Adapted from a list at Widescreen Museum, prefaced by this note:

Note that some listings, beginning in 1958, include the term (Panavision*). These are films that carried screen and print credits for CinemaScope but were photographed with Panavision lenses. Most of these films were from M-G-M though a number of Columbia films used the new Panavision lenses for their CinemaScope films. Most, if not all of MGM's black & white CinemaScope films were actually shot in a manner virtually identical to Superscope 235. These films will carry a small credit stating, "Process Lenses by Panavision".

20th Century-Fox had a policy that CinemaScope would be used only on "A" pictures made in color. During the years 1956 thru 1959 they decided to produce some black & white films, mostly "B" pictures, which they used the Regalscope label to identify. These were really bona-fide CinemaScope product. From 1960 on, all CinemaScope films were identified as such. See also the listing of CinemaScope clones.
20th Century-Fox (back when they retained the hyphen) often relabled foreign made films that they distributed both domestically and abroad. For instance, The Leopard (1963) was photographed in Technirama. It was not necessary for a film to be shot with Bausch & Lomb lenses to be labeled as a CinemaScope picture. In France and Spain there were licensed CinemaScope films shot with Franscope (originally known as Cinepanoramic) lenses, and S.T.O.P., Henri Chretien's company.