) - 2022
- [c19]Alex McLean:
Invited talk: Live coding and the 'what-if' paradigm. PPIG 2022: 67 - [i3]Alex McLean:
Alternate Timelines for TidalCycles. CoRR abs/2209.04289 (2022) - 2020
- [j2]Kristina Andersen, Ron Wakkary, Laura Devendorf, Alex McLean:
Digital crafts-machine-ship: creative collaborations with machines. Interactions 27(1): 30-35 (2020) - [c18]Alex McLean:
Algorithmic Pattern. NIME 2020: 265-270
2010 – 2019
- 2018
- [p4]Thor Magnusson, Alex McLean:
Performing with Patterns of Time. The Oxford Handbook of Algorithmic Music 2018 - [p3]Alex McLean, Roger T. Dean:
Musical Algorithms as Tools, Languages and Partners: A Perspective. The Oxford Handbook of Algorithmic Music 2018 - [p2]Alex McLean, Roger T. Dean:
Algorithmic Trajectories. The Oxford Handbook of Algorithmic Music 2018 - [e2]Alex McLean, Roger T. Dean:
The Oxford Handbook of Algorithmic Music. Oxford University Press 2018, ISBN 978-0-19-022699-2 [contents] - 2017
- [c17]Alex McLean:
FARM 2017 performances. FARM@ICFP 2017: 49-51 - 2015
- [c16]Víctor Padilla Martín-Caro, Alex McLean, Alan Marsden, Kia Ng:
Improving Optical Music Recognition by Combining Outputs from Multiple Sources. ISMIR 2015: 517-523 - 2014
- [c15]Kia Ng, Joanne L. Armitage, Alex McLean:
The Colour of Music: Real-time Music Visualisation with Synaesthetic Sound-colour Mapping. EVA 2014 - [c14]Kia Ng, Alex McLean, Alan Marsden:
Big Data Optical Music Recognition with Multi Images and Multi Recognisers. EVA 2014 - [c13]Alex McLean:
Making programming languages to dance to: live coding with tidal. FARM@ICFP 2014: 63-70 - [c12]Víctor Padilla Martín-Caro, Alan Marsden, Alex McLean, Kia Ng:
Improving OMR for Digital Music Libraries with Multiple Recognisers and Multiple Sources. DLfM@JCDL 2014: 1-8 - [c11]Nick Collins, Alex McLean:
Algorave: A Survey of the History, Aesthetics and Technology of Live Performance of Algorithmic Electronic Dance Music. NIME 2014: 355-358 - [e1]Alex McLean, Michael Sperber, Henrik Nilsson:
Proceedings of the 2nd ACM SIGPLAN international workshop on Functional art, music, modeling & design, FARM@ICFP 2014, Gothenburg, Sweden, September 1-3, 2014. ACM 2014, ISBN 978-1-4503-3039-8 [contents] - 2013
- [c10]Alex McLean, Eunjoo Shin, Kia Ng:
Paralinguistic Microphone. NIME 2013: 381-384 - [p1]Dan Stowell, Alex McLean:
Live Music-Making: A Rich Open Task Requires a Rich Open Interface. Music and Human-Computer Interaction 2013: 139-152 - [i2]Alan F. Blackwell, Alex McLean, James Noble, Julian Rohrhuber:
Collaboration and learning through live coding (Dagstuhl Seminar 13382). Dagstuhl Reports 3(9): 130-168 (2013) - 2012
- [c9]Alex McLean, Hester Reeve:
Live Notation: acoustic resonance? ICMC 2012 - 2011
- [b1]Christopher Alex McLean:
Artist-programmers and programming languages for the arts. Goldsmiths College, London, UK, 2011 - [c8]Alex McLean, Geraint A. Wiggins:
Texture: Visual Notation for Live Coding of Pattern. ICMC 2011 - 2010
- [j1]Jamie Forth, Geraint A. Wiggins, Alex McLean:
Unifying Conceptual Spaces: Concept Formation in Musical Creative Systems. Minds Mach. 20(4): 503-532 (2010) - [c7]Alex McLean, Dave Griffiths, Nick Collins, Geraint A. Wiggins:
Visualisation of live code. EVA 2010 - [c6]Alex McLean, Geraint A. Wiggins:
Live Coding Towards Computational Creativity. ICCC 2010: 175-179 - [c5]Alex McLean, Geraint A. Wiggins:
Petrol: Reactive Pattern Language For Improvised Music. ICMC 2010 - [c4]Alex McLean, Geraint A. Wiggins:
Bricolage Programming in the Creative Arts. PPIG 2010: 18
2000 – 2009
- 2009
- [c3]Alex McLean, Geraint A. Wiggins:
Words , Movement and Timbre. NIME 2009: 276-279 - [i1]Alex McLean:
Embodied creativity. Computational Creativity: An Interdisciplinary Approach 2009 - 2008
- [c2]Alex McLean, Geraint A. Wiggins:
Vocable synthesis. ICMC 2008 - 2007
- [c1]Alex McLean, Frederic F. Leymarie, Geraint A. Wiggins:
Apollonius diagrams and the Representation of Sounds and Music. ISVD 2007: 276-281
Coauthor Index
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