Synopsis
L, a student in India witness to the government's violent response to university protests, writes letters to her estranged lover while he is away.
L, a student in India witness to the government's violent response to university protests, writes letters to her estranged lover while he is away.
Noite Incerta, Noc nevědomosti, 무지의 밤, Toute une nuit sans savoir, Uma Noite sem Saber Nada, 无知之夜, W mroku niepewności, Una noche sin saber nada, Una nit sense saber res, 一任無知到天明, 何も知らない夜
In a 2021 paper published in the Journal of Civil Society, Sanjeeb Mukherjee writes about the importance of civil society in the formation of a common national imaginary. This is especially pressing in the context of India—a nation that chose to define its nationalism through a set of constitutional values rather than a common language or ethnicity, marking a central departure from most democratic European nations (and Israel, whose national imagination has taken on a genocidal form).
The great architects of the Constitution made this choice to reflect and sustain the religious, linguistic, and cultural diversity of the nation, as echoed by Tagore in the fifth stanza of his poem Jana Gana Mana. This stanza, unfortunately, was not included in…
I know that you will never see these letters. I don’t know if I write to you anymore or someone I wish you could have been.
revolutions are the festivals of the oppressed and the exploited
This film needs to be pushed to as many people as possible. Solidarity with the students and working class of India
A fleeting memory of violence
“I look at a lady cop who is keeping an eye on us. She'll go home tonight, tired from a day of work. She'll still have to make dinner for her family. What will she think of as she dozes off?”
My love and admiration only deepens for Payal Kapadia’s dreamy and mystical visual language.
An epistolary romance forms the heart of Kapadia's award-winning hybrid documentary. It is a poetic and inspiring chronicle of student revolt in the chaos of Modi's India. This love letter to cinephilia, both haptic and thrilling, is steeped in the urgency of revolution.
Now showing in 🇬🇧 🇲🇾 🇹🇷 🇳🇱 🇩🇪 🇪🇸 🇮🇹 🇮🇪 🇧🇷 🇲🇽 here.
predilection is the genesis of desolation, while it also becomes the barque through which a night of knowing nothing dilates and behoves accelerated by bureaucratic amorousness. what Kapadia has engineered with this film is to originate a cinematic language be apt to bespeaking actuality further on than what can be revealed, or perceived, through stereotypical fictionalising. a withdrawal of limpid structure does not prompt a withdrawal of sense or idiosyncrasy. on the other hand, through interfering collinear time, Kapadia’s theoretical, poetic pondering on souvenir, diplomatic corporeality and personal syndicate metamorphoses the observing wisdom into something beyond grasp.
"Love, Peace, Music, Strike, Resistance, People, Cinema, Loneliness"
Intermixing self-reflective consciousness with political discernment, Kapadia's dismal, yet dreamlike documentation of the duplicity of human nature, socio-political dynamics of a troubled nation, and the morality of its cognizant Young souls attains a lyrical reality indicating a tone that's both dispiriting and sanguine in a way. Employing archival footage and letters of love, memories, and human ambiguities, this film bespeaks all- the dilemma of young hearts, fascist politics, the essentiality of creative freedom, and obviously, the uncertainties of life.
Keeping the balance between its evocative mood and gravity of upsetting truth, "A Night of Knowing Nothing" feels like a significant reflection on a conflicted country while depicting itself as a potent, stirring…
“Democracy is fundamental to socialism.”
Avant ambient political declaration poetics. Often incredibly assembled. Heartfelt and pointed. Most powerful for me when it’s working in something closer to a documentary mode, but it's always an elegiac and captivating audio/video haze. I enjoyed steeping in it.
This movie partly covers the 139 day long student protests at the Film and Television Institute of India in 2015. A spreading political movement that targeted the injustices of casteism and the dangers of right wing Hindu nationalism as embodied by the newly elected Narendra Modi.
The movie is political emotionalism achieved through an ephemeral and affected aesthetic, which opens up an interesting dialogue about aesthetics and political art. I’m reminded of the revolutionary discourse around…
Eu quero viver só para ver tudo o que a Payal Kapadia vai criar durante sua vida. Já nesse primeiro longa de estreia, ela demonstra de forma envolvente toda a complexidade emocional e social de uma realidade nada fácil, ela cria um tipo de experiência que atravessa não só a realidade, mas também nos imerge em diversas sensações visuais. Na Índia, o amor é algo político, principalmente quando se trata de diferentes castas, religiões e sexualidade, onde a liberdade colide com normas bastante rígidas. Partindo de cartas anônimas e alguns objetos deixados dentro de uma caixa encontrada em sua escola de cinema, Payal cria uma narrativa usando imagens e narração para contar em detalhes os sentimentos de um amor que…
I remember vaguely reading about the student protests within the midst of the Nahendra Modi government, and how the media covered it at the time - versus the reality of the situation. For that alone, it's what made A Night of Knowing Nothing into a very harrowing stuff, just from Payal Kapadia's choice to intersperse the fictions one experiences and are influenced by with the reality to endure. As L's letters are being read to the audience, we're hearing an everlasting hopelessness from these students above anything else. The media and government are against their side, but the students know the truth about what's happening in the world around them.
There's also just a perfect amount of hope to be found in wondering where things can go forward, but it's also what makes the title very fitting, because one doesn't truly know what's coming next.