Synopsis
An exquisite ghost story.
An artist and her elderly mother confront long-buried secrets when they return to a former family home, now a hotel haunted by its mysterious past.
Directed by Joanna Hogg
An artist and her elderly mother confront long-buried secrets when they return to a former family home, now a hotel haunted by its mysterious past.
永恒的女儿, Вечная дочь, Eternal Daughter, Die ewige Tochter, 莊園魅影, La hija Eterna, Věčná dcera, Odwieczna córka, 디 이터널 도터, Az örök lány, Amžina dukra, La Hija Eterna, Sonsuz Sır, Вічна донька, La filla eterna, მარადიული ქალიშვილი, دختر ابدی
I need to go to a haunted estate where a northern lass will be rude to me IMMEDIATELY
Joanna Hogg: “hmm if Tilda is going to play the two main roles herself…what if we put that extra money into the fog machine budget”
(all jokes aside this thing kinda quietly devastated me and I’ve been thinking about it for days)
surprisingly funny, great dog performance, tilda swinton, why haven’t i watched souvenir part 2 yet
You’d think it’d be challenging to shoot Tilda playing both mother & daughter, but they’re English so it’s not like they were gonna need to hug or anything.
~ Toronto International Film Festival #9 ~
So obvious that the entire time I was thinking “there is no way it’s just this” and then it literally was!!!!
AFI 2022: film #9
“the longer we’re here, the more it comes back”
nothing in the world more interesting or complex than the relationships we have with our mothers and all the muddled misremembering, overthinking and projecting we’ll do regarding them until the day we die. how silly!!!
i loved this movie half of it looked like landscape paintings for an episode of scooby doo
crazy to see her doing old Hogg (people having a bad time on vacation) with new Hogg (Julie Hart cinematic universe) simultaneously. lots to mull on here; had no clue what to expect. no complaints, though. there's a crash zoom on a dog :)
I feel bad because it's clear this is obviously intended to be quite personally meaningful... I’m just not really sure how the final result was functionally much different from your usual A24 spooky metaphor slog. Spent a good portion of this hoping it wasn’t just dully building to the most insanely obvious “oh… is that it?” reveal that it could be and then lol.
At a critical moment towards the end of Joanna Hogg’s magnificent “The Souvenir Part II” — the second and supposedly final portion of her self-portrait of an artist — the director’s young avatar is overcome by her frustrations with the student film she’s trying to make (itself an autobiographical story called “The Souvenir”). “I don’t want to see life as it was,” she stresses, “I want to see life as I imagine it to be.” As played by Honor Swinton Byrne, the hurting but headstrong Julie Hart eventually finds a way to do just that, a breakthrough that allows Hogg’s self-reflexive memoir of a movie to follow suit.
Satisfied that she had committed the ecstatic truth of her own story…