Directed by Alan Taylor
Young Anthony Soprano is growing up in one of the most tumultuous eras in Newark, N.J., history, becoming a man just as rival gangsters start to rise up and challenge the all-powerful DiMeo crime family. Caught up in the changing times is the uncle he idolizes, Dickie Moltisanti, whose influence over his nephew will help shape the impressionable teenager into the all-powerful mob boss, Tony Soprano.
Newark, Множинні святі Ньюарка, Багато святих Ньюарка, The Many Saints of Newark: A Sopranos Story, 黑幫聖徒, Os Santos Mafiosos de Newark, Светците от Нюарк, Many Saints Of Newark - Une histoire des Soprano, Усі святі Ньюарка, Všichni svatí mafie, Santos criminales, Todos os Santos de Newark, 纽瓦克众圣, Множественные святые Ньюарка, I molti santi del New Jersey, Svi sveci mafije, הקדושים של ניוארק, Wszyscy święci New Jersey, Os Muitos Santos de Newark: Uma História Soprano, Οι Άγιοι της Μαφίας, Los Santos De La Mafia, 더 매니 세인츠 오브 뉴어크, Мафијашки свеци Њуарка, Les Saints Criminels de Newark, القديسون العديدون في نيوآرك, قدیسان بیشمار نیوآرک, Mafijos šventieji, العديد من القديسين في نيوآرك, 紐華克聖人, Ņūarkas svētie, A maffia szentjei, Všetci svätí mafie, Sfinții din Mafie, เดอะ เมนี่เซนต์ส ออฟ นวร์ก ใครสร้าง โทนี่ โซปราโน่, Newarki pühakud, ソプラノズ ニューアークに舞い降りたマフィアたち, Veliki svetniki Newarka, Những Vị Thánh Của Newark
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Sopranos fans rejoice, we are finally getting our Young Sheldon
if the opening scene is Uncle Junior eating pussy, i will rate it 5 stars no questions asked
"'Remember when' is the lowest form of conversation"
This review may contain spoilers. I can handle the truth.
absolutely fucking lost it when this pulled the beerfest identical twin brother gag
I wish italian people were real 💔
35
Jeez, what a clunker. Sure, there's a few solid performances here, especially from Alessandro Nivola, who knows exactly how to handle a de-mystified Dickie Moltisanti, self-loathing and all, and Michael Gandolfini, who carries a weak role with pure physical prowess. But it's pretty ironic that this ends up being such a middling gangster riff, with an incessant jukebox soundtrack, typical mobster violence, and a dreary funeral tone overcompensating for flat characters and a jumbled mess of a narrative. Not great that I thought more about the similarly mediocre Black Mass than anything Sopranos related. Alan Taylor's television resume is impressive but this falls right alongside the duds of Thor: The Dark World and Terminator: Genisys.
More. It would be impossible to sum up “The Sopranos” in a single word, but some of them sink to the bottom of David Chase’s storied television epic like a dead FBI informant dumped into the Atlantic. Respect. Family. Gabagool. More. More. More. More. The insatiable desire for more — more money, more power, more whatever the fuck you can take from this world — never crystallized into a slogan the way it would in executive producer Matthew Weiner’s “Mad Men,” but New Jersey mob boss Tony Soprano was at heart the largest and most perversely likable incarnation of a classic American archetype: The bottomless pit. The double-or-nothing. The never-ending breadsticks. He was the bastard son of a country where…
I try to avoid hyperbole as much as I can, but Im 100% guilty of waxing lyrical about things that move me, or with stuff I feel is important.
It’s not an exaggeration to say The Sopranos is one of the greatest TV shows ever made—that’s just consensus. Where I run the risk of jumping from effusive to full blown atomic hyperbole, is when I say The Sopranos is one of the most important pieces of art from the last 100 years. It directly and indirectly influenced TV, movies, and mainstream culture for over 20 years.
It helped legitimise TV as a medium for more in-depth storytelling and character development. The big budget dramas and thrillers that filled cinemas weekend…
This review may contain spoilers. I can handle the truth.
So you're telling me..... the LEGENDARY, the FABLED, the IDOLIZED MARTYR of Dickie Moltisanti, that was propped up on the biggest pedestal of all time in The Sopranos, was KILLED OFF because motherfucking Junior Soprano hurt his back and couldn't fuck a woman for at least a month, and Dickie laughed at his fall.
The incoherency of that plot point is just as incoherent of the rest of the film and I really just cannot accept this as canon.
Edit: I don’t care if you think it’s in character for Junior to put out the hit. In fact I don’t disagree with you. But my opinion that it was the downfall of this man over a joke like that doesn’t sit well with me. Logic makes sense, shitty story writing does not.
Any more comments alluding to whether I’ve seen the series or bringing this up again will br deleted! I’m over it! Move on and comment on another review!!!
Michael Gandolfini gives a truly impressive performance here as the younger version of Tony. It’s way beyond just the fact that he looks like his dad. He’s got the voice, the mannerisms, the posture, the thoughtful (and sometimes menacing) eyes. It’s honestly uncanny.
In a way though, Gandolfini’s performance undermines the movie. It reminds us how central Tony was to The Sopranos; here he’s much more of a side character, and the people who are the focus instead — mostly Christopher Moltisanti’s dad — aren’t as complex or as interesting. Plus, while Gandolfini absolutely brings young Tony to life, some of the other actors playing Sopranos characters might as well be doing imitations on SNL. And they look even worse in…
Woke up this morning and… GOT SOME GABAGOOOOOOOOL!!!!! (woke up this morning)
This is hardly some miscalculated cash-in but I'm not convinced there's any statement here that the show didn't already make and elaborate upon extensively, and I'm sorry but the little fill-ins and Easter eggs are exactly the sort of thing I can't stand in, say, the STAR WARSes.
