Fukry, Blackhorse Lowe's third feature film, feels like a continuation of his sophomore film Chasing the Light (2014), in that he creates a world filled with intersecting characters and observes them, almost passively as they go about their lives. Fukry is a looser, more joyful film than Chasing the Light, in part because it is more akin to a rom-com than to a melancholic drama. Formally we see a return to color in Fukry, and a more mobile camera than in Chasing the Light, making for maybe Lowe's most cinematographically expressive work to date. Lowe's playfully shapeshifting style has always been one of his strengths as an artist, and that none of his films look or feel the same is…