Synopsis
When the ongoing rivalry between farmers Michael and Jack suddenly escalates, it triggers a chain of events that take increasingly violent and devastating turns, leaving both families permanently altered.
Directed by Christopher Andrews
When the ongoing rivalry between farmers Michael and Jack suddenly escalates, it triggers a chain of events that take increasingly violent and devastating turns, leaving both families permanently altered.
Acaba con Ellos, Descendez-les, Le clan des bêtes, 打倒他们, Le Clan des bêtes, Bez przebaczenia, Acaba con ellos, Hepsini Alaşağı Et, Acabe Com Eles, Přiveďte je zpátky, آن ها را سرنگون کن, Уничтожь их, Знищи їх, Унищожи ги, 羊人的謎宮, Vadásszátok le őket, להפיל אותם
Christopher Abbott and Barry Keoghan stuck in cyclical destruction. The role mothers play within that cycle is especially devastating. Sons trapped in homes they can’t stop from disintegrating and towns where there’s nowhere to go. The way tension builds over time is so fascinating because you can’t help but want some sort of retribution to come even while knowing that will just continue the escalation of things. The nuance surrounding everyone’s individual actions is really, really satisfying to mull over.
So sad. So good. So hard to get out of my head.
what if we included the most upsetting scene of animal violence you’ve ever seen, and then made you watch it twice
Barry Keoghan should stop taking teenagers roles as he’s 30+ years old and has a child. A neat little thriller, where the nonlinear storytelling works in its favour. Great performances, with some very tough scenes.
Seething generational rage: one door closes, another slams in your face. Violence constantly brewing as past traumas are remembered. 2 families, both with different problems, but both bitter about the circumstances they find themselves in. Both with an ongoing ego-fuelled lust for vengeance over the other. Bit too erratic for its own good at certain points, but a very solid debut feature nonetheless.
Well if this title is about the audience then it's apt but honestly what we have here is a bleak depiction of a troubling financial community of ram farmers that even more isolate the material on neighbours who have been at odds for awhile beyond the English/Gaelic language barrier at times.
This vehicle is stylized in a Rashomon narrative split in two halves culminating in a head to head(like butting rams) ending. Never does it truly spell out the truths but let's the subject material get soaked in the turmoil of the past and the folly of youth. I really liked the fine balance of character dynamics in Barry Keoghan's performance but Christopher Abbott's moments of tampering anger is smartly…