Synopsis
There are 3 kinds of people; the ones above, the ones below, and the ones who fall.
A slab of food descends down a vertical facility. The residents above eat heartily, leaving those below starving and desperate. A rebellion is imminent.
A slab of food descends down a vertical facility. The residents above eat heartily, leaving those below starving and desperate. A rebellion is imminent.
La plataforma, O Poço, La Plateforme, 飢餓鬥室, سکو, O Poço [El hoyo] (2019), Hullet, Платформа, 饥饿站台, ხვრელი, Il buco, Der Schacht, 饑餓鬥室, Platforma, Η Πλατφόρμα, Díra, A platform, Hålet, הפיר, Платформата, 더 플랫폼, Platformen, 絕命大平台, A Plataforma, เดอะ แพลตฟอร์ม, Taso, المنصة, Hố sâu đói khát, პლატფორმა, プラットフォーム, پلتفرم (سکو), द प्लेटफ़ॉर्म, Luknja
This review may contain spoilers. I can handle the truth.
the platform stops when it reaches level 0 and the girl hits the ceiling and dies a horrible death because of how fast the platform was going
the end
Obviously, everyone is supposed to eat the dish that they ordered for themselves. Obviously.
This review may contain spoilers. I can handle the truth.
there is no cuter first date than eating the flesh of the old man you just killed together 🥺 💞 these rom coms get me everytime!
The concept was great, but the execution was so bad and disappointing.
Incredibly boring at some parts.
I get it, it's a metaphor, but they needed to work it in the movie so they can send the message through.
"This film was so great because the platform is like current society where rich people bad poor people good, and bla bla bla, five stars *****" <- listen guys: a concept, idea or intension isn't enough for the movie to be good. Post a tweet if you like your shower thoughts or something.
The gory parts were neat, I appreciate them.
The end was as bad as the overall movie.
Not worth to watch really.
This review may contain spoilers. I can handle the truth.
This movie has so many levels. 333 to be exact. Obvio.
Sometimes all you need to make a decent movie is a lot of food, a brilliant set, and a single metaphor stretched two hours long and several hundred stories tall. Galder Gaztelu-Urrutia’s “The Platform” is not a subtle film. But these are unsubtle times, with unsubtle problems, and the most alarming thing about this grimly affecting Spanish allegory — which literalizes capitalism’s dehumanizing verticality with twice the gross-out terror of “Parasite,” and almost half of that masterpiece’s furious grace — is that it sometimes doesn’t seem like an allegory at all.
Like “Cube,” “Saw,” and even “The Exterminating Angel” before it, “The Platform” is the sort of (largely) single-location horror movie that’s defined by its premise. Somewhere in the not-so-distant-future…