Towards a New Visualization of Secrecy?

March 20, 2006

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Trevor Paglen, “Quincannon,” from Missing Persons (2006)

I’m going to moderate a panel in Amsterdam on Saturday March 24, under the title “Towards New Visualization of Secrecy?” The conference includes Tariq Ali among many others, and it looks very interesting – almost exactly along the lines of “Extradisciplinary Investigations” (below). My panel includes Jordan Crandall, Meta Haven, Naeem Mohaiemen and Trevor Paglen. The focus is on the procedures and the effects of artistic visualizations of clandestine military violence, in which category I would deliberately conflate al-Qaeda bomb attacks, CIA extraordinary renditions as documented by Trevor Paglen, IDF targeted assassinations, the abuse of Iraqi civilians, combatants and prisoners by American military personnel, the disappearances of Muslim-American citizens recounted by Naeem Mohaiemen and the Visible Collective, and the much broader militarization of American imperial subjectivity that Jordan Crandall has been exploring in his work for over a decade. The specific questions could begin with the following: how this kind of art is made, how it produces effects in both intimate sensibility and the public sphere, and what artists, institutions, critics and viewers can do to make it count for something more than just another gruesome curiosity of the present.

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BiJaRi Greets Bush in Brazil!

March 10, 2006

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“We’ve got ethanol to sell and give away”

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“Security was intense, the most elaborate ever for a visiting head of state in Brazil, local officials said. Two helicopters hovered above Mr. Bush’s extended motorcade here Friday, and his hotel was ringed with military sharpshooters and other security officers, though demonstrators burned an American flag close by… Mr. da Silva is hopeful that the United States will reduce its tariff of 54 cents a gallon on Brazilian ethanol, which is made primarily from sugar cane — a trade barrier that protects American farmers who produce corn for ethanol. But when Mr. da Silva was asked about the possibility of eliminating the tariff, Mr. Bush jumped in. ‘It’s not going to happen,’ he said…”

New York Times

Check out BiJaRi at www.bijari.com.br

 

REVERSE IMAGINEERING

January 29, 2004

Toward the New Urban Struggles

or, Why Smash the State When Your Local Neighborhood Theme-Park is So Much Closer?

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“What are the steps in the creation of a Disney attraction? According to literature sent out by WDW [Walt Disney World], the steps are: storyboard, script, concept, show models, sculpture, show set design, graphics, interiors, architectural design, molds and casting, wardrobe and figure finishing, electronic and mechanical design and manufacture, show sets and prop construction, animation, audio, special effects and lighting, and engineering.
The Unofficial Walt Disney Imagineering Page
(www.imagineering.org)

.

On October 17, 2003, seven groups of some 20 to 30 persons descended into the Paris metro, with paint pots, glue, rollers, brushes, spray cans, sheets of paper and marking pens in their hands. Their aim? To overwrite, cover up, deface, subvert, recompose or simply rip to shreds as many advertisements as possible, without violence to any individual or to any piece of property, other than the images which impinge on our most intimate desires. Arising against a background of aggressive cuts in public programs which had originally been designed to withdraw specific activities and times of life from market pressures – cuts which affect teachers, the unemployed, retirees, researchers and performing artists, among others – the movement declared its intention: “to attack the driving force of this commodification: advertising. It invades our public space, the streets, the subways, the TV. It’s everywhere, on our clothes, our walls, our screens. Let’s resist it, with creative, peaceful and legitimate means.” And resist it they did, organizing three more major actions in the metro before the end of the year, defacing over 9,000 advertisements and causing almost a million euros of “damage” – at least from the viewpoint of the organization charged with selling the display space, or more precisely, the psychic space of millions of people who ride the trains every day.1

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Imaginary Maps, Global Solidarities

October 20, 2000

Oyvind Fahlström, "World Map," 1972

This paper was originally presented at the “MoneyNations” exhibition in Vienna in October 2000, and later published in a book under that title. It was updated for presentations in Valencia (Spain), Zagreb (Croatia) and Ljubljana (Slovenia), in 2002. Further variations can be found on the website of the Piet Zwart Institute’s Media Design program: http://pzwart.wdka.hro.nl. Basically, these papers are part of a matrix of work which cannot be finished and must continually evolve with changing knowledge and changing realities. The seminars and investigations of the “Continental Drift” project form the most recent phase of these reflections.

Revolutions tear a society apart, they smash it into atoms, with a violence that alone can set the people free. But is the present neoliberal order not precisely that of an atomized society? Do its laws not guarantee our individual rights? Have its markets not liberated our energies and desires? Do its currencies not constitute our universal language? What could be priceless in such a society? How could we imagine another taste of freedom?

A social order that claims to mark the end of history has placed the real questions under a strict taboo. From beneath their veils, those questions are staring us in the face today. No single individual can answer. But perhaps we can look back into the mirrors of history, to speak about the future of a revolutionary solidarity.

To even begin the conversation, one must understand that solidarity means something real: the very cohesion of social relations, which demand a denial or abrogation of individuality, a transfer of property and sovereignty. Solidarity is a gift for the survival and well-being of others – but a gift that’s most often extorted, or imposed. At certain moments in history, people choose their solidarities. One of the ways they do so is by imagining a different map. At the largest scale, this is a map of the world.

Maps are very practical, very real: they show borders which, depending on who you are, may be open or closed. But if maps can be imaginary, it is because they also exist as half-unconscious, historically layered representations and attitudes that shape our capacity to move through the physical world. Every society has mental maps, patterns of movement which also assign people to their proper places. Political dissent implies the imagination of a different map, which gradually takes form by tearing itself away from the dominant ones. A revolutionary map comes into being with the desire to cross the borders, to meet different people in another world, to speak another language and to exchange things that are priceless and free – outside the grasp of the “money nations.”

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