Directed by Nia DaCosta
A Chicago artist's sanity starts to unravel, unleashing a terrifying wave of violence when he begins to explore the macabre history of the Candyman.
Candyman 4, Кендімен 4, Şeker Adam, A Lenda de Candyman, 糖魔怪客, Candyman : Le Spectre maléfique, Candyman: Ďábelský přízrak, Kampókéz, Кэндимен, Кендимен, Şeker Adam'ın Laneti, Кендімен, キャンディマン, 糖果人, Candyman : le spectre maléfique, קנדימן, 캔디맨, แคนดี้แมน, Sát Nhân Trong Gương, Bitininkas, Kendimens, ქენდიმენი
UK S.O.U.L. Fest 
Belgium16 
Romania15 
Argentina 
AustraliaMA15+ 
Austria 
Brazil16 
Croatia 
Czechia15+ 
Denmark15 
Germany16 
GreeceΚ-18 
Hong KongIII 
Hungary18 
ItalyVM14 
Malaysia 
MexicoB-15 
Netherlands16 
PortugalM/16 
Russia18+ 
Saudi Arabia 
Slovakia15 
Ukraine16 
Bulgaria 
Canada14A 
Estonia 
Iceland 
Ireland16 
Poland18 
Spain16 
Sweden15 
Turkey18+ UK15 
USAR 
LithuaniaN-16 
Uruguay 
IndiaA 
Norway15 
New Zealand16 
Taiwan輔導15歲級 
South Korea15 
SingaporeM18 
France12 
FinlandK-16 
Japan 
Switzerland16 USAR Hungary France AustraliaMA15+ New Zealand16 FranceTP FranceTP USAR Greece Czechia Hungary18 France Argentina Australia Austria Belgium Brazil Bulgaria Canada Croatia Czechia Denmark Estonia Finland France Germany Greece Hong Kong Hungary Iceland India Ireland Italy Japan Lithuania Malaysia Mexico Netherlands New Zealand Norway Poland Portugal Romania Russia Saudi Arabia Singapore Slovakia South Korea Spain Sweden Switzerland Taiwan Turkey UK USA Ukraine Uruguay 
If saying candyman in the mirror 5 times summoned yahya abdul mateen II then i don’t care if i die… i am willing to take those risks
my man waited WAYYYYY too long to get that bee sting infection checked
big ups to Nia DaCosta for making me feel represented on screen!! (character who invites a hot artist to their house to listen to Fetch The Bolt Cutters and tell them their art is "actually soooo good")
This review may contain spoilers. I can handle the truth.
[holding hands with yahya abdul-mateen ii]
me: babe your hands are so cold
yahya: thats me hook
a movie about gentrification in which its literal definition is constantly reiterated a dozen times, existing only to satisfy the people whose lives will never be affected by its circumstances in the long run—it's pointless and confused; yet peele's sense of all-knowing self righteousness shines through, everybody involved was clearly under the impression that they were making something groundbreaking and thought-provoking even though all we wanted and what black people deserve is a genre film that would've maybe been less colder than the original. nia's direction is mostly passionless; and you can tell this was shot by the dude who did love simon but honestly the identity politics and race-conscious narrative here are so unbelievably basic and i'm convinced these…
Overstuffed and disorganized, which is a real shame since it's also pretty and weird.
the girl that went back for her vape? iconic!
there was a bee trapped in the cinema with us and i think it really heightened the experience
CANDYMAN
CANDYMAN
CANDYMAN
CANDYMAN
CANDYMAN
I knew it wouldn't work, this game is bullshiiiiiiie9ieeijejeejejedjjffjjrkrkrkekrkjdfnmfmrjrrjrj4j4j4ututjff....mn..bn....
CANDYMAN was a mixed bag of sweets and sours for me. Enjoyed Nia DaCosta’s haunting atmosphere, striking camerawork, the dark score & powerfully disturbing themes. But the economically rushed storytelling resulted in dull characters, a disjointed narrative & a messy examination of its many ideas.
has candyman ever seen a snickers bar? or skittles?? nobody wants those decade old butterscotch shits
oh my god she has airpods in she can't hear her oh my god
