
Trevor Paglen, “Quincannon,” from Missing Persons (2006)
I’m going to moderate a panel in Amsterdam on Saturday March 24, under the title “Towards New Visualization of Secrecy?” The conference includes Tariq Ali among many others, and it looks very interesting – almost exactly along the lines of “Extradisciplinary Investigations” (below). My panel includes Jordan Crandall, Meta Haven, Naeem Mohaiemen and Trevor Paglen. The focus is on the procedures and the effects of artistic visualizations of clandestine military violence, in which category I would deliberately conflate al-Qaeda bomb attacks, CIA extraordinary renditions as documented by Trevor Paglen, IDF targeted assassinations, the abuse of Iraqi civilians, combatants and prisoners by American military personnel, the disappearances of Muslim-American citizens recounted by Naeem Mohaiemen and the Visible Collective, and the much broader militarization of American imperial subjectivity that Jordan Crandall has been exploring in his work for over a decade. The specific questions could begin with the following: how this kind of art is made, how it produces effects in both intimate sensibility and the public sphere, and what artists, institutions, critics and viewers can do to make it count for something more than just another gruesome curiosity of the present.




