This review may contain spoilers. I can handle the truth.
Review by S. Patron
This review may contain spoilers.
S.’s review published on Letterboxd:
The first time I saw Get Out, I enjoyed it but didn’t hold it to the same regard that most viewers seem to. This usually happens the first time I watch something… I sit back, relax, and try to mindlessly enjoy the ride. Now I can confidently say that I love it.
The characters and casting are immaculate. Daniel Kaluuya’s facial expressions articulate Chris’s inner thoughts flawlessly throughout the entire ordeal. His character’s decisions are rational and intelligent the whole way through, even when things begin to go off the rails. Allison Williams is wonderful as Rose — she‘s believable as a well-meaning ‘woke’ girlfriend and just as much so as a psychopath drinking milk through a straw with a side of Fruit Loops. Bradley Whitfield is excellent as her dad — much of the dialogue relies on his impeccable timing and line delivery. The only character that feels a bit misplaced is Rod, the best friend. He and Chris seem so vastly different I can’t completely buy that they would be in the same social circles, let alone best friends, but I guess everyone needs that ride or die pal from their childhood. The character brings welcome moments of comedy though and speaks for the audience in a sense.
Peele’s script is smart and littered with double entendres. During a first watch the racial commentary is obvious and it’s clear something isn’t right, but you’re led there slowly. The second time around, the dialogue hits harder as you realize just how sinister every sentence they utter is. Each character death is intentional and the ending is satisfying although it cleverly tricks you into thinking it may wind up being a Night of the Living Dead situation.
And last but not least, the “Redbone” needle drop is sooooo elite.
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