Synopsis
The dead are coming back to life outside the isolated Mi'kmaq reserve of Red Crow, except for its Indigenous inhabitants who are strangely immune to the zombie plague.
Directed by Jeff Barnaby
The dead are coming back to life outside the isolated Mi'kmaq reserve of Red Crow, except for its Indigenous inhabitants who are strangely immune to the zombie plague.
Kwantum krwi, Rouge Quantum, 블러드 퀀텀, Rouge quantum, Племенска крв, 血量子, Чистота крови, Quantum de sangre, 血疫, Кръвен квант, Horror Sangrento
What separates this from the rest of the endless current zombie wave isn't the anti-colonialist subtext or that it's the work of indigenous filmmakers, although both of those things are certainly admirable. More importantly it confidently rides a line between the usual Walking Dead-style bleakness and actual satire, with a ton of terrific gore and some real honest-to-God humor instead of camp or silliness. A very good splatter film.
I love how this movie opens... immediately setting up the perfect fog drenched lived in atmos for a movie like this to breathe.
Plenty of sociopolitical subtext and a premise I found to be quite inspired, Blood Quantum features some great performances, wonderful cinematography, top notch/tastefully done gore, and a score (especially towards the end) that really stuck to my bones—sounding like it actually came from an 80’s horror movie instead of the usual carpenter wannabe pulsating synth score that’s festering in so many movies now.
Sure there’s some familiar tropes here as far as zombie films go, but there’s a meaningful weight behind this besides the usual ‘humans are the real monsters’ drop that undercuts genre films such as these. Loses…
As George Romero first discovered — and hordes of other filmmakers have since refined — zombies are a fun and effective vehicle for addressing the most intractable anxieties of the modern world; even bone-deep social ills have a funny way of seeming more digestible when explored through a story about people rabidly eating each other’s entrails. A scattershot but clear-eyed bit of midnight madness that renders colonialism as a literal plague, Jeff Barnaby’s “Blood Quantum” may bite off more human flesh than it can chew, but this hopeful modern howl against the indignities suffered by Canada’s indigenous population (the Mi’gMaq in particular) is still a credit to its genre. It may not be a great zombie movie, but it’s a uniquely powerful reminder of why zombie movies are great.
Rock solid premise (providing an underseen racial context to the extinction anxieties of the zombie genre) and Barnaby has good compositional instincts. It looks good and a lot of the gore is stellar. But this needed 7 more drafts on that screenplay, way too many cliché surfaces to really sink into or, honestly, even feel it.
Edit: have upped my rating slightly on rewatch, was able to get over the slight disappointment I had at TIFF that this was more of a derivative Walking Dead familial melodrama than the full-blown, angry Day of the Dead on a native reserve I was hoping for but I've watched a lot of really shitty new release horror recently and revisiting this it was honestly refreshing to watch something that wasn't a vague, droning "Trauma" A24 thing and just simply a competently-made splatter film with very few pretensions of being more than that.
The questions that arise when engaging in genre cinema are about which rules to follow and which rules to break. Which subgenres, which homages, which responses, which new grounds to explore? Entering into genre cinema with the intention of asserting a political identity, a cultural identity, a national identity, adds further questions - what will be said if I break this rule? What does it mean for the political or cultural content if I reference this other film? What are the implications of combining these?
Blood Quantium makes explicit its intention to address issues of race, nation, and violence, taking its title from a controversial policy of determining one's race via the amount of "native blood" one has and using…
This review may contain spoilers. I can handle the truth.
Written, directed and edited by Jeff Barnaby, Blood Quantum is filled with body fluids, intestines and advantageous expressions on colonialism. It's a well-made zombie horror which, despite an irritating inclination to deliver too much expository dialogue, features some kinetically staged set-pieces. The zombie genre has repeatedly carried varying degrees of social criticisms, and the transcendental portrayal here of a too-often distorted image of native Americans is particularly pleasing.
And while it initially appears like it's going to play out in rather a typical genre fare fashion, the film takes an interesting turn at the end of the first act that time jumps the storyline six months to a secure reservation that has become a haven for the indigenous people who are resistant to the virus. From thereon, it delineates similarities between white European expansionists ushering in infectious diseases to the indigenous people, and this theme assumes centre stage allowing this B-movie to standout from usual exploitation films.
Skoden! A movie of the cousins, by the cousins, for the cousins. Land protectors shall inherit the earth. Stoodis!
(You know the movie hella Canadian when they call the zombies ZEDS)
HoopTober 12
13/31 films
Category: 1 film from Canada
The whole of this film worked together pretty well. There were some things that I liked about it, and some that I did not…
My favorite was the score! It was composed by the writer/director, Jeff Barnaby.
I also liked the film’s visual imagery, including the animation segments, which imo enhanced the narrative’s lore.
The “white people as zombies” who took over & infested the Mi'gmaq people’s land made absolute sense. I wish they’d emphasized that more throughout the film.
Sometimes this was boring - more than I would have hoped for. The kills & blood effects were good though. I wanted the film to feel more impactful, for me it just inches into 3 1/2 stars.
This one snuck up on me...
In a landscape where a new zombie pandemic flick is a dull dime a dozen, Jeff Barnaby’s take on the undead is fresh, relevant and GORY AS FUCK.
Really enjoyed the places this one went.
Must watch on Shudder.
Show me a movie with a zombie fish and you have won my heart.
Somewhere between the vibes of Walking Dead and Twin Peaks but with its own unique storytelling style, this bleak little zombie flick is shown from the perspective of the indigenous Mi’kmaq community of Canada. A community that happens to be immune to the virus that turns others into zombies, including the zombie’s bite itself.
We’re used to seeing zombie bites as fatal, but here, when a Mi’kmaq is bit, they just lose whatever chunk has been bitten off… it’s almost more horrifying this way!
The first hour is stylish but too deliberate, with extended campfire or loadout scenes I suppose are intended to develop characters, which by…
By my lights, Blood Quantum has a lot of potential but said potential is mostly wasted.
Sure, I appreciate the clear sociopolitical subtext and the unique take on the zombie genre. And I'm always down for increased representation for marginalized people. (Though not all representation is equal - e.g., nuanced and positive representation contra representation that reifies harmful controlling images, stereotypes, etc.)
Something that I've made a point to regularly mention in my professional work throughout the years:
📢 This is a nation erected on stolen land.📢
The past is always saddled to the present, and Blood Quantum is a painful reminder of the reverberating ravages colonialist oppression has on Natives and their land, even when subtly communicated.
All that…
This zombie movie answers the age old question of "How long could people last in a zombie apocalypse if they put a woodchipper on a bridge and barricaded themselves in?" So glad to see that in a movie! This also brings interesting spins on the genre like immunities and colonialism. It's a strong horror on top of that with characters, weapons, animations, and style even with a lower budget.
So far I have seen 3 movies this summer/fall with Gary Farmer saying "stupid fucking white man" in them which isn't a lot but it's weird that it happened thrice. The other 2 being Jim Jarmusch films which is ironic since Jarmusch also had The Dead Don't Die come out the…