Synopsis
The curious child of idealistic interfaith parents observes an increasingly intolerant world as his family faces financial strain.
Directed by Narasimhamurthy Padmakumar
The curious child of idealistic interfaith parents observes an increasingly intolerant world as his family faces financial strain.
十亿彩色故事, 十億彩色故事
It's so unfortunate that this film is much more relatable now than it was in 2016. The reality hits so hard at times that this doesn't appear to be a film anymore. It's what this country has sadly become. Very strong and important film, everyone must see and reflect on it, as said in this film India's poetry is still alive! I consider it is our responsibility to keep it alive because at the end this is still the country which we once loved.
Love has always been Red. But then, so is violence and hatred.
"Nobody knows whether my death was communal because they can't decide which religion I belong to. But India's Poetry... Its poetry is still alive. A billion people can't be wrong."
It would be hard for me not to think about this movie for a long time; the way it has me relate to the whole concept, the whole concept of being agnostic or questioning everything and also being very optimistic and hopeful about everything, hit me so hard, I can't even express my feeling at this point.
The acting and some scenes felt very unreal or felt disconnected because of their repetitiveness, but again it totally varies from one person to another. Besides this, I would strongly, very, very, very, very strongly urge everyone to watch this movie. I really want to talk about so many things in this movie and how thoughtful the change in color was.
Wow, what a film. This was an extra special experience as it was the first film I finally got to see on a proper screening at school. Not to mention, I to see some of my friends again in person and attend a lecture with a professor I adore. But, we got the chance to talk with the director and hear him answer the questions we had for him—such a genius.
The beauty in this film is the simplicity of his vision and how all these simple elements come together in one powerful product. The use of black and white is done in such a profound way that not only works in the sense of how a child sees the…
I caught a screening of this emotional film at the South Asian Film Festival in Dallas. In short, this independent film chronicles the life of a set of filmmaker parents and their precocious young son, having moved to India after living in Australia. The father is Muslim, and the mother is Hindu. As they seek finance for their personal film project, they become more and more unsettled by the state of Bombay and India in general, as it relates to religious intolerance and prejudice. As a microcosm to the world at large, the movie is effective at portraying the social tension through the eyes of the innocent. This is the first feature from Padmakumar Narasimhamurthy, who interestingly worked in advertisement for the majority of his life. Although the pacing felt a bit uneven, Billion Colour Story has a personal and timely message to share in current times.
Loved this film. It tells a lot about the current situation of our country and also gives a ray of hope in the end for the country to come out of the current turmoil.
A billion people can't be wrong?
Partially agree.... when it comes to choose a wrong leader to the nation?
how can you put billions of people future in maniac hand's. because of that decision we all have to face the consequences until to death.
it's all just a matter of hope between
India lost its poetry to India poetry is still alive. I loved the way how beautifully conventionally Mr paddy crafted the Film. The Hurdles which he showed us on the screen is very true to get producers for making social message oriented film's that too on controversial subject like religion and freedom. When people realise you're going again their blind beliefs they gonna do the same for all…
-I appreciated how this film touched on not just the Hindu-Muslim conflicts that are pervasive in India, but also everyday conflicts that are rife. One quote in the film is: "It's not just a Hindu versus Muslim thing anymore; it's everyone versus everyone now. It's Punjabi versus Gujarati, Bengali versus Marathi, married versus unmarried, young versus old, English speaking versus vernacular, Khaki versus civilian." This quote underscores the deeply felt conflicts that, when interacting with institutions as formal as law enforcement and marriage, cause relationships to fray and injustices to continue. Practices like wife-beating are blithely ignored and swept under the rug by policemen who choose not to look at the evidence of wife-beating from witnesses of the crime, but…
Sensitive subject handled brilliantly.the way story is narrated with colours is just so beautiful.A tiny ray of hope when it’s colourless along with grief,despair when it’s colour with memories of their son appearing in pink filter.Loved how well the relationship between parent and children is established.The main part of any parent to to create awareness in their children on how to behave,how to underage their surroundings,what does the country in which they are living in stands for.And climax is so so heart breaking 😭😭❤️
You know those Facebook posts that would spread like wildfire when you were younger that were along the lines of “if you don’t share this image _____ will happen?” Welp!
Never would've watched it had it not been for school, but holy shit what a film.
There was absolutely no sugar coating in this. Zero shying away from what reality in India is really like. Complete transparency when talking about domestic violence, misogyny, religious conflicts or how present corruption is.
There were a couple of things I had issues with, that said it was still a really beautiful, yet completely devastating film. And considering that India heavily censors the entertainment people have access to, this is much needed.