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ORCIDRob Hamilton 0001
Person information
- affiliation: Rensselaer Polytechnic Institute, Department of the Arts, Troy, NY, USA
- affiliation: Stanford University, Center for Computer Research in Music and Acoustics (CCRMA), CA, USA
Other persons with the same name
- Robert Hamilton — disambiguation page
Other persons with a similar name
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2020 – today
- 2021
[j2]Luca Turchet
, Rob Hamilton, Anil Çamci:
Music in Extended Realities. IEEE Access 9: 15810-15832 (2021)
2010 – 2019
- 2019
- [c25]Rob Hamilton:
Coretet: A 21st Century Virtual Reality Musical Instrument for Solo and Networked Ensemble Performance. VR 2019: 1305-1306 - [c24]Rob Hamilton:
Coretet: A Dynamic Virtual Musical Instrument for the Twenty-First Century. VR 2019: 1395 - [c23]Rob Hamilton:
Collaborative and Competitive Futures for Virtual Reality Music and Sound. VR 2019: 1510-1512 - [p1]Rob Hamilton:
Mediated Musical Interactions in Virtual Environments. New Directions in Music and Human-Computer Interaction 2019: 243-257 - 2018
- [c22]Ian Rios, Rob Hamilton:
Nething: An Educational Open-source Web-based Graphical User Interface for Controlling Ambisonic And Wave Field Speaker Arrays. ICMC 2018 - 2017
- [c21]Ö. Cem Çakmak, Rob Hamilton:
Musical Sonification of Super High Frequency Lighting. ICMC 2017 - [c20]K. Michael Fox, Jeremy Stewart, Rob Hamilton:
madBPM: A Modular Multimodal Environment for Data-Driven Composition And Sonification. ICMC 2017 - [c19]Rob Hamilton, Curtis Bahn:
Interactive Music and Media at Rensselaer: Studio Report 2017. ICMC 2017 - 2016
- [c18]Rob Hamilton, Chris Platz:
Gesture-based Collaborative Virtual Reality Performance in Carillon. ICMC 2016 - 2015
- [c17]Robert Hamilton:
Measuring the Effectiveness of Sonified Crossmodal Attribute Pairings Using Contour Matching, Symmetry and Perceived Similarity. ICMC 2015 - [c16]Rob Hamilton:
Perceptual coherence as an analytic for procedural music and audio mappings in virtual space. SIVE@VR 2015: 27-32 - 2014
- [c15]Robert Hamilton:
The Procedural Sounds and Music of ECHO: : Canyon. ICMC 2014 - 2013
- [c14]Robert Hamilton:
Musical Sonification of Avatar Physiologies, Virtual Flight and Gesture. CMMR 2013: 518-532 - [c13]Robert Hamilton:
Sonifying Game-Space Choreographies With UDKOSC. NIME 2013: 446-449 - 2011
- [j1]Robert Hamilton, Juan Pablo Cáceres, Chryssie Nanou, Chris Platz:
Multi-modal musical environments for mixed-reality performance. J. Multimodal User Interfaces 4(3-4): 147-156 (2011) - [c12]Robert Hamilton:
UDKOSC: An immersive musical environment. ICMC 2011 - [c11]Ge Wang, Jieun Oh, Spencer Salazar, Robert Hamilton:
World Stage: A Crowd-sourcing Paradigm for Interactive Social / Mobile Music. ICMC 2011
2000 – 2009
- 2009
- [c10]Chryssie Nanou, Robert Hamilton:
For Jean-Claude: [re]Presenting Duet for One Pianist. ICMC 2009 - [c9]Ge Wang, Nicholas J. Bryan, Jieun Oh, Robert Hamilton:
Stanford Laptop Orchestra (SLOrk). ICMC 2009 - [c8]Ge Wang, Georg Essl, Jeff Smith, Spencer Salazar, Perry R. Cook, Rob Hamilton, Rebecca Fiebrink, Jonathan Berger, David Zhu, Mattias Ljungstrom, Arnaud Berry, Jennifer Wu, Turner Kirk, Elon Berger, Jillian Segal:
Smule = Sonic Media: An Intersection of the Mobile, Musical, and Social. ICMC 2009 - 2008
- [c7]Robert Hamilton:
Q3osc or: How I Learned to Stopworrying and Love the Bomb Game. ICMC 2008 - 2007
- [c6]Robert Hamilton:
Maps and Legends: Designing FPS-Based Interfaces for Multi-user Composition, Improvisation and Immersive Performance. CMMR 2007: 478-486 - [c5]Robert Hamilton:
Back to the Sea: a Software Realization of Dexter Morrill's Sea Songs. ICMC 2007 - [c4]Robert Hamilton:
Maps and Legends: FPS-Based Interfaces for Composition and Immersive Performance. ICMC 2007 - 2006
- [c3]Robert Hamilton:
Bioinformatic Response Data as a Compositional Driver. ICMC 2006 - [c2]Robert Hamilton:
Bioinformatic Feedback: performer bio-data as a driver for real-time composition. NIME 2006: 338-341 - 2005
- [c1]Robert Hamilton:
The jChing: a Java-Based Algorithmic Composition Tool. ICMC 2005
Coauthor Index
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