Synopsis
Three cousins. Three journeys. Woven together through time.
Connected by blood but separated by circumstances, three cousins spend a lifetime in search of each other.
Directed by Briar Grace Smith, Ainsley Gardiner
Connected by blood but separated by circumstances, three cousins spend a lifetime in search of each other.
表亲, 커즌스, 表親
might be the greatest nz movie ever tbh
most nz films suffer from having aspects that make them feel cheap. whether that be weak acting, boring camera work, terrible nz humour or just shitty storytelling.
everything about this was well done. an important narrative that didnt feel overdramatised or forced in any way. the acting was good, the little moments of comedy were fitting (didnt feel forced and weren't fucking dry). the production value was better than literally any other locally made film id ever seen. for once nz on air got it right with where to put their money.
also, the benches 2 minutes from my house, that i sit at to reflect sometimes, were featured in this movie…
Filled with beautiful sound and movement, Cousins is a small scale film that manages to slowly and quietly devastate with its large scale themes of displacement, identity and belonging. Cousins bubbles over with emotion; an understanding and empathy for three woman built as the film moves between three timelines. Directors Ainsley Gardiner and Briar Grace-Smith (who also stars) do a brilliant job in taking what would be perceived by the outside world as an innocuous story, and making it and its occupants matter.
Gorgeous movie. New Zealand always manages to put so much heart and charm into their films, this story of 3 cousins and their strong connection to each other and their land was wonderful. There are multiple timelines and stories going at once but it all feels so seamless and flows so smoothly. Strong performances by all, the child actors were fantastic, a standout is Rachel House, who managed to bring quite a few laughs whenever she was on screen. The scenery was so beautiful too. A great film.
I'm a bit at a loss for what to say about Cousins.
It was quite overwhelming. By the end of it, I was actually shaking with the emotion of it all, my whole face was quivering. I think if I'd been alone in the cinema, I probably would have been wailing - thankfully the cinema was packed, not an empty seat.
Briar Grace-Smith is an unbelievable talent. To star in, co-direct and adapt this heart-wrenching story is really something. I can't wait to see what she does next.
The whole cast were fantastic - they did an especially good job of casting Mata, Makareta and Missy at all the different stages. It makes me wonder at what age the character's…
is there a single corner of the world that hasn't been made significantly worse by the British?
Masterfully dealing with it's theme of intergenerational trauma leading to cultural loss - Cousins is the best and most important Aotearoa (New Zealand) film to come out in years. Skilfully directed by Ainsley Gardiner and Briar Grace Smith and also brilliantly written by Briar Grace Smith and Patricia Grace (who wrote the novel the film is based on). Following the lives of Cousins Mata, Missy and Makareta from childhood to late adulthood it's story is effectively brought to screen through a non-linear narrative. It's a sad but incredibely beautiful film that has so much love and respect for it's main characters and is a great representation of Maori Culture. It's absolutely among the best films that shows us the true power and importance of Whanau (Family) and the cinematography by Raymond Edwards is incredible, I was in awe throughout.
Separated from her Whānau (family) as a young child, Mata Pairama is raised in a Pākehā (European) world. Renamed May Parker, she loses all sense of her Māori culture and family. Over the years, Mata must try to find her way home.
Shot on locations around Rotorua and Wellington (a city I've spent some time in recently, so it was fun to spot recognisable landmarks). The acting is genuine and heartfelt. Even the child and teen actors' performances are so endearing. Standouts among the adults are Tanea Heke as Mata, the multitalented Briar Grace-Smith as Makareta and the formidable Rachel House as Missy. One minor niggle, the lovely Miriama Smith, is far too young to be cast as Nanny Keira!…
Surely gotta be the most important and sure-handed NZ film about inter-generational trauma. This film is epic in scope with a stunning attention to detail and it is full of the deep old love.
To all of the wahine involved in the making of this film, thank you for bringing this beautiful, painful story to the big screen. The amount of te reo spoken throughout was wonderful to hear. I long for more of this in cinema.
The female voices were beautiful. The male characters were acting in ways that we don't often get to see on screen. I was pained by my preconceived ideas of what I thought some of those male characters *might* do, and grateful that I was wrong. Every single face on screen was captivating. Beautifully shot. The soundscape, the soundtrack, all of it moving. Cinema that moves you. More please.
A very serious film and, in patches, quite moving. But it's too busy, never sitting still. For a film that runs just over 90 minutes there's enough story and tragedy for at least three pictures or, most certainly, a mini-series. The main problem is that the direction is far too fussy for what is an incredibly complex, multi-generational saga that constantly shifts time periods. Worth seeing, however, for as a bonus there are a number of exceptional performances.
Good thing I didn’t watch this at the cinema huh because I was full on loudly sobbing. Absolutely incredible to see Māori stories done SO WELL. My kuia’s house was also that shade of green so that made me cry! When she read the dissertation about Te Tiriti I cried! I cried for most of the movie!