Directed by Dan Trachtenberg
After a catastrophic car crash, a young woman wakes up in a survivalist's underground bunker, where he claims to have saved her from an apocalyptic attack that has left the outside world uninhabitable.
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john goodman. john fucking goodman.
is
so
fucking
good,
man.
This review may contain spoilers. I can handle the truth.
that split second when this movie makes u believe howard actually accepted emmett's apology but then he just shoots emmett in the face is the reason i have trust issues
We don’t talk enough about the scene where John Goodman throws on Tell Him by The Exciters and just starts twerking.
literal chills when John Goodman started twerking
John Goodman is the kaiju in this one.
When will Mary Elizabeth Winstead save me from this life with her strong arms...
the ending was like: i'll ruin this shit out
i love combat lesbian mary elizabeth winstead
i wanna get 'EMMETT' tattooed on my forehead
80/100
10 Cloverfield Lane runs like clockwork. Beginning with a simple, Hitchcockian setup (complete with a Herrmann-esque score that kicks all sorts of ass), Dan Trachtenberg's debut feature lays out its mysteries like a jigsaw puzzle, building up the inner geography of the main location while allowing a few pieces to go missing, ratcheting up tension as a result. As an economical narrative, it's flawless, playing with rich, interesting characters in an enclosed space, and every frame is still, watching and planning the next move. It's a claustrophobic pot boiler oozing with riddles, and the conclusion, while feeling somewhat reminiscent of a studio stumbling in all "Night of the Living Dead" like with their profit-minded egos, feels part of a…
guy like me would never tell a woman what she can and can’t do like that
in fact, i would vote for her to be president of the bunker if I could.
